Tag Archives: history of dress in france

Modes Pratiques

Mode pratique: a magazine published in France at around the turn of the twentieth century.

Modes pratiques: a new history of dress journal first published in November 2015.


Modes pratiques. Revue d’histoire du vêtement et de la mode  is the product of collaboration between the Duperré School of design, fashion and creation, and the Institut de Recherches Historiques du Septentrion at Lille 3 University. Taking an interdisciplinary approach to the subject of the history of dress, the journal was conceived, according to the editors Manuel Charpy and Patrice Verdière, with the aim of filling a gap in the often overlooked discipline of the history of dress in France.

‘Norms and Transgressions’ is the theme of the first issue, certainly a very current topic, although perhaps not ground-breaking in itself. However, the journal and its contributors deal with its subject in thought provoking, and often unexpected, ways. Articles (all written in French) include discussions about the relationship between teenagers and fashion, transvestitism and vogueing; but also about the significance of the colour white in female monastic dress and the norms of the nineteenth century worker’s shirt. More standard-format academic articles are joined by interviews, for example concerning the uniforms of people working in the airline business, extracts from nineteenth century magazines and a detailed glossary of terms, rather humorously titled un glossaire partial mais chic, related to the journal’s key themes.

Inside #30001

Perhaps partly because of the art school influence, the creativity of Modes pratiques extends to its visual format. In fact, the editors had initially envisaged printing the journal on degradable paper that would have disappeared, along with its contents, within six months. It is probably a good thing that this wasn’t put into practice, though, as it is certainly something one would want to hang on to. Flicking through, nearly every double page spread bears at least one image. All in black and white, these include photographs, copies of archival documents and specially commissioned illustrations inspired by the text.

Inside #60001

I am looking forward dedicating some serious reading time to the journal and with a second issue already promised, it will be interesting to follow its development.


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