** This blog post contains spoilers for Mad About Men (1954), La Piscine (1969) and Mahogany (1975) **
Sometimes I want to watch a film, not really for the plot, but for either the fashion, the cinematography, the set design or even just the general aesthetic. So, just in case anyone else has the same penchant for beautiful films, I’ve comprised a short list of three recommendations from the 50s, 60s and 70s respectively.
Mad About Men (1954):
Mad About Men is the charming sequel to the 1948 comedy film Miranda in which a lonely mermaid captures a young man and only offers to release him on the basis that he will take her to London. In Mad About Men, set in Cornwall, Miranda Trewella (Glynis Johns) returns and convinces her distant relative and doppelgänger Caroline Trewella (Glynis Johns) to let her take her place whilst Caroline goes on a biking excursion with a friend. In order to do this, Caroline fakes an accident which leaves her wheelchair bound, explaining Miranda’s inability to walk and need to keep her ‘legs’ covered with warm blankets. The pair also hire Nurse Carey (Margaret Rutherford), who knows Miranda is a mermaid and helped her in the first film too. However, even though Caroline is engaged back in London to the dull but stable Ronald Baker (Peter Martyn), Miranda playing as Caroline cannot help herself when she meets some of the town’s most handsome men, and she flirts, dates and kisses both Jeff Saunders (Donald Sinden) and Colonel Barclay Sutton (Nicholas Phipps). When Ronald comes to visit ‘Caroline’ in Cornwall, Miranda takes an immediate dislike to him and ends up pouring cold fish soup over his head. The Colonel’s wife is suspicious of ‘Caroline’ and ends up discovering her secret, so, in a plot to expose her, she agrees to let ‘Caroline’ sing at a charity concert and plans to reveal her mermaid tail on stage. However, Caroline gets back from her trip and takes Miranda’s place on stage whilst the Nurse feeds the microphone down to the cove where Miranda lives so her siren-esque singing voice can still be heard. The film ends with the real Caroline and Jeff Saunders sharing a kiss whilst Miranda is safely back in the Cornish Sea.
Despite mentioning earlier that plot isn’t important when watching for purely aesthetic reasons, this film is so fun and light-hearted it is difficult not to enjoy the story and fall in love with Miranda whilst you watch it. However, where this film really shines is in highlighting the wistful and whimsical beauty of Miranda and the more prim and proper styling of Caroline. Joan Ellacott’s costuming and Glynis Johns’ acting allows for viewers to differentiate easily between the Trewella girls. Here are some of the best style/aesthetic moments…
La Piscine (1969):
If you’re craving some warmth, you must watch 1969’s La Piscine, a film where the Southern French sunshine seems to seep through the screen. This film is the epitome of ‘embodied viewing’ where you can feel the sun and water on your skin, and you can smell the heat in the air. La Piscine is set in a villa on the French Riviera where a couple, Marianne (Romy Schneider) and Jean-Paul (Alain Delon) are enjoying the summer. After finding out Marianne and Jean-Paul are nearby, the couple’s old friend Harry (Maurice Ronet) and his daughter Penelope (Jane Birkin) come and stay. Whilst this initially consists of old friends catching up and new memories being made through extravagant parties, tensions soon begin to rise when Jean-Paul realises that Marianne and Harry were once lovers. The situation further complicates itself when Jean-Paul decides to seduce Harry’s 18-year-old daughter Penelope. The two men, whilst drunk, end up getting into a fight which culminates with Harry falling into the swimming pool. From here, instead of helping him out, Jean-Paul proceeds to drown him and then stages the scene to look like an accident. Marianne eventually finds out what Jean-Paul did but both continue to lie to the police and eventually the case is closed with Harry’s death being marked as an accident. The film ends with Penelope returning to her mother and Jean-Paul seemingly forcing Marianne to stay with him at the villa.
This film is beautiful all-round. The French Riviera location, the impressive villa, the cast and, perhaps most importantly the dressing and undressing of bodies. The theme of the body is central throughout this film, with long, toned and sun-kissed limbs filling the poolside shots. Here are some of the most beautiful outfits, shots and scenes…
First things first, the men in this movie are awful. Truly, every single one of them is just unbearable. But with that aside, Mahogany is firm favourite in every fashion lovers’ movie list. The film stars a post-Supremes Diana Ross as fashion student and department store secretary Tracy Chambers. Set in Chicago, the film shows Tracy living in the ‘slums’ of Chicago’s South whilst working at a high-end department store and harbouring dreams of becoming a high fashion designer. Tracy meets and begins dating Brian Walker, an activist fighting against the demolition of housing in primarily black neighbourhoods. Brian, whilst seemingly having a good heart and high ambitions for himself routinely brushes off Tracy’s goals as trivial and devoid of real meaning, insisting fashion is unimportant compared to his work within the neighbourhood. This means that when Tracy meets and befriends the renowned photographer Sean McAvoy who sees her as having real potential as a model, Tracy jumps at the chance to find an in to the industry which means so much to her. After a fight with Brian, Tracy moves to Rome to pursue modelling with Sean, who gives her the stage name Mahogany. A classic movie montage shows Mahogany’s modelling career take off and her charm and charisma capturing both the wider fashion world’s attention as well as Sean’s, who is interested in pursuing her romantically. Sean becomes increasingly possessive and struggles with Tracy’s free-spirited nature and inability to be controlled. Brian visits Tracy in Rome and gets into a fight with Sean involving a gun; Brian leaves Rome alone. At their next fashion shoot in which Tracy is posed inside a sports car, Sean is trying to ‘capture death’ and ends up getting into the car and begins driving erratically. Eventually, with Sean at the wheel, the car crashes leaving Tracy badly injured and Sean dead. In the aftermath of the accident, a wealthy count lets Tracy recover at his villa and sets up a design studio for her there. Instead of feeling fulfilled by finally reaching her dream career, she is left feeling frustrated, lonely, and unhappy despite the huge success of her first official collection. Tracy realises that success means nothing without Brian by her side and she returns to Chicago to be with him.
Despite Tracy’s life being littered with frustrating men who seem desperate to keep her potential hidden away, she does look incredible throughout the film. As a little sidenote, Diana Ross actually designed a lot of Tracy’s outfits as she trained in dressmaking before her career took off! Here are some of her best looks…
By Rosie Dyer