A brand born out of Central Saint Martins in 2006, with Edward Meadham and Benjamin Kirchhoff at the helm, Meadham Kirchhoff had a short-but-oh-so-sweet 9 year run full of awards, Fashion Week shows, and their Topshop collaborations.
Distinctly kitsch, cutesy and a little bit edgy, it is no surprise that Meadham Kirchhoff rose to fame during the ‘twee’ era of the 2010s, and as the trend’s revival is now upon us, it makes sense to take a closer look at one of my favourite Meadham Kirchhoff shows, SS14.
Edward Meadham described his mood boards as containing ‘a random mix of Jacobean and Elizabethan portraiture and lots and lots of Bowie’. This eclectic mix hints that the very fabric of the show is made from opulence, excess, ruffles and lace, the subversion of gender, and an interesting mix of bold black and white, dotted with pastel shades.
The collection was called ‘Ante Dominai [sic]’ meaning ‘anti-society, anti-mainstream culture. Do what you want, create your own alternative, your own narrative, and your own set of codes and morals.’
The show itself ran smoothly, despite a few technical issues such as the wrong music being played. It is immediately clear how Meadham Kirchhoff took their inspiration pictures and reworked, reinvented and re-inspired them into this eccentric show which somehow marries images of Seventeenth-century witches, Eighteenth-century royals, and kitsch pastel kittens.
Here are a few of my favourite images from the show, taken by Eleanor Hardwick, which might inspire your spring wardrobe now that the Northern Hemisphere is warming up a teeny, tiny, little bit.
I hope you’ve loved this show as much as I do. It feels opulent, rebellious, and youthful. I also think it’s quite clear where my love for Simone Rocha’s ruffles and pearls was born from…
By Rosie Dyer