Archivist Addendum

close up of a man's face with his hand placed across his mouth, the word wake printed across the top of the image
ROSS TIBBLES
‘Wake’ (2020)
Enlarged Xerox copy (human scale), varsity lettering taken from college sweatshirt.
Discarded photo booth picture found between 1970-1985, Dick Jewell archive, Archivist Evidence (2016)

 

Woman positioned in the centre of image, the top half of her torso shown with a collection of illustrated 'demons' drawn in behind her
MARGO MCDAID
‘The demons and me’ (2020)
Magazine tear, ink pen, acrylics.
Kristen McMenamy wears Hussein Chalayan Tube Halter Dress, Heliotropics, Spring/Summer 2006, photographed by Axel Hoedt, styled by Jane Howard, hair by Eamonn Hughes, make-up by Maria Comparetto, Archivist Three Faces (2014)

 

An image containing several photographs of women with text printed across the image
JANE HOWARD
‘2003’ (2020)
Photocopies, digital image manipulation.
Gwenola wears Chloé by Clare Waight Keller pleated dress, Spring/Summer 2014 photographed by Julien T. Hamon, styled by Jane Howard, hair by Yuji Okuda, make-up by Megumi Zlatoff, Archivist Chloé. A-Z (2017)

 

A man in the centre of the image, the top half of his body capture, his arms positioned in a vogue-like pose with his face painted
PAUL KINDERSLEY @paulkindersley
‘Self portrait with hands’ (2020)
Ink, iPhone 5, make-up.
Georgia Hilmer wears Wendy Dagworthy archive Irish wool tweed double-breasted jacket with Irish herringbone wool trousers, Autumn/Winter 1983, photographed by Paul Wetherell, styled by Jane Howard, hair by Naoki, make up by Shinobu, Archivist Zero (2012)

 

A woman's three-quarter profile with the words 'KISS ME' printed over her image
LISA MARTIN
‘Kiss Me’ (2020)
Magazine tear, coloured pencil, ink.
Mai-Li wears bob in chocolate and black applied to middle and lengths and Boudicca archive, photographed by Axel Hoedt, styled by Jane Howard, hair by Angelo Seminara make-up by Maria Comparetto, Archivist Evidence (2016)

 

A silk bonnet sitting on a stand and photographed with a clear, light cream background
SHELLY GOLDSMITH
‘Swaddled by the tides’ (2020)
Magazine tear, digitally woven text tape, silk thread, needles.
Silk bonnet, English, circa 1830, The Clothworkers’ Centre for the Study and Conservation of Textiles and Fashion, photographed by Jo Metson Scott, Archivist Evidence (2016)

 

A black and white photograph of a woman which has been warped as though it has been manipulated through an outdated form of technology, for example a VCR
DAL CHODHA
‘Crook’ (2020)
Photocopy, digital collage.
Jess PW wears wool jersey dress with satin ribbon, Chloé by Gaby Aghion and Maxime de la Falaise, Autumn/Winter 1960, photographed by Julien T. Hamon, styled by Jane Howard, hair by Yuji Okuda, make-up by Megumi Zlatoff, Archivist Chloé. A-Z (2017)

 

A drawing of a woman, her arms raised and outstretched, it looks as though the drawing has been executed in pencil
VINCENT WOOD
‘A drawing of a woman’ (2020)
Pencil.
Vivien Solari wears felt traditional Kurdish men’s jacket and pure wool trousers, Shirin Guild personal archive, photographed by Joachim Mueller-Ruchholtz, styled by Jane Howard, hair by Angelo Seminara, make-up Thomas De Kluyver, Archivist Evidence (2016)

 

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