{"id":605,"date":"2018-02-14T11:46:24","date_gmt":"2018-02-14T11:46:24","guid":{"rendered":"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/?page_id=605"},"modified":"2018-02-14T15:56:51","modified_gmt":"2018-02-14T15:56:51","slug":"sculptors-described-texts-frame-portraits","status":"publish","type":"page","link":"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/categories-and-themes\/sculptors-described-texts-frame-portraits\/","title":{"rendered":"Sculptors"},"content":{"rendered":"<p>Sculptors (as described in the texts that frame the portraits) in the\u00a0Hendrick Hondius&#8217;s 1610\u00a0<em>Pictorum.<\/p>\n<p> <\/em> <strong>6<\/strong>\u00a0people in this category.<\/p>\n\n<style type=\"text\/css\">\n.new-royalslider-7 .rsThumbsHor { height:230px; }\n.new-royalslider-7 .rsThumbsVer { width:96px; } \n\t\t\t.new-royalslider-7 .rsThumb { width: 96px; height: 230px; }\n<\/style>\n<div id=\"new-royalslider-7\" class=\"royalSlider new-royalslider-7 CourtauldSites rsContentSlider\" style=\"width:100%;height:500px;;\">\n<div class=\"rsSlideRoot sitescustom\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p04-184x300.jpg\"\/>\n   <h6>9. Hubert Van Eyck<\/h6>\n\t<\/div>\n    <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p04-631x1024.jpg\" alt=\"9. Hubert Van Eyck\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p04.jpg 2x\"\/>\n    \n    <h4>9. Hubert Van Eyck<\/h4>\n  <div><p>Engraving<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius<br \/>\r\n Copy in same direction as <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/hubert-van-eyck\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><br \/>\r\n 20.7 x 12.0 cm<\/p>\r\n<p><strong class=\"highlight1\">Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>HUBERTO AB EYCK, IOANNIS FRATRI, PICTORI.<br \/>\r\n Quas modo communes cum fratre, Huberte, merenti<br \/>\r\n Attribuit laudes nostra Thalia tibi,<br \/>\r\n Si non sufficient : addatur et illa tua quod<br \/>\r\n Discipulus frater te superavit ope.<br \/>\r\n Hoc vestrum docet illud opus Gandense Philippum<br \/>\r\n Quod Regem tanto cepit amore sui :<br \/>\r\n Eius ut ad patrios mittendum exemplar Iberos<br \/>\r\n +Coxennii fieri iusserit ille manu.<\/em><\/p>\r\n<p>+Michael Coxennius Mechlin:<br \/>\r\n in insignis hac aetate pictor<\/p>\r\n<p><strong class=\"highlight1\">Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>To Hubert van Eyck, brother of Jan, painter.<\/em><\/p>\r\n<p>Hubert, if the praises which our Thalia<span id='easy-footnote-1-227' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/127-jacques-de-gheyn-ii\/#easy-footnote-bottom-1-227' title='One of the muses.\u00a0 Cf. The poem on\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/55-lucas-van-leyden\/&quot;&gt;Lucas van Leyden,&lt;\/a&gt;\u00a0\u201cnostrae ...Camenae\u201d.'><sup>1<\/sup><\/a><\/span>\u00a0recently attributed to you along with your deserving brother are not enough, let this [praise] of yours be added, that your brother, as your student, outdid you in ability<span id='easy-footnote-2-227' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/127-jacques-de-gheyn-ii\/#easy-footnote-bottom-2-227' title='\u201cope\u201d could also mean \u201cwealth\u201d.\u00a0 Either way, it\u2019s hard to see (without knowing the context) how Hubert will feel this adds to his praises.'><sup>2<\/sup><\/a><\/span>\u00a0That work of yours in Ghent<span id='easy-footnote-3-227' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/127-jacques-de-gheyn-ii\/#easy-footnote-bottom-3-227' title='This for \u201cvestrum\u201d, which is plural, so the work is being credited to both brothers.'><sup>3<\/sup><\/a><\/span> teaches this, which filled Philip with such love of it,<span id='easy-footnote-4-227' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/127-jacques-de-gheyn-ii\/#easy-footnote-bottom-4-227' title='\u201camore sui\u201d could also mean \u201clove of himself\u201d, but I am presuming that the author is referring to the Lam Gods.'><sup>4<\/sup><\/a><\/span> that he ordered a copy of it to be made by the hand of Coxennius, to be sent to his native Spaniards.<\/p>\r\n<p><em>Note (referring to Coxennius)\u00a0<\/em>\u2013 Michael Coxennius of Mechelen, a famous painter of that age.<\/p>\r\n<hr \/>\r\n<p>Hollstein 1994 no. 82<\/p>\r\n<p><a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0182.php\" target=\"_blank\" rel=\"noopener\">Karel Van Mander's biography of Hubert van Eyck<\/a><br \/>\r\n <a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T027196pg1#T027197\" target=\"_blank\" rel=\"noopener\">Grove Art Online biography <\/a><\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-634\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2013\/06\/Hubert-Van-Eyck.jpg\" alt=\"\" width=\"450\" height=\"355\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2013\/06\/Hubert-Van-Eyck.jpg 816w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2013\/06\/Hubert-Van-Eyck-300x236.jpg 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2013\/06\/Hubert-Van-Eyck-768x605.jpg 768w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/1572-hubert-van-eyck\/\">View the 1572 print<\/a><br \/>\r\n <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/hubert-van-eyck\/\">View both prints side by side<\/a><\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/engravers\/\" rel=\"tag\">Explicitly described as engravers in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/rulers-and-patrons\/\" rel=\"tag\">Rulers and Patrons<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/sculptors\/\" rel=\"tag\">Sculptors (as described in the texts that frame the portraits)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p29-184x300.jpg\"\/>\n   <h6>59. Heinrich Aldegrever<\/h6>\n\t<\/div>\n    <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p29-631x1024.jpg\" alt=\"59. Heinrich Aldegrever\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p29.jpg 2x\"\/>\n    \n    <h4>59. Heinrich Aldegrever<\/h4>\n  <div><p>Etching and engraving<br \/>\r\n Signed 'Hh' by Hendrick Hondius, attributed to Simon Frisius<br \/>\r\n 20.4 x 12.7 cm<\/p>\r\n<p><br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <em>HENRICUS ALDEGREVER, VESTPHALUS. PICTOR, ET SCULPTOR\u00a0<\/em><br \/>\r\n <em>Vestphalus incultus non Aldegravius hic est,<\/em><br \/>\r\n <em>Regum et Doctorum clarus imaginibus.<\/em><br \/>\r\n <em>Sartorem rege\u00a0pinxit bene, Vestphaliam qui<\/em><br \/>\r\n <em>Subtili filo strinxerat ingenii.<\/em><\/p>\r\n<p><strong>Translation of Inscription:<br \/>\r\n <\/strong><em>Heinrich Aldegrever, the Westphalian, painter and sculptor<br \/>\r\n <\/em>This Aldegrever is not an uneducated Westphalian.\u00a0He was famous for images of kings and learned men.\u00a0 He painted well the tailor king,<span id='easy-footnote-5-227' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/127-jacques-de-gheyn-ii\/#easy-footnote-bottom-5-227' title='Jan van Leyden'><sup>5<\/sup><\/a><\/span> he who had bound Westphalia with the subtle thread of his genius.\u00a0<\/p>\r\n<p>Orenstein 1996, Frisius no. 136; Hollstein 2008 no. 156<br \/>\r\n <a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0211.php\">Karel Van Mander's biography of Heinrich Aldegrever<br \/>\r\n <\/a><a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T001636?q=aldegrever&amp;search=quick&amp;source=oao_gao&amp;pos=1&amp;_start=1#T001636\">Grove Art Online biography<\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/greater-germany\/\" rel=\"tag\">Greater Germany<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/ingenio-genius\/\" rel=\"tag\">Ingenio - genius<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-two\/\" rel=\"tag\">Prints in Part Two<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/foreign-experience\/\" rel=\"tag\">References to travel and foreign experience<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/sculptors\/\" rel=\"tag\">Sculptors (as described in the texts that frame the portraits)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p30-184x300.jpg\"\/>\n   <h6>61. Jacob Binck<\/h6>\n\t<\/div>\n    <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p30-631x1024.jpg\" alt=\"61. Jacob Binck\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p30.jpg 2x\"\/>\n    \n    <h4>61. Jacob Binck<\/h4>\n  <div><p>Etching<br \/>\r\n Signed 'Hh' by Hendrick Hondius, attributed to Simon Frisius<br \/>\r\n 20.2 x 12.2 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <em>IACOBUS BINCKIUS, GERMAN. PICT. ET SCULP.<\/em><br \/>\r\n <em>Binckius, ingenio quae finxit, pinxit et idem,<\/em><br \/>\r\n <em>Et scalpsit.\u00a0 certant ars, manus, ingenium.<\/em><br \/>\r\n <em>C\u00fam tua sint doct\u00e9 parvis expressa tabellis\u00a0;<br \/>\r\n <\/em><em>Artis Censori credito magnus eris.\u00a0<br \/>\r\n <br \/>\r\n <\/em><br \/>\r\n <strong>Translation of Inscription:<br \/>\r\n <\/strong><em>Jacob Binck, German painter and sculptor\u00a0<\/em><br \/>\r\n Binck painted and engraved himself what he imagined in his mind.<span id='easy-footnote-6-227' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/127-jacques-de-gheyn-ii\/#easy-footnote-bottom-6-227' title='\u201cingenio... finxit\u201d.\u00a0 Cf. the texts on\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/67-maarten-van-heemskerk\/&quot;&gt;67. Maarten van Heemskerk&lt;\/a&gt;, \u201cfinxit qui ingenio\u201d;\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/83-christian-van-den-queborn\/&quot;&gt;83. Christian van den Queborn&lt;\/a&gt;, \u201cfingit at ingenium\u201d;\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/111-cornelius-ketel\/&quot;&gt;111. Cornelius Ketel,&lt;\/a&gt;\u00a0\u201cfinxerat ingenio\u201d.\u00a0\u00a0 The combination is common enough in classical Latin (Cicero, Seneca,\u00a0&lt;em&gt;etc.&lt;\/em&gt;)'><sup>6<\/sup><\/a><\/span>\u00a0His skill, hand and mind vie [with one another].\u00a0 Since your [works] are learnedly expressed,<span id='easy-footnote-7-227' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/127-jacques-de-gheyn-ii\/#easy-footnote-bottom-7-227' title='Does the author here mean \u201cengraved\u201d by \u201cexpressa\u201d?\u00a0 Compare note on text for\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/89-joos-van-winghe\/&quot;&gt;89. Joos van Winghe&lt;\/a&gt;.'><sup>7<\/sup><\/a><\/span> you will be great, if the censor of skill is believed.<span id='easy-footnote-8-227' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/127-jacques-de-gheyn-ii\/#easy-footnote-bottom-8-227' title='I am here translating as if the author had written the ablative \u201ccensore\u201d instead of the dative \u201ccensori\u201d.\u00a0 For metrical reasons, we can be sure he wrote \u201ccensori\u201d, but translating the dative would give the extremely awkward \u201cyou will be great for the censor of skill, if he is believed\u201d.\u00a0 I have little doubt the author meant what I have written. \u2013 See also the note 5 on \u201cpictorum censor\u201d in\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/poem-lovers-admirers-pictures\/&quot;&gt;Poem to the Lovers and Admirers of Pictures&lt;\/a&gt;.'><sup>8<\/sup><\/a><\/span><\/p>\r\n<p>Orenstein 1996, Frisius, no. 137; Hollstein 2008 no.157\u00a0<br \/>\r\n <a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T008916?q=binck&amp;search=quick&amp;source=oao_gao&amp;pos=1&amp;_start=1#T008916\">Grove Art Online biography<\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/learned\/\" rel=\"tag\">Described as 'learned'<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/engravers\/\" rel=\"tag\">Explicitly described as engravers in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/greater-germany\/\" rel=\"tag\">Greater Germany<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/ingenio-genius\/\" rel=\"tag\">Ingenio - genius<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-two\/\" rel=\"tag\">Prints in Part Two<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/sculptors\/\" rel=\"tag\">Sculptors (as described in the texts that frame the portraits)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p36-184x300.jpg\"\/>\n   <h6>73. Hubert Goltzius<\/h6>\n\t<\/div>\n    <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p36-631x1024.jpg\" alt=\"73. Hubert Goltzius\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p36.jpg 2x\"\/>\n    \n    <h4>73. Hubert Goltzius<\/h4>\n  <div><p>(After Philip Galle's engraving after Anthonis Mor.) <br \/>\r\nEngraving by Robert de Baudous (Orenstein 1996, 39)<br \/>\r\n Signed 'Hh exc.' by Hendrick Hondius<br \/>\r\n 20.5 x 12.4 cm (irregular plate)<\/p>\r\n<p><strong>Transcription of Inscription:<br \/>\r\n <\/strong><em>HUBERTUS GOLTZIUS, VENLON. PICTOR<\/em><br \/>\r\n <em>Ut gemma in nitido fulget praestantior auro<\/em><br \/>\r\n <em>\u00a0\u00a0 Chalcographus nitidus, clarus et Historicus:<\/em><br \/>\r\n <em>Et Sculptor, Pictor\u00a0: Romana Nomismata<span id='easy-footnote-9-227' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/127-jacques-de-gheyn-ii\/#easy-footnote-bottom-9-227' title='Sic.'><sup>9<\/sup><\/a><\/span><\/em><em>, Fasti<\/em><br \/>\r\n <em>Romanum civem quem voluere suum.<\/em><\/p>\r\n<p><strong>Translation of Inscription:<br \/>\r\n <\/strong><em>Hubert Goltzius of Venlo, painter\u00a0<\/em><br \/>\r\n As a gem gleams more prominently in shining gold, [so] the shining bronze-engraver was also a famous historian, and a sculptor and painter, whom Roman coins and calendars wanted as their own Roman citizen.<span id='easy-footnote-10-227' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/127-jacques-de-gheyn-ii\/#easy-footnote-bottom-10-227' title='The author is apparently attempting to say that Goltzius knew enough about Roman coins and calendars to be a citizen of ancient Rome.'><sup>10<\/sup><\/a><\/span><\/p>\r\n<p>Orenstein 1996, Frisius no. 145; Hollstein 2008 no. 165<\/p>\r\n<p>\u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0229.php\">Karel Van Mander's biography of Hubert Goltzius<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T033116?q=goltzius&amp;search=quick&amp;source=oao_gao&amp;pos=2&amp;_start=1#T033116\">Grove Art Online biography\u00a0<\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/engravers\/\" rel=\"tag\">Explicitly described as engravers in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-two\/\" rel=\"tag\">Prints in Part Two<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/sculptors\/\" rel=\"tag\">Sculptors (as described in the texts that frame the portraits)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p57-184x300.jpg\"\/>\n   <h6>115. Hendrick Goltzius<\/h6>\n\t<\/div>\n    <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p57-631x1024.jpg\" alt=\"115. Hendrick Goltzius\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p57.jpg 2x\"\/>\n    \n    <h4>115. Hendrick Goltzius<\/h4>\n  <div><p>Etching<br \/>\r\n Signed 'Hh ex' by Hendrick Hondius, attributed to Robert de Baudous<\/p>\r\n<p>20 x 12.5 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription:<\/strong><\/p>\r\n<p><em>HENRICUS GOLTZIUS, MULBRACHT. PICTOR, ET CHALCOG.\u00a0<\/em><br \/>\r\n <em>Hic Sculptor, pictor multis celebratus in oris,<\/em><br \/>\r\n <em>\u00a0\u00a0 Qui multos superat dexteritate manus:<\/em><br \/>\r\n <em>Itala quem tellus miratur\u00a0; nobile servat<\/em><br \/>\r\n <em>\u00a0\u00a0 Harlemum, Artificum patria et hospitium.\u00a0<\/em><br \/>\r\n <br \/>\r\n <strong>Translation of Inscription:<br \/>\r\n <\/strong><br \/>\r\n <em>Hendrick Goltzius of M\u00fclbracht, painter and bronze-engraver<\/em><br \/>\r\n This is the sculptor and painter celebrated in many lands, who surpassed many in the dexterity of his hand, [and] whom the land of Italy admired.\u00a0 He remains in noble Haarlem, fatherland and guesthouse of artists.\u00a0<\/p>\r\n<p>\u00a0Orenstein 1996, Baudous no. 39<br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0260.php\">Karel Van Mander's biography of Hendrick Goltzius<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T033104?q=goltzius&amp;search=quick&amp;source=oao_gao&amp;pos=1&amp;_start=1#T033104\">Grove Art Online biography<\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/engravers\/\" rel=\"tag\">Explicitly described as engravers in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/italy-italians\/\" rel=\"tag\">Nation \/nationality: Italy \/ Italians<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-three\/\" rel=\"tag\">Prints in Part Three<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/foreign-experience\/\" rel=\"tag\">References to travel and foreign experience<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/sculptors\/\" rel=\"tag\">Sculptors (as described in the texts that frame the portraits)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p63-184x300.jpg\"\/>\n   <h6>127. Jacques de Gheyn II<\/h6>\n\t<\/div>\n    <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p63-631x1024.jpg\" alt=\"127. Jacques de Gheyn II\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p63.jpg 2x\"\/>\n    \n    <h4>127. Jacques de Gheyn II<\/h4>\n  <div><p>Engraving by Andries Jacobsz. Stock (Orenstein 1996, 271)<br \/>\r\n Signed 'Hhondius exc.' by Hendrick Hondius\u00a0<br \/>\r\n 20.3 x 12.4 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <br \/>\r\n <em>IACOBUS DE GEYN, ANTVERP, PICT ET SCULPT.<\/em>\u00a0<br \/>\r\n <em>Geinius eximius Scalptor, Pict\u00f3rque peritus,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0Inventor felix, judici\u00f3que bonus.<\/em><br \/>\r\n <em>Et Belli et Pacis pingens Insignia, gratus<\/em><br \/>\r\n <em>\u00a0\u00a0 Ipse Duci Belli qui artibus egregius.\u00a0\u00a0<\/em><\/p>\r\n<p><strong>Translation of Inscription:<\/strong><strong><br \/>\r\n <\/strong><br \/>\r\n <em>Jacques de Gheyn. Painter and Sculptor<\/em><br \/>\r\n De Gheyn is an excellent engraver, and an experienced painter, a lucky inventor,<span id='easy-footnote-11-227' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/127-jacques-de-gheyn-ii\/#easy-footnote-bottom-11-227' title='&lt;span style=&quot;font-size: 1rem&quot;&gt;\u201cinventor felix\u201d \u2013 the same phrase in the text on\u00a091.'><sup>11<\/sup><\/a><\/span> Gillis Mostaert.<\/span><span style=\"font-size: 1rem\">and sound in judgment. Painting the standards of both war and peace, he is himself pleasing to the leader of the war, who is outstanding in skill.<\/span><span style=\"font-size: 1rem\">\u00a0<span id='easy-footnote-12-227' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/127-jacques-de-gheyn-ii\/#easy-footnote-bottom-12-227' title='&lt;\/span&gt;&lt;span style=&quot;font-size: 1rem&quot;&gt;&quot;qui artibus egregius&quot; - this clause could refer to either De Gheyn or the &quot;duci belli&quot;.'><sup>12<\/sup><\/a><\/span><\/span><\/p>\r\n<p><br \/>\r\n Orenstein 1996, Stock no. 271<br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0267.php\">Karel Van Mander's biography of Jacques de Gheyn<\/a>\u00a0<br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T031910pg1#T031911\">Grove Art Online biography<\/a><a name=\"_ftn2\"><\/a><a name=\"_ftn1\"><\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/engravers\/\" rel=\"tag\">Explicitly described as engravers in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-three\/\" rel=\"tag\">Prints in Part Three<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/sculptors\/\" rel=\"tag\">Sculptors (as described in the texts that frame the portraits)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>Sculptors (as described in the texts that frame the portraits) in the\u00a0Hendrick Hondius&#8217;s 1610\u00a0Pictorum. 6\u00a0people in this category. <a class=\"continue\" href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/127-jacques-de-gheyn-ii\/\">Continue Reading<span> 127. Jacques de Gheyn II<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":606,"parent":7,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"categories":[],"class_list":["post-605","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sculptors - Picturing the Netherlandish Canon<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sculptors - Picturing the Netherlandish Canon\" \/>\n<meta property=\"og:description\" content=\"Sculptors (as described in the texts that frame the portraits) in the\u00a0Hendrick Hondius&#8217;s 1610\u00a0Pictorum. 6\u00a0people in this category. Continue Reading 127. 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