Audio version Read by Anne Hutchings Text version The mix of European sculpture such as a George and the dragon sculpture and a European bust, alongside a young Bahamian apprentice, busy glazing a plate, piqued my interest. Kersting’s hand-written note on the back of the photograph reads Nassau, Bahamas and Chelsea Pottery. To put the…
Audio Version Text Version One photograph that Anthony Kersting took during one of his journeys through Madrid reveals a site whose open roof, skeletal towers and central cavity would easily classify it as a plain depiction of an early twentieth century abandoned architectural project. As alluring as images of outmoded objects and sites are, they…
Audio Version Text Version I don’t know her name. I don’t know the name of the young woman who stares out at me from the photograph I hold by its slightly curved edges. I’ve stared at this photograph for days, coming back to it and to her. She is elaborately dressed, wearing beaded necklaces with…
Anthony Kersting was an expert photographer of architecture. He was clearly prolific, resourceful and much-travelled, this is reflected in the thousands of photographs and negatives he left to the Courtauld after he died. Photographs themselves have an agency that goes beyond aesthetics, not just in the way they interact with the world, but in the way they…
AF Kersting, 20th Century British photographer, traveled to Turkey at least two times, including in 1963 and 1995, and photographed much of the significant sites of Istanbul, also known as Constantinople. Hagia Sophia, the building we see standing today (preceded by two churches and a pagan temple) was rebuilt by the Byzantines under Emperor Justinian…
Audio Version Read by David Brown. Text Version My key interest for the past year has been in the figure of the “Fat Cat”[1], to which none of the images I was looking at in the Conway Library could give a literal face. Yet, the collection of AF Kersting seemed to offer some light on…
Audio Version Text Version The limited number of biographical writings on Anthony “Tony” Kersting acknowledge his place among (and arguably his supremacy over) the greatest architectural photographers of all time, having “built up a matchless archive of architectural treasures”. What has rarely, if ever, been discussed, however, is the aesthetic appeal of Kersting’s portrait works…
Audio Version Text Version Anthony Kersting (1916–2008) has primarily been remembered as Britain’s pre-eminent architectural photographer of the twentieth century, having extensively documented buildings across Europe, Asia, and the Middle East. Yet, by delving into a specific collection held in The Courtauld Institute’s vast Conway Library, we can see that it was not just the…
Audio Version Read by John Ramsey Text Version Looking at the world as if it were a picture is a relatively recent phenomenon, yet nowadays, with the advent of smartphones and social media, the practice of producing pictures is embedded in our daily routine, and the term “picturesque” is more relevant than ever. The Rievaulx…
Audio Version Read by Tanya Goodman-Bailey Text Version Managing the digitisation project of one of the most varied, mysterious, and extensive photographic collections in the world, in one of its most prestigious art institutes can look a lot like this: and not much like the constant carousel of wonderful architectural detail that one might imagine.…