{"id":474,"date":"2018-01-11T14:29:30","date_gmt":"2018-01-11T14:29:30","guid":{"rendered":"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/?page_id=474"},"modified":"2018-01-11T14:29:30","modified_gmt":"2018-01-11T14:29:30","slug":"bibliography","status":"publish","type":"page","link":"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/bibliography\/","title":{"rendered":"Bibliography"},"content":{"rendered":"

Primary materials
\n\u00a0
\n<\/em><\/strong>Pictorum aliquot celebrium, pr\u00e6cipu\u00e9 Germani\u00e6 Inferioris, effigies<\/em>, The Hague (Hendrick Hondius) 1610
\n
\nIllustrium Quos Belgium Habvit pictorum effigies Antwerpiae. Antwerp<\/em>\u00a0(Theodore Galle) n.d. (ca. 1600)
\n
\nPictorum aliquot Germaniae Inferioris Effigies,\u00a0<\/em>Antwerp (Hieronymus Cock) 1572
\n\u00a0<\/p>\n

Secondary Literature<\/p>\n

<\/strong>J. Becker, \u2018Zur niederl\u00e4ndischen Kunstliteratur des 16. Jahrhunderts: Domenicus Lampsonius\u2019,\u00a0Nederlands Kunsthistorisch Jaarboek\u00a0<\/em>24, 1973, 45-61<\/p>\n

M. Berbara, \u2018Propria Belgarum laus<\/em>: Domenicus Lampsonius e as\u00a0Pictorum aliquot celebrium germaniae inferioris effigies\u2019<\/em>,\u00a0http:\/\/www.unicamp.br\/chaa\/rhaa\/downloads\/Revista%208%20-%20artigo%202.pdf<\/a>\u00a0<\/p>\n

P. Chapman and J. Woodall, \u2018Introduction. \u2018The Netherlandish Artist has his Intelligence in his Hand\u2019, in P. Chapman and J. Woodall (eds.),\u00a0Envisioning the Artist in the Early Modern Netherlands<\/em>, Nederlands Kunsthistorisches Jaarboek 59 (2009)<\/p>\n

Lydia De Pauw\u2013de Veen\u00a0Archivalische gegevens over Volcxken Diercx, weduwe van Hieronymus Cock<\/em>\u00a0in\u00a0De Gulden Passer: Bulletin van de \u201cVereeniging der Antwerpsche Bibliophielen\u201d 53<\/em>\u00a0(1975): 215-47<\/p>\n

S.-S. Durante, \u2018Between \u2019verbum\u2019 and \u2019imago\u2019 : the text\/image dialectic in the \u2018Pictorum effigies\u2019 of Domenicus Lampsonius, MA Dissertation, Courtauld Institute of Art, University of London, 2002<\/p>\n

Nicolas Galley Hauterive, \u2018Pictorum Aliquot Celebrium Germaniae Inferioris Effigies\u2019 in\u00a0De l\u2019original \u00e0 l\u2019excentrique : l\u2019\u00e9mergence de l\u2019individualit\u00e9 artistique au nord des Alpes<\/em>, PhD University of Fribourg 2005, 131-141\u00a0http:\/\/ethesis.unifr.ch\/theses\/downloads.php?file=GalleyN.pdf<\/a><\/p>\n

S. Meiers, \u2018Portraits in print. Hieronymus Cock, Dominicus Lampsonius, and\u00a0Pictorum aliquot Germaniae Inferioris Effigies<\/em>\u2019,\u00a0Zeitschrift f\u00fcr Kunstgeschichte<\/em>\u00a069 (2006), 1-16<\/p>\n

W. Melion,\u00a0Shaping the Netherlandish Canon. Karel van Mander\u2019s Schilder-Boeck,\u00a0<\/em>Chicago 1991<\/p>\n

A. Mensger, \u201aDie exakte Kopie: Oder die Geburt des K\u00fcnstlers im Zeitalter seiner Reproduzierbarkeit\u2019,\u00a0Envisioning the Artist in the Early Modern Netherlands<\/em>, Nederlands Kunsthistorisch Jaarboek 59 (2009), 195-221<\/p>\n

H. Miedema (transl. and ed.),\u00a0The lives of the illustrious Netherlandish and German painters : from the first edition of the first edition of the Schilder-boeck (1603-1604)<\/em>, 6 vols., Doornspijk 1994-99<\/p>\n

N. Orenstein (comp.) and G. Luiten (ed.),\u00a0The new Hollstein Dutch & Flemish etchings, engravings and woodcuts, 1450-1700\/ Hendrick Hondius<\/em>, Roosendaal 1994<\/p>\n

N.Orenstein,\u00a0Hendrick Hondius and the Business of Prints in Seventeenth-Century Holland<\/em>, Rotterdam 1996<\/p>\n

N. Orenstein, Marketing Prints to the Dutch Republic: Novelty and the Print Publisher\u2019,\u00a0Journal of Medieval and Early Modern Studies\u00a0<\/em>28 (1998); 148-50.<\/p>\n

N. Orenstein,\u00a0The new Hollstein Dutch and Flemish etchings, engravings and woodcuts, 1450-1700\/ Simon Frisius,\u00a0<\/em>2 parts, Roosendaal 2008, part 1<\/p>\n

J. Puraye,\u00a0Dominique Lampson Humaniste 1532-1599,\u00a0<\/em>Bruges 1950<\/p>\n

J. Puraye (ed.),\u00a0Dominique Lampson. Les Effigies des Peintres c\u00e9l\u00e8bres<\/em>\u00a0des Pays-Bas,\u00a0<\/em>Bruges 1956<\/p>\n

H.-J. Raupp,\u00a0Untersuchungen zu Kunstlerbildnis und Kunstlerdarstellung in den Niederlanden im 17. Jahrhundert,\u00a0<\/em>Hildesheim 1984<\/p>\n

T. Riggs,\u00a0Hieronymus Cock (1510-1570): Printmaker and Publisher in Antwerp at the Sign of the Four Winds,\u00a0<\/em>New York 1977<\/p>\n

Z. van Ruyven-Zeman in collaboration with M. Leesberg (eds.), J. van der Stock and M. Leesberg,\u00a0The New Hollstein Dutch and Flemish Etchings, Engravings and Woodcuts, 1450-1700\/<\/em>\u00a0The Wierix Family Part IX,\u00a0<\/em>Rotterdam 2004 (cat. no. 2023)<\/p>\n

G. Sciolla and C. Volpi (intro. and notes),\u00a0Da van Eyck a Brueghel: scritti sulle arti di Domenico<\/em>\u00a0Lampsonio,\u00a0<\/em>Turin 2001<\/p>\n

I von Szwykowski, \u2018Sammel-Werke Alt Niederl\u00e4ndische Maler-Portraits von Hieronymus Cock und Heinrich Hondius. Aus der zweiten H\u00e4lfte des 16. und zu Anfang des 17. Jahrhunderts\u2019, in\u00a0Archiv f\u00fcr die Zeichnenden K\u00fcnste,\u00a0<\/em>2 (1856), 13-63<\/p>\n","protected":false},"excerpt":{"rendered":"

Primary materials \u00a0 Pictorum aliquot celebrium, pr\u00e6cipu\u00e9 Germani\u00e6 Inferioris, effigies, The Hague (Hendrick Hondius) 1610 Illustrium Quos Belgium Habvit pictorum effigies Antwerpiae. Antwerp\u00a0(Theodore Galle) n.d. (ca. 1600) Pictorum aliquot Germaniae Inferioris Effigies,\u00a0Antwerp (Hieronymus Cock) 1572 \u00a0 Secondary Literature J. Becker, \u2018Zur niederl\u00e4ndischen Kunstliteratur des 16. Jahrhunderts: Domenicus Lampsonius\u2019,\u00a0Nederlands Kunsthistorisch Jaarboek\u00a024, 1973, 45-61 M. Berbara, \u2018Propria… Continue Reading Bibliography<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"categories":[],"class_list":["post-474","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nBibliography - Picturing the Netherlandish Canon<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bibliography - Picturing the Netherlandish Canon\" \/>\n<meta property=\"og:description\" content=\"Primary materials \u00a0 Pictorum aliquot celebrium, pr\u00e6cipu\u00e9 Germani\u00e6 Inferioris, effigies, The Hague (Hendrick Hondius) 1610 Illustrium Quos Belgium Habvit pictorum effigies Antwerpiae. 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