The following texts, books and films have informed the concept and development of Both Sides of Here and provide further resources for exploring the exhibition’s themes. The image on the right is a specially produced Zine, with contributions from an open-call submission by artists, poets and writers in response to Both Sides of Here‘s theme and concept, ‘thresholds’.
The Zine explores independent creative action, platforming new and diverse voices to foster collaborative exchange.
Web resources
- Giorgio Agamben. Homo Sacer: Sovereign Power and Bare Life. Palo Alto: Stanford University Press, 1998
https://www.thing.net/~rdom/ucsd/biopolitics/HomoSacer.pdf - Nick Axel, Jan Boelen, Charlotte Dumoncel d’Argence, Nikolaus Hirsch (eds.) At the Border. In: eflux (a collaboration between A/D/O and e-flux Architecture), 2019/2022, https://www.e-flux.com/architecture/at-the-border/
- Peter Broome. ‘Henri Michaux: Structures in Space’. In: Dalhousie French Studies, October, 1982, Vol. 4 (October, 1982) (pp. 113-140) https://www.jstor.org/stable/40836762
- Theo Deutinger. ‘Let’s Call it a Wall’. In: At the Border. In: eflux (a collaboration between A/D/O and e-flux Architecture), 2019/2022, https://www.e-flux.com/architecture/at-the-border/325750/let-s-call-it-a-wall/
- William J. Froming, G. Rex Walker, Kevin J. Lopyan. ‘Public and private self-awareness: When personal attitudes conflict with societal expectations’. In: Journal of Experimental Psychology, Vol. 18 Issue 5 (September 1982) (pp. 476 – 487), https://www.sciencedirect.com/science/article/abs/pii/0022103182900671
- Renée Riese Hubert. ‘Henri Michaux: Illustration and Double Talent’. In: World Literature Today, Vol. 58, No. 2 (Spring, 1984) (pp. 209-215) https://www.jstor.org/stable/40139949
- Reinhard Kuhn. ‘The Hermeneutics of Silence: Michaux and Mescaline’. In: Yale French Studies, No. 50, ‘Intoxication and Literature’ (1974) (pp. 130-141)https://www.jstor.org/stable/2929471
- Virginia A. La Charité. ‘Dis-Order and Unity in the Work of Henri Michaux’. In: The Modern Language Review, Vol. 73, No. 1 (January 1978) (pp. 61-70) https://www.jstor.org/stable/3728140
- Joanna Latimer and Rolland Munro. ‘The Politics of the Threshold: Power, motility, and endless “passing”’. In: www.thresholdyork.wordpress.com, https://thresholdyork.wordpress.com/2017/04/04/the-politics-of-the-threshold-power-motility-and-endless-passing/
- Jamie Mackay. ‘Is “The Diffused Museum” The Future of Experiencing Art?’. In: artreview.com, 16 June 2020, https://artreview.com/is-diffused-museum-the-future-of-experiencing-art/
- Maggie Smith. ‘Threshold’. In: Goldenrod: poems (New York: One Signal Publishers/ Atria Books, a division of Simon & Schuster, 2021), https://www.poetryfoundation.org/poetrymagazine/poems/152104/threshold-5e1260dcd0e82
- ‘Threshold Concepts: Undergraduate Teaching, Postgraduate Training, Professional Development and School Education’. In: www.ee.ucl.ac.uk.
Books
- Susanna Clarke. Piranesi. London: Bloomsbury Publishing, 2020
- Beryl Graham. New Collecting: Exhibiting and Audiences after New Media Art. London: Routledge, 2016. https://www.routledge.com/New-Collecting-Exhibiting-and-Audiences-after-New-Media-Art/Graham/p/book/9780815399810
- James Joyce (1916). Portrait of the Artist as a Young Man. London: Penguin Classics, 2016, https://www.penguin.co.uk/books/297/297598/a-portrait-of-the-artist-as-a-young-man/9780143108245.html
- Franz Kafka (1915). The Metamorphosis. London: Penguin Classics, 2020, https://www.penguin.co.uk/books/574/57489/metamorphosis-and-other-stories/9780241436240.html
- Otessa Moshfegh. My Year of Rest and Relaxation. London: Penguin Books, 2018 , https://www.penguinrandomhouse.com/books/561517/my-year-of-rest-and-relaxation-by-ottessa-moshfegh/
- Richard Powers. The Overstory. New York: W. W. Norton & Company, 2018, https://wwnorton.com/books/9780393356687
- Ocean Vuong. On Earth We’re Briefly Gorgeous. London: Penguin Press, 2019. https://www.penguin.co.uk/books/111/1117053/on-earth-we-re-briefly-gorgeous/9781529110685.html
- Virginia Woolf (1927). To The Lighthouse. London: Penguin Classics, 2019, https://www.penguin.co.uk/books/571/57101/to-the-lighthouse/9780241371954.html
Films
- Blow Up (Michelangelo Antonioni, 1966) https://en.wikipedia.org/wiki/Blowup
- The Diving Bell and the Butterfly (Julian Schnabel, 2008) https://en.wikipedia.org/wiki/The_Diving_Bell_and_the_Butterfly_(film)
- Easy Rider (Dennis Hopper, 1969) https://en.wikipedia.org/wiki/Easy_Rider
- Human Flow (Ai WeiWei, 2017) https://en.wikipedia.org/wiki/Human_Flow
- I, Daniel Blake (Ken Loach, 2016) https://en.wikipedia.org/wiki/I,_Daniel_Blake
- I’m No Longer Here (Fernando Frías de la Parra, 2018) https://en.wikipedia.org/wiki/I%27m_No_Longer_Here
- Llevate Mis Amores (Arturo González Villaseñor, 2014) https://www.imdb.com/title/tt4022534/
- Parasite (Bong Joon Ho, 2019) https://en.wikipedia.org/wiki/Parasite_(2019_film)
- Paris Texas (Wim Wenders, 1984) https://en.wikipedia.org/wiki/Paris,_Texas_(film)
- Portrait of a Lady on Fire (Céline Sciamma, 2019) https://en.wikipedia.org/wiki/Portrait_of_a_Lady_on_Fire
- The Seventh Seal (Ingmar Bergman, 1957) https://en.wikipedia.org/wiki/The_Seventh_Seal
- The Shining (Stanley Kubrick, 1980) https://en.wikipedia.org/wiki/The_Shining_(film)
- The Swimmer (Frank Perry, 1968) https://en.wikipedia.org/wiki/The_Swimmer_(1968_film)
- The Watermelon Woman (Cheryl Dunye, 1996) https://en.wikipedia.org/wiki/The_Watermelon_Woman
- Wild Strawberries (Ingmar Bergman, 1957) https://en.wikipedia.org/wiki/Wild_Strawberries_(film)
- The Wizard Oz (Victor Fleming, 1939) https://en.wikipedia.org/wiki/The_Wizard_of_Oz_(1939_film)
- Youth (Paolo Sorrentino, 2015) https://en.wikipedia.org/wiki/Youth_(2015_film)
