Tag Archives: The Courtauld Institute of Art

MA Documenting Fashion 2017-18 Farewell

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Just like that our MA has flown by and the Documenting Fashion group of 2017-18 graduates with our Masters in the History of Art on Monday! Documenting Fashion blog co-runners Olivia and I wanted to say goodbye and thank you for following along! As we reflect on this wonderful year, we’re sharing some behind-the-scenes photos and our favorite memories. Below are some lists I’ve compiled from the group reminiscing about moments from our time in class, our trips, and of course, our best food moments.

Niall and Arielle admire Rebecca’s Kim Kardashian Selfie book

In class:

  • Viewing the Courtauld’s collection of fashion magazines such as the Gazette du Bon Ton
  •  Rebecca’s seminar on Vionnet and the big reveal of her favorite Vionnet dress
  •  Book time! – For each seminar Rebecca would collect books from her impressive collection which pertained to that weeks topic. It was endlessly exciting and I think we all have book wish-lists a mile long now
  • Dr. Adrian Garvey’s guest lecture on film and World War II
  • Our seminar on Gordon Parks
  • last but certainly not least, when we were fortunate to have been visited by our favorite dachshund, Koda
The group with Beatrice Behlen at The Museum of London
Nelleke at the Posturing exhibit

Field trips:

  • Our first visit to the Courtauld’s own prints and drawing collection
  • V&A Blythe house where we got to see some show-stoppers
  • Our multiple visits to the Museum of London – especially when we considered dress and biography
  • Visiting Autograph APB
  • The Mod New York exhibition in NYC where we collectively marveled at the beautiful exhibition design and danced to the groovy playlist
Spotted: Destinee, Olivia, Niall, and Grace on the steps of the Met in NYC – xoxo Documenting Fashion

Food:

  • Our weekly after seminar lunches in the Coutauld cafe
  • Tutorials at Federation Coffee in Brixton
  • When Evie brought us to Fish n Chips in Camberwell
  • Our lunch at by Chloe during dissertation work

 

For me, the best part of this year has been the friendship I’ve found in my Documenting Fashion classmates. As you can tell from our posts, we all approach dress differently but we are also extremely supportive and encouraging of each other’s thoughts and work. Our personalities meshed together so well since day one and we have had such fun together while also pushing each other to think differently, and ultimately, be better art historians. I am truly thankful to have gone through this experience with such a lovely group of people.

Thank you for reading. We are so looking forward to what the next MA Documenting Fashion group creates for you starting in September.

Abby Fogle

Posing the Body Conference: Stillness, Movement & Representation

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Please join us May 6 & 7, 2016 for Posing the Body, a conference on Stillness, Movement & Representation organised by The Courtauld Institute of Art and The University of Westminster.

Gazette-du-bon-ton
Gazette du bon ton, 1921, History of Dress Collection, Courtauld Institute of Art

Posing has been central to art, dance, and sculpture for thousands of years. In recent years, the growing interest in fashion media and modelling has also focused attention on questions of pose and posing. Incorporating notions of movement and stillness, posing can be understood in terms of historical modes of representation, as well as contemporary media and rapidly evolving relationships between bodies, subjects, and technologies of representation. Posing incorporates symbolic and semiotic meaning alongside embodied action and feeling. Recent coverage of the work of choreographer Stephen Galloway in 032c magazine, and new publications such as Steven Sebring’s Study of Pose: 1000 Poses by Coco Rocha testify to the growing interest in the cultural significance of posing and the pose – yet both remain under-researched areas with little discussion of their significance.

This symposium will assert the importance of pose as both a creative practice and an emerging area of critical inquiry. It will bring together multi-disciplinary academics and practitioners to discuss and develop new ways of understanding pose and posing in a historical and contemporary context. We encourage proposals for papers that address pose from global and diverse perspectives.  This event represents a potentially fruitful and exciting moment to bring these strands together to the benefit of researchers within practice and theory-based media, historians of dress, photography, art and film and allied disciplines.

The keynote lecture will be delivered by David Campany, internationally recognised writer and curator, and Reader in Photography at the University of Westminster.

Please click through to the conference programme to find details of speakers and papers being presented, and follow this link to book your place! We hope to see you there.