Contemporary Reliquaries and Utopian Fashions
Problems Regarding Evolution & French Fashion Exhibitions
Architecture & Fashion: a look at two images from 1964 – 1965
Prêt-à-porter, Subjectivity and Filmic Visualisation in the 1961 French Fashion Press
5 Minutes with… Michaela Zoschg
Elle C’est Vous: Some Comments on French Fashion and Art in the 1960s
Shaping Prêt-a-Porter in the Fourth Republic (1946-58): The Paris/New York Dialogue
50 Years of History of Dress at the Courtauld Alumni Internviews Part 7: Camille Benda, MA (1999)
Faces, Phases and Dress: Zanele Muholi at the Brooklyn Museum
Ready-to-Wear, Rupture and Continuity in the Space of Elle Magazine post 1968
Ready-Made Fashion and France’s Urban Fabric In Elle Magazine in 1963
Red Capes and Glitter Jelly Heels: An Interview with Curators Colleen Hill and Ariele Elia
Paris, Capitale Prestigieuse de la Mode
Exhibition Update: Goodbye Summer, Hello Winter! Planning Winter Mode
Self-expression, Space and Style: A Conversation with Camilla Branda at Bergdorf’s
Collar Meets Bar: Historicism and Circuitous Timelines at Dior
Textile Fragments at the Courtauld Institute of Art
‘Bravo la Confection Francaise!’ Researching French Ready-to-Wear 1947-1957
Flugel, Fashion and Cardboard Cutouts: An Evening at the Fashion Space Gallery
Re-Thinking the Experience and the Representation of Dress
