Engraving
Signed 'Hh ex.' by Hendrick Hondius
Copy in same direction as Cock 1572 engraved Pictorum
20.7 x 12.0 cm

Transcription of Inscription [Lampsonius]:

HUBERTO AB EYCK, IOANNIS FRATRI, PICTORI.
Quas modo communes cum fratre, Huberte, merenti
Attribuit laudes nostra Thalia tibi,
Si non sufficient : addatur et illa tua quod
Discipulus frater te superavit ope.
Hoc vestrum docet illud opus Gandense Philippum
Quod Regem tanto cepit amore sui :
Eius ut ad patrios mittendum exemplar Iberos
+Coxennii fieri iusserit ille manu.

+Michael Coxennius Mechlin:
in insignis hac aetate pictor

Translation of Inscription [Lampsonius]:

To Hubert van Eyck, brother of Jan, painter.

Hubert, if the praises which our Thalia¹ recently attributed to you along with your deserving brother are not enough, let this [praise] of yours be added, that your brother, as your student, outdid you in ability² That work of yours in Ghent³ teaches this, which filled Philip with such love of it,⁴ that he ordered a copy of it to be made by the hand of Coxennius, to be sent to his native Spaniards.

Note (referring to Coxennius) – Michael Coxennius of Mechelen, a famous painter of that age.

Hollstein 1994 no. 82

Karel Van Mander's biography of Hubert van Eyck
Grove Art Online biography

View the 1572 print
View both prints side by side

Engraving
Signed 'Hh ex.' by Hendrick Hondius
Copy in reverse direction to Cock 1572 engraved Pictorum
20.7 x 11.9 cm

Transcription of Inscription [Lampsonius]:

IOANNES AB EYCK, PICTOR.
Ille ego, qui laetos oleo de semine lini
Expresso docui princeps miscere colores,
Huberto cum fratre novum stupuere repertum,
Atque ipsi ignotum quondam fortassis Apelli,
Florentes opibus Brugae mox nostra per omnem
Diffundi late probitas non abnuit orbem.

Translation of Inscription [Lampsonius]:

Jan van Eyck, painter
I am he who ⁵ first taught to mix joyful colours from the pressed oily seed of flax, ⁶ with my brother Hubert.  Bruges, flourishing with wealth, was astounded by this new discovery, perhaps unknown in the past to Apelles himself.  Soon afterwards our uprightness ⁷ did not refuse to be spread widely through the whole world.

Hollstein 1994 no. 83

Karel Van Mander's biography of Jan van Eyck
Grove Art Online biography

View the 1572 print
View both prints side by side

Engraving, second state.
Signed 'Hh ex.' by Hendrick Hondius
Copy in reverse direction as Cock 1572 engraved Pictorum
19.8 x 12.0 cm

Transcription of Inscription [Lampsonius]:

HIERONIMO BOSCHIO PICTORI.
Quid sibi vult, Hironyme Boschi,                    
Ille oculus tuus attonitus? quid                        
Pallor in ore?  velut lemures si
Spectra Erebi volitantia coram
Aspiceres?  Tibi Ditis avari
Crediderim patuisse recessus
Tartareasque domos tua quando
Quicquid habet sinus imus Averni
Tam potuit bene pingere dextra.

Translation of Inscription [Lampsonius]:

To Hieronymus Bosch, painter. 
What is meant by that astonished eye of yours, Hieronymus Bosch, or that pallor in your face?  As if you had seen ghosts, the spectres of Erebus, flittering in front of you.  I could believe that the caves of greedy Pluto and the houses of Tartarus lay open to you, seeing as your hand could paint so well whatever the lowest hollows of Avernus ⁸ contain.

Hollstein 1994 no. 85

Karel Van Mander's biography of Hieronymus Bosch.
Grove Art Online biography.

View the 1572 print
View both prints side by side

Engraving
Attributed to Hendrick Hondius
Copy in same direction as Cock 1572 engraved Pictorum

21.0 x 12.1 cm

Transcription of Inscription [Lampsonius]:

ROGERO BRUXELLENSI PICTORI.
Non tibi sit laudi, quod multa, et pulchra, Rogere,
     Pinxisti ut poterant tempora ferre tua, 
Digna tamen, nostro quicunque est tempore Pictor
     Ad quae, si sapiat, respicere usque velit :
Testes picturae, quae Bruxellense tribunal
     De recto Themidis cedere calle vetant : 
Quam tua de partis pingendo extrema voluntas
     Perpetua est inopum quod medicina fami.
Illa reliquisti terris iam proxima morti ;
     Haec monumenta polo non moritura micant.

Translation of Inscription [Lampsonius]:

To Rogier van der Weyden, painter. 
May your praise not be that you painted many beautiful things, as your age could bear them ⁹ (although they are worthy that anyone who is a painter in our time wish greatly to look at them, if he be wise – the paintings which forbid the tribunal of Brussels to leave the straight path of Justice are witness [to this]): but rather that your last will is a perpetual remedy for the hunger of the poor from the proceeds of your painting.  The former, [itself] already near to death, you left on earth; the latter shines in the sky, as a monument that will not die.¹⁰

Hollstein 1994 no. 86
Karel Van Mander's biography of Rogier van der Weyden
Grove Art Online biography

View the 1572 print
View both prints side by side

Engraving, second state
Signed 'Hh ex.' by Hendrick Hondius
Copy in reverse direction to Cock 1572 engraved Pictorum

20.1 x 12.0 cm

Transcription of Inscription [Lampsonius]:

DE BERNARDO BRUXELLENSI. PICTORE.
Aulica quod sese Bernardo iactet alumno
Bruxella, Attalicas doctissima pingere vestes : 
Non tam pictoris, si quis me iudice certet,
Arti debetur, quanquam debetur et arti
Quam tibi quod carus Belgarum Margari rectrix
Dum tibi Appellea nihil est iucundius arte,
Aurea peniculis te dante manubria, et aureos

Saepe tulit, cusum paulo ante numisma, Philippos

Translation of Inscription [Lampsonius]:

About Bernaert van Orley, painter. 
That the Court of Brussels boasts of its nursling Bernaert, most skilled¹¹ in painting Attalian¹² garments, is not so much due (if anyone wants to argue while I am judging¹³) to the painter’s skill (although it is also due to his skill) as it is to [the fact] that he was dear to you, Margaret ruler of the Belgians, since nothing is more delightful to you than the art of Apelles.  By your gift, he often got golden handles for his paintbrushes, and gold coins, in recently minted currency.

Hollstein 1994 no. 87

Karel Van Mander's biography of Bernaert van Orley
Grove Art Online biography

View the 1572 print
View both prints side by side

Engraving
Signed 'Hh ex.' by Hendrick Hondius
Copy in reverse direction to Cock 1572 engraved Pictorum
19.1 x 12.3 cm

Transcription of Inscription [Lampsonius]:

IOACHIMO DIONATENSI PICTORI.
Has inter omnes nulla quod vivacius 
     Ioachime, imago cernitur
Expressa, quam vultus tui ; non hinc modo
     Factus est, quod illam Curtii 
In aera dextra incidit, alteram sibi 
     Quae non timet nunc aemulam :
Sed quod tuam Dureres admirans manum
     Dum rura pingis, et casas
Olim exaravit in palimpsesto tuos 
     Vultus ahena cuspide.
Quas aemulatus lineas se Curtius,
     Nedum praeivit ceteros.

Translation of Inscription [Lampsonius]:

To Joachim Patenir, painter. 
That, amongst all of these, no image expressed with more liveliness than your face is to be seen, Joachim, has happened not only because Curtius'¹⁴ hand cut it into the bronze ([the hand] which does not now fear another rival), but [also] because Dürer, admiring your hand, when you painted fields and huts,¹⁵ once drew your face on a palimpsest¹⁶ with his bronze point.  Imitating those lines, Curtius surpassed himself, not to mention all the others.

Hollstein 1994 no. 88

Karel Van Mander's biography of Joachim Patinir
Grove Art Online biography

View the 1572 print
View both prints side by side

Engraving
Signed 'Hh ex.' by Hendrick Hondius
Copy in same direction as Cock 1572 engraved Pictorum

20.4 x 12.0 cm

Transcription of Inscription [Lampsonius]:

QUINTINUS MESIUS. ANVER:PIANUS PICTOR.
Ante faber fueram Cyclopeus ; ast ubi mecum
     Ex aequo pictor coepit amars¹⁷ procus :
Seque graves tuditum tonitrus postferre silenti
     Peniculo obiecit cauta puella mihi : 
Pictorem me fecit amor.  tudes innuit illud
     Exiguus, tabulis quae nota certa meis,
Sic ubi Vulcanum nato Venus arma rogarat 
     Pictorem e fabro summe Poeta facis.

Translation of Inscription [Lampsonius]:

To Quentin Matsys, painter of Antwerp.
Before I used to be a Cyclopean smith,¹⁸ but when a wooing painter began to love¹⁹ on an equal footing with me, and the cautious girl objected to me that she liked the heavy thundering of hammers less than the silent paintbrush, love made me a painter.  A tiny hammer, which is the sure note of my paintings, alludes to this.  Thus, when Venus had asked Vulcan for arms for her son, you, greatest of poets, made a painter out of a smith.²⁰

Hollstein 1994 no.89

Karel Van Mander's biography of Quentin Matsys
Grove Art Online biography

View the 1572 print
View both prints side by side

Engraving
Signed 'Hh exc.' by Hendrick Hondius
20.5 x 12.4 cm

Transcription of Inscription [Lampsonius]:

CORNELIUS ENGELBERT. LEIDAN. PICTOR.
Hic inter primos oleo de semine lini 
     Expresso in Batavis pingere qui didicit.
Miramur Vultus quos pinxit, Chromata laeta.
     Pictorum hunc Lucas flos colit artificem.

Translation of Inscription [Lampsonius]:

Cornelis Engelbrechtsz. Painter of Leyden.
This man was among the first of the Dutch who learnt to paint with pressed oily seed of flax.²¹  We wonder at the faces [and] joyful colours which he painted.  Lucas, the flower of painters, frequented this artist.

Hollstein 1994 no.90

Karel Van Mander's biography of Cornelius Engebrechtsz
Grove Art Online biography

Engraving, second state
Signed 'Hh ex.' by Hendrick Hondius
Copy in reverse direction as Cock 1572 engraved Pictorum
20.9 x 12.2 cm

Transcription of Inscription [Lampsonius]:

IOANII MABUSIO, PICTORI.
Tuque adeo nostris seculum dicêre, Mabusi,
     Versibus ad graphicen erudiisse tuum.
Nam quis ad aspectum pigmenta politius alter
     Florida Apelleis illineret tabulis?
Arte aliis, esto, tua tempora cede secutis ;

Peniculi ductor par tibi, rarus erit.

Translation of Inscription [Lampsonius]:

To Jan Gossaert, painter. 
You too, indeed, man of Maubeuge, will be said in our verses to have educated your age in drawing.  For who else could daub Apelles’ boards²² with flowering pigments smoother to the eye?  Granted, you yield in skill to others who followed your age.  [But] rare will be the guider of the brush who is equal to you.  

Hollstein 1994 no.91

 Karel Van Mander's biography of Jan Gossaert
 Grove Art Online biography

View the 1572 print
View both prints side by side

Engraving
Signed 'Hh ex.' by Hendrick Hondius
Copy in reverse direction as Cock 1572 engraved Pictorum

20.1 x 12.3 cm

Transcription of Inscription [Lampsonius]:

DE JOANNE HOLLANDO, ANVERPIANO PICT :
Propria Belgarum laus est bene pingere rura :
     Ausoniorum, homines pingere, sine²³ deos.
Nec mirum in capite Ausonius, sed Belga cerebrum
     Non temere in guava²⁴ fertur habere manu.
Maluit ergo manus Jani bene pingere rura
     Quam caput, aut homines, aut male scire deos.

Translation of Inscription [Lampsonius]:

To Jan van Amstel, painter of Antwerp ²⁵
The proper praise of Belgians is to paint fields well; that of Italians to paint men or gods.  Nor is it surprising: not without reason is the Italian said to have his brain in his head, [while] the Belgian [has his] in his active hand. Jan’s hand, then, preferred to paint fields well, than for his head to know poorly either men or gods.

Hollstein 1994 no.92

 Karel Van Mander's biography of Jan van Amstel
 Grove Art Online biography

View the 1572 print
View both prints side by side

Engraving
Signed 'Hh ex.' by Hendrick Hondius
Copy in same direction as Cock 1572 engraved Pictorum

19.3 x 12.6 cm

Transcription of Inscription [Lampsonius]:

PETRO COECKE. ALOSTANO, PICTORI.
Pictor eras nec eras tantûm, Petre, pictor ; Alostum
     Qui facis hac Orbi notius arte tuum :
Multa sed accessit multo ars tibi parta labore,
     Cuius opus pulchras aedificare domos.
Serlius hanc Italos ; tu, Serli deinde bilinguis
     Interpres, Belgas, Francigenasque doces.


Translation of Inscription [Lampsonius]:

To Pieter Coecke van Aelst, painter. 
You were a painter, but, Pieter, you were not only a painter, you who made your Aelst²⁶ more known to the world by this skill.  But there was much skill in addition, born to you by much labour.  Its office was to build beautiful houses. Serlio taught this to the Italians, then you, bilingual interpreter of Serlio, taught the Belgians and the French.

Hollstein 1994 no.93

 Karel Van Mander's biography of Pieter Coecke van Aelst
 Grove Art Online biography

View the 1572 print
View both prints side by side

Engraving
Attributed to Hendrick Hondius
Copy in reverse direction to Cock 1572 engraved Pictorum
20.6 x 11.8 cm

Transcription of Inscription [Lampsonius]:

DE IOANNE MAIO, PICTORE.
Quos homines, quae non Maius loca pinxit, et urbis²⁷
     Visendum late quicquid et Orbis habet ;
Dum terra sequiturque mari te Carole Caesar
     Pingeret ut dextrae fortia facta tuae ;
Quae mox Attalicis fulgerent aurea textis,
     Materiem artifici sed superante manu.
Nec minus ille sua spectacula praebuit arte
     Celso conspicuus vertice grata tibi,
Iussus prolixae detecta volumina barbae
     Ostentare suos pendula ad usque pedes.


Translation of Inscription [Lampsonius]:

About Jan Vermeyen, painter.
What men, what places and what cities²⁸ has Vermeyen not painted? –– and whatever the world, far and wide, has worth seeing -  while he followed you on land and sea, Emperor²⁹ Charles, to paint the mighty deeds of your hand.  These soon shone in gold with Attalian³⁰ embroidery, although the artist’s hand was greater than the material.³¹ Nor did he provide a sight less pleasing to you than his art – [he was] remarkable for his high forehead, [and] was ordered to show off the unhidden folds of his rich beard, hanging down to his feet.

Hollstein 1994 no.94

 Karel Van Mander's biography of Jan Vermeyen
 Grove Art Online biography

View the 1572 print
View both prints side by side

Engraving
Attributed to Hendrick Hondius
Copy in reverse direction to Cock 1572 engraved Pictorum

19.6 x 12.4cm

Transcription of Inscription [Lampsonius]:

MATTHIÆ COCO ANVERPIAN. PICTORI. HIERONYMI FRATRI.  
Tu quoque, Matthia, sic pingere rura sciebas,
     Ut tibi vix dederint tempora nostra parem.
Ergo, quod artifices inter spectaris et ipse,
     Quos immortalis³² Belgica laude colit ;
Non in te pietas tantem³³  fraterna, sed arti
     Efficit et merito laus tribuenda tuae.

Translation of Inscription [Lampsonius]:

To Matthias Cock of Antwerp, painter, brother of Hieronymus.
You too, Matthias, knew how to paint fields in such a way, that our age has scarcely produced your equal.  Therefore, if you too are considered among the artists whom Belgium honours with immortal³⁴ praise, not only³⁵ fraternal piety grants this to you, but also the praise justly due to your skill.

Hollstein 1994 no.95

Karel Van Mander's biography of Mathys Cock
Grove Art Online biography

View the 1572 print
View both prints side by side

Engraving, second state
Signed 'Hh ex.' by Hendrick Hondius
Copy in reverse direction to Cock 1572 engraved Pictorum

20.6 x 12.3 cm

Transcription of Inscription [Lampsonius]:

HENRICO BLESIO, BOVINATI, PICTORI.
Pictorem urbs dederat Dionatum Eburonia, pictor
     Quem proximis dixit poeta versibus
Illum adeo artificem patriae situs ipse, magistro
     Aptissimus, vix edocente fecerat.
Hanc laudem invidit vicinae exile Bovinum,
     Et rura doctum pingere Henricum dedit
Sed quantum cedit Dionato exile Bovinum

            Ioachime, tantum cedit Henricus tibi.

Translation of Inscription [Lampsonius]:

To Herri met de Bles of Bouviges, painter. 
The Eburonian city³⁶ had produced the painter of Dinant,  the painter of whom the poet spoke in recent verses.  The most favourable site of his homeland had made him entirely an artist, and a master hardly taught him.  Tiny Bouviges was jealous of this its neighbour’s glory and produced Hendrik, learned in painting fields.  But, Joachim,  as much as tiny Bouviges yields to Dinant [in size], so much does Hendrik yield to you.

Hollstein 1994 no.96

 Karel Van Mander's biography of Henri met de Bles
 Grove Art Online biography

View the 1572 print
View both prints side by side

Engraving
Signed 'Hh' by Hendrick Hondius
Copy in reverse direction to Cock 1572 engraved Pictorum
19.3 x 12.1 cm

Transcription of Inscription [Lampsonius]:

IUSTO CLIVENSI ANVERPIAN PICTORI.
Nostra nec artifices inter te Musa silebit
     Belgas, picturae non leve, Iuste, decus.
Quam propria, nati tam felix arte fuisses ;
     Mansisset sanum si misero cerebrum.


Translation of Inscription [Lampsonius]:

To Joos van Cleve of Antwerp, painter. 
Our muse shall not keep silent about you, among the Belgian artists, Joos, [you who are ] no trivial glory of painting.  You would have been as happy in your son’s art as in your own, if only the wretch’s brain had remained healthy.

Hollstein 1994 no. 97

 Karel Van Mander's biography of Joos van Cleve
 Grove Art Online biography

View the 1572 print
View both prints side by side

Engraving, second state
Attributed to Hendrick Hondius
Copy in reverse direction to Cock 1572 engraved Pictorum

19.5 x 12.7 cm

Transcription of Inscription [Lampsonius]:

IOANNES SCORELLUS BATAVUS PICTOR.
Primus ego egregios pictura invisere Romam
Exemplo docuisse meo per secula Belgas
Cuncta ferar ; neque enim iusti dignandus honore
Artificis, qui non graphidas, pigmentaque mille
Consumpsit, tabulasque schola depinxit illa³⁷ 


Translation of Inscription [Lampsonius]:

Jan van Scorel, Dutch painter. 
Through all centuries I shall be said to have been the first to have taught by my example the excellent Belgians to be envious of Rome in painting.  For he is not worthy of the honour of a true artist, who does not use up a thousand pencils and pigments, and paint pictures in that school.³⁸

Hollstein 1994 no.98

 Karel Van Mander's biography of Jan van Scorel
 Grove Art Online biography

View the 1572 print
View both prints side by side

Engraving, second state
Signed 'Hh' by Hendrick Hondius
Copy in reverse direction to Cock 1572 engraved Pictorum

19.2 x 11.7 cm

Transcription of Inscription [Lampsonius]:
PETRO BRVEGEL, PICTORI.
Quis novus hic Hieronymus Orbi
Boschius ? ingeniosa magistri 
Somnia peniculoque, styloque
Tanta imitarier arte peritus.
Ut superet tamen interim et illum ?
Macte animo, Petre, mactus ut arte
Namque tuo, veterisque magistri
Ridiculo, salibusque referto
In graphices genere inclita laudum
Praemia ubique, et ab omnibus ullo
Artifice haud leviora mereris

Translation of Inscription [Lampsonius]:

To Pieter Bruegel, painter. 
Who is this new Hieronymus Bosch for the world, versed in imitating the master’s ingenious dreams with such great skill of paintbrush and pen – so that sometimes he surpasses even him.  Pieter, [you are] blessed in your spirit, as you are blessed in your skill, for in your own and your old master’s comic type of painting, full of wit, you deserve glorious rewards of praise, everywhere and from everyone, no less than those of any artist.

Hollstein 1994 no.100

 Karel Van Mander's biography of Pieter Bruegel
 Grove Art Online biography

View the 1572 print
View both prints side by side

Engraving
Signed 'Hh ex.' by Hendrick Hondius
Copy in reverse direction to Cock 1572 engraved Pictorum

19.8 x 12.0 cm

Transcription of Inscription [Lampsonius]:

DE GUILIELMO CAIO, BREDANO, PICTORE. 
Quas hominum facies, ut eos te cernere credas
     Expressit Caii pingere docta manus,
(Si tamen excipias unum, me iudice, Morum)
     Culpari Belgae nullius arte timent.

Translation of Inscription [Lampsonius]:

About Willem Key of Breda, painter. 
What faces of people the hand of Key, learned in painting, expressed, so that you could believe you were looking at them!³⁹ – if however, you except one, Mor,⁴⁰ in my opinion the Belgians do not fear to be found wanting because of anyone’s skill. 

Hollstein 1994 no.101

 Karel Van Mander's biography of William Key
 Grove Art Online biography

View the 1572 print
View both prints side by side

Engraving, second state
Signed 'Hh ex.' by Hendrick Hondius
Copy in same direction as Cock 1572 engraved Pictorum

20.4 x 12.1 cm

Transcription of Inscription [Lampsonius]:

LUCÆ GASSELO HELMONTANO PICTORI.
Salve omnes, Luca, ante alios carissime quondam
     Nec levius proprio culte parente mihi.
Quippe mihi primus graphices datus auctor amandae
     Dum pingis docta rura, casasque manu.
Par arte⁴¹ probitasque tuae, candorque, bonorum
     Et quicquid mentes ducere amore potest.
Ergo fama tuae virtutis, et artis in aevum
     Vivat, utroque mihi nomine amate senex 


Translation of Inscription [Lampsonius]:

To Lucas Gassel of Helmond, painter.
Hail, Lucas, once more dear than all the rest, and no less honoured by me than my own father.  Indeed you were the first cause of loving painting offered to me, while you were painting fields and huts⁴² with your learned hand.  Equal to your skill⁴³ [else] can attract the minds of the good with love.  Therefore may the fame of your virtue and skill live forever, old man beloved to me on both counts.

Hollstein 1994 no.102

 Karel Van Mander's biography of Lucas Gassel
 Grove Art Online biography

View the 1572 print
View both prints side by side

Engraving
Signed 'Hh ex.' by Hendrick Hondius
Copy in same direction as Cock 1572 engraved Pictorum

20.5 x 12.5 cm

Transcription of Inscription [Lampsonius]:

FRANCISCO FLORO ANVERPIANO, PICTORI
Si pictor quantum natura, Flore, valebas,
     Tantum adiunxisses artis et ipse tibi,
Dum tibi multa libet potius, quam pingere multum
     Nec mora te limae iusta, laborque iuvat :
Cedite clamarem, pictores, omnibus oris
     Quos vel avi, nostri vel genuêre patres.

Translation of Inscription [Lampsonius]:

To Frans Floris of Antwerp, painter 
If, Floris you had acquired for yourself as much skill as you had natural ability as a painter (since you preferred to paint many things than to paint a lot,⁴⁴ and neither the just delay of the file nor hard work⁴⁵ pleased you) – I would cry out ‘yield painters from all lands,⁴⁶ whom either our grandfathers or our fathers produced’. 

Hollstein 1994 no.103

 Karel Van Mander's biography of Frans Floris
 Grove Art Online biography

View the 1572 print
View both prints side by side

Etching
Signed 'Hh fecit' by Hendrick Hondius
21.9 x 12.9 cm

Transcription of Inscription [Lampsonius]:
LUCÆ LEIDANCO PICTORI, ET SCULPTORI
        Tu quoque Durero non par, sed proxime, Luca,
        Seu tabulas pingis, seu formas sculpis ahenas,
        Ectypa reddentes tenui miranda papyro,
        Haud minimam in partem (si qua est ea gloria) nostrae
        Accede, et tecum natalis Leida, Camoenae. 
                                                       D. Lampsonius.

Translation of Inscription:
To Lucas van Leyden, painter and sculptor⁴⁷
You too, not equal, but nearest to Dürer, whether you be painting pictures, or sculpting bronze forms which provide marvellous plates for the thin paper, take (if there is any glory in this)⁴⁸ a place – not the least important – in our Muse’s work,⁴⁹ along with your native Leyden.
D. Lampsonius

View the 1572 print
View both prints side by side

Etching
Signed Hh ex. by Hendrick Hondius, attributed to Simon Frisius
20.5 x 12.3 cm

Transcription of Inscription:
IOANNES HOLBENUS, BASILENSIS
Egregius pictor magno qui gratus Erasmo.
   His quantu⁵⁰ accrevit laus, Basilea, tua !
Divisus nostro te suscipit orbe Britannus
   Holbene.  orbe uno laus tua non capitur.

Translation of Inscription:
Hans Holbein of Basel
An exceptional painter, who was pleasing to great Erasmus. From this, Basel, how much does⁵¹ your praise grow! The Briton, separated from our world,⁵² received you, Holbein.  Your praise is not contained by one world.

Orenstein 1996, Frisius no. 148; Hollstein 2008 no. 168
Karel Van Mander's biography of Hans Holbein 
Grove Art Online biography 

Etching and engraving
Signed 'Hh' by Hendrick Hondius, attributed to Simon Frisius
20.4 x 12.7 cm

Transcription of Inscription:
HENRICUS ALDEGREVER, VESTPHALUS. PICTOR, ET SCULPTOR 
Vestphalus incultus non Aldegravius hic est,
Regum et Doctorum clarus imaginibus.
Sartorem rege pinxit bene, Vestphaliam qui
Subtili filo strinxerat ingenii.

Translation of Inscription:
Heinrich Aldegrever, the Westphalian, painter and sculptor
This Aldegrever is not an uneducated Westphalian. He was famous for images of kings and learned men.  He painted well the tailor king,⁵³ he who had bound Westphalia with the subtle thread of his genius. 

Orenstein 1996, Frisius no. 136; Hollstein 2008 no. 156
Karel Van Mander's biography of Heinrich Aldegrever
Grove Art Online biography

Etching
Signed 'Hh' by Hendrick Hondius, attributed to Simon Frisius
20.2 x 12.2 cm

Transcription of Inscription:
IACOBUS BINCKIUS, GERMAN. PICT. ET SCULP.
Binckius, ingenio quae finxit, pinxit et idem,
Et scalpsit.  certant ars, manus, ingenium.
Cúm tua sint docté parvis expressa tabellis ;
Artis Censori credito magnus eris. 


Translation of Inscription:
Jacob Binck, German painter and sculptor 
Binck painted and engraved himself what he imagined in his mind.⁵⁴ His skill, hand and mind vie [with one another].  Since your [works] are learnedly expressed,⁵⁵ you will be great, if the censor of skill is believed.⁵⁶

Orenstein 1996, Frisius, no. 137; Hollstein 2008 no.157 
Grove Art Online biography

Engraved by Hendrick Hondius (Orenstein 1996)
Signed 'Hh fecit' by Hendrick Hondius
20.2 x 12.6 cm

Transcription of Inscription:
PETRUS PETRI, LONGUS, AMSTELR. PICTOR.
Chromata mirantur docti, ductúsque viriles,
    Et Tabulas magnas quas tua dextra dedit.
Corpore longus eras : et formans Corpora longa,
    Tu, LONGE, ostendis magna placere tibi.

Translation of Inscription:
Pieter Aertsen, the Long of Amsterdam, painter.
The learned wonder at your colours, your manly strokes, and the great paintings which your hand produced.  You were long in body, and made long bodies: Long one, you have shown that great things please you. 

Hollstein 1994 no.105

Karel Van Mander's biography of Pieter Aertsen
Grove Art Online biography

Etching
Signed 'Hh exc.' by Hendrick Hondius, attributed to Simon Frisius
19.5 x 12.2 cm

Transcription of Inscription:
IOACHIMUS BUECKELAER, ANTVERP. PICTOR
Hic tenui pinxit pretio dum vita manebat :
   Ast Tabulis pictis gloria non tenuis.
Cujus post mortem colimus tabulasque culinas.⁵⁷
   Nec mirum.  multis docta culina placet.  

Translation of Inscription:
Joachim Beuckelaer of Antwerp, painter 
This man painted for a meagre reward, while life remained [to him].⁵⁸ But his pictures have no meagre glory, whose paintings and kitchens⁵⁹ we honour after his death.  Nor is this surprising. A learned kitchen pleases many. 

Orenstein 1996 no. 140; Hollstein 2008 no. 160

Karel Van Mander's biography of Joachim Beuckelaer 
Grove Art Online biography 

Etching
Signed 'Hh ex.' by Hendrick Hondius, attributed to Simon Frisius
19.7 x 12.3 cm

Transcription of Inscription:
MARTINUS HEMSKERKUS, HARL.
Quae regio, Hemskerki Batavi non plena laboris?
     Tot pinxit, finxit qui ingenio tabulas.
Urbes admirans, turres, tristeśque ruinas,
     Dices Daedaleas composuisse manus.

Translation of Inscription:
Maarten van Heemskerck of Haarlem
What region is not full of the labour of Maarten the Dutchman,⁶⁰ who painted and made so many pictures with his genius?⁶¹ Admiring cities, towers, and sad ruins, you will say that the hands of Daedalus made them. 

Orenstein 1996, Frisius no. 146; Hollstein 2008 no. 166

Karel Van Mander's biography of Maarten van Heemskerck 
Grove Art Online biography

Etching
Signed 'Hh exc.' by Hendrick Hondius, attributed to Simon Frisius
20.3 x 12.4 cm

Transcription of Inscription:
ANTONIUS BLOCLANDUS, BATAVUS PICTOR.
Nobilis hic arte est, genere est hic nobilis idem,
     Formâ qui pinxit corpora conspicuâ.
Cúm pictam primo vidisset lumine Romam,

            Mox rediit Romae cedere turpe putans. 

Translation of Inscription:
Anthonie Blocklandt the Dutchman, painter.
This man is noble in skill; this same man is noble by race.  He painted bodies of remarkable shape.⁶² When he had seen Rome painted in the first light,⁶³ he soon returned, thinking it disgraceful to yield to Rome.⁶⁴

Orenstein 1996, Frisius no. 138; Hollstein 2008 no. 158

 Karel Van Mander's biography of Anthonie Blocklandt 
 Grove Art Online biography

Engraved by Hendrick Hondius (Orenstein 1996)
Signed 'Hh form. Cum privil.' by Hendrick Hondius
19.8 x 12.2 cm

Transcription of Inscription:
FRANCISCUS POURBUSIUS, BRUGENSIS.
Patre fuit pictore satus Pourbusius : arte
   Verum patre prior.  Sic monumenta docent.
Vivunt, quas pinxit pecudes pictaéque volucres :
     Pictoris lugent quae simul interitum.

Translation of Inscription:
Frans Pourbus of Bruges.
Pourbus was begotten by a painter father, but in skill he stood before his father.  His monuments teach this.  The flocks and coloured birds⁶⁵ which he painted are alive, [and] they weep together for the painter’s death. 

Hollstein 1994 no.106

 Karel Van Mander's biography of Frans Pourbus
 Grove Art Online biography 

(After Philip Galle's engraving after Anthonis Mor.)
Engraving by Robert de Baudous (Orenstein 1996, 39)
Signed 'Hh exc.' by Hendrick Hondius
20.5 x 12.4 cm (irregular plate)

Transcription of Inscription:
HUBERTUS GOLTZIUS, VENLON. PICTOR
Ut gemma in nitido fulget praestantior auro
   Chalcographus nitidus, clarus et Historicus:
Et Sculptor, Pictor : Romana Nomismata⁶⁶, Fasti
Romanum civem quem voluere suum.

Translation of Inscription:
Hubert Goltzius of Venlo, painter 
As a gem gleams more prominently in shining gold, [so] the shining bronze-engraver was also a famous historian, and a sculptor and painter, whom Roman coins and calendars wanted as their own Roman citizen.⁶⁷

Orenstein 1996, Frisius no. 145; Hollstein 2008 no. 165

 Karel Van Mander's biography of Hubert Goltzius
 Grove Art Online biography 

Engraved by Hendrick Hondius (Orenstein 1996)
Signed by 'Cum privil. Hh ex' by Hendrick Hondius
19.5 x 19.9 cm

Transcription of Inscription:
THEOD. BERNARDI, AMSTELDEN.
Vir gravis et doctus, pictor clarissimus idem,
     Titiani magni prodiit ipse scholâ : 
Usus et hic doctis, Algondo imprimis, et ipsa

            Pictorum summo iudice Lampsonio.

Translation of Inscription:
Dirck Barendsz. of Amsterdam
A grave and learned man, also a most famous painter, he came himself from the school of great Titian. 
Here too he had converse with the learned, especially Aldegonde,⁶⁸ and the greatest judge of painters, Lampsonius himself.⁶⁹

Hollstein 1994 no.107

 Karel Van Mander's biography of Dirck Barendsz
 Grove Art Online biography 

Engraving by Andries Jacobsz. Stock (Orenstein 1996, 267)
Signed 'Hh form.' by Hendrick Hondius
20.7 x 12.1 cm

Transcription of Inscription:
IOANNES BOLLIUS, MECHLINIENSIS. PICTOR
Pictorum sedes dedit hunc Mechlinia Bollum,
Arte, nitore urbes quae superat reliquas.
Rura, lacus aqueo quamvis sint ducta colore ;

   Non tamen haec abeunt more fluentis aquae.

Translation of Inscription:
Hans Bol of Mechelen, painter

The home of painters, Mechelen, which outdoes other cities in skill and splendour, gave this Bol. 
Although fields and lakes are traced in watery colour, still they do not depart like flowing water.⁷⁰

Orenstein 1996, Stock no. 267
Karel Van Mander's biography of Hans Bol
Grove Art Online biography 

Etching and engraving
Signed 'Hh exc.' by Hendrick Hondius, attributed to Simon Frisius
19.5 x 12.2 cm

Transcription of Inscription:
HENRICUS CLIVENSIS, ANTVERP. PICTOR 
Urbes atque Arces, Montes, Terrásque jacenteis⁷¹,
   Et Valles, Fontes, Flumina, Rura, Lacus,
Atque Casas humiles, tum tecta superba domorum
   Quae pinxit, recreant mirificé haec oculos. 

Translation of Inscription:
Hendrick van Cleef of Antwerp. Painter
The cities and castles, mountains and low-lying lands, and valleys, fountains, rivers, fields, lakes and humble huts, besides the proud roofs⁷² of houses, which he painted – these wonderfully refresh the eyes.⁷³

Orenstein 1996, Frisius no. 141; Hollstein 2008 no.161
 Karel Van Mander's biography of Hendrick van Cleef 
 Grove Art Online biography

Etching
Signed 'Hh ex.' by Hendrick Hondius, attributed to Simon Frisius
20.1 x 11.6 cm

Transcription of Inscription:
CHRISTIANUS QUEBORNUS. ANTV. PICTOR. 
Rura, lacus, silvas, montes Vallésque, recessus,
   Et fontes, pontes, et maria, et fluvios,
Omnia grata oculis, vario quae picta colore,
   Docta manus pingit, fingit at ingenium. 

Translation of Inscription:
Christian van den Queborn of Antwerp, painter. 
Fields, lakes, woods, mountains and valleys, caves, and fountains, bridges, and seas and rivers, all things pleasing to the eye, painted with varied colour – [these] his learned hand painted, but his mind imagined them.⁷⁴

Orenstein 1996, Frisius no. 154; Hollstein 2008 no. 174
RKD artists biography

Engraved by Hendrick Hondius (Orenstein 1996)
Signed 'Hh Cum privil' by Hendrick Hondius
20.4 x 12.1 cm

Transcription of Inscription:
CRISPIANUS BROEKIUS, ANTVERP. PICTOR.
Inventor felix habitus, pictórque peritus
Tectonices : laudas quem ingeniose faber.
Corpora pingebat magnis expressa figuris

Ad vivum, quorum tegmina nulla vides

Translation of Inscription:
To Crispijn van den Broeck of Antwerp, painter 
Ingenious craftsman,⁷⁵ he whom you praise was thought to be a lucky inventor and a skilled painter of carpentry.  He painted lifelike⁷⁶ bodies set forth in large shapes.  On these you shall see no covering.

Hollstein 1994 no.108

 mentioned in Karel Van Mander’s life of Frans Floris 
 Grove Art Online biography

Etching
Signed 'Hh ex.' by Hendrick Hondius, attributed to Simon Frisius
20.1 x 11.9 cm

Transcription of Inscription:
IODOCUS WINGIUS, BRUXELL. PICTOR
Wingius hic multum pingebat corpora viva : 
     Venae, membra, artus, omnia consipicua.
Cujus laudatur, quae expressa est, Belgica nuda : 
     Quâ ostendit Patriae tristia fata suae.

Translation of Inscription:
Joos van Winghe of Brussels, painter 
This van Winghe often painted living bodies – veins, limbs, joints, everything was remarkable.  His Belgian nude, which has been printed,⁷⁷ is praised. With her he showed the sad fate of his fatherland. 

Orenstein 1996, Frisius no. 159; Hollstein 2008 no. 179
 Karel Van Mander's biography of Joos van Winghe 
 Grove Art Online biography

Etching
Signed 'Hh. formis' by Hendrick Hondius, attributed to Simon Frisius
21.2 x 12.5 cm

Transcription of Inscription:

GEORGIUS HOEFNAGLIUS PICT. ANTVERPIANUS 
Doctrinâ excultus se offert Hoefnaglius ille,
   Cosmographo docto fidus et Ortelio.
Hic Orbem, ille Urbes dedit Orbi ingente Theatro,
   Et pinxit flores brutá⁷⁸ que qui varia. 

Translation of Inscription:

Joris Hoefnagel, painter of Antwerp
This Hoefnagel, refined by learning, presents himself.  He was also trustworthy for the learned cosmographer Ortelius.  The latter gave the world, [and] the former cities to the world in a gigantic Theatre,⁷⁹ and painted flowers and various brute beasts.⁸⁰

Orenstein 1996, Frisius no. 147; Hollstein 2008 no. 167

 Karel Van Mander's biography of Joris Hoefnagel 
 Grove Art Online biography

Etching and engraving
Signed 'Hh exc.' by Hendrick Hondius, attributed to Simon Frisius
20.4 x 12.4 cm

Transcription of Inscription:

MICHAEL COEXIUS, MECHLINIENS. PICTOR. 
Coexius illustris pictor, Mechlinia cujus
   Patria, doctorum quae fuit artificum.
Hic magno pinxit.  nam Zeuxis creditur esse :
   Carus divitibus, principibúsque Viris. 

Translation of Inscription:

Michiel Coxie of Mechelen, painter
Coxie was an illustrious painter, whose fatherland was Mechelen, which was that of learned artists.⁸¹ He painted for a great price.  For he was believed to be Zeuxis,⁸² [and] was dear to the rich and to princely men.

Orenstein 1996, Frisius no. 142; Hollstein 2008 no.162

 Karel Van Mander's biography of Michiel Coxie 
 Grove Art Online biography

Etching
Attributed to Simon Frisius

20.1 x 11.7 cm

Transcription of Inscription:

MARTINUS VOSSIUS, ANTVERPIAN. PICTOR.
Qui se offert oculis, Martinus Vossius ille :
   Cujus erat frater pictor, et ipse pater.
Arte hic Martinus sane est Hemskerkius alter.
   Nam simili ductu pinxit uterque, modo.

Translation of Inscription:

Maarten de Vos of Antwerp, painter
He who presents himself to [your] eyes is that Maarten de Vos, whose brother, and even father, were painters. In his skill this Maarten is surely a second Heemskerk.  For both painted with a similar stroke [and]⁸³ manner. 

Orenstein 1996, Frisius no. 156; Hollstein 2008 no.176

 Karel Van Mander's biography of Maarten de Vos 
 Grove Art Online biography

101Engraved by Hendrick Hondius (Orenstein 1996)
Signed 'Hh form. Cum privil.' by Hendrick Hondius

19.8 x 11.6 cm

Transcription of Inscription:

IOANNES VREDEMANNUS FRISIUS. LEOVARDIENSIS.
Pictorum summus, celebrat quos Optica virtus,
     Friso : probant artem Regia tecta tuam.
Cum tua sint Opera haec varii⁸⁴ subnixa Columnis
     Spectabit longo tempore posteritas.

Translation of Inscription:

Hans Vredeman de Vries of Leeuwarden
Frisian, greatest of painters whom skill in optics makes famous, the royal palace proves your skill.  Since these works are yours, supported by diverse⁸⁵ columns, posterity shall gaze upon them for a long time.

Hollstein 1994 no.110

 Karel Van Mander's biography of Hans Vredeman de Vrie 
 Grove Art Online biography

Engraving by Andries Jacobsz. Stock (Orensrtein 1996, 268)
Signed 'Hh excudit' by Hendrick Hondius

202 x 12.1 cm

Transcription of Inscription:

ÆGIDIUS CONINCXLOY, ANTVERPIAN. PICTOR.
Pingere rura, lacus, silvas, animalcula, fontes
    Cura tibi.  pascunt mirificé haec oculos.
Te duce nunc pingunt alii campósque lacúsque :
Te Fauni, Nymphae, te Dryadésque canunt.

Translation of Inscription:

Gillis Coninxloo of Antwerp, painter 
Your concern was to paint fields, lakes, small animals and fountains.  These things nourish ⁸⁶ the eyes wonderfully.  By your example, now others paint fields and lakes: the Fauns, the Nymphs and the Dryads sing of you. 

Orenstein 1996, Stock no. 268

 Karel Van Mander's biography of Gillis Coninxloo 
 Grove Art Online biography

Engraved by Hendrick Hondius (Orenstein 1996)
Signed 'Hh. Esc. Cum privil.' by Hendrick Hondius
20.9 x 11.8 cm

Transcription of Inscription:

CORNELIUS KETEL, GOUDANUS.
Primus hic á Luca Leidano pictor habetur
     Goudanus, Batavi gloria uterque soli.
Quam bene conveniant, docuit, Pictura, Poesis :
    Quae pinxit, prius hic finxerat ingenio.

Translation of Inscription:

Cornelius Ketel of Gouda. 
This man of Gouda is held to be the greatest painter after Lucas van Leyden – both [are] glories of the Dutch land.  He taught how well painting and poetry⁸⁷ go together.  What he painted, the other⁸⁸ had first imagined⁸⁹ with his genius.

 Hollstein 1994 no.111
 Karel Van Mander's biography of Cornelius Ketel 
 Grove Art Online biography

Engraving by Andries Jacobsz. Stock (Orenstein 1996, 270)
Signed 'Hh exc.' by Hendrick Hondius

20.4 x 12.3 cm

Transcription of Inscription:

IOANNES AQUANUS, COLONIENSIS. PICTOR. 
Picturae Aquanus primus⁹⁰ se tradit ab annis : 
     Quae praestat juvenis vix potuere viri.
Germanum juvenem cúrri temneret Itala tellus ;
     Mox artem observans Roma magistra stupet.

Translation of Inscription:

Hans von Aachen 
Aachen gave himself over to painting from his earliest years.⁹¹ What the youth accomplished men could scarcely do.  Although the Italian land despised the German youth, soon, observing his skill, mistress Rome was amazed.

Orenstein 1996, Stock no. 270 
 RKD artists biography

Etching
Signed 'Hh ex' by Hendrick Hondius, attributed to Robert de Baudous

20 x 12.5 cm

Transcription of Inscription:

HENRICUS GOLTZIUS, MULBRACHT. PICTOR, ET CHALCOG. 
Hic Sculptor, pictor multis celebratus in oris,
   Qui multos superat dexteritate manus:
Itala quem tellus miratur ; nobile servat
   Harlemum, Artificum patria et hospitium. 

Translation of Inscription:

Hendrick Goltzius of Mülbracht, painter and bronze-engraver
This is the sculptor and painter celebrated in many lands, who surpassed many in the dexterity of his hand, [and] whom the land of Italy admired.  He remains in noble Haarlem, fatherland and guesthouse of artists. 

 Orenstein 1996, Baudous no. 39
 Karel Van Mander's biography of Hendrick Goltzius
 Grove Art Online biography

Etching and engraving
Signed 'Hh' by Hendrick Hondius, attributed to Simon Frisius

20.2 x 12.4 cm

Transcription of Inscription:

MICHAEL MIREVELT, DELPHENSIS PICTOR. 119
Pingendo ad vivum quo non praestantior alter :
   Delphicus hinc Zeuxis dicitur esse novus.
Principibus magnis fuit invitatus: at ipsum
   Ante alias urbes patria culta tenet.  

Translation of Inscription:

Michael van Mierevelt of Delft, painter
No one was more eminent in painting in lifelike manner.⁹²Therefore the man of Delft was said to be the new Zeuxis.⁹³ He was invited by great princes: but his honored fatherland held him more than other cities.

Orenstein 1996, Frisius no. 149; Hollstein 2008 no.169

 Karel Van Mander's biography of Michael van Mierevelt 
 Grove Art Online biography

Engraving by Robert de Baudous (Orenstein 1996, 41)
Signed 'Hh ex.' by Hendrick Hondius

19.2 x 12.7 cm

Transcription of Inscription:

OTTO VENIUS, LEIDANUS, PICTOR, 
Moribus, ingenio praeclarus Venius Arte est.
     Quae ingenio finxit, pinxit et ipse manu.
Regibus hic magnis est invitatus : at ipse
     Regna, orbes dulci posthabuit Patria.

Translation of Inscription:

Otto van Veen of Leyden, painter, 
Van Veen is illustrious for his morals, his genius and his skill.⁹⁴ What his genius imagined, he also painted with his own hand.  He was invited by great kings, but he himself held kingdoms and worlds to be less important than his sweet fatherland.

Orenstein 1996, Baudous no. 41

 Karel Van Mander's biography of Otto van Veen 
 Grove Art Online biography 

Engraved by Hendrick Hondius (Orenstein 1996)
Signed 'Hh fecit. Cum privil.' by Hendrick Hondius
20.7 x 12.3 cm

Transcription of Inscription:

PAULUS BRILLIUS, ANTVERP. 
Castella et silvas, sata laeta, boúmque labores,
    Et montes pictor Brillius exhibuit.
Gratior iccirco sacro qui verticae. ⁹⁶murice qui Tyrio. 

Translation of Inscription:

Paul Bril of Antwerp
Brill the painter showed fortresses and woods, joyous crops and the work of oxen, ⁹⁷ and mountains.  Therefore he was the more pleasing to the one who is first on the holy summit (the Pontiff), and to the one who is illustrious ⁹⁸  in Tyrian purple. ⁹⁹

Hollstein 1994 no.113
 Karel Van Mander's biography of Paul Bril 
 Grove Art Online biography 

Engraving by Robert de Baudous (Orenstein 1996, 38)

Signed 'Hh ex.' by Hendrick Hondius

Transcription of Inscription:

CORNEL. CORNELII, HARLEMENSIS, PICTOR. 
Peniculum studio teneris tractavit ab annis : 
    Qui docuit quantúm cura labórque valent.
Ante alios dictus fuit hic cognomine PICTOR
    Quám bene cognomen congruit artifici.

Translation of Inscription:

Cornelis Cornelisz. van Haarlem, painter 
He used the paintbrush with zeal from his tender years, he who taught how much taking pains and working hard can accomplish.  Before others he was known by the nickname “painter”.  How well the nickname matches the artist!

Orenstein 1996, Baudous no. 38
 Karel Van Mander's biography of Cornelis Cornelisz. van Haarlem 
 Grove Art Online biography 

Engraving by Andries Jacobsz. Stock (Orenstein 1996, 271)
Signed 'Hhondius exc.' by Hendrick Hondius 
20.3 x 12.4 cm

Transcription of Inscription:

IACOBUS DE GEYN, ANTVERP, PICT ET SCULPT. 
Geinius eximius Scalptor, Pictórque peritus,
   Inventor felix, judicióque bonus.
Et Belli et Pacis pingens Insignia, gratus
   Ipse Duci Belli qui artibus egregius.  

Translation of Inscription:

Jacques de Gheyn. Painter and Sculptor
De Gheyn is an excellent engraver, and an experienced painter, a lucky inventor,¹⁰⁰ Gillis Mostaert.and sound in judgment. Painting the standards of both war and peace, he is himself pleasing to the leader of the war, who is outstanding in skill. ¹⁰¹

Orenstein 1996, Stock no. 271
 Karel Van Mander's biography of Jacques de Gheyn 
 Grove Art Online biography

Etching and engraving
Attributed to Simon Frisius

20.3 x 12.2 cm

Transcription of Inscription:

ABRAHAMUS BLOEMAERT, BATAV, PICT. 
Pictor naturâ est, usus vix ille magistro :
   Arte hic egregiis nec tamen inferior.
Pinxit Aves, Naves, Homines, Herbásque Ferásque,
   Et laetos Flores FLORIDUS innumeros.

Translation of Inscription:

Abraham Bloemaert the Dutchman, Painter

He was a painter by nature: having hardly used a master, he¹⁰²was yet not inferior to those outstanding in skill.  He painted birds, ships, men, and grass and wild beasts, and, being Florid,¹⁰³ countless joyful flowers. 

Orenstein 1996, Frisius no. 139; Hollstein 2008 no.159
 Karel Van Mander's biography of Abraham Bloemaert
 Grove Art Online biography

Etching
Signed 'Hh.' by Hendrick Hondius, attributed to Simon Frisius
20.1 x 12 cm

Transcription of Inscription:

GERARDUS PETRI, AMSTELRED. PICTOR.
Pictorum nulli Picturae cessit amore : 
     Tractavit tanto peniculum Studio.
Dicere qui solitus, Non tanti ducere Sceptrum
     Se Hesperium, quanti Peniculum faceret.

Translation of Inscription:

Gerard Pietersz. of Amsterdam, painter 131
He yielded to no painter in his love of painting, with such great zeal did he use the paintbrush, he who was accustomed to say that he did not value the Hesperian sceptre¹⁰⁴ as much as the paintbrush.

Orenstein 1996, Frisius no. 153; Hollstein 2008 no.173

mentioned in Karel Van Mander’s life of Cornelis Cornelisz. Van Haarlem
Grove Art Online biography

Engraved by Hendrick Hondius (Orenstein 1996)
20.6 x 12.4 cm

Transcription of Inscription:
FLORENTIUS DIKIUS, HARLEMENS. PICTOR.
Dikius hic clarus, vario vivóque colore
    Qui Folia et Flores pinxit odoriferos : 
Struxit et ad vivum laetas sine sanguine Mensas,
    Quae pascunt oculos deliciae atque animum.

Translation of Inscription:
Floris van Dijck, Painter of Haarlem
Here is van Dijck, famous for his varied and lively colour, he who painted leaves and fragrant flowers.  He also set up lifelike joyous tables without blood.  These delights nourish the eyes ¹⁰⁵.and the mind. 

Hollstein 1994 no.114
Grove Art Online biography

Etching and engraving
Signed 'Hh.' by Hendrick Hondius, attributed to Simon Frisius¹⁰⁶
20.3 x 12.1 cm

Transcription of Inscription:
ADRIANUS DE VRIES, HAGIENSIS. PICTOR.
Friso bonus Pictor, Pario quoque marmore finxit 
     Qui Statuas : credas esse Myronis opus.
Et clarus scalptor Mullerus sit tibi testis,
     Hunc qui miratur tum colit artificem.

Translation of Inscription:
Adriaen de Vries of The Hague, painter
The Frisian was a good painter, who also made statues from Parian marble: you would believe [them] to be the work of Myron.  Let the famous engraver Muller also be a witness for you, he who admired and then frequented this artist.

Orenstein 1996, Frisius no. 157; Hollstein 2008 no.177
Grove Art Online biography

Engraving by Robert de Baudous (Orenstein 1996, 37)
Signed 'Hh excud.' by Hendrick Hondius
20.3 x 12.5 cm

Transcription of Inscription:
FRANCISCUS BADENSIS, ANTVERP. PICTOR. 
Addit picturae meliús nemo colores : 
    Qui verus color est noscis imaginibus
Tu pictor doctus. multum est novisse colores.
    Delitias doctas pingis et Italiae.

Translation of Inscription:
Frans Badens of Antwerp, painter.
No one was better at adding colours to a painting.  You know which is the right colour for images.¹⁰⁷ You are a learned painter.  It is much to know colours.  You also paint the learned delights of Italy.

Orenstein 1996, Baudous no. 37
Karel Van Mander's biography of Frans Badens
RKD artists biography

Etching
Signed 'Hh' by Hendrick Hondius, attributed to Simon Frisius
20.9 x 12.3 cm

Transcription of Inscription:
ADAMUS ELSHEYMER, FRANCOFURTENSIS PICTOR.
Romam urbem primis placuit tibi ¹⁰⁸ visere ab annis :
   Pictorum Roma est Artificúmque Schola.
Assiduó pingens lustras dum singula templis ;
   Pictores inter nobile nomen erit. 

Translation of Inscription:
Adam Elsheimer, painter of Frankfurt
It pleased you to visit Rome from your earliest years.  Rome is the school of painters and artists.  You were busy painting while examining every single thing in the churches.^{2  109} Among painters your name will be noble.

Orenstein 1996, Frisius no. 144; Hollstein 2008 no.164
mentioned in Van Mander’s biography of Hans Rottenhammer
Grove Art Online biography

Engraving by Robert de Baudous (Orenstein 1996, 40)
Signed 'Hh exv.' by Hendrick Hondius
20.6 x 11.9 cm

Transcription of Inscription:
ISAACUS OLIVERUS, ANGLUS, PICTOR.
Ad vivum laetos qui pingis imagine vultus,
   Olivere oculos mirificé hi capiunt
Corpora quae formas justo haec expressa Colore.

Multum est, cúm rebus convenit ipse color. 

Translation of Inscription:
Isaac Oliver the Englishman, painter.

You who paint images of lively,¹¹⁰ joyful faces, Oliver - these captivate (our) eyes wonderfully.  The bodies which you make - these are expressed in the right colours. 

It is a great thing, when colour itself is in harmony with things.

Orenstein 1996, Baudous no. 40
Grove Art Online biography