Recent theoretical discourse has sought to emphasise the emotional significance of dress, with many studies – academic and anecdotal – highlighting how the tactile and visual nature of clothing, and its prominence in our everyday lives, can imbue clothing with deep emotional resonance and also can be an important part of the human bonding experience. This idea of connecting through clothing resonated with me as my brother, Zak, and I now regularly exchange items of clothing, and always have a comment ready (usually, though not always, complimentary) on one another’s outfits. We have similar tastes, both favouring bright colours and bold patterns, and find most of our outfits in charity shops or (cheap) vintage markets.

Zak and I both chose some of our favourite garments from each other’s wardrobes, styling them with our own clothes. He chose two of my (many) jumpsuits and a pair of high-waisted trousers that he has always loved the colour of – and annoyingly suit him better than they suit me! I chose some of Zak’s outfits outright – you can’t go wrong with jeans and a t-shirt! – and also incorporated one of his favourite jumpers into one of my usual outfits.

Our discussions on clothing while taking the photos for this blog highlighted to me some interesting distinctions in the kinds of garments currently designed for men compared to those for women. My brother has mentioned that the clothing he sees for men in high street shops is often less colourful and daring than the clothing available to women, while I feel that some of the clothing marketed at women is impractical; as highlighted by the ongoing debate on why women’s clothing often comes without the useful addition of functional pockets.

Furthermore, the filtering of clothing styles through the rigid wall of traditional gender boundaries can sometimes seem somewhat one sided. Sarah Wilson has argued that the adoption of traditionally ‘masculine’ garments, such as trousers, by women in the 1920s initially resulted in a popular ‘hysteria’ in response to this supposed transgression of gender boundaries. This raised the point in my mind that while it now is generally accepted for women to wear conventionally ‘masculine’ clothing – I can easily incorporate Zak’s t-shirts or trousers into my outfit – it is still seen as less socially acceptable for men to wear ‘feminine’ garments or cuts. Additionally, I’m not sure if it’s the case that the cut of women’s clothing doesn’t flatter the male body shape, or that we are still culturally programmed to see men in women’s clothing as jarring, but some of my more ‘feminine’ clothing, such as dresses or flared trousers (not shown here), really didn’t seem to suit Zak at all. By sharing clothes with one another, and experimenting with some outfits that we wouldn’t necessarily try on in a shop changing room, we thought more closely about the clothes we choose to wear and why. As such, while swapping clothes with my brother is primarily a fun and playful bonding experience, I also now see it as an interesting exploration of the gender boundaries which have come to define sartorial norms.