Alexis Romano

Contemporary Reliquaries and Utopian Fashions

Problems Regarding Evolution & French Fashion Exhibitions

Architecture & Fashion: a look at two images from 1964 – 1965

Prêt-à-porter, Subjectivity and Filmic Visualisation in the 1961 French Fashion Press

5 Minutes with… Michaela Zoschg

Elle C’est Vous: Some Comments on French Fashion and Art in the 1960s

Shaping Prêt-a-Porter in the Fourth Republic (1946-58): The Paris/New York Dialogue

50 Years of History of Dress at the Courtauld Alumni Internviews Part 7: Camille Benda, MA (1999)

Faces, Phases and Dress: Zanele Muholi at the Brooklyn Museum

Denis Diderot, ‘Tailleur d’habits et Tailleur de Corps, Contenant Cingt-quatre Clanches,’ extract of Encyclopédie, ou Dictionnaire Raisonné des Sciences, des Arts et des Métiers (c.1771)

Ready-to-Wear, Rupture and Continuity in the Space of Elle Magazine post 1968

Ready-Made Fashion and France’s Urban Fabric In Elle Magazine in 1963

Red Capes and Glitter Jelly Heels: An Interview with Curators Colleen Hill and Ariele Elia

Observations from Several Sides of the Lens: On Women, Fabric and Space in Maria Kapajeva’s Photographs 

Paris, Capitale Prestigieuse de la Mode

Exhibition Update: Goodbye Summer, Hello Winter! Planning Winter Mode 

Self-expression, Space and Style: A Conversation with Camilla Branda at Bergdorf’s

Fashion Week Reactions Part 1

Collar Meets Bar: Historicism and Circuitous Timelines at Dior 

The Summer Body

Textile Fragments at the Courtauld Institute of Art 

‘Bravo la Confection Francaise!’ Researching French Ready-to-Wear 1947-1957

Flugel, Fashion and Cardboard Cutouts: An Evening at the Fashion Space Gallery

Re-Thinking the Experience and the Representation of Dress 

Wardrobes in the Museum- Two Exhibitions Examined

A French Dress and the OPjectscape of 1965-6