33. Jan Vermeyen
“What men, what places and what cities has Vermeyen not painted? –– and whatever the world, far and wide, has worth seeing – while he followed you on land and sea, Emperor Charles, to paint the mighty deeds of your hand. These soon shone in gold with Attalian embroidery, although the artist’s hand was greater than the material. Nor did he provide a sight less pleasing to you than his art – [he was] remarkable for his high forehead, [and] was ordered to show off the unhidden folds of his rich beard, hanging down to his feet.” Continue Reading 33. Jan Vermeyen
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31. Pieter Coecke van Aelst
You were a painter, but, Pieter, you were not only a painter, you who made your Aelst more known to the world by this skill. But there was much skill in addition, born to you by much labour. Its office was to build beautiful houses. Serlio taught this to the Italians, then you, bilingual interpreter of Serlio, taught the Belgians and the French. Continue Reading 31. Pieter Coecke van Aelst
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29. Jan van Amstel
The proper praise of Belgians is to paint fields well; that of Italians to paint men or gods. Nor is it surprising: not without reason is the Italian said to have his brain in his head, [while] the Belgian [has his] in his active hand. Jan’s hand, then, preferred to paint fields well, than for his head to know poorly either men or gods. Continue Reading 29. Jan van Amstel
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27. Jan Gossaert, called Mabuse
You too, indeed, man of Maubeuge, will be said in our verses to have educated your age in drawing. For who else could daub Apelles’ boards with flowering pigments smoother to the eye? Granted, you yield in skill to others who followed your age. [But] rare will be the guider of the brush who is equal to you. Continue Reading 27. Jan Gossaert, called Mabuse
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135. Floris van Dijck
Here is van Dijck, famous for his varied and lively colour, he who painted leaves and fragrant flowers. He also set up lifelike joyous tables without blood. These delights nourish the eyes and the mind. Continue Reading 135. Floris van Dijck
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25. Cornelius Engebrechtsz
“This man was among the first of the Dutch who learnt to paint with pressed oily seed of flax. We wonder at the faces [and] joyful colours which he painted. Lucas, the flower of painters, frequented this artist.” Continue Reading 25. Cornelius Engebrechtsz
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23. Quentin Matsys
Before I used to be a Cyclopean smith, but when a wooing painter began to love on an equal footing with me, and the cautious girl objected to me that she liked the heavy thundering of hammers less than the silent paintbrush, love made me a painter. A tiny hammer, which is the sure note of my paintings, alludes to this. Thus, when Venus had asked Vulcan for arms for her son, you, greatest of poets, made a painter out of a smith. Continue Reading 23. Quentin Matsys
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21. Joachim Patinir
That, amongst all of these, no image expressed with more liveliness than your face is to be seen, Joachim, has happened not only because Curtius’ hand cut it into the bronze ([the hand] which does not now fear another rival), but [also] because Dürer, admiring your hand, when you painted fields and huts, once drew your face on a palimpsest with his bronze point. Imitating those lines, Curtius surpassed himself, not to mention all the others. Continue Reading 21. Joachim Patinir
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19. Bernaert Van Orley
That the Court of Brussels boasts of its nursling Bernaert, most skilled in painting Attalian garments, is not so much due (if anyone wants to argue while I am judging) to the painter’s skill (although it is also due to his skill) as it is to [the fact] that he was dear to you, Margaret ruler of the Belgians, since nothing is more delightful to you than the art of Apelles. By your gift, he often got golden handles for his paintbrushes, and gold coins, in recently minted currency. Continue Reading 19. Bernaert Van Orley
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17. Rogier Van Der Weyden
May your praise not be that you painted many beautiful things, as your age could bear them (although they are worthy that anyone who is a painter in our time wish greatly to look at them, if he be wise – the paintings which forbid the tribunal of Brussels to leave the straight path of Justice are witness [to this]): but rather that your last will is a perpetual remedy for the hunger of the poor from the proceeds of your painting. The former, [itself] already near to death, you left on earth; the latter shines in the sky, as a monument that will not die. Continue Reading 17. Rogier Van Der Weyden
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