Primary materials
 
Pictorum aliquot celebrium, præcipué Germaniæ Inferioris, effigies, The Hague (Hendrick Hondius) 1610

Illustrium Quos Belgium Habvit pictorum effigies Antwerpiae. Antwerp (Theodore Galle) n.d. (ca. 1600)

Pictorum aliquot Germaniae Inferioris Effigies, Antwerp (Hieronymus Cock) 1572
 

J. Becker, ‘Zur niederländischen Kunstliteratur des 16. Jahrhunderts: Domenicus Lampsonius’, Nederlands Kunsthistorisch Jaarboek 24, 1973, 45-61

M. Berbara, ‘Propria Belgarum laus: Domenicus Lampsonius e as Pictorum aliquot celebrium germaniae inferioris effigies’, http://www.unicamp.br/chaa/rhaa/downloads/Revista%208%20-%20artigo%202.pdf 

P. Chapman and J. Woodall, ‘Introduction. ‘The Netherlandish Artist has his Intelligence in his Hand’, in P. Chapman and J. Woodall (eds.), Envisioning the Artist in the Early Modern Netherlands, Nederlands Kunsthistorisches Jaarboek 59 (2009)

Lydia De Pauw–de Veen Archivalische gegevens over Volcxken Diercx, weduwe van Hieronymus Cock in De Gulden Passer: Bulletin van de “Vereeniging der Antwerpsche Bibliophielen” 53 (1975): 215-47

S.-S. Durante, ‘Between ’verbum’ and ’imago’ : the text/image dialectic in the ‘Pictorum effigies’ of Domenicus Lampsonius, MA Dissertation, Courtauld Institute of Art, University of London, 2002

Nicolas Galley Hauterive, ‘Pictorum Aliquot Celebrium Germaniae Inferioris Effigies’ in De l’original à l’excentrique : l’émergence de l’individualité artistique au nord des Alpes, PhD University of Fribourg 2005, 131-141 http://ethesis.unifr.ch/theses/downloads.php?file=GalleyN.pdf

S. Meiers, ‘Portraits in print. Hieronymus Cock, Dominicus Lampsonius, and Pictorum aliquot Germaniae Inferioris Effigies’, Zeitschrift für Kunstgeschichte 69 (2006), 1-16

W. Melion, Shaping the Netherlandish Canon. Karel van Mander’s Schilder-Boeck, Chicago 1991

A. Mensger, ‚Die exakte Kopie: Oder die Geburt des Künstlers im Zeitalter seiner Reproduzierbarkeit’, Envisioning the Artist in the Early Modern Netherlands, Nederlands Kunsthistorisch Jaarboek 59 (2009), 195-221

H. Miedema (transl. and ed.), The lives of the illustrious Netherlandish and German painters : from the first edition of the first edition of the Schilder-boeck (1603-1604), 6 vols., Doornspijk 1994-99

N. Orenstein (comp.) and G. Luiten (ed.), The new Hollstein Dutch & Flemish etchings, engravings and woodcuts, 1450-1700/ Hendrick Hondius, Roosendaal 1994

N.Orenstein, Hendrick Hondius and the Business of Prints in Seventeenth-Century Holland, Rotterdam 1996

N. Orenstein, Marketing Prints to the Dutch Republic: Novelty and the Print Publisher’, Journal of Medieval and Early Modern Studies 28 (1998); 148-50.

N. Orenstein, The new Hollstein Dutch and Flemish etchings, engravings and woodcuts, 1450-1700/ Simon Frisius, 2 parts, Roosendaal 2008, part 1

J. Puraye, Dominique Lampson Humaniste 1532-1599, Bruges 1950

J. Puraye (ed.), Dominique Lampson. Les Effigies des Peintres célèbres des Pays-Bas, Bruges 1956

H.-J. Raupp, Untersuchungen zu Kunstlerbildnis und Kunstlerdarstellung in den Niederlanden im 17. Jahrhundert, Hildesheim 1984

T. Riggs, Hieronymus Cock (1510-1570): Printmaker and Publisher in Antwerp at the Sign of the Four Winds, New York 1977

Z. van Ruyven-Zeman in collaboration with M. Leesberg (eds.), J. van der Stock and M. Leesberg, The New Hollstein Dutch and Flemish Etchings, Engravings and Woodcuts, 1450-1700/ The Wierix Family Part IX, Rotterdam 2004 (cat. no. 2023)

G. Sciolla and C. Volpi (intro. and notes), Da van Eyck a Brueghel: scritti sulle arti di Domenico Lampsonio, Turin 2001

I von Szwykowski, ‘Sammel-Werke Alt Niederländische Maler-Portraits von Hieronymus Cock und Heinrich Hondius. Aus der zweiten Hälfte des 16. und zu Anfang des 17. Jahrhunderts’, in Archiv für die Zeichnenden Künste, 2 (1856), 13-63