{"id":232,"date":"2017-09-29T15:13:43","date_gmt":"2017-09-29T14:13:43","guid":{"rendered":"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/?page_id=232"},"modified":"2018-03-15T11:32:16","modified_gmt":"2018-03-15T11:32:16","slug":"prints-part-one","status":"publish","type":"page","link":"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/categories-and-themes\/prints-part-one\/","title":{"rendered":"Prints in Part One"},"content":{"rendered":"\n<style type=\"text\/css\">\n.new-royalslider-5 .rsThumbsHor { height:230px; }\n.new-royalslider-5 .rsThumbsVer { width:96px; } \n\t\t\t.new-royalslider-5 .rsThumb { width: 96px; height: 230px; }\n<\/style>\n<div id=\"new-royalslider-5\" class=\"royalSlider new-royalslider-5 CourtauldSites rsContentSlider\" style=\"width:100%;height:500px;;\">\n<div class=\"rsSlideRoot sitescustom\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p04-184x300.jpg\"\/>\n   <h6>9. Hubert Van Eyck<\/h6>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p04-631x1024.jpg\" alt=\"9. Hubert Van Eyck\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p04.jpg 2x\"\/>\n  \n  <h4>9. Hubert Van Eyck<\/h4>\n  <div><p>Engraving<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius<br \/>\r\n Copy in same direction as <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/hubert-van-eyck\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><br \/>\r\n 20.7 x 12.0 cm<\/p>\r\n<p><strong class=\"highlight1\">Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>HUBERTO AB EYCK, IOANNIS FRATRI, PICTORI.<br \/>\r\n Quas modo communes cum fratre, Huberte, merenti<br \/>\r\n Attribuit laudes nostra Thalia tibi,<br \/>\r\n Si non sufficient : addatur et illa tua quod<br \/>\r\n Discipulus frater te superavit ope.<br \/>\r\n Hoc vestrum docet illud opus Gandense Philippum<br \/>\r\n Quod Regem tanto cepit amore sui :<br \/>\r\n Eius ut ad patrios mittendum exemplar Iberos<br \/>\r\n +Coxennii fieri iusserit ille manu.<\/em><\/p>\r\n<p>+Michael Coxennius Mechlin:<br \/>\r\n in insignis hac aetate pictor<\/p>\r\n<p><strong class=\"highlight1\">Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>To Hubert van Eyck, brother of Jan, painter.<\/em><\/p>\r\n<p>Hubert, if the praises which our Thalia<span id='easy-footnote-1-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-1-177' title='One of the muses.\u00a0 Cf. The poem on\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/55-lucas-van-leyden\/&quot;&gt;Lucas van Leyden,&lt;\/a&gt;\u00a0\u201cnostrae ...Camenae\u201d.'><sup>1<\/sup><\/a><\/span>\u00a0recently attributed to you along with your deserving brother are not enough, let this [praise] of yours be added, that your brother, as your student, outdid you in ability<span id='easy-footnote-2-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-2-177' title='\u201cope\u201d could also mean \u201cwealth\u201d.\u00a0 Either way, it\u2019s hard to see (without knowing the context) how Hubert will feel this adds to his praises.'><sup>2<\/sup><\/a><\/span>\u00a0That work of yours in Ghent<span id='easy-footnote-3-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-3-177' title='This for \u201cvestrum\u201d, which is plural, so the work is being credited to both brothers.'><sup>3<\/sup><\/a><\/span> teaches this, which filled Philip with such love of it,<span id='easy-footnote-4-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-4-177' title='\u201camore sui\u201d could also mean \u201clove of himself\u201d, but I am presuming that the author is referring to the Lam Gods.'><sup>4<\/sup><\/a><\/span> that he ordered a copy of it to be made by the hand of Coxennius, to be sent to his native Spaniards.<\/p>\r\n<p><em>Note (referring to Coxennius)\u00a0<\/em>\u2013 Michael Coxennius of Mechelen, a famous painter of that age.<\/p>\r\n<hr \/>\r\n<p>Hollstein 1994 no. 82<\/p>\r\n<p><a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0182.php\" target=\"_blank\" rel=\"noopener\">Karel Van Mander's biography of Hubert van Eyck<\/a><br \/>\r\n <a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T027196pg1#T027197\" target=\"_blank\" rel=\"noopener\">Grove Art Online biography <\/a><\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-634\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2013\/06\/Hubert-Van-Eyck.jpg\" alt=\"\" width=\"450\" height=\"355\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2013\/06\/Hubert-Van-Eyck.jpg 816w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2013\/06\/Hubert-Van-Eyck-300x236.jpg 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2013\/06\/Hubert-Van-Eyck-768x605.jpg 768w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/1572-hubert-van-eyck\/\">View the 1572 print<\/a><br \/>\r\n <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/hubert-van-eyck\/\">View both prints side by side<\/a><\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/engravers\/\" rel=\"tag\">Explicitly described as engravers in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/rulers-and-patrons\/\" rel=\"tag\">Rulers and Patrons<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/sculptors\/\" rel=\"tag\">Sculptors (as described in the texts that frame the portraits)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p05-184x300.jpg\"\/>\n   <h6>11. Jan Van Eyck<\/h6>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p05-631x1024.jpg\" alt=\"11. Jan Van Eyck\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p05.jpg 2x\"\/>\n  \n  <h4>11. Jan Van Eyck<\/h4>\n  <div><p>Engraving<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius<br \/>\r\n Copy in reverse direction to <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/jan-van-eyck\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><br \/>\r\n 20.7 x 11.9 cm<\/p>\r\n<p><strong class=\"highlight1\">Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>IOANNES AB EYCK, PICTOR.<br \/>\r\n Ille ego, qui laetos oleo de semine lini<br \/>\r\n Expresso docui princeps miscere colores,<br \/>\r\n Huberto cum fratre novum stupuere repertum,<br \/>\r\n Atque ipsi ignotum quondam fortassis Apelli,<br \/>\r\n Florentes opibus Brugae mox nostra per omnem<br \/>\r\n Diffundi late probitas non abnuit orbem.<br \/>\r\n <\/em><\/p>\r\n<p><strong class=\"highlight1\">Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>Jan van Eyck, painter<\/em><br \/>\r\n I am he who <span id='easy-footnote-5-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-5-177' title='\u201cille ego qui\u201d \u2013 For the ultimate source of this phrase, see the apocryphal opening lines to the\u00a0&lt;em&gt;Aeneid,\u00a0&lt;\/em&gt;\u201cille ego qui quondam gracili modulatus avena\u2026\u201d'><sup>5<\/sup><\/a><\/span> first taught to mix joyful colours from the pressed oily seed of flax, <span id='easy-footnote-6-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-6-177' title='\u201coleo de semine lini\u201d: the same expression in the poem for\u00a0Cornelis &lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/25-cornelius-engebrechtsz\/&quot;&gt;Engebrechtsz.'><sup>6<\/sup><\/a><\/span><\/a> with my brother Hubert.\u00a0 Bruges, flourishing with wealth, was astounded by this new discovery, perhaps unknown in the past to Apelles himself.\u00a0 Soon afterwards our uprightness <span id='easy-footnote-7-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-7-177' title='This for \u201cprobitas\u201d.\u00a0 It is hard to see quite what the author means, but \u201cprobitas\u201d to my knowledge always has a moral sense.'><sup>7<\/sup><\/a><\/span> did not refuse to be spread widely through the whole world.<\/p>\r\n<hr \/>\r\n<p>Hollstein 1994 no. 83<\/p>\r\n<p><a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0182.php\" target=\"_blank\" rel=\"noopener\">Karel Van Mander's biography of Jan van Eyck<\/a><br \/>\r\n <a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T027196pg2#T027200\" target=\"_blank\" rel=\"noopener\">Grove Art Online biography<\/a><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/jan-van-eyck\/\"><br \/>\r\n <\/a><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-642 alignleft\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Jan-van-Eyck-300x237.png\" alt=\"\" width=\"430\" height=\"340\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Jan-van-Eyck-300x237.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Jan-van-Eyck-768x608.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Jan-van-Eyck.png 809w\" sizes=\"auto, (max-width: 430px) 100vw, 430px\" \/><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/jan-van-eyck\/\">View the 1572 print<br \/>\r\n <\/a><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/jan-van-eyck\/\">View both prints side by side<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/bruges\/\" rel=\"tag\">Bruges<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/colour-references\/\" rel=\"tag\">Colour references<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/first-person\/\" rel=\"tag\">Verse in the first person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p06-184x300.jpg\"\/>\n   <h6>13. Dirck Bouts<\/h6>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p06-631x1024.jpg\" alt=\"13. Dirck Bouts\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p06.jpg 2x\"\/>\n  \n  <h4>13. Dirck Bouts<\/h4>\n  <div><p>Engraving<br \/>\r\nAttributed to Hendrick Hondius<br \/>\r\nCopy in reverse direction to <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/dirck-bouts\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><br \/>\r\n19.2 x 11.8 cm<\/p>\r\n<p><strong class=\"highlight1\">Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>THEODORO HARLEMIO PICTORI<br \/>\r\nHuc et ades, Theodore, tuam quoque Belgica semper<br \/>\r\nLaude nihil ficta tollet ad astra manum,<br \/>\r\nIpsa tuis rerum genitrice expressa figuris<br \/>\r\n <\/em><em>Te Natura sibi dum timet arte parem<\/em><\/p>\r\n<p><strong class=\"highlight1\">Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>To Dirck Bouts, painter\u00a0<\/em><br \/>\r\nYou are here too, Theodore.\u00a0 Belgium shall always also raise your hand to the stars with no false praise, while Nature, expressed by your figures, fears you, equal to her in the art of begetting things. <span id='easy-footnote-8-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-8-177' title='I am taking \u201crerum genetrice\u201d as qualifying \u201carte\u201d in the next line. \u00a0This is awkward, but I cannot see a better solution.'><sup>8<\/sup><\/a><\/span><\/p>\r\n<hr \/>\r\n<p>Hollstein 1994 no. 84<\/p>\r\n<ul>\r\n\t<li><a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0188.php\" target=\"_blank\" rel=\"noopener\">Karel Van Mander's biography of Dirck Bouts<\/a><\/li>\r\n\t<li><a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T010645pg1?q=bouts&amp;search=quick&amp;pos=3&amp;_start=1#T010647\" target=\"_blank\" rel=\"noopener\">Grove Art Online biography<\/a><\/li>\r\n<\/ul>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-639\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Dirck-Bouts-300x232.png\" alt=\"\" width=\"450\" height=\"349\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Dirck-Bouts-300x232.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Dirck-Bouts-768x595.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Dirck-Bouts.png 813w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/dirck-bouts-2\/\">View the 1572 print<\/a><br \/>\r\n <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/dirck-bouts\/\">View both prints side by side<\/a><\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/belgica-belgium-belgian\/\" rel=\"tag\">Nation\/nationality: Belgica\/Belgium\/Belgian<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p07-184x300.jpg\"\/>\n   <h6>15. Hieronymus Bosch<\/h6>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p07-631x1024.jpg\" alt=\"15. Hieronymus Bosch\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p07.jpg 2x\"\/>\n  \n  <h4>15. Hieronymus Bosch<\/h4>\n  <div><p>Engraving, second state.<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius<br \/>\r\n Copy in reverse direction as <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/hieronymus-bosch\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><br \/>\r\n 19.8 x 12.0 cm<\/p>\r\n<p><strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>HIERONIMO BOSCHIO PICTORI.<\/em><br \/>\r\n <em>Quid sibi vult, Hironyme Boschi, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em><br \/>\r\n <em>Ille oculus tuus attonitus? quid \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em><br \/>\r\n <em>Pallor in ore?\u00a0 velut lemures si<br \/>\r\n Spectra Erebi volitantia coram<\/em><br \/>\r\n <em>Aspiceres?\u00a0 Tibi Ditis avari<\/em><br \/>\r\n <em>Crediderim patuisse recessus<\/em><br \/>\r\n <em>Tartareasque domos tua quando<\/em><br \/>\r\n <em>Quicquid habet sinus imus Averni<\/em><br \/>\r\n <em>Tam potuit bene pingere dextra.<\/em><strong><br \/>\r\n <\/strong><\/p>\r\n<p><strong>Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>To Hieronymus Bosch, painter.\u00a0<\/em><br \/>\r\n What is meant by that astonished eye of yours, Hieronymus Bosch, or that pallor in your face?\u00a0 As if you had seen ghosts, the spectres of Erebus, flittering in front of you.\u00a0 I could believe that the caves of greedy Pluto and the houses of Tartarus lay open to you, seeing as your hand could paint so well whatever the lowest hollows of Avernus <span id='easy-footnote-9-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-9-177' title='The entry to the underworld in Virgil\u2019s\u00a0&lt;em&gt;Aeneid&lt;\/em&gt;.'><sup>9<\/sup><\/a><\/span>\u00a0contain.<\/p>\r\n<hr \/>\r\n<p>Hollstein 1994 no. 85<\/p>\r\n<p><a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0197.php\">Karel Van Mander's biography of Hieronymus Bosch<\/a>.<br \/>\r\n <a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T010250?q=bosch&amp;search=quick&amp;pos=3&amp;_start=1#T010250\">Grove Art Online biography<\/a>.<\/p>\r\n<p>&nbsp;<\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-641\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Hieronymus-Bosch-300x233.png\" alt=\"\" width=\"450\" height=\"350\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Hieronymus-Bosch-300x233.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Hieronymus-Bosch-768x597.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Hieronymus-Bosch.png 813w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/321\/\">View the 1572 print<\/a><br \/>\r\n <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/hieronymus-bosch\/\">View both prints side by side<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p08-184x300.jpg\"\/>\n   <h6>17. Rogier Van Der Weyden<\/h6>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p08-631x1024.jpg\" alt=\"17. Rogier Van Der Weyden\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p08.jpg 2x\"\/>\n  \n  <h4>17. Rogier Van Der Weyden<\/h4>\n  <div><p>Engraving<br \/>\r\n Attributed to Hendrick Hondius<br \/>\r\n Copy in same direction as <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/rogier-van-der-weyden\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><\/p>\r\n<p>21.0 x 12.1 cm<\/p>\r\n<p><strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>ROGERO BRUXELLENSI PICTORI.<\/em><br \/>\r\n <em>Non tibi sit laudi, quod multa, et pulchra, Rogere,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Pinxisti ut poterant tempora ferre tua,\u00a0<\/em><br \/>\r\n <em>Digna tamen, nostro quicunque est tempore Pictor<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Ad quae, si sapiat, respicere usque velit :<\/em><br \/>\r\n <em>Testes picturae, quae Bruxellense tribunal<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 De recto Themidis cedere calle vetant :\u00a0<\/em><br \/>\r\n <em>Quam tua de partis pingendo extrema voluntas<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Perpetua est inopum quod medicina fami.<\/em><br \/>\r\n <em>Illa reliquisti terris iam proxima morti ;<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Haec monumenta polo non moritura micant.<\/em><\/p>\r\n<p><strong>Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>To Rogier van der Weyden, painter.\u00a0<\/em><br \/>\r\n May your praise not be that you painted many beautiful things, as your age could bear them <span id='easy-footnote-10-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-10-177' title='The sense seems to be that Rogier painted as well as he could for his time.\u00a0 Compare to poem on\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/27-jan-gossaert-called-mabuse\/&quot;&gt;Jan Gossaert&lt;\/a&gt;'><sup>10<\/sup><\/a><\/span>\u00a0(although they are worthy that anyone who is a painter in our time wish greatly to look at them, if he be wise \u2013 the paintings which forbid the tribunal of Brussels to leave the straight path of Justice are witness [to this]): but rather that your last will is a perpetual remedy for the hunger of the poor from the proceeds of your painting.\u00a0 The former, [itself] already near to death, you left on earth; the latter shines in the sky, as a monument that will not die.<span id='easy-footnote-11-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-11-177' title='The point seems to be that Rogier\u2019s paintings will pass away, like all earthly things, whereas his works of mercy will gain him eternal life, and therefore last forever.'><sup>11<\/sup><\/a><\/span><\/p>\r\n<hr \/>\r\n<p>Hollstein 1994 no. 86<br \/>\r\n <a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0183.php\">Karel Van Mander's biography of Rogier van der Weyden<\/a><br \/>\r\n <a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T091309pg1?q=weyden&amp;search=quick&amp;pos=2&amp;_start=1#T091310\">Grove Art Online biography<\/a><a style=\"font-size: 1rem\" name=\"_ftn1\"><\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-640\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Rogier-van-der-Weyden-300x239.png\" alt=\"\" width=\"450\" height=\"359\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Rogier-van-der-Weyden-300x239.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Rogier-van-der-Weyden-768x613.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Rogier-van-der-Weyden.png 808w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/rogie-van-der-weyden\/\">View the 1572 print<\/a><br \/>\r\n <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/rogier-van-der-weyden\/\">View both prints side by side<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/brussels\/\" rel=\"tag\">Brussels<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p09-184x300.jpg\"\/>\n   <h6>19. Bernaert Van Orley<\/h6>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p09-631x1024.jpg\" alt=\"19. Bernaert Van Orley\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p09.jpg 2x\"\/>\n  \n  <h4>19. Bernaert Van Orley<\/h4>\n  <div><p>Engraving, second state<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius<br \/>\r\n Copy in reverse direction to <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/bernaert-van-orley\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><\/p>\r\n<p>20.1 x 12.0 cm<\/p>\r\n<p><strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>DE BERNARDO BRUXELLENSI. PICTORE.<\/em><br \/>\r\n <em>Aulica quod sese Bernardo iactet alumno<\/em><br \/>\r\n <em>Bruxella, Attalicas doctissima pingere vestes :\u00a0<\/em><br \/>\r\n <em>Non tam pictoris, si quis me iudice certet,<\/em><br \/>\r\n <em>Arti debetur, quanquam debetur et arti<\/em><br \/>\r\n <em>Quam tibi quod carus Belgarum Margari rectrix<\/em><br \/>\r\n <em>Dum tibi Appellea nihil est iucundius arte,<\/em><br \/>\r\n <em>Aurea peniculis te dante manubria, et aureos<\/em><\/p>\r\n<p><em>Saepe tulit, cusum paulo ante numisma, Philippos<strong><br \/>\r\n <\/strong><\/em><\/p>\r\n<p><strong>Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>About Bernaert van Orley, painter.\u00a0<\/em><br \/>\r\n That the Court of Brussels boasts of its nursling Bernaert, most skilled<span id='easy-footnote-12-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-12-177' title='I translate as if \u201cdoctissima\u201d agrees with \u201cBernardus\u201d.\u00a0 This is in fact impossible, as \u201cdoctissima\u201d is feminine.\u00a0 It could agree with \u201caulica \u2026 Bruxella\u201d, or be a vocative, addressing Margaret.\u00a0 But neither of these options makes much sense.\u00a0 Nor can it be corrected to \u201cdoctissimus\u201d without spoiling the metre.'><sup>12<\/sup><\/a><\/span><span style=\"font-size: 1rem\">\u00a0in painting Attalian<span id='easy-footnote-13-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-13-177' title='The reference, which is found in classical poetry, is to Attalus III of Pergamum, credited with the invention of cloth of gold.'><sup>13<\/sup><\/a><\/span>\u00a0<\/span>garments, is not so much due (if anyone wants to argue while I am judging<span id='easy-footnote-14-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-14-177' title='&quot;me iudice certet&quot;. Cf. Virgil,\u00a0&lt;em&gt;Eclogue\u00a0&lt;\/em&gt;4, 58, &quot;mecum si iudice certet&quot;.'><sup>14<\/sup><\/a><\/span>) to the painter\u2019s skill (although it is also due to his skill) as it is to [the fact] that he was dear to you, Margaret ruler of the Belgians, since nothing is more delightful to you than the art of Apelles.\u00a0 By your gift, he often got golden handles for his paintbrushes, and gold coins, in recently minted currency.<\/p>\r\n<hr \/>\r\n<p>Hollstein 1994 no. 87<\/p>\r\n<p><a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0193.php\">Karel Van Mander's biography of Bernaert van Orley<\/a><br \/>\r\n <a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T063846pg2?q=+van+orley&amp;search=quick&amp;pos=4&amp;_start=1#T063848\">Grove Art Online biography<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-638\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Bernaert-van-Orley-300x235.png\" alt=\"\" width=\"450\" height=\"352\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Bernaert-van-Orley-300x235.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Bernaert-van-Orley-768x601.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Bernaert-van-Orley.png 811w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/bernaert-van-orley-1572-pictorum\/\">View the 1572 print<\/a><br \/>\r\n <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/bernaert-van-orley\/\">View both prints side by side<\/a><\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/brussels\/\" rel=\"tag\">Brussels<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/belgica-belgium-belgian\/\" rel=\"tag\">Nation\/nationality: Belgica\/Belgium\/Belgian<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/rulers-and-patrons\/\" rel=\"tag\">Rulers and Patrons<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p10-184x300.jpg\"\/>\n   <h6>21. Joachim Patinir<\/h6>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p10-631x1024.jpg\" alt=\"21. Joachim Patinir\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p10.jpg 2x\"\/>\n  \n  <h4>21. Joachim Patinir<\/h4>\n  <div><p>Engraving<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius<br \/>\r\n Copy in reverse direction to <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/joachim-patinir\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><br \/>\r\n 19.1 x 12.3 cm<\/p>\r\n<p><strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>IOACHIMO DIONATENSI PICTORI.<\/em><br \/>\r\n <em>Has inter omnes nulla quod vivacius\u00a0<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Ioachime, imago cernitur<\/em><br \/>\r\n <em>Expressa, quam vultus tui ; non hinc modo<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Factus est, quod illam Curtii\u00a0<\/em><br \/>\r\n <em>In aera dextra incidit, alteram sibi\u00a0<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Quae non timet nunc aemulam :<\/em><br \/>\r\n <em>Sed quod tuam Dureres admirans manum<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Dum rura pingis, et casas<\/em><br \/>\r\n <em>Olim exaravit in palimpsesto tuos\u00a0<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Vultus ahena cuspide.<\/em><br \/>\r\n <em>Quas aemulatus lineas se Curtius,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Nedum praeivit ceteros.<\/em><strong><br \/>\r\n <\/strong><\/p>\r\n<p><strong>Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>To Joachim Patenir, painter.\u00a0<\/em><br \/>\r\n That, amongst all of these, no image expressed with more liveliness than your face is to be seen, Joachim, has happened not only because Curtius'<span id='easy-footnote-15-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-15-177' title='Cornelis Cort (c.1533-1578)'><sup>15<\/sup><\/a><\/span> hand cut it into the bronze ([the hand] which does not now fear another rival), but [also] because D\u00fcrer, admiring your hand, when you painted fields and huts,<span id='easy-footnote-16-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-16-177' title='\u201crura ... et casas\u201d.\u00a0 The combination (also found in\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/49-lucas-gassel\/&quot;&gt;Lucas Gassel &lt;\/a&gt;below) is from Virgil,\u00a0&lt;em&gt;Eclogues\u00a0&lt;\/em&gt;2.28-29.'><sup>16<\/sup><\/a><\/span>\u00a0once drew your face on a palimpsest<span id='easy-footnote-17-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-17-177' title='A palimpset in this context probably means a printing plate on which previous incisions had been made and burnished out so that the plate could be used again.'><sup>17<\/sup><\/a><\/span> with his bronze point.\u00a0 Imitating those lines, Curtius surpassed himself, not to mention all the others.<\/p>\r\n<hr \/>\r\n<p>Hollstein 1994 no. 88<\/p>\r\n<p><a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0202.php\">Karel Van Mander's biography of Joachim Patinir<\/a><br \/>\r\n <a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T065772?q=patinir&amp;search=quick&amp;pos=1&amp;_start=1#T065772\">Grove Art Online biography<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-636\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Joachim-Patinir-300x236.png\" alt=\"\" width=\"450\" height=\"353\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Joachim-Patinir-300x236.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Joachim-Patinir-768x603.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Joachim-Patinir.png 805w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/joachim-patinir-1572-pictorum\/\">View the 1572 print<\/a><br \/>\r\n <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/joachim-patinir\/\">View both prints side by side<\/a><\/p>\r\n<hr \/><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p11-184x300.jpg\"\/>\n   <h6>23. Quentin Matsys<\/h6>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p11-631x1024.jpg\" alt=\"23. Quentin Matsys\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p11.jpg 2x\"\/>\n  \n  <h4>23. Quentin Matsys<\/h4>\n  <div><p>Engraving<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius<br \/>\r\n Copy in same direction as <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/quentin-matsys\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><\/p>\r\n<p>20.4 x 12.0 cm<\/p>\r\n<p><strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>QUINTINUS MESIUS. ANVER:PIANUS PICTOR.<\/em><br \/>\r\n <em>Ante faber fueram Cyclopeus ; ast ubi mecum<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Ex aequo pictor coepit amars<span id='easy-footnote-18-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-18-177' title='I am translating Lampsonius\u2019 \u201camare\u201d, not Hondius\u2019 \u201camars\u201d, which is not Latin'><sup>18<\/sup><\/a><\/span> procus :<\/em><br \/>\r\n <em>Seque graves tuditum tonitrus postferre silenti<\/em><br \/>\r\n <em>\u00a0 \u00a0\u00a0 Peniculo obiecit cauta puella mihi :\u00a0<\/em><br \/>\r\n <em>Pictorem me fecit amor.\u00a0 tudes innuit illud<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Exiguus, tabulis quae nota certa meis,<\/em><br \/>\r\n <em>Sic ubi Vulcanum nato Venus arma rogarat\u00a0<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Pictorem e fabro summe Poeta facis.<\/em><\/p>\r\n<p><strong>Translation of Inscription [Lampsonius]:<\/strong><\/p>\r\n<p><em>To Quentin Matsys, painter of Antwerp.<\/em><br \/>\r\n Before I used to be a Cyclopean smith,<span id='easy-footnote-19-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-19-177' title='Because the Cyclopes worked with hammers.'><sup>19<\/sup><\/a><\/span>\u00a0but when a wooing painter began to love<span id='easy-footnote-20-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-20-177' title='See note 1'><sup>20<\/sup><\/a><\/span> on an equal footing with me, and the cautious girl objected to me that she liked the heavy thundering of hammers less than the silent paintbrush, love made me a painter.\u00a0 A tiny hammer, which is the sure note of my paintings, alludes to this.\u00a0 Thus, when Venus had asked Vulcan for arms for her son, you, greatest of poets, made a painter out of a smith.<span id='easy-footnote-21-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-21-177' title='The greatest of poets is Virgil, and the episode in question is\u00a0&lt;em&gt;Aeneid\u00a0&lt;\/em&gt;8, 369-453 and 608-&lt;em&gt;fin.\u00a0\u00a0&lt;\/em&gt;The author seems to think of the images on Aeneas\u2019 shield as paintings (Virgil himself does not say clearly how Vulcan made the pictures).'><sup>21<\/sup><\/a><\/span><\/p>\r\n<hr \/>\r\n<p>Hollstein 1994 no.89<\/p>\r\n<p><a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0196.php\">Karel Van Mander's biography of Quentin Matsys<\/a><br \/>\r\n <a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T057484pg1#T057485\">Grove Art Online biography<\/a><\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-635\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Quentin-Matsys-300x235.png\" alt=\"\" width=\"450\" height=\"352\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Quentin-Matsys-300x235.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Quentin-Matsys-768x601.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Quentin-Matsys.png 815w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/quentin-matsys-1572-pictorum\/\">View the 1572 print<\/a><br \/>\r\n <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/quentin-matsys\/\">View both prints side by side<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/antwerp\/\" rel=\"tag\">Antwerp<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/first-person\/\" rel=\"tag\">Verse in the first person<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p12-184x300.jpg\"\/>\n   <h6>25. Cornelius Engebrechtsz<\/h6>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p12-631x1024.jpg\" alt=\"25. Cornelius Engebrechtsz\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p12.jpg 2x\"\/>\n  \n  <h4>25. Cornelius Engebrechtsz<\/h4>\n  <div><p>Engraving<br \/>\r\n Signed 'Hh exc.' by Hendrick Hondius<br \/>\r\n 20.5 x 12.4 cm<\/p>\r\n<p><strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>CORNELIUS ENGELBERT. LEIDAN. PICTOR.<\/em><br \/>\r\n <em>Hic inter primos oleo de semine lini\u00a0<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Expresso in Batavis pingere qui didicit.<\/em><br \/>\r\n <em>Miramur Vultus quos pinxit, Chromata laeta.<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Pictorum hunc Lucas flos colit artificem.<\/em><\/p>\r\n<p><br \/>\r\n <strong>Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>Cornelis Engelbrechtsz. Painter of Leyden.<\/em><br \/>\r\n This man was among the first of the Dutch who learnt to paint with pressed oily seed of flax.<span id='easy-footnote-22-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-22-177' title='\u201coleo de semine lini\u201d: the same expression in the poem for\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/jan-van-eyck\/&quot;&gt;Jan van Eyck&lt;\/a&gt;'><sup>22<\/sup><\/a><\/span>\u00a0 We wonder at the faces [and] joyful colours which he painted.\u00a0 Lucas, the flower of painters, frequented this artist.<\/p>\r\n<p>Hollstein 1994 no.90<\/p>\r\n<p><a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0198.php\">Karel Van Mander's biography of Cornelius Engebrechtsz<\/a><br \/>\r\n <a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T026068?q=engebrechtsz&amp;search=quick&amp;pos=1&amp;_start=1#T026068\">Grove Art Online biography<br \/>\r\n <\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/colour-references\/\" rel=\"tag\">Colour references<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/the-netherlands-dutch\/\" rel=\"tag\">Nation \/ nationality: the Netherlands \/ Dutch<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p13-184x300.jpg\"\/>\n   <h6>27. Jan Gossaert, called Mabuse<\/h6>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p13-631x1024.jpg\" alt=\"27. Jan Gossaert, called Mabuse\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p13.jpg 2x\"\/>\n  \n  <h4>27. Jan Gossaert, called Mabuse<\/h4>\n  <div><p>Engraving, second state<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius<br \/>\r\n Copy in reverse direction as <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/jan-gossaert-mabuse\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><br \/>\r\n 20.9 x 12.2 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>IOANII MABUSIO, PICTORI.<\/em><br \/>\r\n <em>Tuque adeo nostris seculum dic\u00eare, Mabusi,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Versibus ad graphicen erudiisse tuum.<\/em><br \/>\r\n <em>Nam\u00a0quis ad aspectum pigmenta politius alter<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Florida Apelleis illineret tabulis?<\/em><br \/>\r\n <em>Arte aliis, esto, tua tempora cede secutis ;<\/em><\/p>\r\n<p><em>Peniculi ductor par tibi, rarus erit.<\/em><\/p>\r\n<p><br \/>\r\n <br \/>\r\n <strong>Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>To Jan Gossaert, painter.\u00a0<\/em><br \/>\r\n You too, indeed, man of Maubeuge, will be said in our verses to have educated your age in drawing.\u00a0 For who else could daub Apelles\u2019 boards<span id='easy-footnote-23-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-23-177' title='This of course merely means \u201cpaintings\u201d'><sup>23<\/sup><\/a><\/span> with flowering pigments smoother to the eye?\u00a0 Granted, you yield in skill to others who followed your age.\u00a0 [But] rare will be the guider of the brush who is equal to you.\u00a0\u00a0<\/p>\r\n<hr \/>\r\n<p><br \/>\r\n Hollstein 1994 no.91<br \/>\r\n <br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0208.php\">Karel Van Mander's biography of Jan Gossaert<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T033403?q=gossaert&amp;search=quick&amp;pos=2&amp;_start=1#firsthit\">Grove Art Online biography<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-637\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Jan-Gossaert-Mabuse-300x236.png\" alt=\"\" width=\"450\" height=\"354\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Jan-Gossaert-Mabuse-300x236.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Jan-Gossaert-Mabuse-768x605.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Jan-Gossaert-Mabuse.png 809w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/jan-gossaert-mabuse\/\">View the 1572 print<\/a><br \/>\r\n <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/jan-gossaert-mabuse\/\">View both prints side by side<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p14-184x300.jpg\"\/>\n   <h6>29. Jan van Amstel<\/h6>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p14-631x1024.jpg\" alt=\"29. Jan van Amstel\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p14.jpg 2x\"\/>\n  \n  <h4>29. Jan van Amstel<\/h4>\n  <div><p>Engraving<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius<br \/>\r\n Copy in reverse direction as <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/jan-van-amstel\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><\/p>\r\n<p>20.1 x 12.3 cm<\/p>\r\n<p><br \/>\r\n <strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>DE JOANNE HOLLANDO, ANVERPIANO PICT :<\/em><br \/>\r\n <em>Propria Belgarum laus est bene pingere rura :<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Ausoniorum, homines pingere, sine<\/em><span id='easy-footnote-24-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-24-177' title='sic. Lampsonius&#039; text in\u00a0&lt;em&gt;Pictorum aliquot celebrium Germaniae inferioris effigies&lt;\/em&gt;\u00a0reads &quot;&lt;em&gt;sive Deos&quot;.&lt;\/em&gt;'><sup>24<\/sup><\/a><\/span><em>\u00a0deos.<\/em><br \/>\r\n <em>Nec mirum in capite Ausonius, sed Belga cerebrum<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Non temere in guava<\/em><span id='easy-footnote-25-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-25-177' title='sic. Lamponius&#039; text, cited above, reads &#039;in gnava&#039;.'><sup>25<\/sup><\/a><\/span>\u00a0<em>fertur habere manu.<\/em><br \/>\r\n <em>Maluit ergo manus Jani bene pingere rura<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Quam caput, aut homines, aut male scire deos.<\/em><\/p>\r\n<p><strong>Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>To Jan van Amstel, painter of Antwerp<\/em> <span id='easy-footnote-26-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-26-177' title='I am reading \u201csive\u201d for \u201csine\u201d in line 2, and \u201cgnava\u201d for \u201cguava\u201d in line 4.\u00a0 Both corrections are from Lampsonius.'><sup>26<\/sup><\/a><\/span><br \/>\r\n The proper praise of Belgians is to paint fields well; that of Italians to paint men or gods.\u00a0 Nor is it surprising: not without reason is the Italian said to have his brain in his head, [while] the Belgian [has his] in his active hand. Jan\u2019s hand, then, preferred to paint fields well, than for his head to know poorly either men or gods.<\/p>\r\n<hr \/>\r\n<p>Hollstein 1994 no.92<br \/>\r\n <br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0195.php\">Karel Van Mander's biography of Jan van Amstel<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T002422?q=van+amstel&amp;search=quick&amp;pos=2&amp;_start=1#T002422\">Grove Art Online biography<\/a><\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-647\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Jan-van-Amstel-300x234.png\" alt=\"\" width=\"450\" height=\"351\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Jan-van-Amstel-300x234.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Jan-van-Amstel-768x600.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Jan-van-Amstel.png 813w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/jan-van-amstel\/\">View the 1572 print<\/a><br \/>\r\n<a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/jan-van-amstel\/\">View both prints side by side<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/antwerp\/\" rel=\"tag\">Antwerp<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/italy-italians\/\" rel=\"tag\">Nation \/nationality: Italy \/ Italians<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/belgica-belgium-belgian\/\" rel=\"tag\">Nation\/nationality: Belgica\/Belgium\/Belgian<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p15-184x300.jpg\"\/>\n   <h6>31. Pieter Coecke van Aelst<\/h6>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p15-631x1024.jpg\" alt=\"31. Pieter Coecke van Aelst\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p15.jpg 2x\"\/>\n  \n  <h4>31. Pieter Coecke van Aelst<\/h4>\n  <div><p>Engraving<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius<br \/>\r\n Copy in same direction as <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/pieter-coecke-van-aelst\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><\/p>\r\n<p>19.3 x 12.6 cm<\/p>\r\n<p><br \/>\r\n <strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>PETRO COECKE. ALOSTANO, PICTORI.<\/em><br \/>\r\n <em>Pictor eras nec eras tant\u00fbm, Petre, pictor ; Alostum<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Qui facis hac Orbi notius arte tuum :<\/em><br \/>\r\n <em>Multa sed accessit multo ars tibi parta labore,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Cuius opus pulchras aedificare domos.<\/em><br \/>\r\n <em>Serlius hanc Italos ; tu, Serli deinde bilinguis<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Interpres, Belgas, Francigenasque doces.<\/em><br \/>\r\n <br \/>\r\n <br \/>\r\n <strong>Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>To Pieter Coecke van Aelst, painter.\u00a0<\/em><br \/>\r\n You were a painter, but, Pieter, you were not only a painter, you who made your Aelst<span id='easy-footnote-27-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-27-177' title='This town\u2019s name seems now to be spelt \u201cAalst\u201d (French: \u201cAlost\u201d).'><sup>27<\/sup><\/a><\/span> more known to the world by this skill.\u00a0 But there was much skill in addition, born to you by much labour.\u00a0 Its office was to build beautiful houses. Serlio taught this to the Italians, then you, bilingual interpreter of Serlio, taught the Belgians and the French.<\/p>\r\n<hr \/>\r\n<p>Hollstein 1994 no.93<br \/>\r\n <br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0201.php\">Karel Van Mander's biography of Pieter Coecke van Aelst<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T018426?q=coecke&amp;search=quick&amp;pos=1&amp;_start=1#T018426\">Grove Art Online biography<\/a><\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-656\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Pieter-Coecke-van-Aelst-300x235.png\" alt=\"\" width=\"450\" height=\"353\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Pieter-Coecke-van-Aelst-300x235.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Pieter-Coecke-van-Aelst-768x602.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Pieter-Coecke-van-Aelst.png 811w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/pieter-coecke-van-aelst\/\">View the 1572 print<\/a><br \/>\r\n <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/pieter-coecke-van-aelst\/\">View both prints side by side<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/italy-italians\/\" rel=\"tag\">Nation \/nationality: Italy \/ Italians<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/belgica-belgium-belgian\/\" rel=\"tag\">Nation\/nationality: Belgica\/Belgium\/Belgian<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p16-184x300.jpg\"\/>\n   <h6>33. Jan Vermeyen<\/h6>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p16-631x1024.jpg\" alt=\"33. Jan Vermeyen\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p16.jpg 2x\"\/>\n  \n  <h4>33. Jan Vermeyen<\/h4>\n  <div><p>Engraving<br \/>\r\n Attributed to Hendrick Hondius<br \/>\r\n Copy in reverse direction to <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/jan-vermeyen\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><br \/>\r\n 20.6 x 11.8 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>DE IOANNE MAIO, PICTORE.<\/em><br \/>\r\n <em>Quos homines, quae non Maius loca pinxit, et urbis<span id='easy-footnote-28-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-28-177' title='sic.\u00a0 see note 2.'><sup>28<\/sup><\/a><\/span><\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Visendum late quicquid et Orbis habet ;<\/em><br \/>\r\n <em>Dum terra sequiturque mari te Carole Caesar<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Pingeret ut dextrae fortia facta tuae ;<\/em><br \/>\r\n <em>Quae mox Attalicis fulgerent aurea textis,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Materiem artifici sed superante manu.<\/em><br \/>\r\n <em>Nec minus ille sua spectacula praebuit arte<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Celso conspicuus vertice grata tibi,<\/em><br \/>\r\n <em>Iussus prolixae detecta volumina barbae<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Ostentare suos pendula ad usque pedes<\/em>.<strong><br \/>\r\n <br \/>\r\n <br \/>\r\n Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><em><br \/>\r\n About Jan Vermeyen, painter.<\/em><br \/>\r\n What men, what places and what cities<span id='easy-footnote-29-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-29-177' title='Reading Lampsonius\u2019 \u201curbes\u201d for Hondius&#039;s impossible \u201curbis\u201d.'><sup>29<\/sup><\/a><\/span>\u00a0has Vermeyen not painted? \u2013\u2013 and whatever the world, far and wide, has worth seeing -\u00a0 while he followed you on land and sea, Emperor<span id='easy-footnote-30-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-30-177' title='Can be translated as \u201cCaesar\u201d\u00a0 Cf. note on \u201cEmperor\u201d on the text for\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/53-albrecht-durer\/&quot;&gt;Albrecht D\u00fcrer&lt;\/a&gt;,\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/79-anthonis-mor\/&quot;&gt;Anthony Mor&lt;\/a&gt;\u00a0and others'><sup>30<\/sup><\/a><\/span> Charles, to paint the mighty deeds of your hand.\u00a0 These soon shone in gold with Attalian<span id='easy-footnote-31-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-31-177' title='See note on the text for\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/19-bernaert-van-orley\/&quot;&gt;Bernaert van Orley&lt;\/a&gt;.'><sup>31<\/sup><\/a><\/span> embroidery, although the artist\u2019s hand was greater than the material.<span id='easy-footnote-32-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-32-177' title='This seems to mean that \u00a0Vermeyen\u00a0showed more skill in painting drapery than was involved in making the drapery itself.'><sup>32<\/sup><\/a><\/span> Nor did he provide a sight less pleasing to you than his art \u2013 [he was] remarkable for his high forehead, [and] was ordered to show off the unhidden folds of his rich beard, hanging down to his feet.<\/p>\r\n<hr \/>\r\n<p>Hollstein 1994 no.94<br \/>\r\n <br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0207.php\">Karel Van Mander's biography of Jan Vermeyen<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T088871?q=vermeyen&amp;search=quick&amp;pos=1&amp;_start=1#T088871\">Grove Art Online biography<\/a><\/p>\r\n<p class=\"alignnone\"><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/jan-vermeyen\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-541 size-full\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/01\/Jan-Vermeyen.jpg\" alt=\"\" width=\"213\" height=\"172\" \/><\/a><br \/>\r\n <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/jan-vermeyen-1572-pictorum\/\">View the 1572 print<br \/>\r\n <\/a><a style=\"font-size: 1rem\" href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/jan-vermeyen\/\">View both prints side by side<\/a><\/p>\r\n<hr \/>\r\n<p class=\"alignnone\">\u00a0<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/foreign-experience\/\" rel=\"tag\">References to travel and foreign experience<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/rulers-and-patrons\/\" rel=\"tag\">Rulers and Patrons<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p17-184x300.jpg\"\/>\n   <h6>35. Mathys Cock<\/h6>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p17-631x1024.jpg\" alt=\"35. Mathys Cock\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p17.jpg 2x\"\/>\n  \n  <h4>35. Mathys Cock<\/h4>\n  <div><p>Engraving<br \/>\r\n Attributed to Hendrick Hondius<br \/>\r\n Copy in reverse direction to <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/mathys-cock\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><\/p>\r\n<p>19.6 x 12.4cm<\/p>\r\n<p><br \/>\r\n <strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>MATTHI\u00c6 COCO ANVERPIAN. PICTORI. HIERONYMI FRATRI.\u00a0\u00a0<\/em><br \/>\r\n <em>Tu quoque, Matthia, sic pingere rura sciebas,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Ut tibi vix dederint tempora nostra parem.<\/em><br \/>\r\n <em>Ergo, quod artifices inter spectaris et ipse,<\/em><br \/>\r\n \u00a0\u00a0\u00a0\u00a0\u00a0<em>Quos immortalis<span id='easy-footnote-33-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-33-177' title='sic. see note 3.'><sup>33<\/sup><\/a><\/span> Belgica laude colit ;<\/em><br \/>\r\n <em>Non in te pietas tantem<span id='easy-footnote-34-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-34-177' title='sic. see note 4.'><sup>34<\/sup><\/a><\/span>\u00a0\u00a0fraterna, sed arti<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Efficit et merito laus tribuenda tuae.<\/em><\/p>\r\n<p><strong>Translation of Inscription [Lampsonius]:<br \/>\r\n <br \/>\r\n <\/strong><em>To Matthias Cock of Antwerp, painter, brother of Hieronymus.<\/em><br \/>\r\n You too, Matthias, knew how to paint fields in such a way, that our age has scarcely produced your equal.\u00a0 Therefore, if you too are considered among the artists whom Belgium honours with immortal<span id='easy-footnote-35-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-35-177' title='Reading Lampsonius\u2019 \u201cimmortali\u201d for Hondius\u2019 \u201cimmortalis\u201d.\u00a0 With the latter reading, one would translate \u201cwhom Belgium honours with praise [as] immortals\u201d.'><sup>35<\/sup><\/a><\/span> praise, not only<span id='easy-footnote-36-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-36-177' title='Reading Lampsonius \u201ctantum\u201d for Hondius \u201ctantem\u201d (?), which is not Latin.'><sup>36<\/sup><\/a><\/span> fraternal piety grants this to you, but also the praise justly due to your skill.<\/p>\r\n<hr \/>\r\n<p>Hollstein 1994 no.95<br \/>\r\n <br \/>\r\n <a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0219.php\">Karel Van Mander's biography of Mathys Cock<\/a><br \/>\r\n <a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T018357pg2?q=cock&amp;search=quick&amp;pos=3&amp;_start=1#T018360\">Grove Art Online biography<\/a><\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-645\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Mathys-Cock-300x236.png\" alt=\"\" width=\"450\" height=\"354\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Mathys-Cock-300x236.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Mathys-Cock-768x604.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Mathys-Cock.png 807w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/mathys-cock-1572-pictorum\/\">View the 1572 print<\/a><br \/>\r\n <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/mathys-cock\/\">View both prints side by side<\/a><\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/antwerp\/\" rel=\"tag\">Antwerp<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/belgica-belgium-belgian\/\" rel=\"tag\">Nation\/nationality: Belgica\/Belgium\/Belgian<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p18-184x300.jpg\"\/>\n   <h6>37. Henri Met de Bles<\/h6>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p18-631x1024.jpg\" alt=\"37. Henri Met de Bles\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p18.jpg 2x\"\/>\n  \n  <h4>37. Henri Met de Bles<\/h4>\n  <div><p>Engraving, second state<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius<br \/>\r\n Copy in reverse direction to <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/henri-met-de-bles\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><\/p>\r\n<p>20.6 x 12.3 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription [Lampsonius]:<\/strong><\/p>\r\n<p><em>HENRICO BLESIO, BOVINATI, PICTORI.<\/em><br \/>\r\n <em>Pictorem urbs dederat Dionatum Eburonia, pictor<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Quem proximis dixit poeta versibus<\/em><br \/>\r\n <em>Illum adeo artificem patriae situs ipse, magistro<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Aptissimus, vix edocente fecerat.<\/em><br \/>\r\n <em>Hanc laudem invidit vicinae exile Bovinum,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Et rura doctum pingere Henricum dedit<\/em><br \/>\r\n <em>Sed quantum cedit Dionato exile Bovinum<\/em><\/p>\r\n<p><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ioachime, tantum cedit Henricus tibi.<\/em><strong><br \/>\r\n <\/strong><br \/>\r\n <strong>Translation of Inscription [Lampsonius]:<\/strong><\/p>\r\n<p><em>To Herri met de Bles of Bouviges, painter.\u00a0<\/em><br \/>\r\n The Eburonian city<span id='easy-footnote-37-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-37-177' title='Julius Caesar describes the \u201cEburones\u201d as a Belgian people in the region \u201cextending from Li\u00e8ge to Aix-la-Chapelle\u201d (&lt;em&gt;Lewis &amp;amp; Short&lt;\/em&gt;).\u00a0 I cannot say which city the author considers the \u201curbs Eburonia\u201d.\u00a0 Presumably Dinant itself.'><sup>37<\/sup><\/a><\/span>\u00a0had produced the painter of Dinant,\u00a0 the painter of whom the poet spoke in recent verses.\u00a0 The most favourable site of his homeland had made him entirely an artist, and a master hardly taught him.\u00a0 Tiny Bouviges was jealous of this its neighbour\u2019s glory and produced Hendrik, learned in painting fields.\u00a0 But, Joachim,\u00a0 as much as tiny Bouviges yields to Dinant [in size], so much does Hendrik yield to you.<\/p>\r\n<hr \/>\r\n<p><br \/>\r\n Hollstein 1994 no.96<br \/>\r\n <br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0203.php\">Karel Van Mander's biography of Henri met de Bles<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T009217?q=bles&amp;search=quick&amp;pos=2&amp;_start=1#T009217\">Grove Art Online biography<\/a><\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-644\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Henri-met-de-Bles-300x244.png\" alt=\"\" width=\"450\" height=\"366\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Henri-met-de-Bles-300x244.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Henri-met-de-Bles-768x625.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Henri-met-de-Bles.png 804w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/henri-met-de-bles\/\">View the 1572 print<\/a><br \/>\r\n<a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/henri-met-de-bles\/\">View both prints side by side<\/a><\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/learned\/\" rel=\"tag\">Described as 'learned'<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p19-184x300.jpg\"\/>\n   <h6>39. Joos van Cleve<\/h6>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p19-631x1024.jpg\" alt=\"39. Joos van Cleve\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p19.jpg 2x\"\/>\n  \n  <h4>39. Joos van Cleve<\/h4>\n  <div><p>Engraving<br \/>\r\n Signed 'Hh' by Hendrick Hondius<br \/>\r\n Copy in reverse direction to <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/joos-van-cleve\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><br \/>\r\n 19.3 x 12.1 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>IUSTO CLIVENSI ANVERPIAN PICTORI.<\/em><br \/>\r\n <em>Nostra nec artifices inter te Musa silebit<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Belgas, picturae non leve, Iuste, decus.<\/em><br \/>\r\n <em>Quam propria, nati tam felix arte fuisses ;<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Mansisset sanum si misero cerebrum<\/em>.<strong><br \/>\r\n <\/strong><br \/>\r\n <br \/>\r\n <strong>Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>To Joos van Cleve of Antwerp, painter.\u00a0<\/em><br \/>\r\n Our muse shall not keep silent about you, among the Belgian artists, Joos, [you who are ] no trivial glory of painting.\u00a0 You would have been as happy in your son\u2019s art as in your own, if only the wretch\u2019s brain had remained healthy.<\/p>\r\n<hr \/>\r\n<p>Hollstein 1994 no. 97<br \/>\r\n <br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0210.php\">Karel Van Mander's biography of Joos van Cleve<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T018151pg1#T018152\">Grove Art Online biography<\/a><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/joos-van-cleve-1572-pictorum\/\">View the 1572 print<\/a><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/1572-hubert-van-eyck\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-646\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Joos-van-Cleve-300x236.png\" alt=\"\" width=\"450\" height=\"353\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Joos-van-Cleve-300x236.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Joos-van-Cleve-768x603.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Joos-van-Cleve.png 819w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/a><br \/>\r\n <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/joos-van-cleve\/\">View both prints side by side<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/antwerp\/\" rel=\"tag\">Antwerp<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/belgica-belgium-belgian\/\" rel=\"tag\">Nation\/nationality: Belgica\/Belgium\/Belgian<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p20-184x300.jpg\"\/>\n   <h6>41. Jan van Scorel<\/h6>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p20-631x1024.jpg\" alt=\"41. Jan van Scorel\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p20.jpg 2x\"\/>\n  \n  <h4>41. Jan van Scorel<\/h4>\n  <div><p>Engraving, second state<br \/>\r\n Attributed to Hendrick Hondius<br \/>\r\n Copy in reverse direction to <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/jan-van-scorel\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><\/p>\r\n<p>19.5 x 12.7 cm<\/p>\r\n<p><br \/>\r\n <strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>IOANNES SCORELLUS BATAVUS PICTOR.<\/em><br \/>\r\n <em>Primus ego egregios pictura invisere Romam<\/em><br \/>\r\n <em>Exemplo docuisse meo per secula Belgas<\/em><br \/>\r\n <em>Cuncta ferar ; neque enim iusti dignandus honore<\/em><br \/>\r\n <em>Artificis, qui non graphidas, pigmentaque mille<\/em><br \/>\r\n <em>Consumpsit, tabulasque schola depinxit illa<span id='easy-footnote-38-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-38-177' title='sic.\u00a0 See note 2.'><sup>38<\/sup><\/a><\/span>\u00a0<\/em><strong><br \/>\r\n <br \/>\r\n <br \/>\r\n Translation of Inscription [Lampsonius]:<br \/>\r\n <br \/>\r\n <\/strong><em>Jan van Scorel, Dutch painter.\u00a0<\/em><br \/>\r\n Through all centuries I shall be said to have been the first to have taught by my example the excellent Belgians to be envious of Rome in painting.\u00a0 For he is not worthy of the honour of a true artist, who does not use up a thousand pencils and pigments, and paint pictures in that school.<span id='easy-footnote-39-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-39-177' title='This line is unmetrical in the Latin, because Hondius has omitted Lampsonius\u2019 \u201cin\u201d before \u201cilla\u201d.\u00a0 I translate according to Lampsonius.'><sup>39<\/sup><\/a><\/span><\/p>\r\n<hr \/>\r\n<p><br \/>\r\n <br \/>\r\n Hollstein 1994 no.98<br \/>\r\n <br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0222.php\">Karel Van Mander's biography of Jan van Scorel<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T077004?q=scorel&amp;search=quick&amp;pos=1&amp;_start=1#firsthit\">Grove Art Online biography<\/a><a style=\"font-size: 1rem\" name=\"_ftn1\"><\/a><\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-655\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Jan-van-Scorel-300x234.png\" alt=\"\" width=\"450\" height=\"352\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Jan-van-Scorel-300x234.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Jan-van-Scorel-768x600.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Jan-van-Scorel.png 810w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/jan-van-scorel-1572-pictorum\/\">View the 1572 print<\/a><br \/>\r\n <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/jan-van-scorel\/\">View both prints side by side<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/the-netherlands-dutch\/\" rel=\"tag\">Nation \/ nationality: the Netherlands \/ Dutch<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/belgica-belgium-belgian\/\" rel=\"tag\">Nation\/nationality: Belgica\/Belgium\/Belgian<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/rome\/\" rel=\"tag\">Rome<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/first-person\/\" rel=\"tag\">Verse in the first person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p21-184x300.jpg\"\/>\n   <h6>43. Lambert Lombard<\/h6>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p21-631x1024.jpg\" alt=\"43. Lambert Lombard\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p21.jpg 2x\"\/>\n  \n  <h4>43. Lambert Lombard<\/h4>\n  <div><p>Engraving, second state<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius<br \/>\r\n Copy in same direction as <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/lambert-lombard\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><\/p>\r\n<p>20.1 x 11.9 cm<\/p>\r\n<p><br \/>\r\n <strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>LAMBERTO LOMBARDO, LEODIENSIS PICTORI. ET ARCHITECTO.<\/em><br \/>\r\n <em>Elogium, ex merito quod te, Lombarde, decebat,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Non libet h\u00eec paucis texere versiculis :<\/em><br \/>\r\n <em>Continet hoc ea charta (legi si nostra merentur)<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 De te quam fecit \u039b\u03b1\u03bc\u03c8\u03bf\u03bd\u03af\u03bf\u03c4\u03b5 \u03b3\u03c1\u03b1\u03c6\u03af\u03c2<\/em><strong><br \/>\r\n <br \/>\r\n Translation of Inscription [Lampsonius]:<br \/>\r\n <br \/>\r\n <\/strong><em>To Lambert Lombard of Li\u00e8ge, painter and architect<\/em><br \/>\r\n It does not please [me], Lombard, to write here in a few verses an epigraph which would be suitable to your merits.\u00a0 Those pages contain it which (if our works deserve to be read) the Lampsonian pen<span id='easy-footnote-40-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-40-177' title='This for the Greek \u039b\u03b1\u03bc\u03c8\u03bf\u03bd\u03af\u03bf\u03c4\u03b5 \u03b3\u03c1\u03b1\u03c6\u03af\u03c2.\u00a0 \u039b\u03b1\u03bc\u03c8\u03bf\u03bd\u03af\u03bf\u03c4\u03b5 is apparently the author\u2019s attempt to invent a Greek adjective based on his name.\u00a0 However, the form is bad Greek (better would be \u039b\u03b1\u03bc\u03c8\u03bf\u03bd\u03b9\u03bf\u03c4\u1f74) and neither the author\u2019s form nor mine will help the metre. The work by Lampsonius\u2019s pen referred to is his biography of Lambert Lombard:\u00a0&lt;em&gt;Lamberti Lombardi apud Eburiones pictoris celeberrimi vita,\u00a0&lt;\/em&gt;Bruges, 1565.'><sup>40<\/sup><\/a><\/span>\u00a0wrote about you.<\/p>\r\n<hr \/>\r\n<p>Hollstein 1994 no. 99<br \/>\r\n <br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0205.php\">Karel Van Mander's biography of Lambert Lombard<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T051606?q=lombard&amp;search=quick&amp;pos=1&amp;_start=1#firsthit\">Grove Art Online biography<\/a><\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-654\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Lambert-Lombard-300x236.png\" alt=\"\" width=\"450\" height=\"355\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Lambert-Lombard-300x236.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Lambert-Lombard-768x605.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Lambert-Lombard.png 811w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/lambert-lombard\/\">View the 1572 print<\/a><br \/>\r\n<a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/lambert-lombard\/\">View both prints side by side<\/a><\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/architects\/\" rel=\"tag\">Architects (as described in the texts that frame the portraits)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p22-184x300.jpg\"\/>\n   <h6>45. Pieter Bruegel<\/h6>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p22-631x1024.jpg\" alt=\"45. Pieter Bruegel\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p22.jpg 2x\"\/>\n  \n  <h4>45. Pieter Bruegel<\/h4>\n  <div><p>Engraving, second state<br \/>\r\n Signed 'Hh' by Hendrick Hondius<br \/>\r\n Copy in reverse direction to <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/pieter-bruegel\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><\/p>\r\n<p>19.2 x 11.7 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><em>PETRO BRVEGEL, PICTORI.<\/em><br \/>\r\n <em>Quis novus hic Hieronymus Orbi<\/em><br \/>\r\n <em>Boschius ? ingeniosa magistri\u00a0<\/em><br \/>\r\n <em>Somnia peniculoque, styloque<\/em><br \/>\r\n <em>Tanta\u00a0imitarier arte peritus.<\/em><br \/>\r\n <em>Ut superet tamen interim et illum ?<\/em><br \/>\r\n <em>Macte animo, Petre, mactus ut arte<\/em><br \/>\r\n <em>Namque tuo, veterisque magistri<\/em><br \/>\r\n <em>Ridiculo, salibusque referto<\/em><br \/>\r\n <em>In graphices genere inclita laudum<\/em><br \/>\r\n <em>Praemia ubique, et ab omnibus ullo<\/em><br \/>\r\n <em>Artifice haud leviora mereris<\/em><strong><br \/>\r\n <\/strong><br \/>\r\n <strong>Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><\/p>\r\n<p><em>To Pieter Bruegel, painter.\u00a0<\/em><br \/>\r\n Who is this new Hieronymus Bosch for the world, versed in imitating the master\u2019s ingenious dreams with such great skill of paintbrush and pen \u2013 so that sometimes he surpasses even him.\u00a0 Pieter, [you are] blessed in your spirit, as you are blessed in your skill, for in your own and your old master\u2019s comic type of painting, full of wit, you deserve glorious rewards of praise, everywhere and from everyone, no less than those of any artist.<\/p>\r\n<hr \/>\r\n<p><br \/>\r\n Hollstein 1994 no.100<br \/>\r\n <br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0221.php\">Karel Van Mander's biography of Pieter Bruegel<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T011669pg1?q=bruegel&amp;search=quick&amp;pos=2&amp;_start=1#T011671\">Grove Art Online biography<\/a><\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-653\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Pieter-Bruegel-300x234.png\" alt=\"\" width=\"450\" height=\"351\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Pieter-Bruegel-300x234.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Pieter-Bruegel-768x600.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Pieter-Bruegel.png 812w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/pieter-bruegel-1572-pictorum\/\">View the 1572 print<\/a><br \/>\r\n<a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/pieter-bruegel\/\">View both prints side by side<\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/ingenio-genius\/\" rel=\"tag\">Ingenio - genius<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p23-184x300.jpg\"\/>\n   <h6>47. Willem Key<\/h6>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p23-631x1024.jpg\" alt=\"47. Willem Key\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p23.jpg 2x\"\/>\n  \n  <h4>47. Willem Key<\/h4>\n  <div><p>Engraving<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius<br \/>\r\n Copy in reverse direction to <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/willem-key\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><\/p>\r\n<p>19.8 x 12.0 cm<\/p>\r\n<p><br \/>\r\n <strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <br \/>\r\n <\/strong><em>DE GUILIELMO CAIO, BREDANO, PICTORE.\u00a0<\/em><br \/>\r\n <em>Quas hominum facies, ut eos te cernere credas<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Expressit Caii pingere docta manus,<\/em><br \/>\r\n <em>(Si tamen excipias unum, me iudice, Morum)<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Culpari Belgae nullius arte timent.<\/em><br \/>\r\n <br \/>\r\n <strong>Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>About Willem Key of Breda, painter.\u00a0<\/em><br \/>\r\n What faces of people the hand of Key, learned in painting, expressed, so that you could believe you were looking at them!<span id='easy-footnote-41-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-41-177' title='In the Latin, \u201ceos\u201d can only refer to \u201chomines\u201d, not \u201cfacies\u201d.\u00a0 English cannot do this, so one would have to translate \u201clooking at the people themselves\u201d,\u00a0&lt;em&gt;vel sim.&lt;\/em&gt;\u00a0to avoid ambiguity.'><sup>41<\/sup><\/a><\/span> \u2013 if however, you except one, Mor,<span id='easy-footnote-42-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-42-177' title='The renowned portraitist\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/79-anthonis-mor\/&quot;&gt;Anthonis Mor&lt;\/a&gt;\u00a0(c.1517\/20 \u2013 c.1576), who was a friend of Lampsonius.'><sup>42<\/sup><\/a><\/span> in my opinion the Belgians do not fear to be found wanting because of anyone\u2019s skill.\u00a0<\/p>\r\n<hr \/>\r\n<p>Hollstein 1994 no.101<br \/>\r\n <br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0220.php\">Karel Van Mander's biography of William Key<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T046371pg1?q=key&amp;search=quick&amp;pos=2&amp;_start=1#T046373\">Grove Art Online biography<\/a><\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-652\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Willem-Key-300x235.png\" alt=\"\" width=\"450\" height=\"353\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Willem-Key-300x235.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Willem-Key-768x602.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Willem-Key.png 811w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/willem-key-1572-pictorum\/\">View the 1572 print<\/a><br \/>\r\n<a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/willem-key\/\">View both prints side by side<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/learned\/\" rel=\"tag\">Described as 'learned'<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/belgica-belgium-belgian\/\" rel=\"tag\">Nation\/nationality: Belgica\/Belgium\/Belgian<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p24-184x300.jpg\"\/>\n   <h6>49. Lucas Gassel<\/h6>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p24-631x1024.jpg\" alt=\"49. Lucas Gassel\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p24.jpg 2x\"\/>\n  \n  <h4>49. Lucas Gassel<\/h4>\n  <div><p>Engraving, second state<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius<br \/>\r\n Copy in same direction as <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/lucas-gassel\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><\/p>\r\n<p>20.4 x 12.1 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><\/p>\r\n<p><em>LUC\u00c6 GASSELO HELMONTANO PICTORI.<\/em><br \/>\r\n <em>Salve omnes, Luca, ante alios carissime quondam<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Nec levius proprio culte parente mihi.<\/em><br \/>\r\n <em>Quippe mihi primus graphices datus auctor amandae<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Dum pingis docta rura, casasque manu.<\/em><br \/>\r\n <em>Par arte<span id='easy-footnote-43-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-43-177' title='sic.'><sup>43<\/sup><\/a><\/span>\u00a0probitasque tuae, candorque, bonorum<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Et quicquid mentes ducere amore potest.<\/em><br \/>\r\n <em>Ergo fama tuae virtutis, et artis in aevum<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Vivat, utroque mihi nomine amate senex<\/em><strong>\u00a0<br \/>\r\n <br \/>\r\n <br \/>\r\n Translation of Inscription [Lampsonius]:<br \/>\r\n <br \/>\r\n <\/strong><em>To Lucas Gassel of Helmond,\u00a0<\/em>painter.<br \/>\r\n Hail, Lucas, once more dear than all the rest, and no less honoured by me than my own father.\u00a0 Indeed you were the first cause of loving painting offered to me, while you were painting fields and huts<span id='easy-footnote-44-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-44-177' title='\u201crura casasque\u201d.\u00a0 See note on the text for &lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/21-joachim-patinir\/&quot;&gt;Joachim Patinir&lt;\/a&gt;.'><sup>44<\/sup><\/a><\/span> with your learned hand.\u00a0 Equal to your skill<span id='easy-footnote-45-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-45-177' title='I am reading Lampsonius\u2019 \u201carti\u201d for Hondius\u2019 impossible \u201carte\u201d. are your honesty and candour, and whatever'><sup>45<\/sup><\/a><\/span> [else] can attract the minds of the good with love.\u00a0 Therefore may the fame of your virtue and skill live forever, old man beloved to me on both counts.<\/p>\r\n<hr \/>\r\n<p><br \/>\r\n Hollstein 1994 no.102<br \/>\r\n <br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0204.php\">Karel Van Mander's biography of Lucas Gassel<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T030958?q=gassel&amp;search=quick&amp;pos=1&amp;_start=1#firsthit\">Grove Art Online biography<\/a><\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-651\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Lucas-Gassel-300x234.png\" alt=\"\" width=\"450\" height=\"350\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Lucas-Gassel-300x234.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Lucas-Gassel-768x598.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Lucas-Gassel.png 814w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/lucas-gassel-1572-pictorum\/\">View the 1572 print<\/a><br \/>\r\n <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/lucas-gassel\/\">View both prints side by side<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/learned\/\" rel=\"tag\">Described as 'learned'<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p25-184x300.jpg\"\/>\n   <h6>51. Frans Floris<\/h6>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p25-631x1024.jpg\" alt=\"51. Frans Floris\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p25.jpg 2x\"\/>\n  \n  <h4>51. Frans Floris<\/h4>\n  <div><p>Engraving<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius<br \/>\r\n Copy in same direction as <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/frans-floris\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><\/p>\r\n<p>20.5 x 12.5 cm<\/p>\r\n<p><br \/>\r\n <strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>FRANCISCO FLORO ANVERPIANO, PICTORI<\/em><br \/>\r\n <em>Si pictor quantum natura, Flore, valebas,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Tantum adiunxisses artis et ipse tibi,<\/em><br \/>\r\n <em>Dum tibi multa libet potius, quam pingere multum<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Nec mora te limae iusta, laborque iuvat :<\/em><br \/>\r\n <em>Cedite clamarem, pictores, omnibus oris<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Quos vel avi, nostri vel genu\u00eare patres.<\/em><strong><br \/>\r\n <\/strong><br \/>\r\n <strong>Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>To Frans Floris of Antwerp, painter\u00a0<\/em><br \/>\r\n If, Floris you had acquired for yourself as much skill as you had natural ability as a painter (since you preferred to paint many things than to paint a lot,<span id='easy-footnote-46-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-46-177' title='The Latin \u201cmulta\u2026multum\u201d is equally vague.\u00a0\u00a0 The sense seems to be that Floris preferred painting many works to expending much energy on any given one.'><sup>46<\/sup><\/a><\/span>\u00a0and neither the just delay of the file nor hard work<span id='easy-footnote-47-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-47-177' title='The author is referring to Horace,\u00a0&lt;em&gt;Ars poetica\u00a0&lt;\/em&gt;291, where \u201climae labor et mora\u201d are recommended for the poet.'><sup>47<\/sup><\/a><\/span> pleased you) \u2013 I would cry out \u2018yield painters from all lands,<span id='easy-footnote-48-177' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/#easy-footnote-bottom-48-177' title='Cf. Propertius, 2.34.65, \u201ccedite Romani scriptores, cedite Grai\u201d (about Virgil\u2019s\u00a0&lt;em&gt;Aeneid&lt;\/em&gt;).\u00a0 The implication is that Floris could have been as preeminent among painters as Virgil was among poets.'><sup>48<\/sup><\/a><\/span> whom either our grandfathers or our fathers produced\u2019.\u00a0<\/p>\r\n<hr \/>\r\n<p><br \/>\r\n Hollstein 1994 no.103<br \/>\r\n <br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0225.php\">Karel Van Mander's biography of Frans Floris<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T028690pg2?q=floris&amp;search=quick&amp;pos=3&amp;_start=1#T028695\">Grove Art Online biography<\/a><\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-650\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Frans-Floris-300x235.png\" alt=\"\" width=\"450\" height=\"352\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Frans-Floris-300x235.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Frans-Floris-768x601.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Frans-Floris.png 811w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/frans-floris-1572-pictorum\/\">View the 1572 print<\/a><br \/>\r\n<a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/frans-floris\/\">View both prints side by side<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/antwerp\/\" rel=\"tag\">Antwerp<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p> <a class=\"continue\" href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/51-frans-floris\/\">Continue Reading<span> 51. Frans Floris<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"parent":7,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"categories":[],"class_list":["post-232","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Prints in Part One - Picturing the Netherlandish Canon<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Prints in Part One - Picturing the Netherlandish Canon\" \/>\n<meta property=\"og:description\" content=\"Continue Reading 51. Frans Floris\" \/>\n<meta property=\"og:url\" content=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/categories-and-themes\/prints-part-one\/\" \/>\n<meta property=\"og:site_name\" content=\"Picturing the Netherlandish Canon\" \/>\n<meta property=\"article:modified_time\" content=\"2018-03-15T11:32:16+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/sites.courtauld.ac.uk\\\/netherlandish-canon\\\/categories-and-themes\\\/prints-part-one\\\/\",\"url\":\"https:\\\/\\\/sites.courtauld.ac.uk\\\/netherlandish-canon\\\/categories-and-themes\\\/prints-part-one\\\/\",\"name\":\"Prints in Part One - Picturing the Netherlandish Canon\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/sites.courtauld.ac.uk\\\/netherlandish-canon\\\/#website\"},\"datePublished\":\"2017-09-29T14:13:43+00:00\",\"dateModified\":\"2018-03-15T11:32:16+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/sites.courtauld.ac.uk\\\/netherlandish-canon\\\/categories-and-themes\\\/prints-part-one\\\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/sites.courtauld.ac.uk\\\/netherlandish-canon\\\/categories-and-themes\\\/prints-part-one\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/sites.courtauld.ac.uk\\\/netherlandish-canon\\\/categories-and-themes\\\/prints-part-one\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/sites.courtauld.ac.uk\\\/netherlandish-canon\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Categories and themes\",\"item\":\"https:\\\/\\\/sites.courtauld.ac.uk\\\/netherlandish-canon\\\/categories-and-themes\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Prints in Part One\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/sites.courtauld.ac.uk\\\/netherlandish-canon\\\/#website\",\"url\":\"https:\\\/\\\/sites.courtauld.ac.uk\\\/netherlandish-canon\\\/\",\"name\":\"Picturing the Netherlandish Canon\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/sites.courtauld.ac.uk\\\/netherlandish-canon\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Prints in Part One - Picturing the Netherlandish Canon","robots":{"index":"noindex","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"og_locale":"en_GB","og_type":"article","og_title":"Prints in Part One - Picturing the Netherlandish Canon","og_description":"Continue Reading 51. Frans Floris","og_url":"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/categories-and-themes\/prints-part-one\/","og_site_name":"Picturing the Netherlandish Canon","article_modified_time":"2018-03-15T11:32:16+00:00","twitter_card":"summary_large_image","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/categories-and-themes\/prints-part-one\/","url":"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/categories-and-themes\/prints-part-one\/","name":"Prints in Part One - Picturing the Netherlandish Canon","isPartOf":{"@id":"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/#website"},"datePublished":"2017-09-29T14:13:43+00:00","dateModified":"2018-03-15T11:32:16+00:00","breadcrumb":{"@id":"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/categories-and-themes\/prints-part-one\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/categories-and-themes\/prints-part-one\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/categories-and-themes\/prints-part-one\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/"},{"@type":"ListItem","position":2,"name":"Categories and themes","item":"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/categories-and-themes\/"},{"@type":"ListItem","position":3,"name":"Prints in Part One"}]},{"@type":"WebSite","@id":"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/#website","url":"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/","name":"Picturing the Netherlandish Canon","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"}]}},"_links":{"self":[{"href":"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-json\/wp\/v2\/pages\/232","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-json\/wp\/v2\/comments?post=232"}],"version-history":[{"count":0,"href":"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-json\/wp\/v2\/pages\/232\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-json\/wp\/v2\/pages\/7"}],"wp:attachment":[{"href":"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-json\/wp\/v2\/media?parent=232"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-json\/wp\/v2\/categories?post=232"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}