Category Archives: Volunteers

Layers Of London Highlights: Records By Emily Redfield

Introduction by Fran Allfrey, volunteer officer

You can now find over 100 photographs from the Conway Library on Layers of London. Layers of London is a fantastic resource and website run by the Institute of Historical Research, University of London. In brief, Layers of London allows you to pin photographs into a digital map of London, and add a short description.

Since lockdown in March 2020, 28 Courtauld volunteers have been extremely busy sharing photographs from the Conway Library on Layers of London. In a series of blog posts, we’ll be sharing just a few of the records they have made to try and encourage our blog readers to go explore the map and photographs!

In this post, we have reproduced three of four records (and counting) made by our volunteer Emily Redfield. Thank you, Emily, for writing such evocative descriptions of these photographs of modernist and post-war gems in London, and bringing together photography, art history, and experience.

Emily says:

“Despite being locked down halfway around the world from London at the moment, writing and researching for Layers of London has virtually transported me to corners of the city I never would have otherwise discovered.

I’m far from an expert on London’s architecture—as an MA student at The Courtauld I took Dr. Jo Applin’s New York-centric course, ‘The Sixties’—so examining the Conway Library photographs has been a total learning experience. But it’s probably no surprise that among my favorite discoveries is St. Paul’s Bow Common, a post-war building that’s been completely shocking to parishioners since it opened in 1960.

Looking beyond these sometimes strange, sometimes nondescript building exteriors, I’m excited to feel like I’m beginning to better understand so much of the architectural thought and theory that created the London we see today.”

Records researched by Emily Redfield

St Paul’s, Bow Common

“Defined by expanses of brick and little decoration outside and in, architect Robert Maguire’s building has drawn mixed opinions since it was consecrated in 1960.

In this image, the church’s central altar emerges from the startlingly barren brick-and-concrete space of the building’s interior. Defying convention, the open floor plan shocked parishioners, but it created possibility as well—an opening, literal and symbolic, of the space the church would provide its East London community. Lighting and defining that space is the main identifying feature of St. Paul’s: the light-filled lantern above. Where stark walls and concrete floors stretch unbroken, its effect is sublime, casting a geometry of light in angular forms.

In another Conway photograph uploaded to Layers of London, part of artist Ralph Beyer’s inscription above the church’s exterior entrance can be read. The full quote from Genesis works in no small part to identify the otherwise ambiguous building to passersby: ‘Truly this is none other, But the House of God, This is the Gate of Heaven’. Not unlike the unyielding modernity of St. Paul’s, the lettering declares itself resolutely, less a whisper, more a shout.” Read more and see more photos on Layers of London.

Benthal Road Primary School

“Elements of play and whimsy are clear on the exterior of the buildings of Benthal Primary School, photographed here in 1998… The buildings shown here were designed by architect Paul Maas.

These black and white views of the building exteriors evoke a futuristic, space-age geometry of sinuous lines and questionable functionality. Each of the eight Maas buildings houses a single classroom, with the Moorish pavilion-inspired roofs providing light as well as a distinctive tent-like appearance…

‘Nobody seemed to be designing schools for small children’, Maas said, reflecting upon his design, ‘I wanted Benthal to feel like a children’s world in which adults were invited’.

Thus, taking his own children as inspiration, he lowered windows to children’s eye levels and transformed classrooms into doming, cave-like spaces. The curves and portals serve an essential purpose. They create an environment scaled and suited to a child, like a secret hideaway, designed to invite curiosity in.” Read more and see more photos on Layers of London.

Alexandra and Ainsworth Estate, London NW8 0SN. Designed by Neave Brown (Camden Council's Architects Department), 1968. CON_B04264_F003_004. The Courtauld Institute of Art. CC-BY-NC. — Alexandra and Ainsworth Estate, London NW8 0SN. Designed by Neave Brown (Camden Council’s Architects Department), 1968. CON_B04264_F003_004. The Courtauld Institute of Art. CC-BY-NC.

Alexandra Road Estate

“Commonly known as the Alexandra Road Estate, the Alexandra and Ainsworth Estate in the London Borough of Camden exemplifies 1960s brutalist architecture in concrete.

In these photographs, the clean lines and stark monochrome of concrete may appear harsh and imposing. If so, they bely the true nature of the Alexandra Road Estate. Brown was one of a generation of architects committed to elevating London’s council housing beyond the generic tower block. Rejecting a cheap, one-size-fits-all solution, Brown designed Alexandra Road for the brief at hand. The result is humanistic high density housing centred around shared community spaces… Pictured here as largely empty, the balconies are now lush with verdant growth, carefully tended gardens indicative of the life overflowing from within.” Read more and see more photos on Layers of London.

See all the records created by Emily here https://www.layersoflondon.org/map/users/2626

And all the Conway Library photographs on Layers of London can be seen here https://www.layersoflondon.org/map/collections/446

John Ramsey: Castle Howard

August 7, 2020The Conway Library Volunteer Voices No Comments

Audio Version

Text Version

In Evelyn Waugh’s novel Brideshead Revisited two friends, Charles and Sebastian, lounge in the colonnade of Brideshead Castle, the stately home of Sebastian’s family. They have just come down from their first year at Oxford. It is a peerless summer’s day. Charles is sketching an ornamental fountain.

Referring to the main house, Charles says, “Is the dome by Inigo Jones, too? It looks later”.

Sebastian replies, “Oh Charles, don’t be such a tourist”.

It is believed that Waugh based Brideshead on Castle Howard, the only stately home of England to have a dome. It also has its own box in the Conway Library, with many photographs taken by Anthony Kersting. One image, showing the south front from the fountain, looked wrong somehow. Why? The dome had disappeared.

Image of Castle Howard from afar, no dome visible. — The south front of the house with the dome missing. Photograph by Anthony Kersting. CON_B00944_F002_004. The Courtauld Institute of Art, CC-BY-NC.

Inspired by the photographs in the Conway, I visited Castle Howard on another peerless summers day, two years ago, and discovered the story.

During the Second World War, stately homes were either requisitioned by the army or by private schools needing to move away from towns and cities. The owners preferred the schools, as the army would damage the structure and ruin the landscaped gardens. Castle Howard became a girls’ school. Tragically, this apparent good fortune did not prevent damage to the structure. In November 1940, a fire broke out in the South-East wing and swept through the house into the Great Hall, destroying the dome. The Howard family were determined to rebuild the house and to live in it again. The dome was finally completed in 1962.

Image of Castle Howard taken from afar, in it we can see the dome clearly. — The south front with the dome restored. Photograph by Anthony Kersting. CON_B00944_F002_005. The Courtauld Institute of Art, CC-BY-NC.

Work still continues, as time, money and opportunities permit. In conjunction with the filming of the TV serial, Brideshead Revisited, in 1981, the Garden Hall was rebuilt. Apparently, many tourists believe that the novel was based on historical events, and the characters on real people.

The reference to Inigo Jones is also a fiction. The architect was John Vanburgh, best known at the time as a Restoration playwright. He was a member of the elite Kit Kat Club, along with the then owner of Castle Howard, Lord Carlisle, who was looking for an architect to rebuild his medieval castle. Vanburgh had trained as an architect but had never built anything. However, Carlisle believed Vanburgh could design a structure of appropriate grandeur and dignity, that reflected the spirit of the age. Vanburgh had toured Europe extensively and the result is a sumptuous blend of the Baroque and the Palladian: ornate sculpture and decoration, with symmetry, arched windows, and temple-like features. He was supported by Nicholas Hawksmoor, who had worked for Sir Christopher Wren on St Paul’s Cathedral and was the architect of several City churches rebuilt after the Great Fire of London.

I am not sure why being a tourist was such an insult. Presumably, the aristocracy at the time could afford to despise the idea of visitors paying to see their estates. It crops up later in the novel when Charles and Sebastian visit Venice, and “become tourists” themselves.

Please do be a tourist and visit Castle Howard. It is a completely wonderful experience, and they still need the money.

John Ramsey
Courtauld Connects Digitisation Volunteer

Lorraine Stoker: The Keats-Shelley House in Rome

July 31, 2020The Courtauld Gallery The Kersting Archive Volunteer Audio Volunteer Voices No Comments

Audio Version

Read by Bill Bryant

Text Version

Rome is a very special place to me and this is a small, perfect jewel in its crown. The Keats-Shelley House on the Spanish Steps in Rome is a museum dedicated to the second-generation English romantic poets who lived in, and were inspired by Italy. The house hosted PB and Mary Shelley, and Lord Byron, but more importantly, it was the final home of John Keats. I am not a lover of poetry, having endured Coleridge and the Rime of the Ancient Mariner at school, but the various Odes by Keats and Paradise Lost by Milton somehow embedded themselves in my artistic imagination. Ode to a Nightingale by Keats is a personal favourite, it even recently prompted the Keats-Shelley Memorial Association’s 2020 Keats-Shelley Writing Prize theme of Songbird.

Anthony Kersting’s black and white photograph of the house, with its half-shuttered windows, patchy exterior paintwork and the overall dilapidated appearance, exudes a post-war feeling of decay – almost a reflection of Keats’ own situation – tired, worn out, dying. The building appears almost tragic – reflecting a tragic life and story. Ode to a Nightingale was written two years before Keats died in this building in 1821 and yet the following stanza captures the ‘beauty’ and essence of this photograph.

Fade far away, dissolve, and quite forget

         What thou among the leaves hast never known,

The weariness, the fever, and the fret

         Here, where men sit and hear each other groan;

Where palsy shakes a few, sad, last gray hairs,

         Where youth grows pale, and spectre-thin, and dies;

                Where but to think is to be full of sorrow

                        And leaden-eyed despairs,

         Where Beauty cannot keep her lustrous eyes,

                Or new Love pine at them beyond to-morrow. [read more]

Anthony Kersting, “Rome, John Keats’ House, and the Spanish Steps”, 30 September 1961, KER_PNT_G01600. View of the Keats-Shelley House from the Spanish Steps, 2007, uploaded by user Keats1795 to Wikipedia, public domain.

Today, the striking, renovated building, has a secure future, thanks to the ongoing programme of maintenance and restorations to the interior and exterior of the House. So, before climbing the 138 Spanish steps, It is worth taking a walk through a series of beautiful rooms, containing many treasures and curiosities associated with the lives and works of the Romantic poets, as well as one of the finest libraries of Romantic literature in the world, now numbering more than 8,000 volumes.

In addition to the museum, library and exhibition rooms, there are two spacious terraces boasting stunning views, a book and gift shop, and a small cinema room. The Keats-Shelley Memorial Association (London) purchased the house in 1906 and oversees this house, as well as the Keats House in London, and his grave in Rome.

Lorraine Stoker
Courtauld Connects Digitisation Volunteer

Layers of London Highlights: Records by Alla Sakharova

July 10, 2020Architecture Layers of London Volunteer Voices No Comments

Introduction by Fran Allfrey, volunteer officer

You can now find over 80 photographs from the Conway Library on Layers of London. Layers of London is a fantastic resource and website run by the Institute of Historical Research, University of London. In brief, Layers of London allows you to pin photographs into a digital map of London, and add a short description.

Anyone is able to log on and add photographs that they have taken themselves, and many museums, archives, and libraries have been adding their collection items too. Most importantly, anyone is able to just explore the map!

Since lockdown in March 2020, over 28 Courtauld volunteers have been extremely busy sharing photographs from the Conway Library on Layers of London. In a series of blog posts, we’ll be sharing just a few of the records they have made to try and encourage our blog readers to go explore the map and photographs!

Alla says: “I love London! This task helps me to see places with the eyes of different photographers and find out the amazing history of places – for example Bevin Court, or learn about Lost London – as with Dorchester House.”

Records researched by Alla Sakharova

Hospital of St Mary at the Cross Convent, Shoreditch, London. Designed by James Brooks (1870-75) and JD Sedding (1880-81). Photographed in 1946. CON_B04088_F001_013. The Courtauld Institute of Art, CC-BY-NC.

Hospital of St Mary at the Cross Convent

From the London Gardens Trust website: “(The Hospital of St Mary at the Cross Convent was) an Anglican Benedictine Community of Sisters of the Poor founded in Shoreditch in 1866 where it purchased a site in 1873 and built a convent. The convent building was begun by James Brooks but completed by JD Sedding in Franco-Flemish style. The Convent closed in 1931, and the Sisters moved to Edgware.”

It was built adjacent to St Michael’s Church. The church is now used by Lassco, an architectural salvage company, and houses an extraordinary collection of artefacts.

Brooks completed the ambitious group of buildings with the Convent of St Mary at the Cross in 1870-75; this included a small chapel and a cloister. The front entrance block in Leonard Street was added by JD Sedding in 1880-81. The convent buildings were relinquished in 1931 and demolition eventually followed c.1959.

The remains of the building are in a public garden on Mark Street / Mark Square, Shoreditch.”

Dorchester House, Park Lane, ‘Green Drawing Room’, Image CON_B04085_F001_012, The Courtauld Institute of Art, CC-BY-NC.

Dorchester House

See more on Wikipedia: “Dorchester House was built in 1853 by Sir Robert Stayner Holford; demolished in 1929. The architect was Lewis Vulliamy who designed many grand houses and monuments.

After Sir Holford’s death, his son rented it to Mr Whitelaw Reid, the American Ambassador at that time. Sir Holford’s grandson inherited the Dorchester House in 1926 and put it up for sale the same year. Dorchester Hotel is now in its place at 53 Park Lane, London.”

London, Bevin Court, CON_B04266_F001_006, The Courtauld Institute of Art, CC-BY-NC.

Bevin Court, Cruikshank St, Finsbury, London W1C

Text from Ian Visits website: “The name of the building has a curious history. It was named Bevin Court after the recently deceased Labour politician Ernest Bevin, and a bronze bust was installed in the foyer […] However, the building was originally going to be named after a very famous former resident of the area… Vladimir Ilyich Ulyanov – who is marginally better known as Lenin.

By the early 1950s though, even Finsbury Council balked at the idea of naming the building after a leading light in the Soviet cold-war enemy, so it was named Bevin Court. It is claimed that the architect, Lubetkin in a fit of pique buried his planned memorial to Lenin in the foundations under the stairs. So, you can either say Lenin is still at the heart of the building, or you are stomping on his head every time you use the stairs.”

See all the records created by Alla here https://www.layersoflondon.org/map/users/2427

And all the Conway Library photographs on Layers of London here https://www.layersoflondon.org/map/collections/446

Layers of London Highlights: Records by Michael Mayes

June 26, 2020Architecture Layers of London Volunteer Audio Volunteer Voices No Comments

Audio version

Read by Claudia Neagu

Text version

Introduction by Fran Allfrey, volunteer officer

In this post, we have reproduced four of seventeen records (and counting) made by our volunteer Michael. Thank you, Michael, for creating so many evocative records, which really show the variety of photographs in the Conway Library.

Michael says: “My favourite photograph is one of Anthony Kersting’s – The Horniman Museum. It’s a place I know well from visits and he captures it in that unique way he has, making a building, no matter how familiar, appear to you as if for the first time.
My favourite entry, however, is of The Crown Tavern. I hope I’ve captured the nostalgia of the period and the central role pubs played in social life particularly as we have lost so many already and no doubt more to come.”

Records created by Michael Mayes

The Crown Tavern, Aberdeen Place, London. Architect CH Worley, built 1898. CON_B04084_F002_034. The Courtauld Institute of Art, CC-BY-NC.

The Crown Tavern, 23 Aberdeen Place, London NW8

This pub is sadly no longer with us, having sold its last drink in March 2004. Its new incarnation is a striking residential property restored to show off its late Victorian origins. This image is intriguing. The wonderfully decorated windows invite the sunlight to steal in, throwing panes of light across the floor and wall, and highlighting a coat on its peg. A restless dog lingers near its master. A half-finished beer stands on the table, where on the opposite side a man sits, rolling his smoke, with a pint of Dublin’s finest waiting to be enjoyed. Cheers!

Lenin Memorial, Holford Square, London. Designed by Berthold Lubetkin, erected in 1942. CON_B04266_F001_005. The Courtauld Institute of Art, CC-BY-NC.

Lenin Memorial, Holford Square, London WC1

Badly damaged by bombing in World War Two, the then-named Holford Square was condemned in 1948 and rebuilt to plans drawn up by the architect Berthold Lubetkin. It was renamed Bevin Court and located in Holford Gardens. Lubetkin had previously, in 1942, designed and installed the memorial you see in the photograph. In an uncanny parallel with events in June 2020 when protesters targeted statues of figures involved in the slave trade, Lenin’s memorial was regularly damaged and defaced, and eventually it was buried by Lubetkin beneath a staircase when Bevin Court was being built. The photograph featured in an exhibition, British Art and Design Before the War, at the Hayward Gallery in 1979-80. The photographer has captured an image of what could be considered an understated design: the arch above Lenin’s head, the inset inscription, the housing set at a downward angle. Note, however, the security chain around the base, a sign, perhaps, of the protests to come.

Ludgate Circus Railway Bridge

This image featuring the railway bridge is undated though there are some clues as to the period in which it was taken. The clothes worn by a small group of young people in front of the King Lud pub on the left suggest the 1950s or earlier 1960s; note also the bus and the traffic light design. Scrutinise the cyclists hurtling down the hill, drop-handle racers having a great time in the light traffic – it is probably not rush hour. The City is either at rest, suggesting a weekend, or in an urgency of homeward bound city workers still toiling at their desks.

The Horniman Museum

The Museum opened on its present site in 1901. It is well known and frequently attended and plenty of information can be derived from its website. This image, taken by Anthony Kersting, exemplifies his approach to photography. Judging by the leafless trees, it appears to have been taken in the late afternoon of a winter’s day. The long shadow raking from the left anchors the building, which is highlighted and framed. Sky detail is minimal but the wisp of cloud is such a delight. The vehicle passing in front of the building suggests a longish exposure. Time, care and attention to detail whisper quietly from this image.

See all the records created by Michael here: https://www.layersoflondon.org/map/users/2090

And all the Conway Library photographs on Layers of London here: https://www.layersoflondon.org/map/collections/446

Meet our volunteers… Gill, Lorraine and Bill

June 8, 2020Volunteer Voices Volunteer Week No Comments

Audio version

Read by Gill Stoker, Celia Cockburn, and Bill Bryant. Edited by Christopher Bean.

Text version

It’s Volunteers’ Week in the UK this week and we wanted to take this opportunity to celebrate our fantastic Digitisation Volunteers. Every day last week we have shared their stories and thoughts in our Meet our volunteers series – we hope you enjoyed meeting them!

Why I volunteer…

Gill: I’ve only recently joined the Courtauld volunteers, in mid-May – just by chance I came across details of the Open Courtauld Hour webinars on Zoom, and enjoyed watching them. In the one on 14 May I heard about the digitisation project, saw a photo of a big group of happy volunteers, and realised that it was exactly what I’ve been looking for!

Lorraine: It’s so nice to be retired and to have time to do what I want. Learning is what drives me to volunteer – nothing altruistic I’m afraid (except the Year 13 student support in a local school).

Bill: It’s always good to be part of a worthwhile project involving teamwork. During Covid the weekly Zoom meetings are the only way I have of keeping within touching distance of the outside world – the Art Club has given me an outlet for whatever creative talent I may have by allowing me to submit some of my photographs.

What I enjoy most about volunteering…

Gill: Courtauld volunteers are really well looked after by the wonderful members of staff, who make sure we’re well supplied with interesting work to suit our skills and knowledge. It was a bit of a learning curve for me at first, as it involved getting set up with various bits of new (to me) technology, such as Zooniverse and Slack. Fortunately, I’ve already been using Zoom quite a lot since late March, and it’s been fun to take part in a number of video conferencing sessions, meeting the staff and other volunteers to discuss aspects of the digitisation work, or just for a social chat to share recommended books, TV programmes, etc. I’m finding the remote working very flexible – there are different aspects to choose from, so it’s possible to dot around from one task to another for the sake of variety, or focus on one longer task, depending on how you’re feeling.

Bill: I have no background in the Arts but the Art Market and how it works has always fascinated me. Volunteering at the Courtauld has enabled me to meet talented ‘arty’ people!

Lorraine: It’s the whole package really… the journey to and from the Aldwych, the various options available when in the Courtauld, the surprises when cataloguing or digitising, etc. The opportunity to research your own interests within the collection. I particularly enjoyed transcribing Anthony Kersting’s ledgers and his terrible handwriting!

A favourite photo or moment?

Gill: I’ve been captioning a lot of Canterbury Cathedral images via Zooniverse – lots of different styles of column/capital. There was a lovely funny capital of a man with what looked like two donkeys on either side of him. Obviously that particular stone carver had a good sense of humour!

A capital in the Conway crowdsourced metadata entry project on Zooniverse: World Architecture Unlocked.

Lorraine: The London boxes are fascinating – so much has been lost! I always enjoy photographs of modernist architecture (read Lorraine’s blog post here!): for instance, this image of the staircase in Bevin Court, Finsbury.

Bevin Court Stairs. CON_B04266_F001_022. The Conway Library.

What do you do when not volunteering?

Gill: I teach from home (mostly English as a Foreign Language), and I also work part-time for a picture library, where I do a lot of work with pictures from different periods in history and from different countries all around the world. My work involves researching the images, then captioning and keywording them. I’ve been on furlough from the picture library since 1 April, and when I discovered that the Courtauld has a team of volunteers doing similar work, I got in touch straight away!

The Conway items as they appear on Zooniverse’s World Architecture Unlocked. Gill and other volunteers who joined during the lockdown have only accessed the items in digital form.

Lorraine: After 38 years of teaching, volunteering at the Courtauld reignited my interest in the History of Art and as a result, I recently completed an MA in History of Art and Photography. I’m now seriously considering a PhD but… who knows… do I have the time!? I also volunteer at the Tate archives and support year 13 students in a local school. When I am not researching or reading, I am a life-long football supporter and an avid Star Trek/Picard fan. I’m also an animal rescue fanatic – bears especially but all animals. I live South of the river with a long-suffering partner/husband and a cat.

Bill: I’m an old chap – that is pre-war vintage. I was born and bred in London, and save for time in Cheltenham have lived here all my life. I was a Civil Servant – first at GCHQ (having learned Russian during my National Service in the RAF) and then at the Home Office where I worked in the Royal Prerogative Section (dealing with criminal cases which had been through all the legal processes up to and including Appeal but where the Appellant was able to produce relevant and compelling new evidence which had not been before the Courts). After retirement I worked as a volunteer at The Cardinal Hume Centre – teaching English mainly to refugees; then as a volunteer at St Mary’s Hospital and after a few years taking over the role of Voluntary Services Manager there. I follow Chelsea Football Club and like using my camera.

“Westfield Coffee”, photograph taken by Bill.

What would you say to someone who wasn’t sure whether volunteering is for them?

Gill: Just give it a try – there’s nothing to lose, lots of support is available, and everyone is really friendly.

Lorraine: You have nothing to lose and everything to gain… new skills, historical and photographic knowledge, and in many respects a greater understanding of what has been before. Become immersed in the vast range of images, from London in the 1950s and the lost English Country Houses to European cathedrals and the Middle East Mosques and Coptic Churches.

Bill: Meeting new people is normally great fun. Give it a try! What have you got to lose?

Volunteering during lockdown

Gill: Once my furlough period comes to an end and I can hopefully go back to work, I’d still like to continue as a Courtauld volunteer – I’m looking forward to visiting the Courtauld building and meeting people face-to-face when the time is right!

Bill: I live on my own and the interaction with others on the project during this stressful time has proved important to me in keeping a sense of perspective.

One of Lorraine’s contributions to Art Club.

Meet our volunteers… Francesca and Anne

June 7, 2020Volunteer Audio Volunteer opportunities Volunteer Voices Volunteer Week Volunteers No Comments

Audio version

Read by Claudia and Celia

Text version

It’s Volunteers’ Week in the UK this week and we wanted to take this opportunity to celebrate our fantastic Digitisation Volunteers. Every day this week we will be sharing their stories and thoughts in our Meet our volunteers series – we hope you enjoy meeting them!

Why I volunteer…

Francesca: I am pursuing a career in the museum sector and wanted to gain some skills to help me. I also enjoy meeting new people and sharing stories and think that engaging with people over art is a fantastic starting point. Often personal stories are birthed from looking at an old photograph and relating to it, alongside conversations about its historical context which is always interesting. I am currently unemployed so need to fill my time wisely and find that the Courtauld provides me with many inspiring tasks to get on with. I would say I see my volunteering as 60% for career progression and learning skills and 40% as a hobby.

Anne: Having taken early retirement a few years ago I was on the lookout for a volunteering opportunity; I heard about the Courtauld Digitisation Project from a friend who volunteers and it sounded really interesting so I joined up to give it a go!

What I enjoy most about volunteering…

Francesca: I enjoy learning about diverse and precious content in the Conway Library. The Courtauld has the best sense of community that I’ve ever experienced in a volunteer museum setting and I love making new friends who have something in common with myself (love of art). Many of the volunteers are from the older generation and I find it fascinating to spend time with them and hear about their experience and ideas.

Anne: I really enjoy trying my hand at different parts of the process of digitisation, and seeing how it all fits together. I love the randomness of what you come across in the collection – one week it is Le Corbusier architectural drawings, the next Celtic crosses in Cornwall. And it is always exciting to come across photographs of places you know – in my first session we were digitising photos of a church tower in Croatia I had visited on holiday a few years ago.

Do you have a favourite photo or part of the collection?

Anne: KER_NEG_G03999 – a photo of young people gathered around the Shaftesbury Memorial Fountain (“Eros”) in Piccadilly Circus.

What do you do when not volunteering?

Francesca: The skills I learn while volunteering can be transferred to jobs that I will potentially have in the future in the museum sector (currently I am unemployed). Working in the museum sector can be challenging at times because of the need to be up to date with the art world, so learning more about architecture and photography is always useful. When I’m not volunteering at the Courtauld I am applying for jobs, doing online learning, and volunteering elsewhere.

Anne: I have really got into birdwatching in the last couple of years, so I often go for day trips to local(ish) nature reserves armed with my binoculars and trusty little camera – I particularly like to visit the Thames estuary which has amazing water birds. I dabble in drawing a little, and enjoy making the most of London’s wonderful art galleries, and browsing the regular amazing exhibitions at London’s auction houses.

What would you say to someone who wasn’t sure whether volunteering is for them?

Francesca: I love volunteering here and even if there are things you’re not sure about there is bound to be something that will draw you in because there are a lot of diverse aspects of it that you can enjoy, whether that’s being sociable and making friends, engaging in the interesting art, learning new skills, or going on group museum trips. Another thing I would add is that the staff are very experienced and enjoy sharing and the collections, they are one of a kind, so the experience is very inspiring.

Anne: Give it a go! There are several different parts of the process you can try out which each require different types of skill, so you can find something which suits you or do a bit of everything. You’ll meet a very varied group of people, and be really well looked after by the lovely staff!

Volunteering during lockdown

Francesca: I think it’s important to keep an open mind during this time. The Art Club and general tasks to get on with have been useful for being creative and just filling up my time with something to work towards. Staying at home all the time can often be demotivating because you lack a schedule, but the tasks from the Courtauld have positively rectified that.

Anne: Volunteering at home during COVID19 has been a real surprise – there is a whole new set of tasks we can work on, and I’m really enjoying delving deep into (again) random bits of research in my own time. I worked in IT in my former life, so I am able to make good use of – and update! – my computer skills. The twice-weekly Zoom team calls have really helped give some structure to my weeks, and it has been lovely to gradually get to know other volunteers and the staff over the weeks. I’m also loving the Art Club, where we are given a weekly challenge and encouraged ever so gently to have a go at creating something to share with the group.

Meet our volunteers… Heidi and John

June 6, 2020Volunteer Voices Volunteer Week No Comments

Heidi in the Courtauld lift and John in his makeshift recording studio.

Why I volunteer…

Heidi: Of all places, I saw a retweet on Twitter asking for volunteers who were needed for a digitisation project at The Courtauld Institute of Art, they needed help recording and saving many 1,000s of photographs they have stored in collections. Like most people, I knew of and had visited most of the big London museums and galleries, but the Courtauld had always had an air of mystery, needless to say, I’d been to Somerset House but had never actually gone inside. Therefore when I saw the chance to not only feed my curiosity but also my love of Architecture and the Arts, as well as doing something that sounded extremely interesting and worthwhile, I immediately applied to volunteer. I love coming to such an amazing building, I’m still overly curious about my surrounding (Somerset House is vast), the many boxes of photos, and taking part in saving minute pieces of history that all add up to one amazing collection, rather like putting together an image pixel by pixel until you get the whole picture.

John: To support the Courtauld, as the Gallery has been part of my imagination all my adult life.

What I enjoy most about volunteering…

Heidi: I start each shift knowing what I’m going to be doing, usually it’s Metadata, my favourite, but also knowing that there’s going to be surprises, mysteries I have to solve, handwriting for instance. But that’s what I enjoy, the repetitiveness of interesting information (I’m a born organizer), when suddenly you’re confronted by a challenge and it needs to be solved then and there. Every shift I learn something new, whether it’s through the photos themselves or the information that accompanies them.

John: Finding beautiful or unusual detail in the photographs of the Conway – such as this sculpture in Canterbury Cathedral.

A favourite photo or moment?

Heidi: The photographs that have made me stop and stare were the boxes of the Plans of the Vatican and Vatican City, several boxes containing masses of plans. I hadn’t realized the Vatican was so vast, the amount of rooms, the tunnels. I immediately wanted to go there and start exploring because you know for sure that there are going to be hidden rooms, hidden passageways not on any public records.

John: There are so many! But a recent wow moment was James Austin’s photos of the Eiffel Tower.

What do you do when not volunteering?

Heidi: Recently as I haven’t been able to go to the Courtauld or out & about really, I’ve been making things, though I have had to curb my enthusiasm for baking for obvious reasons. But I love steampunk, retro styles with a twist of Heidi woven in. So I began the lockdown all eager with some painting, note the wacky handles.

I have three children, and six grandchildren (7, 9, 11, 13, 16, 19) so apart from using Houseparty, Whatsapp etc we have all become penpals, which is taking up a bit of time too. I was always going to exhibitions, galleries etc but what I have been doing is going for 2-4 hour walks (…all my home baking!) There is not a better way to explore London and I have yet to get lost (touch wood), and before Lockdown I spent every other long weekend in Essex where my family are, I miss the sea and the countryside too.

John: I do a lot of drawing, and images from the Conway Library have inspired me. I am also a keen reader of history and like to relate events to what was happening in the arts at the same time.

What would you say to someone who wasn’t sure whether volunteering is for them?

Heidi: When I first started volunteering I was unsure what to expect, I decided to try everything 2-3 times then decide if I wanted to alternate or choose one task. I was drawn to Metadata as working on my own suits me but there’s always help and plenty of advice when I need it, which is often! Metadata can be like a puzzle and I’m a “puzzle foodie”. But by volunteering for the project you get the opportunity to do several jobs, from camera work to research, from group work to individual work but with the knowledge that you will always have a wealth of knowledge and help if you need it from an extremely experienced merry band of overseers. Whether you’re a chatterbox or a bit shy, whether you have an interest in architecture, the arts, or just want to learn something new, I can think of no better way of doing so than in a prestigious environment with a group of like-minded people, not forgetting an awesome common room with ever plenty biscuits, & coffee ;-).

I have been asked to provide a photo if possible, I have been on numerous outings with the Courtauld, amazing places, and when it comes time for the photoshoot I’m the one ducking down at the back o_O …. So the one at the top of this post is one of me in the Courtauld lift, if you see me come and say hi!

John: Just try it for a few weeks. You have nothing to lose, you can stop if you wish. Everyone is so friendly and supportive, and they would never hassle.

The Digital Media team are so friendly and positive, always upbeat, informed and interesting, so it is always a pleasure to be in their company, even if only online. They also set a tone for the volunteers, who tend to fall in with this attitude.

Volunteering during lockdown

John: During COVID lockdown I’ve found it is helpful to set a routine of tasks drawn each day from a wide variety of possible activities. Research into aspects of the Conway is a great option, really interesting and stimulating, especially with the online meetings where we can discuss our work and share ideas. I’ve been recording audio versions of blog posts too – which will be ready to listen to soon!

Meet our volunteers… Olivia and Kristiāna

June 5, 2020Volunteer Voices Volunteer Week No Comments

Why I volunteer…

Olivia: I am looking to gain the experience this project has to offer, and I am extremely passionate about digitising and making this collection available for the general public.

Kristiāna: To do something special with my time and to spend it while volunteering for the Courtauld, or more specifically for the Conway Library. I find it quite special to be part of this project.

It’s a pure enjoyment to contribute my time. Learning more about the methods within archives has inspired me to look into an MA. I hope to work full time in archives one day – it would be quite special for me.

What I enjoy most about volunteering…

Olivia: The setting and the pictures – but I really enjoy the process as well. Also, the flexibility is amazing! Most volunteering projects require a set day of the week and a minimum of hours, while this one is super relaxed and convenient.

Kristiāna: I would say that I enjoy everything about volunteering, from the variety of tasks we can choose from to the conversations with other volunteers. But I particularly enjoy the atmosphere and the close observation of the photographs. I find it intriguing and mysterious at the same time and seeing that other people are interested in the processes and the stories of the photographs within the archives makes the whole shared experience quite special.

One of Kristiāna’s favourite images in Capture One.

A favourite photo or moment?

Olivia: I don’t have one yet! But being Italian, I had a lovely time seeing so many images from Italy, a few boxes have been almost emotional to look at, and I really hope I’ll encounter one with pictures from Florence when the Courtauld opens again – I’ve lived there for some years and miss it greatly.

Kristiāna: I don’t have a particular favourite photograph but I enjoy seeing different travel photographs especially after my own travels to Italy. It was very interesting to see photographs of the places that I visited that were taken years back, and to notice the differences in the atmosphere and people within them.

What do you do when not volunteering?

Olivia: I’m working as a visitor assistant at the British Museum and as a tour guide over the tourist seasons, but I’m also volunteering at the Royal Society of Sculptors. During this pandemic, I started working on a PhD proposal. I want to progress in experience and keep working in museums and galleries, so volunteering at the Courtauld is very related to what I do and it’s giving me an amazing experience!

Kristiāna: Unfortunately I lost my job due to the coronavirus in April, I used to work as a Creative Team Assistant for an Icelandic artist. But since then I have been helping my partner with setting up his business. I am quite crazy when it comes to details and organisation, therefore I have found the tasks at the Conway Library very related to my personality. Volunteering here really trains your attention to detail and organisation skills.

What would you say to someone who wasn’t sure whether volunteering is for them?

Olivia: Just try once – the place and the people you meet are lovely, and it’s so convenient and easy to fit around any schedule, that you’ll keep coming for sure.

Kristiāna: I would say that they should try before deciding it isn’t for them. There are a variety of tasks that we can choose from, but you can develop your favourite and if you don’t like others you can stick to that one. I didn’t have any particular expectations when I started but I knew it would be incredibly interesting and that I should take everything as it comes.

This experience has been an eye-opener for me as I have decided that I want to do a postgraduate in archives and records management (hopefully in the near future) and to develop this as my profession. Being a part of the project has not only helped me to realise my future career goals but it has also been feeding my curiosity.

Volunteering during lockdown

Olivia: I’ll admit I had a lot of ideas and wanted to get much more involved in so many things, including volunteering, when the pandemic started, and then I slowly started to feel the pressure of the situation and ended up doing way less than what I originally planned (as a lot of people, I guess). However, the team came up with lots of little projects, challenges and fun ideas for volunteering from home, which was lovely! I tried the “pass the pencil” challenge which was a really fun and easy way to break the pandemic routine, and I look forward to trying out the other tasks.

Kristiāna: I haven’t been volunteering at home that much due to personal and family reasons, but I am willing to find more time to focus on the tasks as I really enjoy being part of the project that is particularly photography related. I appreciate the opportunity to do the volunteering at home, it can shift your mind from this rather weird time in our lives now.

Meet our volunteers… Muny and Shawn

June 4, 2020Volunteer Voices Volunteer Week No Comments

Why I volunteer…

Muny: Having worked in a stressful office environment in architecture for all of my professional career, in London and internationally, after starting a family I decided not to go back to that industry on a full-time basis.

Once both my children started school I decided to volunteer as a way of building my self-confidence and doing something for myself that I enjoy which would fit around school hours so I can bring up my children.

Shawn: I volunteer to gain experience working in the archival library, as well as to familiarise and better myself at data entry. I often volunteer on the accession task, typing up the names of photographers from each photograph.

Shawn often chooses the attributions task

What I enjoy most about volunteering…

Muny: The Digital Media department’s enthusiasm for the project and making each volunteer valued is a strength to this project. I really enjoy the different aspects of the roles, every shift is unique depending on the tasks that are carried out each week. I also really enjoy meeting and working with different volunteers every week who all have enriching diverse backgrounds and I’m fascinated to hear how they came about volunteering too.

Shawn: I enjoy making new friends, and discovering place names of unheard landmarks locally or internationally. Most importantly of all, I enjoy trying new skills in whichever task provided by the digitisation team.

A favourite photo or moment?

Muny: Hands down, Italy, especially Ravello and various images of Tomar in Portugal and Leptis Magna in Libya.

Shawn: I enjoy everything at the Courtauld, but what I loved most was the Italian architecture dating back to the early twentieth centuries. I’ve never been to Italy, but seeing those photos got me interested in Italian culture and heritage.

What do you do when not volunteering?

Muny: Alongside my background in architecture, I have always had an interest in heritage, arts and photography and this led me to volunteer on the digitisation project at the Courtauld. The volunteer programme has been very well organised and there is a degree of flexibility in the hours and shifts which works perfectly around my busy family life with my children.

Shawn: I’ve been spending time trying to find other volunteer positions similar to Courtauld, but most of the time I do fun stuff such as baking, knitting or fixing up statues for the nativity scene at the local church in Warlingham where I live.

What would you say to someone who wasn’t sure whether volunteering is for them?

Muny: For me personally, I’m hoping that working hard as a volunteer will open new avenues and roles where there’s more flexibility in terms of hours. I am gaining confidence in myself slowly and learning so many new skills. I’m also gaining an invaluable and niche insight into the collection. I would highly recommend volunteering to others, to gain personal confidence or learning new skills. You have nothing to lose and it’s a welcoming environment in such a beautiful setting! Win-win situation!

Shawn: You don’t need prior experience to volunteer at the Courtauld because you’re here to learn, gain a new set of knowledge and skills, and to make friends.

Muny recreated Henry Moore's sculpture by taking a picture of her family dressed in white and lying on the lawn. — One of Muny’s submissions to Art Club.

Introduction by Fran Allfrey, volunteer officer

Records researched by Emily Redfield

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Introduction by Fran Allfrey, volunteer officer

Records researched by Alla Sakharova

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Introduction by Fran Allfrey, volunteer officer

Records created by Michael Mayes

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