Pietro Bordi: Barbara Hepworth and Ben Nicholson’s Object Compositions, Photographed by Paul Laib (1933): A ‘Poetic’ Exhibition

Paul Laib (1869-1958) was a photographer who in the early decades of the 20th century captured the works of some of the most important contemporary artists working in Britain between 1890 and 1950. His large corpus of over 20,000 negatives were gifted to the Courtauld in 1974 by Patrick de Laszlo, son of Philip de…

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Mary Whittingdale: Yoga Vinyasa Inspired by Paul Laib’s Photographs of Barbara Hepworth’s Work

Audio version Text version Paul Laib (1869–1958) specialised in fine art photography working between 1898 and the 1950s. He was commissioned by many prominent British artists of his time including Oswald Birley, Philip de László, Ben Nicholson, John Piper, and John Singer Sargent. Among these, Laib’s photography of Barbara Hepworth (1903–1975) and her work stand…

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Andreas Schmid: Original Reproductions: Paul Laib’s Photographs of Barbara Hepworth’s Reclining Figure (1933)

Many artworks are only preserved in photographs. When the originals are lost, for instance in the turmoil of war, photographic reproductions often remain as the only way to access them. But the importance of photography exceeds mere preservation: without reproductions, the original would be an isolated object in a museum or an archive with only…

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Camera, Obscured: The Fine Art Photography of Paul Laib

  Audio Version Read by Anna Thompson Text Version The Tate Archive holds some of the only remaining correspondence between photographer Paul Laib (1869-1958) and the artists who hired him: a misaddressed cream card dated July 1935 listing his telephone number, address in London’s South Kensington borough, and services offered. All in vibrant red ink:…

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Antonia Jameson: Still-life in Barbara Hepworth and Ben Nicholson

The topic of still-life carries a lot of art historical baggage. Immediately, for me, the baroque, commercial, and kitsch come to mind. But as art critic Herbert Furst argues, still life is often overlooked as a dull subject when it can be an “aesthetic laboratory” through which artists play around with analogy, line and colour…

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Digitisation volunteering: our response to Covid-19

Digitisation volunteering: our response to Covid-19 Although the coronavirus has put our digitisation activities on hold at Somerset House, the pandemic has unlocked an outpouring of creativity amongst our volunteers. By adapting quickly, we have been able to initiate remote activities to advance the cataloguing, interpretation and care of our photographic collections, logging over 1,200…

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Lara Drew: Winning and Losing – Photographs of Works of Art

Audio Version Read by Francesca Nardone Text Version The Courtauld’s Witt and Conway libraries hold almost one million mounted photographs and over 60,000 negatives. They act as a comprehensive record of western art and global architecture, including cuttings, reproductions, publications and photographs of works of art and landmarks. One entire room is filled with over…

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Introducing our new digitisation project

Audio version Read by Faye Fornasier Text version Hello and welcome to our Digital Media blog – so nice of you to come and visit! This post is an introduction to the HLF Digitisation Project here at the Courtauld Institute of Art. The project is run by Tom Bilson, Head of Digital Media, Sarah Way, Volunteer Coordinator,…

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