{"id":12,"date":"2017-07-14T14:28:43","date_gmt":"2017-07-14T13:28:43","guid":{"rendered":"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/?page_id=12"},"modified":"2018-01-12T16:11:03","modified_gmt":"2018-01-12T16:11:03","slug":"image-and-tombstone","status":"publish","type":"page","link":"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/image-and-tombstone\/","title":{"rendered":"The Hondius Pictorum: Image and Tombstone"},"content":{"rendered":"<p><strong>Hendrick Hondius the Elder\u2019s\u00a0<em>Pictorum aliquot celebrium, pr\u00e6cipue\u0301 Germani\u00e6 Inferioris, effiges<\/em><\/strong>\u00a0(The Hague, 1610), which contains 68 portrait prints of Netherlandish artists. <\/p>\n<p> You can browse pages below, view <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\">a list of the 1610 Hondius pages<\/a>, or use our <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/\">turn the page feature<\/a> to explore the book.<\/p>\n\n<style type=\"text\/css\">\n.new-royalslider-2 .rsThumbsHor { height:230px; }\n.new-royalslider-2 .rsThumbsVer { width:96px; } \n\t\t\t.new-royalslider-2 .rsThumb { width: 96px; height: 230px; }\n<\/style>\n<div id=\"new-royalslider-2\" class=\"royalSlider new-royalslider-2 CourtauldSites rsContentSlider\" style=\"width:100%;height:500px;;\">\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p01-184x300.jpg\"\/>\n   <p>Titlepage To Part 1<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p01-631x1024.jpg\" alt=\"Titlepage To Part 1\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p01.jpg 2x\"\/>\n  \n  <h4>Titlepage To Part 1<\/h4>\n  <div><p>Etching<br \/>\r\n 22.7 x 14.8 cm<br \/>\r\n Attributed to Simon Frisius<\/p>\r\n<p>Transcription and translation of texts:<\/p>\r\n<p><em>Over figure with trumpet in upper margin:<\/em><br \/>\r\n <strong>FAMA:<\/strong> Fame<\/p>\r\n<p><em>On map below Fame:<\/em><br \/>\r\n <strong>EUROPA:<\/strong> Europe<\/p>\r\n<p><em>Over putto sketching on left:<br \/>\r\n <\/em><strong>ASSIDUUS: <\/strong>Diligent<\/p>\r\n<p><em>Over putto sketching on right:<\/em><br \/>\r\n <strong>LABOR:<\/strong> Labour<\/p>\r\n<p><em>Over female figure on left with caduceus and palette:<\/em><br \/>\r\n <strong>PICTURA:<\/strong> Painting<\/p>\r\n<p><em>Over female figure on right with compass and set squares:<\/em><br \/>\r\n <strong>OPTICA:<\/strong> Optics<\/p>\r\n<p>Beneath pedestals, on either side of garlands of flowers and fruits:<br \/>\r\n <strong>FRUCTUS LABORUM: <\/strong>Fruits<span id='easy-footnote-1-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-1-148' title='\u201cFructus\u201d can be singular or plural.'><sup>1<\/sup><\/a><\/span> of Labours<\/p>\r\n<p><em>Publisher\u2019s address in bottom margin:<\/em><br \/>\r\n <strong>HAG\u00c6-COMITIS\/EX OFFICINA HENRICI HONDII.\/CUM PRIVILEGIO<\/strong>:<br \/>\r\n The Hague, from the press of Henricus Hondius, with the privilege.<\/p>\r\n<p><em>In central cartouche:<\/em><br \/>\r\n <strong>PICTORUM\/ ALIQUOT CELEBRIUM\/ PR\u00c6CIPU\u00c9 GERMANI\u00c6 INFERI\/ORIS,\/ EFFIGIES. PARS. 1<\/strong>.:<br \/>\r\n Effigies of some famous painters, especially of Lower Germany. Part 1<\/p>\r\n<p>Hollstein 2008<span id='easy-footnote-2-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-2-148' title='Nadine Orenstein comp., Huigen Leeflang ed.,\u00a0&lt;em&gt;The New Hollstein. Dutch and Flemish Etchings, Engravings and Woodcuts 1450-1700, Simon Frisius\u00a0&lt;\/em&gt;\u00a02 vols, Ouderkerk aan den Ijssel, 2008.'><sup>2<\/sup><\/a><\/span> no.155<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/non-portraits\/\" rel=\"tag\">Non-Portrait Prints<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p02-184x300.jpg\"\/>\n   <p>Poem to the Lovers and Admirers of Pictures<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p02-631x1024.jpg\" alt=\"Poem to the Lovers and Admirers of Pictures\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p02.jpg 2x\"\/>\n  \n  <h4>Poem to the Lovers and Admirers of Pictures<\/h4>\n  <div><p>Etching and engraving<br \/>\r\n 19.5 x 12.2 cm<\/p>\r\n<p>Transcription:<\/p>\r\n<p>PICTUR\u00c6 AMATORIBUS, ADMIRATORIBUSQ.<\/p>\r\n<p>C\u00fam Tabulas mult\u00fam miramur imagine pictas<br \/>\r\n Exhibuit vari\u00e2 quas bene docta manus :<br \/>\r\n Mirific\u00e9 omnigeno &amp; laeto quae ducta colore<br \/>\r\n C\u00fam pascunt mult\u00fam mentem, animum atque oculos;<br \/>\r\n PICTORES ipsos etiam spectasse voluptas,<br \/>\r\n Qui fingunt, pingunt non sine judicio.<br \/>\r\n Pictores sunt h\u00eec varii : labor omnibus idem<br \/>\r\n Non est, delectat quod vari\u00famque novum.<br \/>\r\n Omnibus haud idem genius. placet ille Colore,<br \/>\r\n Vmbris : hic gratis floribus, Arboribus.<br \/>\r\n Agros scit\u00e9 alter Pingit, tumida Aequora, Rupes :<br \/>\r\n Vrbibus ast alter clarus, Imaginibus.<br \/>\r\n Omnes ferme Hi sunt peperit quos Belgica, mater<br \/>\r\n Artificum : ingenio cedere turpe putat.<br \/>\r\n Hos inter quosdam celebravit maximus olim<br \/>\r\n Pictorum Censor carmine Lampsonius.<br \/>\r\n Quosdam etiam immistos Belgis spectare licebit.<br \/>\r\n Fort\u00e9 alios plures nostra datura manus.<br \/>\r\n Felix \u00f4 seclum, quo rursus vivit Apelles,<br \/>\r\n Quo Zeuxis, Phidias vivit et ipse Myron.<\/p>\r\n<p>HENR. HONDIVS<br \/>\r\n Translation:<\/p>\r\n<p>TO THE LOVERS AND ADMIRERS OF PICTURES<\/p>\r\n<p>Since we greatly admire pictures painted with varied images, which [pictures] the well-taught hand presents, and which, wonderfully drawn with every sort of joyful colour, greatly nourish the mind, the spirit and the eyes, it is also a pleasure to look at the PAINTERS themselves, who make and paint, not without discernment. Here are various painters: not all have the same task, because what is new and varied pleases.<span id='easy-footnote-3-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-3-148' title='\u201cquod variumque novum: \u201cliterally the solecism \u201cwhat is and various new pleases\u201d.\u00a0 Cf. also note on\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/65-joachim-beuckelaer\/&quot;&gt;Joachim Beuckelaer&lt;\/a&gt;: \u201ctabulasque culinas\u201d.'><sup>3<\/sup><\/a><\/span> All do not have the same genius. One gives pleasure with colour [and] shades; another with pleasant flowers [and] trees. [Yet] another skilfully paints fields, the swelling sea [and] rocks, [while] another is famous for cities [and] images.<span id='easy-footnote-4-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-4-148' title='The most probable sense of \u201cimaginibus\u201d here is perhaps \u201cportraits\u201d.'><sup>4<\/sup><\/a><\/span> Almost all these are those<span id='easy-footnote-5-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-5-148' title='\u201cAlmost all these are those...\u201d.\u00a0 One could also translate \u201cthese are almost all the ones...\u201d'><sup>5<\/sup><\/a><\/span> that Belgium, mother of artists, brought forth: she thought it disgraceful to yield<span id='easy-footnote-6-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-6-148' title='\u201cingenio cedere turpe putat\u201d.\u00a0 Cf.\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/69-anthonie-blocklandt\/&quot;&gt;Anthonie Blocklandt&lt;\/a&gt;: \u201cRomae cedere turpe putans\u201d.'><sup>6<\/sup><\/a><\/span> [to other nations] in genius. Among these, Lampsonius, the greatest censor of painters,<span id='easy-footnote-7-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-7-148' title='&quot;pictorum censor&quot; - the same expression at\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/105-karel-van-mander\/&quot;&gt;Karel van Mander&lt;\/a&gt;, and the very similar &quot;artis censori&quot; at\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/61-jacob-binck\/&quot;&gt;Jacob Binck&lt;\/a&gt;, apparently of the author.'><sup>7<\/sup><\/a><\/span> once celebrated some in verse. You will also be able to see certain men mixed in with the Belgians. Perhaps our hand will produce some more. O happy age, in which Apelles lives again, in which Zeuxis, Phidias and Myron himself live.<\/p>\r\n<p>HENDRICK HONDIUS<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/non-portraits\/\" rel=\"tag\">Non-Portrait Prints<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p03-184x300.jpg\"\/>\n   <p>To the lover of things written and drawn<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p03-631x1024.jpg\" alt=\"To the lover of things written and drawn\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p03.jpg 2x\"\/>\n  \n  <h4>To the lover of things written and drawn<\/h4>\n  <div><p>Etching and engraving<br \/>\r\n 19.5 x 12.2 cm<\/p>\r\n<p><strong>Transcription of text in banderole above flying putto:<\/strong><strong><br \/>\r\n <\/strong><br \/>\r\n <em>AD PHILOZOGRAPHUM.<\/em><br \/>\r\n <em>Si tibi sint nullae Tabulae, nec picta Po\u00ebsis ;<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Docti Pictores hi tibi sufficiant.<\/em><br \/>\r\n <em>Nam\u00a0pictae Tabulae cedunt Pictoribus.\u00a0 Hi sunt\u00a0<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Qui fingunt, pingunt quodlibet ingenio.<\/em><\/p>\r\n<p><strong>Translation of text in banderole above flying putto:<\/strong><strong><br \/>\r\n <\/strong><br \/>\r\n <em>To the lover of things written and drawn.<\/em><a name=\"_ftnref1\"><\/a><sup>1<\/sup><br \/>\r\n If you own no paintings, nor illustrated poems<a name=\"_ftnref2\"><\/a><sup>2<\/sup>, let these learned painters be enough for you.\u00a0 For painted pictures yield to painters.\u00a0 They are the ones who form and paint whatever they please with their genius.<\/p>\r\n<p><br \/>\r\n <strong>Transcription of text in banderole below the falling putti:<\/strong><strong><br \/>\r\n <\/strong><em><br \/>\r\n IN MISOGRAPHUM.<\/em><br \/>\r\n <em>Pictorum null\u00e2 ratione Miscographus artem<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Improbat, ad vivum hos pingere nil blaterans<\/em><br \/>\r\n <em>Sed probat exemplo vivo Cornicula, pictas<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Uvas cum peteret, fallitur Artifice.<\/em><\/p>\r\n<p><strong>Translation of text in banderole below the falling putti:<\/strong><\/p>\r\n<p><em>Against the hater of things written and drawn.<\/em><a name=\"_ftnref3\"><\/a><sup>3<\/sup><br \/>\r\n The hater of painting attacks without reason the art of painters, babbling that they paint nothing lifelike.<a name=\"_ftnref4\"><\/a><a href=\"http:\/\/www.courtauld.org.uk\/netherlandishcanon\/image-tombstone\/03.html#_ftn4\"><sup>4<\/sup><\/a>\u00a0But the little crow proves [the opposite] by a living example: when it tried to get the painted grapes, it was deceived by the artist.<\/p>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/non-portraits\/\" rel=\"tag\">Non-Portrait Prints<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p04-184x300.jpg\"\/>\n   <p>9. Hubert Van Eyck<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p04-631x1024.jpg\" alt=\"9. Hubert Van Eyck\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p04.jpg 2x\"\/>\n  \n  <h4>9. Hubert Van Eyck<\/h4>\n  <div><p>Engraving<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius<br \/>\r\n Copy in same direction as <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/hubert-van-eyck\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><br \/>\r\n 20.7 x 12.0 cm<\/p>\r\n<p><strong class=\"highlight1\">Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>HUBERTO AB EYCK, IOANNIS FRATRI, PICTORI.<br \/>\r\n Quas modo communes cum fratre, Huberte, merenti<br \/>\r\n Attribuit laudes nostra Thalia tibi,<br \/>\r\n Si non sufficient : addatur et illa tua quod<br \/>\r\n Discipulus frater te superavit ope.<br \/>\r\n Hoc vestrum docet illud opus Gandense Philippum<br \/>\r\n Quod Regem tanto cepit amore sui :<br \/>\r\n Eius ut ad patrios mittendum exemplar Iberos<br \/>\r\n +Coxennii fieri iusserit ille manu.<\/em><\/p>\r\n<p>+Michael Coxennius Mechlin:<br \/>\r\n in insignis hac aetate pictor<\/p>\r\n<p><strong class=\"highlight1\">Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>To Hubert van Eyck, brother of Jan, painter.<\/em><\/p>\r\n<p>Hubert, if the praises which our Thalia<span id='easy-footnote-8-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-8-148' title='One of the muses.\u00a0 Cf. The poem on\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/55-lucas-van-leyden\/&quot;&gt;Lucas van Leyden,&lt;\/a&gt;\u00a0\u201cnostrae ...Camenae\u201d.'><sup>8<\/sup><\/a><\/span>\u00a0recently attributed to you along with your deserving brother are not enough, let this [praise] of yours be added, that your brother, as your student, outdid you in ability<span id='easy-footnote-9-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-9-148' title='\u201cope\u201d could also mean \u201cwealth\u201d.\u00a0 Either way, it\u2019s hard to see (without knowing the context) how Hubert will feel this adds to his praises.'><sup>9<\/sup><\/a><\/span>\u00a0That work of yours in Ghent<span id='easy-footnote-10-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-10-148' title='This for \u201cvestrum\u201d, which is plural, so the work is being credited to both brothers.'><sup>10<\/sup><\/a><\/span> teaches this, which filled Philip with such love of it,<span id='easy-footnote-11-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-11-148' title='\u201camore sui\u201d could also mean \u201clove of himself\u201d, but I am presuming that the author is referring to the Lam Gods.'><sup>11<\/sup><\/a><\/span> that he ordered a copy of it to be made by the hand of Coxennius, to be sent to his native Spaniards.<\/p>\r\n<p><em>Note (referring to Coxennius)\u00a0<\/em>\u2013 Michael Coxennius of Mechelen, a famous painter of that age.<\/p>\r\n<hr \/>\r\n<p>Hollstein 1994 no. 82<\/p>\r\n<p><a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0182.php\" target=\"_blank\" rel=\"noopener\">Karel Van Mander's biography of Hubert van Eyck<\/a><br \/>\r\n <a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T027196pg1#T027197\" target=\"_blank\" rel=\"noopener\">Grove Art Online biography <\/a><\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-634\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2013\/06\/Hubert-Van-Eyck.jpg\" alt=\"\" width=\"450\" height=\"355\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2013\/06\/Hubert-Van-Eyck.jpg 816w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2013\/06\/Hubert-Van-Eyck-300x236.jpg 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2013\/06\/Hubert-Van-Eyck-768x605.jpg 768w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/1572-hubert-van-eyck\/\">View the 1572 print<\/a><br \/>\r\n <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/hubert-van-eyck\/\">View both prints side by side<\/a><\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/engravers\/\" rel=\"tag\">Explicitly described as engravers in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/rulers-and-patrons\/\" rel=\"tag\">Rulers and Patrons<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/sculptors\/\" rel=\"tag\">Sculptors (as described in the texts that frame the portraits)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p05-184x300.jpg\"\/>\n   <p>11. Jan Van Eyck<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p05-631x1024.jpg\" alt=\"11. Jan Van Eyck\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p05.jpg 2x\"\/>\n  \n  <h4>11. Jan Van Eyck<\/h4>\n  <div><p>Engraving<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius<br \/>\r\n Copy in reverse direction to <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/jan-van-eyck\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><br \/>\r\n 20.7 x 11.9 cm<\/p>\r\n<p><strong class=\"highlight1\">Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>IOANNES AB EYCK, PICTOR.<br \/>\r\n Ille ego, qui laetos oleo de semine lini<br \/>\r\n Expresso docui princeps miscere colores,<br \/>\r\n Huberto cum fratre novum stupuere repertum,<br \/>\r\n Atque ipsi ignotum quondam fortassis Apelli,<br \/>\r\n Florentes opibus Brugae mox nostra per omnem<br \/>\r\n Diffundi late probitas non abnuit orbem.<br \/>\r\n <\/em><\/p>\r\n<p><strong class=\"highlight1\">Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>Jan van Eyck, painter<\/em><br \/>\r\n I am he who <span id='easy-footnote-12-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-12-148' title='\u201cille ego qui\u201d \u2013 For the ultimate source of this phrase, see the apocryphal opening lines to the\u00a0&lt;em&gt;Aeneid,\u00a0&lt;\/em&gt;\u201cille ego qui quondam gracili modulatus avena\u2026\u201d'><sup>12<\/sup><\/a><\/span> first taught to mix joyful colours from the pressed oily seed of flax, <span id='easy-footnote-13-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-13-148' title='\u201coleo de semine lini\u201d: the same expression in the poem for\u00a0Cornelis &lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/25-cornelius-engebrechtsz\/&quot;&gt;Engebrechtsz.'><sup>13<\/sup><\/a><\/span><\/a> with my brother Hubert.\u00a0 Bruges, flourishing with wealth, was astounded by this new discovery, perhaps unknown in the past to Apelles himself.\u00a0 Soon afterwards our uprightness <span id='easy-footnote-14-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-14-148' title='This for \u201cprobitas\u201d.\u00a0 It is hard to see quite what the author means, but \u201cprobitas\u201d to my knowledge always has a moral sense.'><sup>14<\/sup><\/a><\/span> did not refuse to be spread widely through the whole world.<\/p>\r\n<hr \/>\r\n<p>Hollstein 1994 no. 83<\/p>\r\n<p><a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0182.php\" target=\"_blank\" rel=\"noopener\">Karel Van Mander's biography of Jan van Eyck<\/a><br \/>\r\n <a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T027196pg2#T027200\" target=\"_blank\" rel=\"noopener\">Grove Art Online biography<\/a><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/jan-van-eyck\/\"><br \/>\r\n <\/a><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-642 alignleft\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Jan-van-Eyck-300x237.png\" alt=\"\" width=\"430\" height=\"340\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Jan-van-Eyck-300x237.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Jan-van-Eyck-768x608.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Jan-van-Eyck.png 809w\" sizes=\"auto, (max-width: 430px) 100vw, 430px\" \/><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/jan-van-eyck\/\">View the 1572 print<br \/>\r\n <\/a><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/jan-van-eyck\/\">View both prints side by side<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/bruges\/\" rel=\"tag\">Bruges<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/colour-references\/\" rel=\"tag\">Colour references<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/first-person\/\" rel=\"tag\">Verse in the first person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p06-184x300.jpg\"\/>\n   <p>13. Dirck Bouts<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p06-631x1024.jpg\" alt=\"13. Dirck Bouts\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p06.jpg 2x\"\/>\n  \n  <h4>13. Dirck Bouts<\/h4>\n  <div><p>Engraving<br \/>\r\nAttributed to Hendrick Hondius<br \/>\r\nCopy in reverse direction to <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/dirck-bouts\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><br \/>\r\n19.2 x 11.8 cm<\/p>\r\n<p><strong class=\"highlight1\">Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>THEODORO HARLEMIO PICTORI<br \/>\r\nHuc et ades, Theodore, tuam quoque Belgica semper<br \/>\r\nLaude nihil ficta tollet ad astra manum,<br \/>\r\nIpsa tuis rerum genitrice expressa figuris<br \/>\r\n <\/em><em>Te Natura sibi dum timet arte parem<\/em><\/p>\r\n<p><strong class=\"highlight1\">Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>To Dirck Bouts, painter\u00a0<\/em><br \/>\r\nYou are here too, Theodore.\u00a0 Belgium shall always also raise your hand to the stars with no false praise, while Nature, expressed by your figures, fears you, equal to her in the art of begetting things. <span id='easy-footnote-15-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-15-148' title='I am taking \u201crerum genetrice\u201d as qualifying \u201carte\u201d in the next line. \u00a0This is awkward, but I cannot see a better solution.'><sup>15<\/sup><\/a><\/span><\/p>\r\n<hr \/>\r\n<p>Hollstein 1994 no. 84<\/p>\r\n<ul>\r\n\t<li><a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0188.php\" target=\"_blank\" rel=\"noopener\">Karel Van Mander's biography of Dirck Bouts<\/a><\/li>\r\n\t<li><a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T010645pg1?q=bouts&amp;search=quick&amp;pos=3&amp;_start=1#T010647\" target=\"_blank\" rel=\"noopener\">Grove Art Online biography<\/a><\/li>\r\n<\/ul>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-639\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Dirck-Bouts-300x232.png\" alt=\"\" width=\"450\" height=\"349\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Dirck-Bouts-300x232.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Dirck-Bouts-768x595.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Dirck-Bouts.png 813w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/dirck-bouts-2\/\">View the 1572 print<\/a><br \/>\r\n <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/dirck-bouts\/\">View both prints side by side<\/a><\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/belgica-belgium-belgian\/\" rel=\"tag\">Nation\/nationality: Belgica\/Belgium\/Belgian<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p07-184x300.jpg\"\/>\n   <p>15. Hieronymus Bosch<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p07-631x1024.jpg\" alt=\"15. Hieronymus Bosch\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p07.jpg 2x\"\/>\n  \n  <h4>15. Hieronymus Bosch<\/h4>\n  <div><p>Engraving, second state.<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius<br \/>\r\n Copy in reverse direction as <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/hieronymus-bosch\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><br \/>\r\n 19.8 x 12.0 cm<\/p>\r\n<p><strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>HIERONIMO BOSCHIO PICTORI.<\/em><br \/>\r\n <em>Quid sibi vult, Hironyme Boschi, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em><br \/>\r\n <em>Ille oculus tuus attonitus? quid \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/em><br \/>\r\n <em>Pallor in ore?\u00a0 velut lemures si<br \/>\r\n Spectra Erebi volitantia coram<\/em><br \/>\r\n <em>Aspiceres?\u00a0 Tibi Ditis avari<\/em><br \/>\r\n <em>Crediderim patuisse recessus<\/em><br \/>\r\n <em>Tartareasque domos tua quando<\/em><br \/>\r\n <em>Quicquid habet sinus imus Averni<\/em><br \/>\r\n <em>Tam potuit bene pingere dextra.<\/em><strong><br \/>\r\n <\/strong><\/p>\r\n<p><strong>Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>To Hieronymus Bosch, painter.\u00a0<\/em><br \/>\r\n What is meant by that astonished eye of yours, Hieronymus Bosch, or that pallor in your face?\u00a0 As if you had seen ghosts, the spectres of Erebus, flittering in front of you.\u00a0 I could believe that the caves of greedy Pluto and the houses of Tartarus lay open to you, seeing as your hand could paint so well whatever the lowest hollows of Avernus <span id='easy-footnote-16-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-16-148' title='The entry to the underworld in Virgil\u2019s\u00a0&lt;em&gt;Aeneid&lt;\/em&gt;.'><sup>16<\/sup><\/a><\/span>\u00a0contain.<\/p>\r\n<hr \/>\r\n<p>Hollstein 1994 no. 85<\/p>\r\n<p><a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0197.php\">Karel Van Mander's biography of Hieronymus Bosch<\/a>.<br \/>\r\n <a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T010250?q=bosch&amp;search=quick&amp;pos=3&amp;_start=1#T010250\">Grove Art Online biography<\/a>.<\/p>\r\n<p>&nbsp;<\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-641\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Hieronymus-Bosch-300x233.png\" alt=\"\" width=\"450\" height=\"350\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Hieronymus-Bosch-300x233.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Hieronymus-Bosch-768x597.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Hieronymus-Bosch.png 813w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/321\/\">View the 1572 print<\/a><br \/>\r\n <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/hieronymus-bosch\/\">View both prints side by side<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p08-184x300.jpg\"\/>\n   <p>17. Rogier Van Der Weyden<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p08-631x1024.jpg\" alt=\"17. Rogier Van Der Weyden\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p08.jpg 2x\"\/>\n  \n  <h4>17. Rogier Van Der Weyden<\/h4>\n  <div><p>Engraving<br \/>\r\n Attributed to Hendrick Hondius<br \/>\r\n Copy in same direction as <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/rogier-van-der-weyden\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><\/p>\r\n<p>21.0 x 12.1 cm<\/p>\r\n<p><strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>ROGERO BRUXELLENSI PICTORI.<\/em><br \/>\r\n <em>Non tibi sit laudi, quod multa, et pulchra, Rogere,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Pinxisti ut poterant tempora ferre tua,\u00a0<\/em><br \/>\r\n <em>Digna tamen, nostro quicunque est tempore Pictor<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Ad quae, si sapiat, respicere usque velit :<\/em><br \/>\r\n <em>Testes picturae, quae Bruxellense tribunal<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 De recto Themidis cedere calle vetant :\u00a0<\/em><br \/>\r\n <em>Quam tua de partis pingendo extrema voluntas<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Perpetua est inopum quod medicina fami.<\/em><br \/>\r\n <em>Illa reliquisti terris iam proxima morti ;<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Haec monumenta polo non moritura micant.<\/em><\/p>\r\n<p><strong>Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>To Rogier van der Weyden, painter.\u00a0<\/em><br \/>\r\n May your praise not be that you painted many beautiful things, as your age could bear them <span id='easy-footnote-17-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-17-148' title='The sense seems to be that Rogier painted as well as he could for his time.\u00a0 Compare to poem on\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/27-jan-gossaert-called-mabuse\/&quot;&gt;Jan Gossaert&lt;\/a&gt;'><sup>17<\/sup><\/a><\/span>\u00a0(although they are worthy that anyone who is a painter in our time wish greatly to look at them, if he be wise \u2013 the paintings which forbid the tribunal of Brussels to leave the straight path of Justice are witness [to this]): but rather that your last will is a perpetual remedy for the hunger of the poor from the proceeds of your painting.\u00a0 The former, [itself] already near to death, you left on earth; the latter shines in the sky, as a monument that will not die.<span id='easy-footnote-18-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-18-148' title='The point seems to be that Rogier\u2019s paintings will pass away, like all earthly things, whereas his works of mercy will gain him eternal life, and therefore last forever.'><sup>18<\/sup><\/a><\/span><\/p>\r\n<hr \/>\r\n<p>Hollstein 1994 no. 86<br \/>\r\n <a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0183.php\">Karel Van Mander's biography of Rogier van der Weyden<\/a><br \/>\r\n <a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T091309pg1?q=weyden&amp;search=quick&amp;pos=2&amp;_start=1#T091310\">Grove Art Online biography<\/a><a style=\"font-size: 1rem\" name=\"_ftn1\"><\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-640\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Rogier-van-der-Weyden-300x239.png\" alt=\"\" width=\"450\" height=\"359\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Rogier-van-der-Weyden-300x239.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Rogier-van-der-Weyden-768x613.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Rogier-van-der-Weyden.png 808w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/rogie-van-der-weyden\/\">View the 1572 print<\/a><br \/>\r\n <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/rogier-van-der-weyden\/\">View both prints side by side<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/brussels\/\" rel=\"tag\">Brussels<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p09-184x300.jpg\"\/>\n   <p>19. Bernaert Van Orley<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p09-631x1024.jpg\" alt=\"19. Bernaert Van Orley\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p09.jpg 2x\"\/>\n  \n  <h4>19. Bernaert Van Orley<\/h4>\n  <div><p>Engraving, second state<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius<br \/>\r\n Copy in reverse direction to <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/bernaert-van-orley\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><\/p>\r\n<p>20.1 x 12.0 cm<\/p>\r\n<p><strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>DE BERNARDO BRUXELLENSI. PICTORE.<\/em><br \/>\r\n <em>Aulica quod sese Bernardo iactet alumno<\/em><br \/>\r\n <em>Bruxella, Attalicas doctissima pingere vestes :\u00a0<\/em><br \/>\r\n <em>Non tam pictoris, si quis me iudice certet,<\/em><br \/>\r\n <em>Arti debetur, quanquam debetur et arti<\/em><br \/>\r\n <em>Quam tibi quod carus Belgarum Margari rectrix<\/em><br \/>\r\n <em>Dum tibi Appellea nihil est iucundius arte,<\/em><br \/>\r\n <em>Aurea peniculis te dante manubria, et aureos<\/em><\/p>\r\n<p><em>Saepe tulit, cusum paulo ante numisma, Philippos<strong><br \/>\r\n <\/strong><\/em><\/p>\r\n<p><strong>Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>About Bernaert van Orley, painter.\u00a0<\/em><br \/>\r\n That the Court of Brussels boasts of its nursling Bernaert, most skilled<span id='easy-footnote-19-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-19-148' title='I translate as if \u201cdoctissima\u201d agrees with \u201cBernardus\u201d.\u00a0 This is in fact impossible, as \u201cdoctissima\u201d is feminine.\u00a0 It could agree with \u201caulica \u2026 Bruxella\u201d, or be a vocative, addressing Margaret.\u00a0 But neither of these options makes much sense.\u00a0 Nor can it be corrected to \u201cdoctissimus\u201d without spoiling the metre.'><sup>19<\/sup><\/a><\/span><span style=\"font-size: 1rem\">\u00a0in painting Attalian<span id='easy-footnote-20-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-20-148' title='The reference, which is found in classical poetry, is to Attalus III of Pergamum, credited with the invention of cloth of gold.'><sup>20<\/sup><\/a><\/span>\u00a0<\/span>garments, is not so much due (if anyone wants to argue while I am judging<span id='easy-footnote-21-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-21-148' title='&quot;me iudice certet&quot;. Cf. Virgil,\u00a0&lt;em&gt;Eclogue\u00a0&lt;\/em&gt;4, 58, &quot;mecum si iudice certet&quot;.'><sup>21<\/sup><\/a><\/span>) to the painter\u2019s skill (although it is also due to his skill) as it is to [the fact] that he was dear to you, Margaret ruler of the Belgians, since nothing is more delightful to you than the art of Apelles.\u00a0 By your gift, he often got golden handles for his paintbrushes, and gold coins, in recently minted currency.<\/p>\r\n<hr \/>\r\n<p>Hollstein 1994 no. 87<\/p>\r\n<p><a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0193.php\">Karel Van Mander's biography of Bernaert van Orley<\/a><br \/>\r\n <a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T063846pg2?q=+van+orley&amp;search=quick&amp;pos=4&amp;_start=1#T063848\">Grove Art Online biography<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-638\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Bernaert-van-Orley-300x235.png\" alt=\"\" width=\"450\" height=\"352\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Bernaert-van-Orley-300x235.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Bernaert-van-Orley-768x601.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Bernaert-van-Orley.png 811w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/bernaert-van-orley-1572-pictorum\/\">View the 1572 print<\/a><br \/>\r\n <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/bernaert-van-orley\/\">View both prints side by side<\/a><\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/brussels\/\" rel=\"tag\">Brussels<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/belgica-belgium-belgian\/\" rel=\"tag\">Nation\/nationality: Belgica\/Belgium\/Belgian<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/rulers-and-patrons\/\" rel=\"tag\">Rulers and Patrons<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p10-184x300.jpg\"\/>\n   <p>21. Joachim Patinir<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p10-631x1024.jpg\" alt=\"21. Joachim Patinir\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p10.jpg 2x\"\/>\n  \n  <h4>21. Joachim Patinir<\/h4>\n  <div><p>Engraving<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius<br \/>\r\n Copy in reverse direction to <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/joachim-patinir\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><br \/>\r\n 19.1 x 12.3 cm<\/p>\r\n<p><strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>IOACHIMO DIONATENSI PICTORI.<\/em><br \/>\r\n <em>Has inter omnes nulla quod vivacius\u00a0<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Ioachime, imago cernitur<\/em><br \/>\r\n <em>Expressa, quam vultus tui ; non hinc modo<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Factus est, quod illam Curtii\u00a0<\/em><br \/>\r\n <em>In aera dextra incidit, alteram sibi\u00a0<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Quae non timet nunc aemulam :<\/em><br \/>\r\n <em>Sed quod tuam Dureres admirans manum<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Dum rura pingis, et casas<\/em><br \/>\r\n <em>Olim exaravit in palimpsesto tuos\u00a0<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Vultus ahena cuspide.<\/em><br \/>\r\n <em>Quas aemulatus lineas se Curtius,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Nedum praeivit ceteros.<\/em><strong><br \/>\r\n <\/strong><\/p>\r\n<p><strong>Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>To Joachim Patenir, painter.\u00a0<\/em><br \/>\r\n That, amongst all of these, no image expressed with more liveliness than your face is to be seen, Joachim, has happened not only because Curtius'<span id='easy-footnote-22-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-22-148' title='Cornelis Cort (c.1533-1578)'><sup>22<\/sup><\/a><\/span> hand cut it into the bronze ([the hand] which does not now fear another rival), but [also] because D\u00fcrer, admiring your hand, when you painted fields and huts,<span id='easy-footnote-23-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-23-148' title='\u201crura ... et casas\u201d.\u00a0 The combination (also found in\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/49-lucas-gassel\/&quot;&gt;Lucas Gassel &lt;\/a&gt;below) is from Virgil,\u00a0&lt;em&gt;Eclogues\u00a0&lt;\/em&gt;2.28-29.'><sup>23<\/sup><\/a><\/span>\u00a0once drew your face on a palimpsest<span id='easy-footnote-24-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-24-148' title='A palimpset in this context probably means a printing plate on which previous incisions had been made and burnished out so that the plate could be used again.'><sup>24<\/sup><\/a><\/span> with his bronze point.\u00a0 Imitating those lines, Curtius surpassed himself, not to mention all the others.<\/p>\r\n<hr \/>\r\n<p>Hollstein 1994 no. 88<\/p>\r\n<p><a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0202.php\">Karel Van Mander's biography of Joachim Patinir<\/a><br \/>\r\n <a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T065772?q=patinir&amp;search=quick&amp;pos=1&amp;_start=1#T065772\">Grove Art Online biography<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-636\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Joachim-Patinir-300x236.png\" alt=\"\" width=\"450\" height=\"353\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Joachim-Patinir-300x236.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Joachim-Patinir-768x603.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Joachim-Patinir.png 805w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/joachim-patinir-1572-pictorum\/\">View the 1572 print<\/a><br \/>\r\n <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/joachim-patinir\/\">View both prints side by side<\/a><\/p>\r\n<hr \/><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p11-184x300.jpg\"\/>\n   <p>23. Quentin Matsys<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p11-631x1024.jpg\" alt=\"23. Quentin Matsys\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p11.jpg 2x\"\/>\n  \n  <h4>23. Quentin Matsys<\/h4>\n  <div><p>Engraving<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius<br \/>\r\n Copy in same direction as <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/quentin-matsys\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><\/p>\r\n<p>20.4 x 12.0 cm<\/p>\r\n<p><strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>QUINTINUS MESIUS. ANVER:PIANUS PICTOR.<\/em><br \/>\r\n <em>Ante faber fueram Cyclopeus ; ast ubi mecum<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Ex aequo pictor coepit amars<span id='easy-footnote-25-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-25-148' title='I am translating Lampsonius\u2019 \u201camare\u201d, not Hondius\u2019 \u201camars\u201d, which is not Latin'><sup>25<\/sup><\/a><\/span> procus :<\/em><br \/>\r\n <em>Seque graves tuditum tonitrus postferre silenti<\/em><br \/>\r\n <em>\u00a0 \u00a0\u00a0 Peniculo obiecit cauta puella mihi :\u00a0<\/em><br \/>\r\n <em>Pictorem me fecit amor.\u00a0 tudes innuit illud<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Exiguus, tabulis quae nota certa meis,<\/em><br \/>\r\n <em>Sic ubi Vulcanum nato Venus arma rogarat\u00a0<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Pictorem e fabro summe Poeta facis.<\/em><\/p>\r\n<p><strong>Translation of Inscription [Lampsonius]:<\/strong><\/p>\r\n<p><em>To Quentin Matsys, painter of Antwerp.<\/em><br \/>\r\n Before I used to be a Cyclopean smith,<span id='easy-footnote-26-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-26-148' title='Because the Cyclopes worked with hammers.'><sup>26<\/sup><\/a><\/span>\u00a0but when a wooing painter began to love<span id='easy-footnote-27-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-27-148' title='See note 1'><sup>27<\/sup><\/a><\/span> on an equal footing with me, and the cautious girl objected to me that she liked the heavy thundering of hammers less than the silent paintbrush, love made me a painter.\u00a0 A tiny hammer, which is the sure note of my paintings, alludes to this.\u00a0 Thus, when Venus had asked Vulcan for arms for her son, you, greatest of poets, made a painter out of a smith.<span id='easy-footnote-28-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-28-148' title='The greatest of poets is Virgil, and the episode in question is\u00a0&lt;em&gt;Aeneid\u00a0&lt;\/em&gt;8, 369-453 and 608-&lt;em&gt;fin.\u00a0\u00a0&lt;\/em&gt;The author seems to think of the images on Aeneas\u2019 shield as paintings (Virgil himself does not say clearly how Vulcan made the pictures).'><sup>28<\/sup><\/a><\/span><\/p>\r\n<hr \/>\r\n<p>Hollstein 1994 no.89<\/p>\r\n<p><a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0196.php\">Karel Van Mander's biography of Quentin Matsys<\/a><br \/>\r\n <a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T057484pg1#T057485\">Grove Art Online biography<\/a><\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-635\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Quentin-Matsys-300x235.png\" alt=\"\" width=\"450\" height=\"352\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Quentin-Matsys-300x235.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Quentin-Matsys-768x601.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Quentin-Matsys.png 815w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/quentin-matsys-1572-pictorum\/\">View the 1572 print<\/a><br \/>\r\n <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/quentin-matsys\/\">View both prints side by side<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/antwerp\/\" rel=\"tag\">Antwerp<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/first-person\/\" rel=\"tag\">Verse in the first person<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p12-184x300.jpg\"\/>\n   <p>25. Cornelius Engebrechtsz<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p12-631x1024.jpg\" alt=\"25. Cornelius Engebrechtsz\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p12.jpg 2x\"\/>\n  \n  <h4>25. Cornelius Engebrechtsz<\/h4>\n  <div><p>Engraving<br \/>\r\n Signed 'Hh exc.' by Hendrick Hondius<br \/>\r\n 20.5 x 12.4 cm<\/p>\r\n<p><strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>CORNELIUS ENGELBERT. LEIDAN. PICTOR.<\/em><br \/>\r\n <em>Hic inter primos oleo de semine lini\u00a0<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Expresso in Batavis pingere qui didicit.<\/em><br \/>\r\n <em>Miramur Vultus quos pinxit, Chromata laeta.<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Pictorum hunc Lucas flos colit artificem.<\/em><\/p>\r\n<p><br \/>\r\n <strong>Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>Cornelis Engelbrechtsz. Painter of Leyden.<\/em><br \/>\r\n This man was among the first of the Dutch who learnt to paint with pressed oily seed of flax.<span id='easy-footnote-29-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-29-148' title='\u201coleo de semine lini\u201d: the same expression in the poem for\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/jan-van-eyck\/&quot;&gt;Jan van Eyck&lt;\/a&gt;'><sup>29<\/sup><\/a><\/span>\u00a0 We wonder at the faces [and] joyful colours which he painted.\u00a0 Lucas, the flower of painters, frequented this artist.<\/p>\r\n<p>Hollstein 1994 no.90<\/p>\r\n<p><a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0198.php\">Karel Van Mander's biography of Cornelius Engebrechtsz<\/a><br \/>\r\n <a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T026068?q=engebrechtsz&amp;search=quick&amp;pos=1&amp;_start=1#T026068\">Grove Art Online biography<br \/>\r\n <\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/colour-references\/\" rel=\"tag\">Colour references<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/the-netherlands-dutch\/\" rel=\"tag\">Nation \/ nationality: the Netherlands \/ Dutch<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p13-184x300.jpg\"\/>\n   <p>27. Jan Gossaert, called Mabuse<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p13-631x1024.jpg\" alt=\"27. Jan Gossaert, called Mabuse\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p13.jpg 2x\"\/>\n  \n  <h4>27. Jan Gossaert, called Mabuse<\/h4>\n  <div><p>Engraving, second state<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius<br \/>\r\n Copy in reverse direction as <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/jan-gossaert-mabuse\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><br \/>\r\n 20.9 x 12.2 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>IOANII MABUSIO, PICTORI.<\/em><br \/>\r\n <em>Tuque adeo nostris seculum dic\u00eare, Mabusi,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Versibus ad graphicen erudiisse tuum.<\/em><br \/>\r\n <em>Nam\u00a0quis ad aspectum pigmenta politius alter<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Florida Apelleis illineret tabulis?<\/em><br \/>\r\n <em>Arte aliis, esto, tua tempora cede secutis ;<\/em><\/p>\r\n<p><em>Peniculi ductor par tibi, rarus erit.<\/em><\/p>\r\n<p><br \/>\r\n <br \/>\r\n <strong>Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>To Jan Gossaert, painter.\u00a0<\/em><br \/>\r\n You too, indeed, man of Maubeuge, will be said in our verses to have educated your age in drawing.\u00a0 For who else could daub Apelles\u2019 boards<span id='easy-footnote-30-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-30-148' title='This of course merely means \u201cpaintings\u201d'><sup>30<\/sup><\/a><\/span> with flowering pigments smoother to the eye?\u00a0 Granted, you yield in skill to others who followed your age.\u00a0 [But] rare will be the guider of the brush who is equal to you.\u00a0\u00a0<\/p>\r\n<hr \/>\r\n<p><br \/>\r\n Hollstein 1994 no.91<br \/>\r\n <br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0208.php\">Karel Van Mander's biography of Jan Gossaert<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T033403?q=gossaert&amp;search=quick&amp;pos=2&amp;_start=1#firsthit\">Grove Art Online biography<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-637\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Jan-Gossaert-Mabuse-300x236.png\" alt=\"\" width=\"450\" height=\"354\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Jan-Gossaert-Mabuse-300x236.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Jan-Gossaert-Mabuse-768x605.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Jan-Gossaert-Mabuse.png 809w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/jan-gossaert-mabuse\/\">View the 1572 print<\/a><br \/>\r\n <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/jan-gossaert-mabuse\/\">View both prints side by side<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p14-184x300.jpg\"\/>\n   <p>29. Jan van Amstel<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p14-631x1024.jpg\" alt=\"29. Jan van Amstel\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p14.jpg 2x\"\/>\n  \n  <h4>29. Jan van Amstel<\/h4>\n  <div><p>Engraving<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius<br \/>\r\n Copy in reverse direction as <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/jan-van-amstel\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><\/p>\r\n<p>20.1 x 12.3 cm<\/p>\r\n<p><br \/>\r\n <strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>DE JOANNE HOLLANDO, ANVERPIANO PICT :<\/em><br \/>\r\n <em>Propria Belgarum laus est bene pingere rura :<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Ausoniorum, homines pingere, sine<\/em><span id='easy-footnote-31-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-31-148' title='sic. Lampsonius&#039; text in\u00a0&lt;em&gt;Pictorum aliquot celebrium Germaniae inferioris effigies&lt;\/em&gt;\u00a0reads &quot;&lt;em&gt;sive Deos&quot;.&lt;\/em&gt;'><sup>31<\/sup><\/a><\/span><em>\u00a0deos.<\/em><br \/>\r\n <em>Nec mirum in capite Ausonius, sed Belga cerebrum<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Non temere in guava<\/em><span id='easy-footnote-32-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-32-148' title='sic. Lamponius&#039; text, cited above, reads &#039;in gnava&#039;.'><sup>32<\/sup><\/a><\/span>\u00a0<em>fertur habere manu.<\/em><br \/>\r\n <em>Maluit ergo manus Jani bene pingere rura<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Quam caput, aut homines, aut male scire deos.<\/em><\/p>\r\n<p><strong>Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>To Jan van Amstel, painter of Antwerp<\/em> <span id='easy-footnote-33-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-33-148' title='I am reading \u201csive\u201d for \u201csine\u201d in line 2, and \u201cgnava\u201d for \u201cguava\u201d in line 4.\u00a0 Both corrections are from Lampsonius.'><sup>33<\/sup><\/a><\/span><br \/>\r\n The proper praise of Belgians is to paint fields well; that of Italians to paint men or gods.\u00a0 Nor is it surprising: not without reason is the Italian said to have his brain in his head, [while] the Belgian [has his] in his active hand. Jan\u2019s hand, then, preferred to paint fields well, than for his head to know poorly either men or gods.<\/p>\r\n<hr \/>\r\n<p>Hollstein 1994 no.92<br \/>\r\n <br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0195.php\">Karel Van Mander's biography of Jan van Amstel<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T002422?q=van+amstel&amp;search=quick&amp;pos=2&amp;_start=1#T002422\">Grove Art Online biography<\/a><\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-647\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Jan-van-Amstel-300x234.png\" alt=\"\" width=\"450\" height=\"351\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Jan-van-Amstel-300x234.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Jan-van-Amstel-768x600.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Jan-van-Amstel.png 813w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/jan-van-amstel\/\">View the 1572 print<\/a><br \/>\r\n<a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/jan-van-amstel\/\">View both prints side by side<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/antwerp\/\" rel=\"tag\">Antwerp<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/italy-italians\/\" rel=\"tag\">Nation \/nationality: Italy \/ Italians<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/belgica-belgium-belgian\/\" rel=\"tag\">Nation\/nationality: Belgica\/Belgium\/Belgian<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p15-184x300.jpg\"\/>\n   <p>31. Pieter Coecke van Aelst<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p15-631x1024.jpg\" alt=\"31. Pieter Coecke van Aelst\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p15.jpg 2x\"\/>\n  \n  <h4>31. Pieter Coecke van Aelst<\/h4>\n  <div><p>Engraving<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius<br \/>\r\n Copy in same direction as <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/pieter-coecke-van-aelst\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><\/p>\r\n<p>19.3 x 12.6 cm<\/p>\r\n<p><br \/>\r\n <strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>PETRO COECKE. ALOSTANO, PICTORI.<\/em><br \/>\r\n <em>Pictor eras nec eras tant\u00fbm, Petre, pictor ; Alostum<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Qui facis hac Orbi notius arte tuum :<\/em><br \/>\r\n <em>Multa sed accessit multo ars tibi parta labore,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Cuius opus pulchras aedificare domos.<\/em><br \/>\r\n <em>Serlius hanc Italos ; tu, Serli deinde bilinguis<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Interpres, Belgas, Francigenasque doces.<\/em><br \/>\r\n <br \/>\r\n <br \/>\r\n <strong>Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>To Pieter Coecke van Aelst, painter.\u00a0<\/em><br \/>\r\n You were a painter, but, Pieter, you were not only a painter, you who made your Aelst<span id='easy-footnote-34-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-34-148' title='This town\u2019s name seems now to be spelt \u201cAalst\u201d (French: \u201cAlost\u201d).'><sup>34<\/sup><\/a><\/span> more known to the world by this skill.\u00a0 But there was much skill in addition, born to you by much labour.\u00a0 Its office was to build beautiful houses. Serlio taught this to the Italians, then you, bilingual interpreter of Serlio, taught the Belgians and the French.<\/p>\r\n<hr \/>\r\n<p>Hollstein 1994 no.93<br \/>\r\n <br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0201.php\">Karel Van Mander's biography of Pieter Coecke van Aelst<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T018426?q=coecke&amp;search=quick&amp;pos=1&amp;_start=1#T018426\">Grove Art Online biography<\/a><\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-656\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Pieter-Coecke-van-Aelst-300x235.png\" alt=\"\" width=\"450\" height=\"353\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Pieter-Coecke-van-Aelst-300x235.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Pieter-Coecke-van-Aelst-768x602.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Pieter-Coecke-van-Aelst.png 811w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/pieter-coecke-van-aelst\/\">View the 1572 print<\/a><br \/>\r\n <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/pieter-coecke-van-aelst\/\">View both prints side by side<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/italy-italians\/\" rel=\"tag\">Nation \/nationality: Italy \/ Italians<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/belgica-belgium-belgian\/\" rel=\"tag\">Nation\/nationality: Belgica\/Belgium\/Belgian<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p16-184x300.jpg\"\/>\n   <p>33. Jan Vermeyen<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p16-631x1024.jpg\" alt=\"33. Jan Vermeyen\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p16.jpg 2x\"\/>\n  \n  <h4>33. Jan Vermeyen<\/h4>\n  <div><p>Engraving<br \/>\r\n Attributed to Hendrick Hondius<br \/>\r\n Copy in reverse direction to <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/jan-vermeyen\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><br \/>\r\n 20.6 x 11.8 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>DE IOANNE MAIO, PICTORE.<\/em><br \/>\r\n <em>Quos homines, quae non Maius loca pinxit, et urbis<span id='easy-footnote-35-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-35-148' title='sic.\u00a0 see note 2.'><sup>35<\/sup><\/a><\/span><\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Visendum late quicquid et Orbis habet ;<\/em><br \/>\r\n <em>Dum terra sequiturque mari te Carole Caesar<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Pingeret ut dextrae fortia facta tuae ;<\/em><br \/>\r\n <em>Quae mox Attalicis fulgerent aurea textis,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Materiem artifici sed superante manu.<\/em><br \/>\r\n <em>Nec minus ille sua spectacula praebuit arte<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Celso conspicuus vertice grata tibi,<\/em><br \/>\r\n <em>Iussus prolixae detecta volumina barbae<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Ostentare suos pendula ad usque pedes<\/em>.<strong><br \/>\r\n <br \/>\r\n <br \/>\r\n Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><em><br \/>\r\n About Jan Vermeyen, painter.<\/em><br \/>\r\n What men, what places and what cities<span id='easy-footnote-36-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-36-148' title='Reading Lampsonius\u2019 \u201curbes\u201d for Hondius&#039;s impossible \u201curbis\u201d.'><sup>36<\/sup><\/a><\/span>\u00a0has Vermeyen not painted? \u2013\u2013 and whatever the world, far and wide, has worth seeing -\u00a0 while he followed you on land and sea, Emperor<span id='easy-footnote-37-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-37-148' title='Can be translated as \u201cCaesar\u201d\u00a0 Cf. note on \u201cEmperor\u201d on the text for\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/53-albrecht-durer\/&quot;&gt;Albrecht D\u00fcrer&lt;\/a&gt;,\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/79-anthonis-mor\/&quot;&gt;Anthony Mor&lt;\/a&gt;\u00a0and others'><sup>37<\/sup><\/a><\/span> Charles, to paint the mighty deeds of your hand.\u00a0 These soon shone in gold with Attalian<span id='easy-footnote-38-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-38-148' title='See note on the text for\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/19-bernaert-van-orley\/&quot;&gt;Bernaert van Orley&lt;\/a&gt;.'><sup>38<\/sup><\/a><\/span> embroidery, although the artist\u2019s hand was greater than the material.<span id='easy-footnote-39-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-39-148' title='This seems to mean that \u00a0Vermeyen\u00a0showed more skill in painting drapery than was involved in making the drapery itself.'><sup>39<\/sup><\/a><\/span> Nor did he provide a sight less pleasing to you than his art \u2013 [he was] remarkable for his high forehead, [and] was ordered to show off the unhidden folds of his rich beard, hanging down to his feet.<\/p>\r\n<hr \/>\r\n<p>Hollstein 1994 no.94<br \/>\r\n <br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0207.php\">Karel Van Mander's biography of Jan Vermeyen<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T088871?q=vermeyen&amp;search=quick&amp;pos=1&amp;_start=1#T088871\">Grove Art Online biography<\/a><\/p>\r\n<p class=\"alignnone\"><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/jan-vermeyen\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-541 size-full\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/01\/Jan-Vermeyen.jpg\" alt=\"\" width=\"213\" height=\"172\" \/><\/a><br \/>\r\n <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/jan-vermeyen-1572-pictorum\/\">View the 1572 print<br \/>\r\n <\/a><a style=\"font-size: 1rem\" href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/jan-vermeyen\/\">View both prints side by side<\/a><\/p>\r\n<hr \/>\r\n<p class=\"alignnone\">\u00a0<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/foreign-experience\/\" rel=\"tag\">References to travel and foreign experience<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/rulers-and-patrons\/\" rel=\"tag\">Rulers and Patrons<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p17-184x300.jpg\"\/>\n   <p>35. Mathys Cock<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p17-631x1024.jpg\" alt=\"35. Mathys Cock\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p17.jpg 2x\"\/>\n  \n  <h4>35. Mathys Cock<\/h4>\n  <div><p>Engraving<br \/>\r\n Attributed to Hendrick Hondius<br \/>\r\n Copy in reverse direction to <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/mathys-cock\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><\/p>\r\n<p>19.6 x 12.4cm<\/p>\r\n<p><br \/>\r\n <strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>MATTHI\u00c6 COCO ANVERPIAN. PICTORI. HIERONYMI FRATRI.\u00a0\u00a0<\/em><br \/>\r\n <em>Tu quoque, Matthia, sic pingere rura sciebas,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Ut tibi vix dederint tempora nostra parem.<\/em><br \/>\r\n <em>Ergo, quod artifices inter spectaris et ipse,<\/em><br \/>\r\n \u00a0\u00a0\u00a0\u00a0\u00a0<em>Quos immortalis<span id='easy-footnote-40-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-40-148' title='sic. see note 3.'><sup>40<\/sup><\/a><\/span> Belgica laude colit ;<\/em><br \/>\r\n <em>Non in te pietas tantem<span id='easy-footnote-41-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-41-148' title='sic. see note 4.'><sup>41<\/sup><\/a><\/span>\u00a0\u00a0fraterna, sed arti<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Efficit et merito laus tribuenda tuae.<\/em><\/p>\r\n<p><strong>Translation of Inscription [Lampsonius]:<br \/>\r\n <br \/>\r\n <\/strong><em>To Matthias Cock of Antwerp, painter, brother of Hieronymus.<\/em><br \/>\r\n You too, Matthias, knew how to paint fields in such a way, that our age has scarcely produced your equal.\u00a0 Therefore, if you too are considered among the artists whom Belgium honours with immortal<span id='easy-footnote-42-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-42-148' title='Reading Lampsonius\u2019 \u201cimmortali\u201d for Hondius\u2019 \u201cimmortalis\u201d.\u00a0 With the latter reading, one would translate \u201cwhom Belgium honours with praise [as] immortals\u201d.'><sup>42<\/sup><\/a><\/span> praise, not only<span id='easy-footnote-43-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-43-148' title='Reading Lampsonius \u201ctantum\u201d for Hondius \u201ctantem\u201d (?), which is not Latin.'><sup>43<\/sup><\/a><\/span> fraternal piety grants this to you, but also the praise justly due to your skill.<\/p>\r\n<hr \/>\r\n<p>Hollstein 1994 no.95<br \/>\r\n <br \/>\r\n <a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0219.php\">Karel Van Mander's biography of Mathys Cock<\/a><br \/>\r\n <a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T018357pg2?q=cock&amp;search=quick&amp;pos=3&amp;_start=1#T018360\">Grove Art Online biography<\/a><\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-645\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Mathys-Cock-300x236.png\" alt=\"\" width=\"450\" height=\"354\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Mathys-Cock-300x236.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Mathys-Cock-768x604.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Mathys-Cock.png 807w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/mathys-cock-1572-pictorum\/\">View the 1572 print<\/a><br \/>\r\n <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/mathys-cock\/\">View both prints side by side<\/a><\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/antwerp\/\" rel=\"tag\">Antwerp<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/belgica-belgium-belgian\/\" rel=\"tag\">Nation\/nationality: Belgica\/Belgium\/Belgian<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p18-184x300.jpg\"\/>\n   <p>37. Henri Met de Bles<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p18-631x1024.jpg\" alt=\"37. Henri Met de Bles\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p18.jpg 2x\"\/>\n  \n  <h4>37. Henri Met de Bles<\/h4>\n  <div><p>Engraving, second state<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius<br \/>\r\n Copy in reverse direction to <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/henri-met-de-bles\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><\/p>\r\n<p>20.6 x 12.3 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription [Lampsonius]:<\/strong><\/p>\r\n<p><em>HENRICO BLESIO, BOVINATI, PICTORI.<\/em><br \/>\r\n <em>Pictorem urbs dederat Dionatum Eburonia, pictor<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Quem proximis dixit poeta versibus<\/em><br \/>\r\n <em>Illum adeo artificem patriae situs ipse, magistro<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Aptissimus, vix edocente fecerat.<\/em><br \/>\r\n <em>Hanc laudem invidit vicinae exile Bovinum,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Et rura doctum pingere Henricum dedit<\/em><br \/>\r\n <em>Sed quantum cedit Dionato exile Bovinum<\/em><\/p>\r\n<p><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ioachime, tantum cedit Henricus tibi.<\/em><strong><br \/>\r\n <\/strong><br \/>\r\n <strong>Translation of Inscription [Lampsonius]:<\/strong><\/p>\r\n<p><em>To Herri met de Bles of Bouviges, painter.\u00a0<\/em><br \/>\r\n The Eburonian city<span id='easy-footnote-44-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-44-148' title='Julius Caesar describes the \u201cEburones\u201d as a Belgian people in the region \u201cextending from Li\u00e8ge to Aix-la-Chapelle\u201d (&lt;em&gt;Lewis &amp;amp; Short&lt;\/em&gt;).\u00a0 I cannot say which city the author considers the \u201curbs Eburonia\u201d.\u00a0 Presumably Dinant itself.'><sup>44<\/sup><\/a><\/span>\u00a0had produced the painter of Dinant,\u00a0 the painter of whom the poet spoke in recent verses.\u00a0 The most favourable site of his homeland had made him entirely an artist, and a master hardly taught him.\u00a0 Tiny Bouviges was jealous of this its neighbour\u2019s glory and produced Hendrik, learned in painting fields.\u00a0 But, Joachim,\u00a0 as much as tiny Bouviges yields to Dinant [in size], so much does Hendrik yield to you.<\/p>\r\n<hr \/>\r\n<p><br \/>\r\n Hollstein 1994 no.96<br \/>\r\n <br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0203.php\">Karel Van Mander's biography of Henri met de Bles<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T009217?q=bles&amp;search=quick&amp;pos=2&amp;_start=1#T009217\">Grove Art Online biography<\/a><\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-644\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Henri-met-de-Bles-300x244.png\" alt=\"\" width=\"450\" height=\"366\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Henri-met-de-Bles-300x244.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Henri-met-de-Bles-768x625.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Henri-met-de-Bles.png 804w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/henri-met-de-bles\/\">View the 1572 print<\/a><br \/>\r\n<a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/henri-met-de-bles\/\">View both prints side by side<\/a><\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/learned\/\" rel=\"tag\">Described as 'learned'<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p19-184x300.jpg\"\/>\n   <p>39. Joos van Cleve<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p19-631x1024.jpg\" alt=\"39. Joos van Cleve\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p19.jpg 2x\"\/>\n  \n  <h4>39. Joos van Cleve<\/h4>\n  <div><p>Engraving<br \/>\r\n Signed 'Hh' by Hendrick Hondius<br \/>\r\n Copy in reverse direction to <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/joos-van-cleve\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><br \/>\r\n 19.3 x 12.1 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>IUSTO CLIVENSI ANVERPIAN PICTORI.<\/em><br \/>\r\n <em>Nostra nec artifices inter te Musa silebit<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Belgas, picturae non leve, Iuste, decus.<\/em><br \/>\r\n <em>Quam propria, nati tam felix arte fuisses ;<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Mansisset sanum si misero cerebrum<\/em>.<strong><br \/>\r\n <\/strong><br \/>\r\n <br \/>\r\n <strong>Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>To Joos van Cleve of Antwerp, painter.\u00a0<\/em><br \/>\r\n Our muse shall not keep silent about you, among the Belgian artists, Joos, [you who are ] no trivial glory of painting.\u00a0 You would have been as happy in your son\u2019s art as in your own, if only the wretch\u2019s brain had remained healthy.<\/p>\r\n<hr \/>\r\n<p>Hollstein 1994 no. 97<br \/>\r\n <br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0210.php\">Karel Van Mander's biography of Joos van Cleve<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T018151pg1#T018152\">Grove Art Online biography<\/a><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/joos-van-cleve-1572-pictorum\/\">View the 1572 print<\/a><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/1572-hubert-van-eyck\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-646\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Joos-van-Cleve-300x236.png\" alt=\"\" width=\"450\" height=\"353\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Joos-van-Cleve-300x236.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Joos-van-Cleve-768x603.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Joos-van-Cleve.png 819w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/a><br \/>\r\n <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/joos-van-cleve\/\">View both prints side by side<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/antwerp\/\" rel=\"tag\">Antwerp<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/belgica-belgium-belgian\/\" rel=\"tag\">Nation\/nationality: Belgica\/Belgium\/Belgian<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p20-184x300.jpg\"\/>\n   <p>41. Jan van Scorel<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p20-631x1024.jpg\" alt=\"41. Jan van Scorel\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p20.jpg 2x\"\/>\n  \n  <h4>41. Jan van Scorel<\/h4>\n  <div><p>Engraving, second state<br \/>\r\n Attributed to Hendrick Hondius<br \/>\r\n Copy in reverse direction to <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/jan-van-scorel\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><\/p>\r\n<p>19.5 x 12.7 cm<\/p>\r\n<p><br \/>\r\n <strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>IOANNES SCORELLUS BATAVUS PICTOR.<\/em><br \/>\r\n <em>Primus ego egregios pictura invisere Romam<\/em><br \/>\r\n <em>Exemplo docuisse meo per secula Belgas<\/em><br \/>\r\n <em>Cuncta ferar ; neque enim iusti dignandus honore<\/em><br \/>\r\n <em>Artificis, qui non graphidas, pigmentaque mille<\/em><br \/>\r\n <em>Consumpsit, tabulasque schola depinxit illa<span id='easy-footnote-45-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-45-148' title='sic.\u00a0 See note 2.'><sup>45<\/sup><\/a><\/span>\u00a0<\/em><strong><br \/>\r\n <br \/>\r\n <br \/>\r\n Translation of Inscription [Lampsonius]:<br \/>\r\n <br \/>\r\n <\/strong><em>Jan van Scorel, Dutch painter.\u00a0<\/em><br \/>\r\n Through all centuries I shall be said to have been the first to have taught by my example the excellent Belgians to be envious of Rome in painting.\u00a0 For he is not worthy of the honour of a true artist, who does not use up a thousand pencils and pigments, and paint pictures in that school.<span id='easy-footnote-46-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-46-148' title='This line is unmetrical in the Latin, because Hondius has omitted Lampsonius\u2019 \u201cin\u201d before \u201cilla\u201d.\u00a0 I translate according to Lampsonius.'><sup>46<\/sup><\/a><\/span><\/p>\r\n<hr \/>\r\n<p><br \/>\r\n <br \/>\r\n Hollstein 1994 no.98<br \/>\r\n <br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0222.php\">Karel Van Mander's biography of Jan van Scorel<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T077004?q=scorel&amp;search=quick&amp;pos=1&amp;_start=1#firsthit\">Grove Art Online biography<\/a><a style=\"font-size: 1rem\" name=\"_ftn1\"><\/a><\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-655\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Jan-van-Scorel-300x234.png\" alt=\"\" width=\"450\" height=\"352\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Jan-van-Scorel-300x234.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Jan-van-Scorel-768x600.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Jan-van-Scorel.png 810w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/jan-van-scorel-1572-pictorum\/\">View the 1572 print<\/a><br \/>\r\n <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/jan-van-scorel\/\">View both prints side by side<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/the-netherlands-dutch\/\" rel=\"tag\">Nation \/ nationality: the Netherlands \/ Dutch<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/belgica-belgium-belgian\/\" rel=\"tag\">Nation\/nationality: Belgica\/Belgium\/Belgian<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/rome\/\" rel=\"tag\">Rome<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/first-person\/\" rel=\"tag\">Verse in the first person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p21-184x300.jpg\"\/>\n   <p>43. Lambert Lombard<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p21-631x1024.jpg\" alt=\"43. Lambert Lombard\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p21.jpg 2x\"\/>\n  \n  <h4>43. Lambert Lombard<\/h4>\n  <div><p>Engraving, second state<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius<br \/>\r\n Copy in same direction as <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/lambert-lombard\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><\/p>\r\n<p>20.1 x 11.9 cm<\/p>\r\n<p><br \/>\r\n <strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>LAMBERTO LOMBARDO, LEODIENSIS PICTORI. ET ARCHITECTO.<\/em><br \/>\r\n <em>Elogium, ex merito quod te, Lombarde, decebat,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Non libet h\u00eec paucis texere versiculis :<\/em><br \/>\r\n <em>Continet hoc ea charta (legi si nostra merentur)<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 De te quam fecit \u039b\u03b1\u03bc\u03c8\u03bf\u03bd\u03af\u03bf\u03c4\u03b5 \u03b3\u03c1\u03b1\u03c6\u03af\u03c2<\/em><strong><br \/>\r\n <br \/>\r\n Translation of Inscription [Lampsonius]:<br \/>\r\n <br \/>\r\n <\/strong><em>To Lambert Lombard of Li\u00e8ge, painter and architect<\/em><br \/>\r\n It does not please [me], Lombard, to write here in a few verses an epigraph which would be suitable to your merits.\u00a0 Those pages contain it which (if our works deserve to be read) the Lampsonian pen<span id='easy-footnote-47-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-47-148' title='This for the Greek \u039b\u03b1\u03bc\u03c8\u03bf\u03bd\u03af\u03bf\u03c4\u03b5 \u03b3\u03c1\u03b1\u03c6\u03af\u03c2.\u00a0 \u039b\u03b1\u03bc\u03c8\u03bf\u03bd\u03af\u03bf\u03c4\u03b5 is apparently the author\u2019s attempt to invent a Greek adjective based on his name.\u00a0 However, the form is bad Greek (better would be \u039b\u03b1\u03bc\u03c8\u03bf\u03bd\u03b9\u03bf\u03c4\u1f74) and neither the author\u2019s form nor mine will help the metre. The work by Lampsonius\u2019s pen referred to is his biography of Lambert Lombard:\u00a0&lt;em&gt;Lamberti Lombardi apud Eburiones pictoris celeberrimi vita,\u00a0&lt;\/em&gt;Bruges, 1565.'><sup>47<\/sup><\/a><\/span>\u00a0wrote about you.<\/p>\r\n<hr \/>\r\n<p>Hollstein 1994 no. 99<br \/>\r\n <br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0205.php\">Karel Van Mander's biography of Lambert Lombard<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T051606?q=lombard&amp;search=quick&amp;pos=1&amp;_start=1#firsthit\">Grove Art Online biography<\/a><\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-654\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Lambert-Lombard-300x236.png\" alt=\"\" width=\"450\" height=\"355\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Lambert-Lombard-300x236.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Lambert-Lombard-768x605.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Lambert-Lombard.png 811w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/lambert-lombard\/\">View the 1572 print<\/a><br \/>\r\n<a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/lambert-lombard\/\">View both prints side by side<\/a><\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/architects\/\" rel=\"tag\">Architects (as described in the texts that frame the portraits)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p22-184x300.jpg\"\/>\n   <p>45. Pieter Bruegel<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p22-631x1024.jpg\" alt=\"45. Pieter Bruegel\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p22.jpg 2x\"\/>\n  \n  <h4>45. Pieter Bruegel<\/h4>\n  <div><p>Engraving, second state<br \/>\r\n Signed 'Hh' by Hendrick Hondius<br \/>\r\n Copy in reverse direction to <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/pieter-bruegel\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><\/p>\r\n<p>19.2 x 11.7 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><em>PETRO BRVEGEL, PICTORI.<\/em><br \/>\r\n <em>Quis novus hic Hieronymus Orbi<\/em><br \/>\r\n <em>Boschius ? ingeniosa magistri\u00a0<\/em><br \/>\r\n <em>Somnia peniculoque, styloque<\/em><br \/>\r\n <em>Tanta\u00a0imitarier arte peritus.<\/em><br \/>\r\n <em>Ut superet tamen interim et illum ?<\/em><br \/>\r\n <em>Macte animo, Petre, mactus ut arte<\/em><br \/>\r\n <em>Namque tuo, veterisque magistri<\/em><br \/>\r\n <em>Ridiculo, salibusque referto<\/em><br \/>\r\n <em>In graphices genere inclita laudum<\/em><br \/>\r\n <em>Praemia ubique, et ab omnibus ullo<\/em><br \/>\r\n <em>Artifice haud leviora mereris<\/em><strong><br \/>\r\n <\/strong><br \/>\r\n <strong>Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><\/p>\r\n<p><em>To Pieter Bruegel, painter.\u00a0<\/em><br \/>\r\n Who is this new Hieronymus Bosch for the world, versed in imitating the master\u2019s ingenious dreams with such great skill of paintbrush and pen \u2013 so that sometimes he surpasses even him.\u00a0 Pieter, [you are] blessed in your spirit, as you are blessed in your skill, for in your own and your old master\u2019s comic type of painting, full of wit, you deserve glorious rewards of praise, everywhere and from everyone, no less than those of any artist.<\/p>\r\n<hr \/>\r\n<p><br \/>\r\n Hollstein 1994 no.100<br \/>\r\n <br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0221.php\">Karel Van Mander's biography of Pieter Bruegel<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T011669pg1?q=bruegel&amp;search=quick&amp;pos=2&amp;_start=1#T011671\">Grove Art Online biography<\/a><\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-653\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Pieter-Bruegel-300x234.png\" alt=\"\" width=\"450\" height=\"351\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Pieter-Bruegel-300x234.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Pieter-Bruegel-768x600.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Pieter-Bruegel.png 812w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/pieter-bruegel-1572-pictorum\/\">View the 1572 print<\/a><br \/>\r\n<a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/pieter-bruegel\/\">View both prints side by side<\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/ingenio-genius\/\" rel=\"tag\">Ingenio - genius<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p23-184x300.jpg\"\/>\n   <p>47. Willem Key<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p23-631x1024.jpg\" alt=\"47. Willem Key\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p23.jpg 2x\"\/>\n  \n  <h4>47. Willem Key<\/h4>\n  <div><p>Engraving<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius<br \/>\r\n Copy in reverse direction to <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/willem-key\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><\/p>\r\n<p>19.8 x 12.0 cm<\/p>\r\n<p><br \/>\r\n <strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <br \/>\r\n <\/strong><em>DE GUILIELMO CAIO, BREDANO, PICTORE.\u00a0<\/em><br \/>\r\n <em>Quas hominum facies, ut eos te cernere credas<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Expressit Caii pingere docta manus,<\/em><br \/>\r\n <em>(Si tamen excipias unum, me iudice, Morum)<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Culpari Belgae nullius arte timent.<\/em><br \/>\r\n <br \/>\r\n <strong>Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>About Willem Key of Breda, painter.\u00a0<\/em><br \/>\r\n What faces of people the hand of Key, learned in painting, expressed, so that you could believe you were looking at them!<span id='easy-footnote-48-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-48-148' title='In the Latin, \u201ceos\u201d can only refer to \u201chomines\u201d, not \u201cfacies\u201d.\u00a0 English cannot do this, so one would have to translate \u201clooking at the people themselves\u201d,\u00a0&lt;em&gt;vel sim.&lt;\/em&gt;\u00a0to avoid ambiguity.'><sup>48<\/sup><\/a><\/span> \u2013 if however, you except one, Mor,<span id='easy-footnote-49-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-49-148' title='The renowned portraitist\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/79-anthonis-mor\/&quot;&gt;Anthonis Mor&lt;\/a&gt;\u00a0(c.1517\/20 \u2013 c.1576), who was a friend of Lampsonius.'><sup>49<\/sup><\/a><\/span> in my opinion the Belgians do not fear to be found wanting because of anyone\u2019s skill.\u00a0<\/p>\r\n<hr \/>\r\n<p>Hollstein 1994 no.101<br \/>\r\n <br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0220.php\">Karel Van Mander's biography of William Key<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T046371pg1?q=key&amp;search=quick&amp;pos=2&amp;_start=1#T046373\">Grove Art Online biography<\/a><\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-652\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Willem-Key-300x235.png\" alt=\"\" width=\"450\" height=\"353\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Willem-Key-300x235.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Willem-Key-768x602.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Willem-Key.png 811w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/willem-key-1572-pictorum\/\">View the 1572 print<\/a><br \/>\r\n<a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/willem-key\/\">View both prints side by side<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/learned\/\" rel=\"tag\">Described as 'learned'<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/belgica-belgium-belgian\/\" rel=\"tag\">Nation\/nationality: Belgica\/Belgium\/Belgian<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p24-184x300.jpg\"\/>\n   <p>49. Lucas Gassel<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p24-631x1024.jpg\" alt=\"49. Lucas Gassel\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p24.jpg 2x\"\/>\n  \n  <h4>49. Lucas Gassel<\/h4>\n  <div><p>Engraving, second state<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius<br \/>\r\n Copy in same direction as <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/lucas-gassel\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><\/p>\r\n<p>20.4 x 12.1 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><\/p>\r\n<p><em>LUC\u00c6 GASSELO HELMONTANO PICTORI.<\/em><br \/>\r\n <em>Salve omnes, Luca, ante alios carissime quondam<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Nec levius proprio culte parente mihi.<\/em><br \/>\r\n <em>Quippe mihi primus graphices datus auctor amandae<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Dum pingis docta rura, casasque manu.<\/em><br \/>\r\n <em>Par arte<span id='easy-footnote-50-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-50-148' title='sic.'><sup>50<\/sup><\/a><\/span>\u00a0probitasque tuae, candorque, bonorum<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Et quicquid mentes ducere amore potest.<\/em><br \/>\r\n <em>Ergo fama tuae virtutis, et artis in aevum<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Vivat, utroque mihi nomine amate senex<\/em><strong>\u00a0<br \/>\r\n <br \/>\r\n <br \/>\r\n Translation of Inscription [Lampsonius]:<br \/>\r\n <br \/>\r\n <\/strong><em>To Lucas Gassel of Helmond,\u00a0<\/em>painter.<br \/>\r\n Hail, Lucas, once more dear than all the rest, and no less honoured by me than my own father.\u00a0 Indeed you were the first cause of loving painting offered to me, while you were painting fields and huts<span id='easy-footnote-51-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-51-148' title='\u201crura casasque\u201d.\u00a0 See note on the text for &lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/21-joachim-patinir\/&quot;&gt;Joachim Patinir&lt;\/a&gt;.'><sup>51<\/sup><\/a><\/span> with your learned hand.\u00a0 Equal to your skill<span id='easy-footnote-52-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-52-148' title='I am reading Lampsonius\u2019 \u201carti\u201d for Hondius\u2019 impossible \u201carte\u201d. are your honesty and candour, and whatever'><sup>52<\/sup><\/a><\/span> [else] can attract the minds of the good with love.\u00a0 Therefore may the fame of your virtue and skill live forever, old man beloved to me on both counts.<\/p>\r\n<hr \/>\r\n<p><br \/>\r\n Hollstein 1994 no.102<br \/>\r\n <br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0204.php\">Karel Van Mander's biography of Lucas Gassel<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T030958?q=gassel&amp;search=quick&amp;pos=1&amp;_start=1#firsthit\">Grove Art Online biography<\/a><\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-651\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Lucas-Gassel-300x234.png\" alt=\"\" width=\"450\" height=\"350\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Lucas-Gassel-300x234.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Lucas-Gassel-768x598.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Lucas-Gassel.png 814w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/lucas-gassel-1572-pictorum\/\">View the 1572 print<\/a><br \/>\r\n <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/lucas-gassel\/\">View both prints side by side<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/learned\/\" rel=\"tag\">Described as 'learned'<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p25-184x300.jpg\"\/>\n   <p>51. Frans Floris<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p25-631x1024.jpg\" alt=\"51. Frans Floris\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p25.jpg 2x\"\/>\n  \n  <h4>51. Frans Floris<\/h4>\n  <div><p>Engraving<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius<br \/>\r\n Copy in same direction as <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/frans-floris\/\">Cock 1572 engraved\u00a0<em>Pictorum<\/em><\/a><\/p>\r\n<p>20.5 x 12.5 cm<\/p>\r\n<p><br \/>\r\n <strong>Transcription of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>FRANCISCO FLORO ANVERPIANO, PICTORI<\/em><br \/>\r\n <em>Si pictor quantum natura, Flore, valebas,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Tantum adiunxisses artis et ipse tibi,<\/em><br \/>\r\n <em>Dum tibi multa libet potius, quam pingere multum<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Nec mora te limae iusta, laborque iuvat :<\/em><br \/>\r\n <em>Cedite clamarem, pictores, omnibus oris<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Quos vel avi, nostri vel genu\u00eare patres.<\/em><strong><br \/>\r\n <\/strong><br \/>\r\n <strong>Translation of Inscription [Lampsonius]:<br \/>\r\n <\/strong><br \/>\r\n <em>To Frans Floris of Antwerp, painter\u00a0<\/em><br \/>\r\n If, Floris you had acquired for yourself as much skill as you had natural ability as a painter (since you preferred to paint many things than to paint a lot,<span id='easy-footnote-53-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-53-148' title='The Latin \u201cmulta\u2026multum\u201d is equally vague.\u00a0\u00a0 The sense seems to be that Floris preferred painting many works to expending much energy on any given one.'><sup>53<\/sup><\/a><\/span>\u00a0and neither the just delay of the file nor hard work<span id='easy-footnote-54-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-54-148' title='The author is referring to Horace,\u00a0&lt;em&gt;Ars poetica\u00a0&lt;\/em&gt;291, where \u201climae labor et mora\u201d are recommended for the poet.'><sup>54<\/sup><\/a><\/span> pleased you) \u2013 I would cry out \u2018yield painters from all lands,<span id='easy-footnote-55-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-55-148' title='Cf. Propertius, 2.34.65, \u201ccedite Romani scriptores, cedite Grai\u201d (about Virgil\u2019s\u00a0&lt;em&gt;Aeneid&lt;\/em&gt;).\u00a0 The implication is that Floris could have been as preeminent among painters as Virgil was among poets.'><sup>55<\/sup><\/a><\/span> whom either our grandfathers or our fathers produced\u2019.\u00a0<\/p>\r\n<hr \/>\r\n<p><br \/>\r\n Hollstein 1994 no.103<br \/>\r\n <br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0225.php\">Karel Van Mander's biography of Frans Floris<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T028690pg2?q=floris&amp;search=quick&amp;pos=3&amp;_start=1#T028695\">Grove Art Online biography<\/a><\/p>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-650\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Frans-Floris-300x235.png\" alt=\"\" width=\"450\" height=\"352\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Frans-Floris-300x235.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Frans-Floris-768x601.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Frans-Floris.png 811w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/frans-floris-1572-pictorum\/\">View the 1572 print<\/a><br \/>\r\n<a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/frans-floris\/\">View both prints side by side<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/antwerp\/\" rel=\"tag\">Antwerp<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/in-both-pictorums\/\" rel=\"tag\">In both - prints of subjects from the 1572 Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-one\/\" rel=\"tag\">Prints in Part One<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p26-184x300.jpg\"\/>\n   <p>53. Albrecht D\u00fcrer<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p26-631x1024.jpg\" alt=\"53. Albrecht D\u00fcrer\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p26.jpg 2x\"\/>\n  \n  <h4>53. Albrecht D\u00fcrer<\/h4>\n  <div><p>Etching<br \/>\r\n Signed Hh excud. By Hendrick Hondius, attributed to Simon Frisius<br \/>\r\n 11.8 x 19.4 cm<\/p>\r\n<p><br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <br \/>\r\n <em>ALBERTUS DURERUS, NOREBERGENS<\/em><br \/>\r\n <em>Vir virtute gravis, t\u00famque arte insignis habetur,<\/em><br \/>\r\n <em>\u00a0\u00a0 Teutonicae gentis gloria summa suae.<\/em><br \/>\r\n <em>Contulit huic Caesar insignia nobilitatis,<\/em><br \/>\r\n <em>\u00a0\u00a0 Tantus honos artis, fam\u00e1que tanta viri.<\/em><br \/>\r\n <br \/>\r\n <strong>Translation of Inscription:<br \/>\r\n <\/strong><br \/>\r\n <em>Albrecht D\u00fcrer of Nuremberg<\/em><br \/>\r\n He is considered to be a man grave in virtue and famous for his skill, the greatest glory of his Teutonic<span id='easy-footnote-56-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-56-148' title='Perhaps better to translate \u201cGerman\u201d.'><sup>56<\/sup><\/a><\/span> people.\u00a0 The emperor<span id='easy-footnote-57-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-57-148' title='Can be translated as \u201cCaesar\u201d\u00a0 Cf. note on \u201cEmperor\u201d on the text for\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/33-jan-vermeyen\/&quot;&gt;33. Jan Vermeyen&lt;\/a&gt;.'><sup>57<\/sup><\/a><\/span> gave him the marks of nobility.\u00a0 So great was the honour [paid] to his skill, and so great the man\u2019s fame.\u00a0<\/p>\r\n<p>Orenstein 1996 Frisius, no. 143; Hollstein 2008 no. 163<\/p>\r\n<p>\u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0191.php\">Karel Van Mander's biography of Albrecht D\u00fcrer<\/a>\u00a0<br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T024180pg1?q=durer&amp;search=quick&amp;pos=2&amp;_start=1#T024181\">Grove Art Online biography<\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/greater-germany\/\" rel=\"tag\">Greater Germany<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-two\/\" rel=\"tag\">Prints in Part Two<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/rulers-and-patrons\/\" rel=\"tag\">Rulers and Patrons<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p27-184x300.jpg\"\/>\n   <p>55. Lucas van Leyden<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p27-631x1024.jpg\" alt=\"55. Lucas van Leyden\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p27.jpg 2x\"\/>\n  \n  <h4>55. Lucas van Leyden<\/h4>\n  <div><p>Etching<br \/>\r\n Signed 'Hh fecit' by Hendrick Hondius<br \/>\r\n 21.9 x 12.9 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription [Lampsonius]:<\/strong><br \/>\r\n <em>LUC\u00c6 LEIDANCO PICTORI, ET SCULPTORI<\/em><br \/>\r\n <em>\u00a0 \u00a0 \u00a0 \u00a0 Tu quoque Durero non par, sed proxime, Luca,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Seu tabulas pingis, seu formas sculpis ahenas,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ectypa reddentes tenui miranda papyro,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Haud minimam in partem (si qua est ea gloria) nostrae<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Accede, et tecum natalis Leida, Camoenae.\u00a0<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0D. Lampsonius<\/em>.<br \/>\r\n <br \/>\r\n <strong>Translation of Inscription:<br \/>\r\n <\/strong><em>To Lucas van Leyden, painter and sculpto<\/em>r<span id='easy-footnote-58-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-58-148' title='\u201cand sculptor\u201d is not in Lampsonius. No sculpture by Lucas van Leyden is known.\u00a0 The verse shows that\u00a0sculptor\u00a0refers to Van Leyden\u2019s activity as an engraver, and engravers marked their work\u00a0&lt;em&gt;sculpsit&lt;\/em&gt;.\u00a0Note, however, the choice of\u00a0&lt;em&gt;sculptor&lt;\/em&gt;\u00a0here and in the titles of\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/59-heinrich-aldegrever\/&quot;&gt;59. Heinrich Aldegrever&lt;\/a&gt;\u00a0and\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/61-jacob-binck\/&quot;&gt;61. Jacob Binck&lt;\/a&gt;\u00a0over\u00a0&lt;em&gt;chalcographus&lt;\/em&gt;\u00a0in the titles of\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/73-hubert-goltzius\/&quot;&gt;73. Hubert Goltzius&lt;\/a&gt;\u00a0and\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/115-hendrick-goltzius\/&quot;&gt;115. Hendrick Goltzius&lt;\/a&gt;. Interestingly, &lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/73-hubert-goltzius\/&quot;&gt;Hubert Goltzius&lt;\/a&gt; is described in the verse as both\u00a0&lt;em&gt;sculptor&lt;\/em&gt;\u00a0and\u00a0&lt;em&gt;chalcographus&lt;\/em&gt;, and Hendrick Goltzius is described in the title as\u00a0&lt;em&gt;chalcographus\u00a0&lt;\/em&gt;and in the verse as&lt;em&gt;\u00a0sculptor&lt;\/em&gt;.\u00a0It is possible that the characterization of engraving as \u2018sculpture\u2019 was responsive to Vasari\u2019s privileging of sculpture as an art of\u00a0&lt;em&gt;disegno&lt;\/em&gt;. At the same time, the appearance of the term&lt;em&gt;\u00a0chalcographus&lt;\/em&gt;\u00a0indicates that engraving was recognized as an art in its own right.'><sup>58<\/sup><\/a><\/span><br \/>\r\n You too, not equal, but nearest to D\u00fcrer, whether you be painting pictures, or sculpting bronze forms which provide marvellous plates for the thin paper, take (if there is any glory in this)<span id='easy-footnote-59-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-59-148' title='si qua est ea gloria\u201d: quoted from Virgil,\u00a0&lt;em&gt;Aeneid\u00a0&lt;\/em&gt;7.4.'><sup>59<\/sup><\/a><\/span> a place \u2013 not the least important \u2013 in our Muse\u2019s work,<span id='easy-footnote-60-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-60-148' title='Literally \u201cin our Muse\u201d.\u00a0\u00a0 Cf. The text on\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/hubert-van-eyck\/&quot;&gt;9. Hubert van Eyck,&lt;\/a&gt; \u201cThalia nostra\u201d.'><sup>60<\/sup><\/a><\/span>\u00a0along with your native Leyden.<br \/>\r\n D. Lampsonius<\/p>\r\n<hr \/>\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-648\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Lucas-van-Leyden-300x234.png\" alt=\"\" width=\"450\" height=\"351\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Lucas-van-Leyden-300x234.png 300w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Lucas-van-Leyden-768x598.png 768w, https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2018\/02\/Lucas-van-Leyden.png 810w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/p>\r\n<p><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/lucas-van-leyden\/\">View the 1572 print<\/a><br \/>\r\n <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/hubert-van-eyck\/\">Vie<\/a><a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/side-by-side\/lucas-van-leyden\/\">w both prints side by side<\/a><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<hr \/>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-two\/\" rel=\"tag\">Prints in Part Two<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p28-184x300.jpg\"\/>\n   <p>57. Hans Holbein<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p28-631x1024.jpg\" alt=\"57. Hans Holbein\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p28.jpg 2x\"\/>\n  \n  <h4>57. Hans Holbein<\/h4>\n  <div><p>Etching<br \/>\r\n Signed Hh ex. by Hendrick Hondius, attributed to Simon Frisius<br \/>\r\n 20.5 x 12.3 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <em>IOANNES HOLBENUS, BASILENSIS<\/em><br \/>\r\n <em>Egregius pictor magno qui gratus Erasmo.<\/em><br \/>\r\n <em>\u00a0\u00a0 His quantu<span id='easy-footnote-61-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-61-148' title='Sic.'><sup>61<\/sup><\/a><\/span> accrevit laus, Basilea, tua\u00a0!<\/em><br \/>\r\n <em>Divisus nostro te suscipit orbe Britannus<\/em><br \/>\r\n <em>\u00a0\u00a0 Holbene.\u00a0 orbe uno laus tua non capitur.<\/em><\/p>\r\n<p><strong>Translation of Inscription:<br \/>\r\n <\/strong><em>Hans Holbein of Basel<\/em><br \/>\r\n An exceptional painter, who was pleasing to great Erasmus.\u00a0From this, Basel, how much does<span id='easy-footnote-62-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-62-148' title='The Latin reads \u201cquantu\u201d, which is either a misprint for \u201cquantum\u201d, or an attempt (I doubt it) to indicate that the \u201cum\u201d in \u201cquantum\u201d is elided.'><sup>62<\/sup><\/a><\/span> your praise grow! The Briton, separated from our world,<span id='easy-footnote-63-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-63-148' title='\u201cdivivus \u2026orbe Britannus\u201d.\u00a0 Cf. Virgil,\u00a0&lt;em&gt;Eclogue\u00a0&lt;\/em&gt;1.64, \u201ctoto divisos orbe Britannos\u201d. The expression is thenceforth very common for describing the Britons.'><sup>63<\/sup><\/a><\/span> received you, Holbein.\u00a0 Your praise is not contained by one world.<\/p>\r\n<p>Orenstein 1996, Frisius no. 148; Hollstein 2008 no. 168<br \/>\r\n <a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0206.php\">Karel Van Mander's biography of Hans Holbein<\/a>\u00a0<br \/>\r\n <a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T038595pg3#T038603\">Grove Art Online biography<\/a>\u00a0<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-two\/\" rel=\"tag\">Prints in Part Two<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p29-184x300.jpg\"\/>\n   <p>59. Heinrich Aldegrever<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p29-631x1024.jpg\" alt=\"59. Heinrich Aldegrever\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p29.jpg 2x\"\/>\n  \n  <h4>59. Heinrich Aldegrever<\/h4>\n  <div><p>Etching and engraving<br \/>\r\n Signed 'Hh' by Hendrick Hondius, attributed to Simon Frisius<br \/>\r\n 20.4 x 12.7 cm<\/p>\r\n<p><br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <em>HENRICUS ALDEGREVER, VESTPHALUS. PICTOR, ET SCULPTOR\u00a0<\/em><br \/>\r\n <em>Vestphalus incultus non Aldegravius hic est,<\/em><br \/>\r\n <em>Regum et Doctorum clarus imaginibus.<\/em><br \/>\r\n <em>Sartorem rege\u00a0pinxit bene, Vestphaliam qui<\/em><br \/>\r\n <em>Subtili filo strinxerat ingenii.<\/em><\/p>\r\n<p><strong>Translation of Inscription:<br \/>\r\n <\/strong><em>Heinrich Aldegrever, the Westphalian, painter and sculptor<br \/>\r\n <\/em>This Aldegrever is not an uneducated Westphalian.\u00a0He was famous for images of kings and learned men.\u00a0 He painted well the tailor king,<span id='easy-footnote-64-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-64-148' title='Jan van Leyden'><sup>64<\/sup><\/a><\/span> he who had bound Westphalia with the subtle thread of his genius.\u00a0<\/p>\r\n<p>Orenstein 1996, Frisius no. 136; Hollstein 2008 no. 156<br \/>\r\n <a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0211.php\">Karel Van Mander's biography of Heinrich Aldegrever<br \/>\r\n <\/a><a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T001636?q=aldegrever&amp;search=quick&amp;source=oao_gao&amp;pos=1&amp;_start=1#T001636\">Grove Art Online biography<\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/greater-germany\/\" rel=\"tag\">Greater Germany<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/ingenio-genius\/\" rel=\"tag\">Ingenio - genius<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-two\/\" rel=\"tag\">Prints in Part Two<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/foreign-experience\/\" rel=\"tag\">References to travel and foreign experience<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/sculptors\/\" rel=\"tag\">Sculptors (as described in the texts that frame the portraits)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p30-184x300.jpg\"\/>\n   <p>61. Jacob Binck<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p30-631x1024.jpg\" alt=\"61. Jacob Binck\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p30.jpg 2x\"\/>\n  \n  <h4>61. Jacob Binck<\/h4>\n  <div><p>Etching<br \/>\r\n Signed 'Hh' by Hendrick Hondius, attributed to Simon Frisius<br \/>\r\n 20.2 x 12.2 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <em>IACOBUS BINCKIUS, GERMAN. PICT. ET SCULP.<\/em><br \/>\r\n <em>Binckius, ingenio quae finxit, pinxit et idem,<\/em><br \/>\r\n <em>Et scalpsit.\u00a0 certant ars, manus, ingenium.<\/em><br \/>\r\n <em>C\u00fam tua sint doct\u00e9 parvis expressa tabellis\u00a0;<br \/>\r\n <\/em><em>Artis Censori credito magnus eris.\u00a0<br \/>\r\n <br \/>\r\n <\/em><br \/>\r\n <strong>Translation of Inscription:<br \/>\r\n <\/strong><em>Jacob Binck, German painter and sculptor\u00a0<\/em><br \/>\r\n Binck painted and engraved himself what he imagined in his mind.<span id='easy-footnote-65-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-65-148' title='\u201cingenio... finxit\u201d.\u00a0 Cf. the texts on\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/67-maarten-van-heemskerk\/&quot;&gt;67. Maarten van Heemskerk&lt;\/a&gt;, \u201cfinxit qui ingenio\u201d;\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/83-christian-van-den-queborn\/&quot;&gt;83. Christian van den Queborn&lt;\/a&gt;, \u201cfingit at ingenium\u201d;\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/111-cornelius-ketel\/&quot;&gt;111. Cornelius Ketel,&lt;\/a&gt;\u00a0\u201cfinxerat ingenio\u201d.\u00a0\u00a0 The combination is common enough in classical Latin (Cicero, Seneca,\u00a0&lt;em&gt;etc.&lt;\/em&gt;)'><sup>65<\/sup><\/a><\/span>\u00a0His skill, hand and mind vie [with one another].\u00a0 Since your [works] are learnedly expressed,<span id='easy-footnote-66-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-66-148' title='Does the author here mean \u201cengraved\u201d by \u201cexpressa\u201d?\u00a0 Compare note on text for\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/89-joos-van-winghe\/&quot;&gt;89. Joos van Winghe&lt;\/a&gt;.'><sup>66<\/sup><\/a><\/span> you will be great, if the censor of skill is believed.<span id='easy-footnote-67-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-67-148' title='I am here translating as if the author had written the ablative \u201ccensore\u201d instead of the dative \u201ccensori\u201d.\u00a0 For metrical reasons, we can be sure he wrote \u201ccensori\u201d, but translating the dative would give the extremely awkward \u201cyou will be great for the censor of skill, if he is believed\u201d.\u00a0 I have little doubt the author meant what I have written. \u2013 See also the note 5 on \u201cpictorum censor\u201d in\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/poem-lovers-admirers-pictures\/&quot;&gt;Poem to the Lovers and Admirers of Pictures&lt;\/a&gt;.'><sup>67<\/sup><\/a><\/span><\/p>\r\n<p>Orenstein 1996, Frisius, no. 137; Hollstein 2008 no.157\u00a0<br \/>\r\n <a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T008916?q=binck&amp;search=quick&amp;source=oao_gao&amp;pos=1&amp;_start=1#T008916\">Grove Art Online biography<\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/learned\/\" rel=\"tag\">Described as 'learned'<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/engravers\/\" rel=\"tag\">Explicitly described as engravers in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/greater-germany\/\" rel=\"tag\">Greater Germany<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/ingenio-genius\/\" rel=\"tag\">Ingenio - genius<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-two\/\" rel=\"tag\">Prints in Part Two<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/sculptors\/\" rel=\"tag\">Sculptors (as described in the texts that frame the portraits)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p31-184x300.jpg\"\/>\n   <p>63. Pieter Aertsen<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p31-631x1024.jpg\" alt=\"63. Pieter Aertsen\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p31.jpg 2x\"\/>\n  \n  <h4>63. Pieter Aertsen<\/h4>\n  <div><p>Engraved by Hendrick Hondius (Orenstein 1996)<br \/>\r\n Signed 'Hh fecit' by Hendrick Hondius<br \/>\r\n 20.2 x 12.6 cm<\/p>\r\n<p><br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <em>PETRUS PETRI, LONGUS, AMSTELR. PICTOR.<\/em><br \/>\r\n <em>Chromata mirantur docti, duct\u00fasque viriles,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0 Et Tabulas magnas quas tua dextra dedit.<\/em><br \/>\r\n <em>Corpore longus eras : et formans Corpora longa,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0 Tu, LONGE, ostendis magna placere tibi.<\/em><br \/>\r\n <br \/>\r\n <strong>Translation of Inscription:<br \/>\r\n <\/strong><em>Pieter Aertsen, the Long of Amsterdam, painter.<br \/>\r\n <\/em>The learned wonder at your colours, your manly strokes, and the great paintings which your hand produced.\u00a0 You were long in body, and made long bodies: Long one, you have shown that great things please you.\u00a0<\/p>\r\n<p>Hollstein 1994 no.105<\/p>\r\n<p><a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0226.php\">Karel Van Mander's biography of Pieter Aertsen<br \/>\r\n <\/a><a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T000559?q=aertsen&amp;search=quick&amp;source=oao_gao&amp;pos=1&amp;_start=1#T000559\">Grove Art Online biography<\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/colour-references\/\" rel=\"tag\">Colour references<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/learned\/\" rel=\"tag\">Described as 'learned'<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-two\/\" rel=\"tag\">Prints in Part Two<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p32-184x300.jpg\"\/>\n   <p>65. Joachim Beuckelaer<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p32-631x1024.jpg\" alt=\"65. Joachim Beuckelaer\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p32.jpg 2x\"\/>\n  \n  <h4>65. Joachim Beuckelaer<\/h4>\n  <div><p>Etching<br \/>\r\n Signed 'Hh exc.' by Hendrick Hondius, attributed to Simon Frisius<br \/>\r\n 19.5 x 12.2 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <em>IOACHIMUS BUECKELAER, ANTVERP. PICTOR<\/em><br \/>\r\n <em>Hic tenui pinxit pretio dum vita manebat\u00a0:<\/em><br \/>\r\n <em>\u00a0\u00a0 Ast Tabulis pictis gloria non tenuis.<\/em><br \/>\r\n <em>Cujus post mortem colimus tabulasque culinas.<span id='easy-footnote-68-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-68-148' title='In fact, for \u201cque\u201d we have \u201cq.\u201d with a vertical straight line over it (could conceivably be \u201cqui\u201d).'><sup>68<\/sup><\/a><\/span><\/em><br \/>\r\n <em>\u00a0\u00a0 Nec mirum.\u00a0 multis docta culina placet<\/em>.\u00a0\u00a0<\/p>\r\n<p><strong>Translation of Inscription:<br \/>\r\n <\/strong><em>Joachim Beuckelaer of Antwerp, painter\u00a0<\/em><br \/>\r\n This man painted for a meagre reward, while life remained [to him].<span id='easy-footnote-69-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-69-148' title='\u201cdum vita manebat\u201d.\u00a0 The expression is from Virgil,\u00a0&lt;em&gt;Aeneid\u00a0&lt;\/em&gt;5.722, 6.608, 6.660.'><sup>69<\/sup><\/a><\/span>\u00a0But his pictures have no meagre glory, whose paintings and kitchens<span id='easy-footnote-70-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-70-148' title='\u201ctabulasque culinas\u201d: literally the solecism \u201cwhose and paintings kitchens we honour\u201d. Cf. note on \u201cnew and varied\u201d in &lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/poem-lovers-admirers-pictures\/&quot;&gt;Poem to the Lovers and Admirers of Pictures&lt;\/a&gt;.'><sup>70<\/sup><\/a><\/span> we honour after his death.\u00a0 Nor is this surprising. A learned kitchen pleases many.\u00a0<\/p>\r\n<p>Orenstein 1996 no. 140; Hollstein 2008 no. 160<\/p>\r\n<p><a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0224.php\">Karel Van Mander's biography of Joachim Beuckelaer<\/a>\u00a0<br \/>\r\n <a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T008515?q=beuckelaer&amp;search=quick&amp;source=oao_gao&amp;pos=1&amp;_start=1#T008515\">Grove Art Online biography<\/a>\u00a0<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/antwerp\/\" rel=\"tag\">Antwerp<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/learned\/\" rel=\"tag\">Described as 'learned'<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-two\/\" rel=\"tag\">Prints in Part Two<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p33-184x300.jpg\"\/>\n   <p>67. Maarten van Heemskerk<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p33-631x1024.jpg\" alt=\"67. Maarten van Heemskerk\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p33.jpg 2x\"\/>\n  \n  <h4>67. Maarten van Heemskerk<\/h4>\n  <div><p>Etching<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius, attributed to Simon Frisius<br \/>\r\n 19.7 x 12.3 cm<\/p>\r\n<p><br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <em>MARTINUS HEMSKERKUS, HARL.<\/em><br \/>\r\n <em>Quae regio, Hemskerki Batavi non plena laboris?<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Tot pinxit, finxit qui ingenio tabulas.<\/em><br \/>\r\n <em>Urbes admirans, turres, triste\u015bque ruinas,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Dices Daedaleas composuisse manus.<\/em><br \/>\r\n <br \/>\r\n <strong>Translation of Inscription:<\/strong><br \/>\r\n <em>Maarten van Heemskerck of Haarlem<\/em><br \/>\r\n What region is not full of the labour of Maarten the Dutchman,<span id='easy-footnote-71-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-71-148' title='Imitated from Virgil,\u00a0&lt;em&gt;Aeneid&lt;\/em&gt;\u00a01.460, \u201cquae regio in terris nostri non plena laboris?\u201d'><sup>71<\/sup><\/a><\/span> who painted and made so many pictures with his genius?<span id='easy-footnote-72-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-72-148' title='Cf. note on for the text on&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/61-jacob-binck\/&quot;&gt;\u00a061. Jacob Binck&lt;\/a&gt;.'><sup>72<\/sup><\/a><\/span> Admiring cities, towers, and sad ruins, you will say that the hands of Daedalus made them.\u00a0<\/p>\r\n<p>Orenstein 1996, Frisius no. 146; Hollstein 2008 no. 166<\/p>\r\n<p><a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0227.php\">Karel Van Mander's biography of Maarten van Heemskerck<\/a>\u00a0<br \/>\r\n <a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T037167?q=heemskerck&amp;search=quick&amp;source=oao_gao&amp;pos=2&amp;_start=1#T037167\">Grove Art Online biography<\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/ingenio-genius\/\" rel=\"tag\">Ingenio - genius<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/the-netherlands-dutch\/\" rel=\"tag\">Nation \/ nationality: the Netherlands \/ Dutch<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-two\/\" rel=\"tag\">Prints in Part Two<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p34-184x300.jpg\"\/>\n   <p>69. Anthonie Blocklandt<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p34-631x1024.jpg\" alt=\"69. Anthonie Blocklandt\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p34.jpg 2x\"\/>\n  \n  <h4>69. Anthonie Blocklandt<\/h4>\n  <div><p>Etching<br \/>\r\n Signed 'Hh exc.' by Hendrick Hondius, attributed to Simon Frisius<br \/>\r\n 20.3 x 12.4 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <em>ANTONIUS BLOCLANDUS, BATAVUS PICTOR.<\/em><br \/>\r\n <em>Nobilis hic arte est, genere est hic nobilis idem,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Form\u00e2 qui pinxit corpora conspicu\u00e2.<\/em><br \/>\r\n <em>C\u00fam pictam primo vidisset lumine Romam,<\/em><\/p>\r\n<p><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mox rediit Romae cedere turpe putans.<\/em>\u00a0<br \/>\r\n <br \/>\r\n <strong>Translation of Inscription:<\/strong><br \/>\r\n <em>Anthonie Blocklandt the Dutchman, painter.<\/em><br \/>\r\n This man is noble in skill; this same man is noble by race.\u00a0 He painted bodies of remarkable shape.<span id='easy-footnote-73-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-73-148' title='\u201cforma\u201d could also be translated \u201cbeauty\u201d.'><sup>73<\/sup><\/a><\/span>\u00a0When he had seen Rome painted in the first light,<span id='easy-footnote-74-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-74-148' title='I suspect the author means \u201cin his first years\u201d (cf. the text for\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/adam-elsheimer\/&quot;&gt;141. Adam Elsheimer&lt;\/a&gt;), but I can find no examples of \u201cprimo lumine\u201d having this sense.'><sup>74<\/sup><\/a><\/span> he soon returned, thinking it disgraceful to yield to Rome.<span id='easy-footnote-75-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-75-148' title='Cf. introductory poem and the text for\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/35-mathys-cock\/&quot;&gt;35. Mathys Cock&lt;\/a&gt;, \u201cingenio cedere turpe putat\u201d.'><sup>75<\/sup><\/a><\/span><\/p>\r\n<p>Orenstein 1996, Frisius no. 138; Hollstein 2008 no. 158<\/p>\r\n<p>\u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0231.php\">Karel Van Mander's biography of Anthonie Blocklandt<\/a>\u00a0<br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T009251?q=blocklandt&amp;search=quick&amp;source=oao_gao&amp;pos=1&amp;_start=1#T009251\">Grove Art Online biography<\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/the-netherlands-dutch\/\" rel=\"tag\">Nation \/ nationality: the Netherlands \/ Dutch<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-two\/\" rel=\"tag\">Prints in Part Two<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/rome\/\" rel=\"tag\">Rome<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p35-184x300.jpg\"\/>\n   <p>71. Frans Pourbus<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p35-631x1024.jpg\" alt=\"71. Frans Pourbus\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p35.jpg 2x\"\/>\n  \n  <h4>71. Frans Pourbus<\/h4>\n  <div><p>Engraved by Hendrick Hondius (Orenstein 1996)<br \/>\r\n Signed 'Hh form. Cum privil.' by Hendrick Hondius<br \/>\r\n 19.8 x 12.2 cm<\/p>\r\n<p><br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <em>FRANCISCUS POURBUSIUS, BRUGENSIS.<\/em><br \/>\r\n <em>Patre fuit pictore satus Pourbusius : arte<\/em><br \/>\r\n <em>\u00a0\u00a0 Verum patre prior.\u00a0 Sic monumenta docent.<\/em><br \/>\r\n <em>Vivunt, quas pinxit pecudes picta\u00e9que volucres :<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Pictoris lugent quae simul interitum.<\/em><br \/>\r\n <br \/>\r\n <strong>Translation of Inscription:<br \/>\r\n <\/strong><em>Frans Pourbus of Bruges.<br \/>\r\n <\/em>Pourbus was begotten by a painter father, but in skill he stood before his father.\u00a0 His monuments teach this.\u00a0 The flocks and coloured birds<span id='easy-footnote-76-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-76-148' title='\u201cpictaeque volucres\u201d comes from Virgil,\u00a0&lt;em&gt;Aeneid\u00a0&lt;\/em&gt;4.525.\u00a0Virgil is writing about real birds, and is therefore using \u201cpictae\u201d to mean \u201ccoloured, variegated\u201d.\u00a0But here the term could also have its literal meaning, \u201cpainted\u201d, \u201cpinxit and \u201cpictae\u201d are two forms of the same verb (polyptoton).'><sup>76<\/sup><\/a><\/span> which he painted are alive, [and] they weep together for the painter\u2019s death.\u00a0<\/p>\r\n<p>Hollstein 1994 no.106<\/p>\r\n<p>\u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0237.php\">Karel Van Mander's biography of Frans Pourbus<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T069079pg2?q=pourbus&amp;search=quick&amp;source=oao_gao&amp;pos=3&amp;_start=1#T069082\">Grove Art Online biography\u00a0<\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/bruges\/\" rel=\"tag\">Bruges<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/colour-references\/\" rel=\"tag\">Colour references<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-two\/\" rel=\"tag\">Prints in Part Two<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p36-184x300.jpg\"\/>\n   <p>73. Hubert Goltzius<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p36-631x1024.jpg\" alt=\"73. Hubert Goltzius\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p36.jpg 2x\"\/>\n  \n  <h4>73. Hubert Goltzius<\/h4>\n  <div><p>(After Philip Galle's engraving after Anthonis Mor.) <br \/>\r\nEngraving by Robert de Baudous (Orenstein 1996, 39)<br \/>\r\n Signed 'Hh exc.' by Hendrick Hondius<br \/>\r\n 20.5 x 12.4 cm (irregular plate)<\/p>\r\n<p><strong>Transcription of Inscription:<br \/>\r\n <\/strong><em>HUBERTUS GOLTZIUS, VENLON. PICTOR<\/em><br \/>\r\n <em>Ut gemma in nitido fulget praestantior auro<\/em><br \/>\r\n <em>\u00a0\u00a0 Chalcographus nitidus, clarus et Historicus:<\/em><br \/>\r\n <em>Et Sculptor, Pictor\u00a0: Romana Nomismata<span id='easy-footnote-77-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-77-148' title='Sic.'><sup>77<\/sup><\/a><\/span><\/em><em>, Fasti<\/em><br \/>\r\n <em>Romanum civem quem voluere suum.<\/em><\/p>\r\n<p><strong>Translation of Inscription:<br \/>\r\n <\/strong><em>Hubert Goltzius of Venlo, painter\u00a0<\/em><br \/>\r\n As a gem gleams more prominently in shining gold, [so] the shining bronze-engraver was also a famous historian, and a sculptor and painter, whom Roman coins and calendars wanted as their own Roman citizen.<span id='easy-footnote-78-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-78-148' title='The author is apparently attempting to say that Goltzius knew enough about Roman coins and calendars to be a citizen of ancient Rome.'><sup>78<\/sup><\/a><\/span><\/p>\r\n<p>Orenstein 1996, Frisius no. 145; Hollstein 2008 no. 165<\/p>\r\n<p>\u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0229.php\">Karel Van Mander's biography of Hubert Goltzius<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T033116?q=goltzius&amp;search=quick&amp;source=oao_gao&amp;pos=2&amp;_start=1#T033116\">Grove Art Online biography\u00a0<\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/engravers\/\" rel=\"tag\">Explicitly described as engravers in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-two\/\" rel=\"tag\">Prints in Part Two<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/sculptors\/\" rel=\"tag\">Sculptors (as described in the texts that frame the portraits)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p37-184x300.jpg\"\/>\n   <p>75. Dirck Barendsz<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p37-631x1024.jpg\" alt=\"75. Dirck Barendsz\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p37.jpg 2x\"\/>\n  \n  <h4>75. Dirck Barendsz<\/h4>\n  <div><p>Engraved by Hendrick Hondius (Orenstein 1996)<br \/>\r\n Signed by 'Cum privil. Hh ex' by Hendrick Hondius<br \/>\r\n 19.5 x 19.9 cm<\/p>\r\n<p><br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <em>THEOD. BERNARDI, AMSTELDEN.<\/em><br \/>\r\n <em>Vir gravis et doctus, pictor clarissimus idem,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Titiani magni prodiit ipse schol\u00e2 :\u00a0<\/em><br \/>\r\n <em>Usus et hic doctis, Algondo imprimis, et ipsa<\/em><\/p>\r\n<p><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pictorum summo iudice Lampsonio.<\/em><\/p>\r\n<p><br \/>\r\n <strong>Translation of Inscription:<br \/>\r\n <\/strong><em>Dirck Barendsz. of Amsterdam<\/em><br \/>\r\n A grave and learned man, also a most famous painter, he came himself from the school of great Titian.\u00a0 <br \/>\r\n Here too he had converse with the learned, especially Aldegonde,<span id='easy-footnote-79-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-79-148' title='&lt;a name=&quot;_ftn1&quot;&gt;&lt;\/a&gt;I read \u201cAlgondo\u201d or \u201cAegondo\u201d in the Latin, but I presume the author must be referring to Philips of Marnix, lord of St. Aldegonde.'><sup>79<\/sup><\/a><\/span> and the greatest judge of painters, Lampsonius himself.<span id='easy-footnote-80-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-80-148' title='I am reading \u201cipso\u201d for \u201cipsa\u201d'><sup>80<\/sup><\/a><\/span><\/p>\r\n<p>Hollstein 1994 no.107<\/p>\r\n<p>\u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0241.php\">Karel Van Mander's biography of Dirck Barendsz<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T006343?q=barendsz&amp;search=quick&amp;source=oao_gao&amp;pos=1&amp;_start=1#T006343\">Grove Art Online biography<\/a>\u00a0<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/learned\/\" rel=\"tag\">Described as 'learned'<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-two\/\" rel=\"tag\">Prints in Part Two<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p38-184x300.jpg\"\/>\n   <p>77. Hans Bol<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p38-631x1024.jpg\" alt=\"77. Hans Bol\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p38.jpg 2x\"\/>\n  \n  <h4>77. Hans Bol<\/h4>\n  <div><p>Engraving by Andries Jacobsz. Stock (Orenstein 1996, 267)<br \/>\r\n Signed 'Hh form.' by Hendrick Hondius<br \/>\r\n 20.7 x 12.1 cm<\/p>\r\n<p><br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <em>IOANNES BOLLIUS, MECHLINIENSIS. PICTOR<\/em><br \/>\r\n <em>Pictorum sedes dedit hunc Mechlinia Bollum,<\/em><br \/>\r\n <em>Arte, nitore urbes quae superat reliquas.<\/em><br \/>\r\n <em>Rura, lacus aqueo quamvis sint ducta colore\u00a0;<\/em><\/p>\r\n<p><em>\u00a0\u00a0 Non tamen haec abeunt more fluentis aquae.<\/em><\/p>\r\n<p><br \/>\r\n <strong>Translation of Inscription:<br \/>\r\n <\/strong><em>Hans Bol of Mechelen, painter<\/em><\/p>\r\n<p>The home of painters, Mechelen, which outdoes other cities in skill and splendour, gave this Bol.\u00a0 <br \/>\r\n Although fields and lakes are traced in watery colour, still they do not depart like flowing water.<span id='easy-footnote-81-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-81-148' title='\u201cmore fluentis aquae\u201d.\u00a0 The expression is from Ovid,\u00a0&lt;em&gt;Ars amatoria&lt;\/em&gt;3.61'><sup>81<\/sup><\/a><\/span><\/p>\r\n<p>Orenstein 1996, Stock no. 267<br \/>\r\n <a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0243.php\">Karel Van Mander's biography of Hans Bol<br \/>\r\n <\/a><a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T009678?q=bol&amp;search=quick&amp;source=oao_gao&amp;pos=3&amp;_start=1#T009678\">Grove Art Online biography<\/a>\u00a0<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/mechelen\/\" rel=\"tag\">Mechelen<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-two\/\" rel=\"tag\">Prints in Part Two<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p39-184x300.jpg\"\/>\n   <p>79. Anthonis Mor<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p39-631x1024.jpg\" alt=\"79. Anthonis Mor\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p39.jpg 2x\"\/>\n  \n  <h4>79. Anthonis Mor<\/h4>\n  <div><p>Etching<br \/>\r\n Signed 'Hh' by Hendrick Hondius, attributed to Simon Frisius<br \/>\r\n 21 x 12.2 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <em>ANTONIUS MORUS, ULTRAIECTINUS PICTOR<\/em>\u00a0<br \/>\r\n <em>Quaestus, nomen, honos, si munera magna petenda\u00a0:<\/em><br \/>\r\n <em>\u00a0\u00a0 Voto respondent omnia, More, tuo.<\/em><br \/>\r\n <em>Te coluit Caesar, tum magnus Caesaris haeres.<\/em><br \/>\r\n <em>\u00a0 Multum his principibus te placuisse viris.<\/em><br \/>\r\n <br \/>\r\n <strong>Translation of Inscription:<br \/>\r\n <\/strong><em>Anthonis Mor, Painter of Utrecht<\/em><br \/>\r\n Wealth, fame, honour (if great offices are to be sought) \u2013 everything answered to your wishes, Mor.<span id='easy-footnote-82-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-82-148' title='The same motives for art are emphasised in\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/105-karel-van-mander\/&quot;&gt;Van Mander\u2019s&lt;\/a&gt; biography of Mor. As Hessel Miedema points out in his edition of Van Mander\u2019s\u00a0&lt;em&gt;Schilder-Boeck&lt;\/em&gt;, they implicitly characterise Mor as lacking in love of art itself, which was regarded as the highest motive.'><sup>82<\/sup><\/a><\/span><br \/>\r\n The emperor honoured you, and the great successor of the emperor.<span id='easy-footnote-83-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-83-148' title='\u201cThe emperor \u2026 the emperor\u201d.\u00a0 Or \u201cCaesar \u2026Caesar\u201d.\u00a0 Cf. note on \u201cEmperor\u201d on the text for\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/33-jan-vermeyen\/&quot;&gt;33. Jan Vermeyen&lt;\/a&gt;. The Emperor in this case is Charles V \u2013 and his successor: Philip II.'><sup>83<\/sup><\/a><\/span><br \/>\r\n It is much for you to have pleased these princely men.<\/p>\r\n<p>Orenstein 1996, Frisius no. 151; Hollstein 2008 no. 171<\/p>\r\n<p>\u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0217.php\">Karel Van Mander's biography of Anthony Mor<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T059446?q=mor&amp;search=quick&amp;source=oao_gao&amp;pos=2&amp;_start=1#T059446\">Grove Art Online biography<\/a>\u00a0<\/p>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-two\/\" rel=\"tag\">Prints in Part Two<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/rulers-and-patrons\/\" rel=\"tag\">Rulers and Patrons<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p40-184x300.jpg\"\/>\n   <p>81. Hendrick van Cleef<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p40-631x1024.jpg\" alt=\"81. Hendrick van Cleef\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p40.jpg 2x\"\/>\n  \n  <h4>81. Hendrick van Cleef<\/h4>\n  <div><p>Etching and engraving<br \/>\r\n Signed 'Hh exc.' by Hendrick Hondius, attributed to Simon Frisius<br \/>\r\n 19.5 x 12.2 cm<\/p>\r\n<p><br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <em>HENRICUS CLIVENSIS, ANTVERP. PICTOR<\/em>\u00a0<br \/>\r\n <em>Urbes atque Arces, Montes, Terr\u00e1sque jacenteis<span id='easy-footnote-84-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-84-148' title='Sic.'><sup>84<\/sup><\/a><\/span>,<\/em><br \/>\r\n <em>\u00a0\u00a0 Et Valles, Fontes, Flumina, Rura, Lacus,<\/em><br \/>\r\n <em>Atque Casas humiles, tum tecta superba domorum<\/em><br \/>\r\n <em>\u00a0\u00a0 Quae pinxit, recreant mirific\u00e9 haec oculos.\u00a0<\/em><\/p>\r\n<p><strong>Translation of Inscription:<br \/>\r\n <\/strong><em>Hendrick van Cleef of Antwerp. Painter<\/em><br \/>\r\n The cities and castles, mountains and low-lying lands, and valleys, fountains, rivers, fields, lakes and humble huts, besides the proud roofs<span id='easy-footnote-85-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-85-148' title='\u201ctecta superba\u201d. The expression is from Ovid,\u00a0&lt;em&gt;Amores\u00a0&lt;\/em&gt;1.6.52.'><sup>85<\/sup><\/a><\/span> of houses, which he painted \u2013 these wonderfully refresh the eyes.<span id='easy-footnote-86-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-86-148' title='\u201crecreant ... oculos\u201d.\u00a0 Cf. the text for&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/97-arnold-mytens\/&quot;&gt;\u00a097. Arnold Mytens&lt;\/a&gt;, \u201crecreant animos\u201d; and\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/133-joos-de-momper\/&quot;&gt;133. Joos de Momper&lt;\/a&gt;, \u201crecreantes lumina\u201d.'><sup>86<\/sup><\/a><\/span><\/p>\r\n<p>Orenstein 1996, Frisius no. 141; Hollstein 2008 no.161<br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0216.php\">Karel Van Mander's biography of Hendrick van Cleef<\/a>\u00a0<br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T018159pg1?q=hendrick+van+cleve&amp;search=quick&amp;pos=3&amp;_start=1#T018161\">Grove Art Online biography<\/a><\/p>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/antwerp\/\" rel=\"tag\">Antwerp<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/belgica-belgium-belgian\/\" rel=\"tag\">Nation\/nationality: Belgica\/Belgium\/Belgian<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-two\/\" rel=\"tag\">Prints in Part Two<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p41-184x300.jpg\"\/>\n   <p>83. Christian van den Queborn<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p41-631x1024.jpg\" alt=\"83. Christian van den Queborn\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p41.jpg 2x\"\/>\n  \n  <h4>83. Christian van den Queborn<\/h4>\n  <div><p>Etching<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius, attributed to Simon Frisius<br \/>\r\n 20.1 x 11.6 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <em>CHRISTIANUS QUEBORNUS. ANTV. PICTOR.\u00a0<\/em><br \/>\r\n <em>Rura, lacus, silvas, montes Vall\u00e9sque, recessus,<\/em><br \/>\r\n <em>\u00a0\u00a0 Et fontes, pontes, et maria, et fluvios,<\/em><br \/>\r\n <em>Omnia grata oculis, vario quae picta colore,<\/em><br \/>\r\n <em>\u00a0\u00a0 Docta manus pingit, fingit at ingenium.\u00a0<\/em><br \/>\r\n <br \/>\r\n <strong>Translation of Inscription:<br \/>\r\n <\/strong><em>Christian van den Queborn of Antwerp, painter.\u00a0<\/em><br \/>\r\n Fields, lakes, woods, mountains and valleys, caves, and fountains, bridges, and seas and rivers, all things pleasing to the eye, painted with varied colour \u2013 [these] his learned hand painted, but his mind imagined them.<span id='easy-footnote-87-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-87-148' title='Cf. note for the text on\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/61-jacob-binck\/&quot;&gt;61. Jacob Binck&lt;\/a&gt;.'><sup>87<\/sup><\/a><\/span><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>Orenstein 1996, Frisius no. 154; Hollstein 2008 no. 174<br \/>\r\n <a href=\"https:\/\/rkd.nl\/en\/explore\/artists\/358934\">RKD artists biography<\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/antwerp\/\" rel=\"tag\">Antwerp<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/colour-references\/\" rel=\"tag\">Colour references<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/learned\/\" rel=\"tag\">Described as 'learned'<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/ingenio-genius\/\" rel=\"tag\">Ingenio - genius<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-two\/\" rel=\"tag\">Prints in Part Two<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p42-184x300.jpg\"\/>\n   <p>85. Cornelius Visscher<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p42-631x1024.jpg\" alt=\"85. Cornelius Visscher\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p42.jpg 2x\"\/>\n  \n  <h4>85. Cornelius Visscher<\/h4>\n  <div><p>Engraving by Robert de Baudous (Orenstein 1996, 42)<br \/>\r\n Signed 'Hh form.' by Hendrick Hondius<br \/>\r\n 20.6 x 12.2 cm<\/p>\r\n<p><br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <em>CORNELIUS VISSHERUS, GOUDAN.\u00a0<\/em><br \/>\r\n <em>Postremos inter non est Vischerus habendus,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Austriaci, Auriaci clarus imaginibus.<\/em><br \/>\r\n <em>Principis exemplar cum quaerant undique vestrum<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Pictores : Magno magnus es Auriaco.<\/em><br \/>\r\n <br \/>\r\n <strong>Translation of Inscription:<br \/>\r\n <\/strong><em>Cornelius Visscher of Gouda<\/em><\/p>\r\n<p>Visscher, famous for images of the Hanoverian and the [Prince] of Orange, is not to be counted among the least.\u00a0 Since painters from everywhere seek your<span id='easy-footnote-88-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-88-148' title='This for \u201cvestrum\u201d, which indicates a plural \u201cyou\u201d.\u00a0 Unless more than one person is responsible for the image, this usage is bad Latin.'><sup>88<\/sup><\/a><\/span>\u00a0image of the prince, you are great by the great [Prince of] Orange.\u00a0<\/p>\r\n<p>Orenstein 1996, Baudous no. 42<br \/>\r\n <a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T089861?q=visscher&amp;search=quick&amp;pos=2&amp;_start=1#T089861\">Grove Art Online biography\u00a0<\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-two\/\" rel=\"tag\">Prints in Part Two<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/rulers-and-patrons\/\" rel=\"tag\">Rulers and Patrons<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p43-184x300.jpg\"\/>\n   <p>87. Crispijn van der Broeck<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p43-631x1024.jpg\" alt=\"87. Crispijn van der Broeck\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p43.jpg 2x\"\/>\n  \n  <h4>87. Crispijn van der Broeck<\/h4>\n  <div><p>Engraved by Hendrick Hondius (Orenstein 1996)<br \/>\r\n Signed 'Hh Cum privil' by Hendrick Hondius<br \/>\r\n 20.4 x 12.1 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <em>CRISPIANUS BROEKIUS, ANTVERP. PICTOR.<\/em><br \/>\r\n <em>Inventor felix habitus, pict\u00f3rque peritus<\/em><br \/>\r\n <em>Tectonices : laudas quem ingeniose faber.<\/em><br \/>\r\n <em>Corpora pingebat magnis expressa figuris<\/em><\/p>\r\n<p><em>Ad vivum, quorum tegmina nulla vides<br \/>\r\n <br \/>\r\n <\/em><\/p>\r\n<p><br \/>\r\n <strong>Translation of Inscription:<br \/>\r\n <\/strong><em>To Crispijn van den Broeck of Antwerp, painter\u00a0<\/em><br \/>\r\n Ingenious craftsman,<span id='easy-footnote-89-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-89-148' title='The author appears to be addressing himself here.'><sup>89<\/sup><\/a><\/span> he whom you praise was thought to be a lucky inventor and a skilled painter of carpentry.\u00a0 He painted lifelike<span id='easy-footnote-90-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-90-148' title='This for \u201cad vivum\u201d.\u00a0 But the expression could also mean \u201cfrom life\u201d.\u00a0See also the texts for\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/119-michael-van-mierevelt\/&quot;&gt;119. Michael van Mierevelt&lt;\/a&gt;\u00a0and\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/isaac-oliver\/&quot;&gt;143. Isaac Oliver.&lt;\/a&gt;'><sup>90<\/sup><\/a><\/span>\u00a0bodies set forth in large shapes.\u00a0 On these you shall see no covering.<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>Hollstein 1994 no.108<\/p>\r\n<p>\u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0225.php\">mentioned in Karel Van Mander\u2019s life of Frans Floris\u00a0<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T011460pg2?q=Crispijn+van+den+Broeck+of+Antwerp\">Grove Art Online biography<\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/antwerp\/\" rel=\"tag\">Antwerp<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/ingenio-genius\/\" rel=\"tag\">Ingenio - genius<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-two\/\" rel=\"tag\">Prints in Part Two<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p44-184x300.jpg\"\/>\n   <p>89. Joos van Winghe<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p44-631x1024.jpg\" alt=\"89. Joos van Winghe\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p44.jpg 2x\"\/>\n  \n  <h4>89. Joos van Winghe<\/h4>\n  <div><p>Etching<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius, attributed to Simon Frisius<br \/>\r\n 20.1 x 11.9 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription:<br \/>\r\n <\/strong><em>IODOCUS WINGIUS, BRUXELL. PICTOR<\/em><br \/>\r\n <em>Wingius hic multum pingebat corpora viva :\u00a0<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Venae, membra, artus, omnia consipicua.<\/em><br \/>\r\n <em>Cujus laudatur, quae expressa est, Belgica nuda :\u00a0<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Qu\u00e2 ostendit Patriae tristia fata suae.<\/em><br \/>\r\n <br \/>\r\n <strong>Translation of Inscription:<br \/>\r\n <\/strong><em>Joos van Winghe of Brussels, painter\u00a0<\/em><br \/>\r\n This van Winghe often painted living bodies \u2013 veins, limbs, joints, everything was remarkable.\u00a0 His Belgian nude, which has been printed,<span id='easy-footnote-91-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-91-148' title='I am not certain this is what the author means by \u201cexpressa\u201d. It could also simply mean \u201cportrayed\u201d, \u201cpainted\u201d. Compare note for the text on\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/61-jacob-binck\/&quot;&gt;61. Jacob Binck&lt;\/a&gt;.'><sup>91<\/sup><\/a><\/span> is praised. With her he showed the sad fate of his fatherland.\u00a0<\/p>\r\n<p>Orenstein 1996, Frisius no. 159; Hollstein 2008 no. 179<br \/>\r\n \u00a0Karel Van Mander's biography of Joos van Winghe\u00a0<br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T091840pg1?q=+Joos+van+Winghe&amp;search=quick&amp;pos=1&amp;_start=1\">Grove Art Online biography<\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/brussels\/\" rel=\"tag\">Brussels<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/belgica-belgium-belgian\/\" rel=\"tag\">Nation\/nationality: Belgica\/Belgium\/Belgian<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-two\/\" rel=\"tag\">Prints in Part Two<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p45-184x300.jpg\"\/>\n   <p>91. Gillis Mostaert<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p45-631x1024.jpg\" alt=\"91. Gillis Mostaert\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p45.jpg 2x\"\/>\n  \n  <h4>91. Gillis Mostaert<\/h4>\n  <div><p>Etching and engraving<br \/>\r\n Signed 'Hh excud.' by Hendrick Hondius, attributed to Simon Frisius<\/p>\r\n<p>20.3 x 12.5 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <br \/>\r\n <em>\u00c6GIDIUS MOSTART, FLANDER. PICTOR.<\/em><br \/>\r\n <em>Nomine Mostarti duo sunt, fratr\u00e9sque gemelli,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Arte pares, vultu, moribus, ingenio.<\/em><br \/>\r\n <em>Gilius inventor felix, laet\u00fasque color<span id='easy-footnote-92-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-92-148' title='Sic.\u00a0 The &#039;e&#039; of &quot;colore&quot; is written in pencil only. I translate &quot;colore&quot;.'><sup>92<\/sup><\/a><\/span>:<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Sic color in verbis, et sine felle sales.<\/em><\/p>\r\n<p><strong>Translation of Inscription:<br \/>\r\n <br \/>\r\n <\/strong><em>Gillis Mostaert of Flanders, painter\u00a0<\/em><br \/>\r\n There are two twin brothers by the name of Mostaert.\u00a0 They are equal in skill, appearance, morals and genius.<span id='easy-footnote-93-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-93-148' title='\u201cmoribus ingenio\u201d \u2013 the same combination at\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/121-otto-van-veen\/&quot;&gt;121. Otto van Veenand&lt;\/a&gt; in patristic and medieval Latin.\u00a0 Like this poem, van Veen&#039;s text adds \u201carte\u201d to the combination.'><sup>93<\/sup><\/a><\/span>\u00a0Gillis is a lucky inventor,<span id='easy-footnote-94-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-94-148' title='\u201cinventor felix\u201d - the same phrase in the text for\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/127-jacques-de-gheyn-ii\/&quot;&gt;127. Jacques de Gheyn&lt;\/a&gt;.'><sup>94<\/sup><\/a><\/span> rejoicing in colour.\u00a0 Thus there is colour<span id='easy-footnote-95-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-95-148' title='Latin speaks of \u201ccolour\u201d in someone\u2019s speech, meaning inventiveness and liveliness.\u00a0 The term can be either laudatory or derogatory.'><sup>95<\/sup><\/a><\/span> in his words, and wit without bile.<\/p>\r\n<p>Orenstein 1996, Frisius no. 152; Hollstein 2008 no.172<br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0244.php\">Karel Van Mander's biography of Gillis Mostaert\u00a0<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T059880pg2?q=mostaert&amp;search=quick&amp;pos=3&amp;_start=1#T059884\">Grove Art Online biography<\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/colour-references\/\" rel=\"tag\">Colour references<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/ingenio-genius\/\" rel=\"tag\">Ingenio - genius<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-two\/\" rel=\"tag\">Prints in Part Two<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p46-184x300.jpg\"\/>\n   <p>93. Joris Hoefnagel<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p46-631x1024.jpg\" alt=\"93. Joris Hoefnagel\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p46.jpg 2x\"\/>\n  \n  <h4>93. Joris Hoefnagel<\/h4>\n  <div><p>Etching<br \/>\r\n Signed 'Hh. formis' by Hendrick Hondius, attributed to Simon Frisius<br \/>\r\n 21.2 x 12.5 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <br \/>\r\n <em>GEORGIUS HOEFNAGLIUS PICT. ANTVERPIANUS<\/em>\u00a0<br \/>\r\n <em>Doctrin\u00e2 excultus se offert Hoefnaglius ille,<\/em><br \/>\r\n <em>\u00a0\u00a0 Cosmographo docto fidus et Ortelio.<\/em><br \/>\r\n <em>Hic Orbem, ille Urbes dedit Orbi ingente Theatro,<\/em><br \/>\r\n <em>\u00a0\u00a0 Et pinxit flores brut\u00e1<span id='easy-footnote-96-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-96-148' title='Sic, although the syllable needs to be short.'><sup>96<\/sup><\/a><\/span> q<\/em><em>ue qui varia.\u00a0<\/em><\/p>\r\n<p><strong>Translation of Inscription:<br \/>\r\n <\/strong><em><br \/>\r\n Joris Hoefnagel, painter of Antwerp<\/em><br \/>\r\n This Hoefnagel, refined by learning, presents himself.\u00a0 He was also trustworthy for the learned cosmographer Ortelius.\u00a0 The latter gave the world, [and] the former cities to the world in a gigantic Theatre,<span id='easy-footnote-97-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-97-148' title='Abraham Ortelius\u2019\u00a0&lt;em&gt;Theatrum orbis terrarum&lt;\/em&gt;.'><sup>97<\/sup><\/a><\/span> and painted flowers and various brute beasts.<span id='easy-footnote-98-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-98-148' title='I have ignored the \u201cqui\u201d in the last line, as it makes for Latin too bad to be turned into comprehensible English.'><sup>98<\/sup><\/a><\/span><\/p>\r\n<p>Orenstein 1996, Frisius no. 147; Hollstein 2008 no. 167<\/p>\r\n<p>\u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0249.php\">Karel Van Mander's biography of Joris Hoefnagel<\/a>\u00a0<br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T038428?q=hoefnagel&amp;search=quick&amp;pos=1&amp;_start=1#T038428\">Grove Art Online biography<\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/antwerp\/\" rel=\"tag\">Antwerp<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/learned\/\" rel=\"tag\">Described as 'learned'<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-two\/\" rel=\"tag\">Prints in Part Two<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p47-184x300.jpg\"\/>\n   <p>95. Michiel Coxcie<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p47-631x1024.jpg\" alt=\"95. Michiel Coxcie\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p47.jpg 2x\"\/>\n  \n  <h4>95. Michiel Coxcie<\/h4>\n  <div><p>Etching and engraving<br \/>\r\n Signed 'Hh exc.' by Hendrick Hondius, attributed to Simon Frisius<br \/>\r\n 20.4 x 12.4 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <br \/>\r\n <em>MICHAEL COEXIUS, MECHLINIENS. PICTOR.\u00a0<\/em><br \/>\r\n <em>Coexius illustris pictor, Mechlinia cujus<\/em><br \/>\r\n <em>\u00a0\u00a0 Patria, doctorum quae fuit artificum.<\/em><br \/>\r\n <em>Hic magno pinxit.\u00a0 nam Zeuxis creditur esse\u00a0:<\/em><br \/>\r\n <em>\u00a0\u00a0 Carus divitibus, principib\u00fasque Viris.\u00a0<\/em><br \/>\r\n <br \/>\r\n <strong>Translation of Inscription:<br \/>\r\n <\/strong><br \/>\r\n <em>Michiel Coxie of Mechelen, painter<\/em><br \/>\r\n Coxie was an illustrious painter, whose fatherland was Mechelen, which was that of learned artists.<span id='easy-footnote-99-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-99-148' title='If this is obscure, one could translate &quot;which was [the fatherland] of learned artists&quot;.'><sup>99<\/sup><\/a><\/span> He painted for a great price.\u00a0 For he was believed to be Zeuxis,<span id='easy-footnote-100-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-100-148' title='As was\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/119-michael-van-mierevelt\/&quot;&gt;119. Michael van Mierevelt&lt;\/a&gt;.'><sup>100<\/sup><\/a><\/span> [and] was dear to the rich and to princely men.<\/p>\r\n<p>Orenstein 1996, Frisius no. 142; Hollstein 2008 no.162<\/p>\r\n<p>\u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0240.php\">Karel Van Mander's biography of Michiel Coxie<\/a>\u00a0<br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T020026?q=coxie&amp;search=quick&amp;pos=6&amp;_start=1#T020026\">Grove Art Online biography<\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/architects\/\" rel=\"tag\">Architects (as described in the texts that frame the portraits)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/learned\/\" rel=\"tag\">Described as 'learned'<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/mechelen\/\" rel=\"tag\">Mechelen<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-two\/\" rel=\"tag\">Prints in Part Two<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p48-184x300.jpg\"\/>\n   <p>97. Arnold Mytens<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p48-631x1024.jpg\" alt=\"97. Arnold Mytens\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p48.jpg 2x\"\/>\n  \n  <h4>97. Arnold Mytens<\/h4>\n  <div><p>Engraved by Hendrick Hondius (Orenstein 1996)<br \/>\r\n Signed 'Hh f Cum privilegio' by Hendrick Hondius<br \/>\r\n 20.1 x 11.8 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <br \/>\r\n <em>ARNOLDUS MYTENUS. BRUXELL.<\/em><br \/>\r\n <em>Haerent parietibus monumenta ingentia sacris<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0 Arnolde Italiae, que<span id='easy-footnote-101-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-101-148' title='Read &quot;quae&quot;'><sup>101<\/sup><\/a><\/span> recreant animos.<\/em><br \/>\r\n <em>Ornas Italiam : prim\u00fam te ornaverat illa.<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0 Te Belgam laudans Itala terra colit.<\/em><\/p>\r\n<p><strong>Translation of Inscription:<br \/>\r\n <br \/>\r\n <\/strong><em>Arnold Mytens of Brussels<\/em><br \/>\r\n Arnold, gigantic monuments, which refresh souls,<span id='easy-footnote-102-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-102-148' title='Cf. note on the text for\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/81-hendrick-van-cleef\/&quot;&gt;81. Hendrick van Cleef.&lt;\/a&gt;\u00a0'><sup>102<\/sup><\/a><\/span> cleave to the sacred walls of Italy.\u00a0 You adorn Italy: first she adorned you.\u00a0 Praising Belgium, the land of Italy honours you.<\/p>\r\n<p>Hollstein 1994 no.109<\/p>\r\n<p>\u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0250.php\">Karel Van Mander's biography of Arnold Mytens<\/a>\u00a0<br \/>\r\n \u00a0<a href=\"http:\/\/www.rkd.nl\/rkddb\/%28f2z1vd55rqiwaq45rzoyoi3c%29\/detail.aspx?parentpriref=\">RKD artists biography<\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/brussels\/\" rel=\"tag\">Brussels<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/italy-italians\/\" rel=\"tag\">Nation \/nationality: Italy \/ Italians<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-two\/\" rel=\"tag\">Prints in Part Two<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p49-184x300.jpg\"\/>\n   <p>99. Maarten de Vos<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p49-631x1024.jpg\" alt=\"99. Maarten de Vos\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p49.jpg 2x\"\/>\n  \n  <h4>99. Maarten de Vos<\/h4>\n  <div><p>Etching<br \/>\r\n Attributed to Simon Frisius<\/p>\r\n<p>20.1 x 11.7 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <br \/>\r\n <em>MARTINUS VOSSIUS, ANTVERPIAN. PICTOR.<\/em><br \/>\r\n <em>Qui se offert oculis, Martinus Vossius ille\u00a0:<\/em><br \/>\r\n <em>\u00a0\u00a0 Cujus erat frater pictor, et ipse pater.<\/em><br \/>\r\n <em>Arte hic Martinus sane est Hemskerkius alter.<\/em><br \/>\r\n <em>\u00a0\u00a0 Nam simili ductu pinxit uterque, modo.<\/em><br \/>\r\n <br \/>\r\n <strong>Translation of Inscription:<br \/>\r\n <\/strong><br \/>\r\n <em>Maarten de Vos of Antwerp, painter<\/em><br \/>\r\n He who presents himself to [your] eyes is that Maarten de Vos, whose brother, and even father, were painters. In his skill this Maarten is surely a second Heemskerk.\u00a0 For both painted with a similar stroke [and]<span id='easy-footnote-103-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-103-148' title='The absence of this &quot;and&quot; in the Latin makes for a very awkward line.'><sup>103<\/sup><\/a><\/span> manner.\u00a0<\/p>\r\n<p>Orenstein 1996, Frisius no. 156; Hollstein 2008 no.176<\/p>\r\n<p>\u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0252.php\">Karel Van Mander's biography of Maarten de Vos<\/a>\u00a0<br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T090181?q=de+vos&amp;search=quick&amp;pos=3&amp;_start=1#T090181\">Grove Art Online biography<\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/antwerp\/\" rel=\"tag\">Antwerp<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-three\/\" rel=\"tag\">Prints in Part Three<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p50-184x300.jpg\"\/>\n   <p>101. Hans Vredeman de Vries<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p50-631x1024.jpg\" alt=\"101. Hans Vredeman de Vries\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p50.jpg 2x\"\/>\n  \n  <h4>101. Hans Vredeman de Vries<\/h4>\n  <div><p>101Engraved by Hendrick Hondius (Orenstein 1996)<br \/>\r\n Signed 'Hh form. Cum privil.' by Hendrick Hondius<\/p>\r\n<p>19.8 x 11.6 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <br \/>\r\n <em>IOANNES VREDEMANNUS FRISIUS. LEOVARDIENSIS.<\/em><br \/>\r\n <em>Pictorum summus, celebrat quos Optica virtus,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Friso : probant artem Regia tecta tuam.<\/em><br \/>\r\n <em>Cum tua sint Opera haec varii<span id='easy-footnote-104-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-104-148' title='Sic.\u00a0 the s of &quot;variis&quot; is written in pencil only.'><sup>104<\/sup><\/a><\/span> subnixa Columnis<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Spectabit longo tempore posteritas.<\/em><\/p>\r\n<p><strong>Translation of Inscription:<br \/>\r\n <br \/>\r\n <\/strong><em>Hans Vredeman de Vries of Leeuwarden<\/em><br \/>\r\n Frisian, greatest of painters whom skill in optics makes famous, the royal palace proves your skill.\u00a0 Since these works are yours, supported by diverse<span id='easy-footnote-105-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-105-148' title=' I am reading \u201cvariis\u201d for the text\u2019s \u201cvarii\u201d.\u00a0 A space seems to have been left for the missing \u201cs\u201d.'><sup>105<\/sup><\/a><\/span> columns, posterity shall gaze upon them for a long time.<\/p>\r\n<p>Hollstein 1994 no.110<\/p>\r\n<p>\u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0253.php#250\">Karel Van Mander's biography of Hans Vredeman de Vrie<\/a>\u00a0<br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T090227?q=vredeman+de+vries&amp;search=quick&amp;pos=1&amp;_start=1#T090227\">Grove Art Online biography<\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/101\/\" rel=\"tag\">101<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-two\/\" rel=\"tag\">Prints in Part Two<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p51-184x300.jpg\"\/>\n   <p>103. Gillis Coninxloo<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p51-631x1024.jpg\" alt=\"103. Gillis Coninxloo\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p51.jpg 2x\"\/>\n  \n  <h4>103. Gillis Coninxloo<\/h4>\n  <div><p>Engraving by Andries Jacobsz. Stock (Orensrtein 1996, 268)<br \/>\r\n Signed 'Hh excudit' by Hendrick Hondius<\/p>\r\n<p>202 x 12.1 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <br \/>\r\n <em>\u00c6GIDIUS CONINCXLOY, ANTVERPIAN. PICTOR.<\/em><br \/>\r\n <em>Pingere rura, lacus, silvas, animalcula, fontes<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0 Cura tibi.\u00a0 pascunt mirific\u00e9 haec oculos.<\/em><br \/>\r\n <em>Te duce nunc pingunt alii camp\u00f3sque lac\u00fasque :<\/em><br \/>\r\n <em>Te Fauni, Nymphae, te Dryad\u00e9sque canunt.<\/em><br \/>\r\n <br \/>\r\n <strong>Translation of Inscription:<br \/>\r\n <\/strong><br \/>\r\n <em>Gillis Coninxloo of Antwerp, painter\u00a0<\/em><br \/>\r\n Your concern was to paint fields, lakes, small animals and fountains.\u00a0 These things nourish <span id='easy-footnote-106-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-106-148' title=' \u201cpascunt ... oculos\u201d \u2013 the same expression in the text for\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/135-floris-van-dijck\/&quot;&gt;Floris van Dijk&lt;\/a&gt;.'><sup>106<\/sup><\/a><\/span> the eyes wonderfully.\u00a0 By your example, now others paint fields and lakes: the Fauns, the Nymphs and the Dryads sing of you.\u00a0<\/p>\r\n<p>Orenstein 1996, Stock no. 268<\/p>\r\n<p>\u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0255.php\">Karel Van Mander's biography of Gillis Coninxloo<\/a>\u00a0<br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T019048pg2#T019052\">Grove Art Online biography<\/a><a style=\"font-size: 1rem\" name=\"_ftn1\"><\/a><\/p>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/antwerp\/\" rel=\"tag\">Antwerp<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-two\/\" rel=\"tag\">Prints in Part Two<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p52-184x300.jpg\"\/>\n   <p>105. Karel van Mander<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p52-631x1024.jpg\" alt=\"105. Karel van Mander\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p52.jpg 2x\"\/>\n  \n  <h4>105. Karel van Mander<\/h4>\n  <div><p>Engraving by Andries Jacobsz. Stock (Orenstein 1996, 269)<br \/>\r\n Signed 'Hh. formis' by Hendrick Hondius<br \/>\r\n <br \/>\r\n 20.4 x 12.2 cm<\/p>\r\n<p><br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <br \/>\r\n <em>CAROLUS VER-MANDERUS, PICT. ET POETA.<\/em>\u00a0<br \/>\r\n <em>Peniculo vivunt Pictores ingeniosi,<\/em><br \/>\r\n <em>\u00a0\u00a0 Et vivunt calamo, Carole docte, tuo.<\/em><br \/>\r\n <em>Pictor, Pictorum Censor tu candidus idem.<\/em><br \/>\r\n <em>\u00a0\u00a0 Pulcrum est Artificis pingere judicio.\u00a0<\/em><br \/>\r\n <br \/>\r\n <strong>Translation of Inscription:<br \/>\r\n <\/strong><br \/>\r\n <em>Karel van Mander, Painter and Poet<\/em><br \/>\r\n Ingenious pictures live by their brush, and they live, learned Karel, by your pen.\u00a0 You are at the same time a painter and the candid censor of painters.<span id='easy-footnote-107-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-107-148' title='\u00a0&quot;pictorum censor&quot; - see the note on this expression in\u00a05. &lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/poem-lovers-admirers-pictures\/&quot;&gt;Poem to the Lovers and Admirers of Pictures&lt;\/a&gt;.'><sup>107<\/sup><\/a><\/span>.\u00a0It is a fine thing to paint for the judgment of an artist.\u00a0<\/p>\r\n<p>\u00a0Orenstein 1996, Stock no. 269<br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/\">Karel Van Mander's\u00a0<em>Het Schilder-boeck<\/em><\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T053701pg1?q=van+mander&amp;search=quick&amp;pos=2&amp;_start=1#T053702\">Grove Art Online biography<\/a><a style=\"font-size: 1rem\" name=\"_ftn1\"><\/a><\/p>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/learned\/\" rel=\"tag\">Described as 'learned'<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/ingenio-genius\/\" rel=\"tag\">Ingenio - genius<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-three\/\" rel=\"tag\">Prints in Part Three<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p53-184x300.jpg\"\/>\n   <p>107. Johannes Stradanus<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p53-631x1024.jpg\" alt=\"107. Johannes Stradanus\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p53.jpg 2x\"\/>\n  \n  <h4>107. Johannes Stradanus<\/h4>\n  <div><p>Etching, second state<br \/>\r\n Inscribed on cartouche 'Pars III. Henr. hondius excudit. Cum Privil.', attributed to Simon Frisius<\/p>\r\n<p>19.9 x 15.9 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <br \/>\r\n <em>IOANNES STRADANUS, BRUGENS. PICT.\u00a0<\/em><br \/>\r\n <em>Stradano Belga florens Hetruria gaudet,<\/em><br \/>\r\n <em>Quae tantum Belgis invidet artificem.<\/em><br \/>\r\n <em>Cujus et ipse Myron opera et miratur Apelles :\u00a0<\/em><br \/>\r\n <em>Quem doctae et pulcrae progenuere Brugae.<\/em><\/p>\r\n<p><br \/>\r\n <strong>Translation of Inscription:<br \/>\r\n <br \/>\r\n <\/strong><em>Johannes Stradanus, painter of Bruges<\/em><br \/>\r\n Flowering Tuscany rejoices in the Belgian van der Straet.\u00a0 She envies the Belgians so great an artist, whose works Myron himself and Apelles admire, whom beautiful, learned Bruges brought forth.<\/p>\r\n<p>Orenstein 1996, Frisius no. 155; Hollstein 2008 no.175<\/p>\r\n<p>\u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0254.php\">Karel Van Mander's biography of Johannes Stradanus<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/groveart\/view\/10.1093\/gao\/9781884446054.001.0001\/oao-9781884446054-e-7000081708?_start=1&amp;pos=1&amp;q=stradanus&amp;search=quick\"><u>Grove Art Online biography 107<\/u><\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/bruges\/\" rel=\"tag\">Bruges<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/belgica-belgium-belgian\/\" rel=\"tag\">Nation\/nationality: Belgica\/Belgium\/Belgian<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-three\/\" rel=\"tag\">Prints in Part Three<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/foreign-experience\/\" rel=\"tag\">References to travel and foreign experience<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p55-184x300.jpg\"\/>\n   <p>111. Cornelius Ketel<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p55-631x1024.jpg\" alt=\"111. Cornelius Ketel\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p55.jpg 2x\"\/>\n  \n  <h4>111. Cornelius Ketel<\/h4>\n  <div><p>Engraved by Hendrick Hondius (Orenstein 1996)<br \/>\r\n Signed 'Hh. Esc. Cum privil.' by Hendrick Hondius<br \/>\r\n 20.9 x 11.8 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <br \/>\r\n <em>CORNELIUS KETEL, GOUDANUS.<\/em><br \/>\r\n <em>Primus hic \u00e1 Luca Leidano pictor habetur<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Goudanus, Batavi gloria uterque soli.<\/em><br \/>\r\n <em>Quam bene conveniant, docuit, Pictura, Poesis :<br \/>\r\n <\/em><em>\u00a0 \u00a0 Quae pinxit, prius hic finxerat ingenio.<br \/>\r\n <\/em><br \/>\r\n <strong>Translation of Inscription:<br \/>\r\n <\/strong><\/p>\r\n<p><em>Cornelius Ketel of Gouda.\u00a0<\/em><br \/>\r\n This man of Gouda is held to be the greatest painter after Lucas van Leyden \u2013 both [are] glories of the Dutch land.\u00a0 He taught how well painting and poetry<span id='easy-footnote-108-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-108-148' title=' See note on \u201cillustrated poems\u201d in\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/lover-things-written-drawn\/&quot;&gt;7. \u2018To the Lover and Hater of Things Written and Drawn\u2019&lt;\/a&gt;.'><sup>108<\/sup><\/a><\/span> go together.\u00a0 What he painted, the other<span id='easy-footnote-109-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-109-148' title='\u00a0&lt;span style=&quot;font-size: 1rem&quot;&gt;I gather this is more likely to be Ketel, but the Latin is not clear'><sup>109<\/sup><\/a><\/span><\/span><span style=\"font-size: 1rem\">\u00a0had first imagined<\/span><span style=\"font-size: 1rem\"><span id='easy-footnote-110-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-110-148' title='&lt;\/span&gt;&lt;span style=&quot;font-size: 1rem&quot;&gt;\u201cfinxerat\u201d, literally \u201cformed\u201d, may refer to an act of the imagination, or to creative writing.'><sup>110<\/sup><\/a><\/span>\u00a0<\/span><span style=\"font-size: 1rem\">with his genius.<\/span><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>\u00a0Hollstein 1994 no.111<br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0257.php\">Karel Van Mander's biography of Cornelius Ketel<\/a>\u00a0<br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T046356?q=ketel&amp;search=quick&amp;pos=1&amp;_start=1#T046356\">Grove Art Online biography<\/a><a name=\"_ftn1\"><\/a><a name=\"_ftn2\"><\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/ingenio-genius\/\" rel=\"tag\">Ingenio - genius<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/the-netherlands-dutch\/\" rel=\"tag\">Nation \/ nationality: the Netherlands \/ Dutch<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-three\/\" rel=\"tag\">Prints in Part Three<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p56-184x300.jpg\"\/>\n   <p>113. Hans von Aachen<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p56-631x1024.jpg\" alt=\"113. Hans von Aachen\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p56.jpg 2x\"\/>\n  \n  <h4>113. Hans von Aachen<\/h4>\n  <div><p>Engraving by Andries Jacobsz. Stock (Orenstein 1996, 270)<br \/>\r\n Signed 'Hh exc.' by Hendrick Hondius<\/p>\r\n<p>20.4 x 12.3 cm<\/p>\r\n<p><br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <br \/>\r\n <em>IOANNES AQUANUS, COLONIENSIS. PICTOR.<\/em>\u00a0<br \/>\r\n <em>Picturae Aquanus primus<span id='easy-footnote-111-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-111-148' title='Sic.'><sup>111<\/sup><\/a><\/span> se tradit ab annis :\u00a0<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Quae praestat juvenis vix potuere viri.<\/em><br \/>\r\n <em>Germanum juvenem c\u00farri temneret Itala tellus ;<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Mox artem observans Roma magistra stupet.<\/em><br \/>\r\n <br \/>\r\n <strong>Translation of Inscription:<br \/>\r\n <br \/>\r\n <\/strong><em>Hans von Aachen\u00a0<\/em><br \/>\r\n Aachen gave himself over to painting from his earliest years.<span id='easy-footnote-112-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-112-148' title='&lt;span style=&quot;font-size: 1rem&quot;&gt;Reading \u201cprimis\u201d for the text\u2019s impossible \u201cprimus\u201d.\u00a0 Cf. also\u00a0&lt;\/span&gt;&lt;a style=&quot;font-size: 1rem&quot; href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/adam-elsheimer\/&quot;&gt;141. Adam Elsheimer&lt;\/a&gt;&lt;span style=&quot;font-size: 1rem&quot;&gt;, \u201cprimis \u2026 ab annis\u201d.'><sup>112<\/sup><\/a><\/span><\/span><span style=\"font-size: 1rem\">\u00a0What the youth accomplished men could scarcely do.\u00a0 Although the Italian land despised the German youth, soon, observing his skill, mistress Rome was amazed.<\/span><\/p>\r\n<p>Orenstein 1996, Stock no. 270\u00a0<br \/>\r\n \u00a0<a href=\"https:\/\/rkd.nl\/en\/explore\/artists\/272\">RKD artists biography<\/a><a style=\"font-size: 1rem\" name=\"_ftn1\"><\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/greater-germany\/\" rel=\"tag\">Greater Germany<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/italy-italians\/\" rel=\"tag\">Nation \/nationality: Italy \/ Italians<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-three\/\" rel=\"tag\">Prints in Part Three<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/foreign-experience\/\" rel=\"tag\">References to travel and foreign experience<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/rome\/\" rel=\"tag\">Rome<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p57-184x300.jpg\"\/>\n   <p>115. Hendrick Goltzius<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p57-631x1024.jpg\" alt=\"115. Hendrick Goltzius\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p57.jpg 2x\"\/>\n  \n  <h4>115. Hendrick Goltzius<\/h4>\n  <div><p>Etching<br \/>\r\n Signed 'Hh ex' by Hendrick Hondius, attributed to Robert de Baudous<\/p>\r\n<p>20 x 12.5 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription:<\/strong><\/p>\r\n<p><em>HENRICUS GOLTZIUS, MULBRACHT. PICTOR, ET CHALCOG.\u00a0<\/em><br \/>\r\n <em>Hic Sculptor, pictor multis celebratus in oris,<\/em><br \/>\r\n <em>\u00a0\u00a0 Qui multos superat dexteritate manus:<\/em><br \/>\r\n <em>Itala quem tellus miratur\u00a0; nobile servat<\/em><br \/>\r\n <em>\u00a0\u00a0 Harlemum, Artificum patria et hospitium.\u00a0<\/em><br \/>\r\n <br \/>\r\n <strong>Translation of Inscription:<br \/>\r\n <\/strong><br \/>\r\n <em>Hendrick Goltzius of M\u00fclbracht, painter and bronze-engraver<\/em><br \/>\r\n This is the sculptor and painter celebrated in many lands, who surpassed many in the dexterity of his hand, [and] whom the land of Italy admired.\u00a0 He remains in noble Haarlem, fatherland and guesthouse of artists.\u00a0<\/p>\r\n<p>\u00a0Orenstein 1996, Baudous no. 39<br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0260.php\">Karel Van Mander's biography of Hendrick Goltzius<\/a><br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T033104?q=goltzius&amp;search=quick&amp;source=oao_gao&amp;pos=1&amp;_start=1#T033104\">Grove Art Online biography<\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/engravers\/\" rel=\"tag\">Explicitly described as engravers in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/italy-italians\/\" rel=\"tag\">Nation \/nationality: Italy \/ Italians<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-three\/\" rel=\"tag\">Prints in Part Three<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/foreign-experience\/\" rel=\"tag\">References to travel and foreign experience<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/sculptors\/\" rel=\"tag\">Sculptors (as described in the texts that frame the portraits)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p59-184x300.jpg\"\/>\n   <p>119. Michael van Mierevelt<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p59-631x1024.jpg\" alt=\"119. Michael van Mierevelt\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p59.jpg 2x\"\/>\n  \n  <h4>119. Michael van Mierevelt<\/h4>\n  <div><p>Etching and engraving<br \/>\r\n Signed 'Hh' by Hendrick Hondius, attributed to Simon Frisius<\/p>\r\n<p>20.2 x 12.4 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription:<\/strong><\/p>\r\n<p><em>MICHAEL MIREVELT, DELPHENSIS PICTOR. 119<\/em><br \/>\r\n <em>Pingendo ad vivum quo non praestantior alter\u00a0:<\/em><br \/>\r\n <em>\u00a0\u00a0 Delphicus hinc Zeuxis dicitur esse novus.<\/em><br \/>\r\n <em>Principibus magnis fuit invitatus: at ipsum<\/em><br \/>\r\n <em>\u00a0\u00a0 Ante alias urbes patria culta tenet.\u00a0\u00a0<\/em><br \/>\r\n <br \/>\r\n <strong>Translation of Inscription:<br \/>\r\n <\/strong><em><br \/>\r\n Michael van Mierevelt of Delft, painter<\/em><br \/>\r\n No one was more eminent in painting in lifelike manner.<span id='easy-footnote-113-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-113-148' title='&lt;span style=&quot;font-size: 1rem&quot;&gt;Or &quot;from life&quot;? See note on text for\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/87-crispijn-van-der-broeck\/&quot;&gt;87. Crispijn van den Broeck&lt;\/a&gt;.'><sup>113<\/sup><\/a><\/span><\/span><span style=\"font-size: 1rem\">Therefore the man of Delft was said to be the new Zeuxis.<span id='easy-footnote-114-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-114-148' title='&lt;\/span&gt;&lt;span style=&quot;font-size: 1rem&quot;&gt;As was\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/95-michiel-coxcie\/&quot;&gt;95. Michiel Coxie&lt;\/a&gt;.'><sup>114<\/sup><\/a><\/span> He was invited by great princes: but his <\/span>honored<span style=\"font-size: 1rem\">\u00a0fatherland held him more than other cities.<\/span><\/p>\r\n<p>Orenstein 1996, Frisius no. 149; Hollstein 2008 no.169<\/p>\r\n<p>\u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0259.php\">Karel Van Mander's biography of Michael van Mierevelt<\/a>\u00a0<br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T057863?q=mierevelt&amp;search=quick&amp;pos=1&amp;_start=1#T057863\">Grove Art Online biography<\/a><a name=\"_ftn3\"><\/a><a name=\"_ftn2\"><\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-three\/\" rel=\"tag\">Prints in Part Three<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p60-184x300.jpg\"\/>\n   <p>121. Otto van Veen<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p60-631x1024.jpg\" alt=\"121. Otto van Veen\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p60.jpg 2x\"\/>\n  \n  <h4>121. Otto van Veen<\/h4>\n  <div><p>Engraving by Robert de Baudous (Orenstein 1996, 41)<br \/>\r\n Signed 'Hh ex.' by Hendrick Hondius<\/p>\r\n<p>19.2 x 12.7 cm<\/p>\r\n<p><br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <br \/>\r\n <em>OTTO VENIUS, LEIDANUS, PICTOR,<\/em>\u00a0<br \/>\r\n <em>Moribus, ingenio praeclarus Venius Arte est.<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Quae ingenio finxit, pinxit et ipse manu.<\/em><br \/>\r\n <em>Regibus hic magnis est invitatus : at ipse<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Regna, orbes dulci posthabuit Patria.<\/em><br \/>\r\n <br \/>\r\n <strong>Translation of Inscription:<\/strong><strong><br \/>\r\n <\/strong><br \/>\r\n <em>Otto van Veen of Leyden, painter,\u00a0<\/em><br \/>\r\n Van Veen is illustrious for his morals, his genius and his skill.<span id='easy-footnote-115-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-115-148' title='&lt;span style=&quot;font-size: 1rem&quot;&gt;See note on the text for\u00a0&lt;\/span&gt;&lt;a style=&quot;font-size: 1rem&quot; href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/91-gillis-mostaert\/&quot;&gt;91. Gillis Mostaert&lt;\/a&gt;&lt;span style=&quot;font-size: 1rem&quot;&gt;.'><sup>115<\/sup><\/a><\/span>\u00a0<\/span><span style=\"font-size: 1rem\">What his genius imagined, he also painted with his own hand.\u00a0 He was invited by great kings, but he himself held kingdoms and worlds to be less important than his sweet fatherland.<\/span><\/p>\r\n<p><br \/>\r\n Orenstein 1996, Baudous no. 41<\/p>\r\n<p>\u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0268.php\">Karel Van Mander's biography of Otto van Veen<\/a>\u00a0<br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T088415?q=veen&amp;search=quick&amp;pos=1&amp;_start=1#T088415\">Grove Art Online biography<\/a>\u00a0<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/ingenio-genius\/\" rel=\"tag\">Ingenio - genius<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-three\/\" rel=\"tag\">Prints in Part Three<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/rulers-and-patrons\/\" rel=\"tag\">Rulers and Patrons<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p61-184x300.jpg\"\/>\n   <p>123. Paul Bril<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p61-631x1024.jpg\" alt=\"123. Paul Bril\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p61.jpg 2x\"\/>\n  \n  <h4>123. Paul Bril<\/h4>\n  <div><p>Engraved by Hendrick Hondius (Orenstein 1996)<br \/>\r\n Signed 'Hh fecit. Cum privil.' by Hendrick Hondius<br \/>\r\n 20.7 x 12.3 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <em><br \/>\r\n PAULUS BRILLIUS, ANTVERP.\u00a0<\/em><br \/>\r\n <em>Castella et silvas, sata laeta, bo\u00famque labores,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0 Et montes pictor Brillius exhibuit.<\/em><br \/>\r\n <em>Gratior iccirco sacro qui verticae.<\/em> <span id='easy-footnote-117-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-117-148' title='Presumably for &quot;vertice&quot;.&lt;em&gt;\u00a0primus,\u00a0&lt;br \/&gt;\r\n Pontifici, et claris&lt;\/em&gt;&amp;lt;&lt;span id=&#039;easy-footnote-116-148&#039; class=&#039;easy-footnote-margin-adjust&#039;&gt;&lt;\/span&gt;&lt;span class=&#039;easy-footnote&#039;&gt;&lt;a href=&#039;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-116-148&#039; title=&#039;&#039;&gt;&lt;sup&gt;116&lt;\/sup&gt;&lt;\/a&gt;&lt;\/span&gt;Sic\u00a0'><sup>117<\/sup><\/a><\/span>murice qui Tyrio.<strong style=\"font-size: 1rem\">\u00a0<\/strong><\/p>\r\n<p><strong> <br \/>\r\n Translation of Inscription:<br \/>\r\n <\/strong><em><br \/>\r\n Paul Bril of Antwerp<\/em><br \/>\r\n Brill the painter showed fortresses and woods, joyous crops and the work of oxen, <span id='easy-footnote-118-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-118-148' title='\u201csata laeta boumque laborum\u201d is from Virgil,\u00a0&lt;em&gt;Georgics&lt;\/em&gt;\u00a01.325.'><sup>118<\/sup><\/a><\/span>\u00a0and mountains.\u00a0 Therefore he was the more pleasing to the one who is first on the holy summit (the Pontiff), and to the one who is illustrious <span id='easy-footnote-119-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-119-148' title='I am reading \u201cclarus\u201d for \u201cclaris\u201d.'><sup>119<\/sup><\/a><\/span>\u00a0\u00a0in Tyrian purple. <span id='easy-footnote-120-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-120-148' title='Purple is Tyrian from Homer onward, because it was made in Phoenicia.\u00a0 The reference is presumably to members of some royal family.\u00a0\u00a0 \u201cet ... Tyrio\u201d is scarcely comprehensible, even after my emendation.'><sup>120<\/sup><\/a><\/span><\/p>\r\n<p><br \/>\r\n Hollstein 1994 no.113<br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0265.php\">Karel Van Mander's biography of Paul Bril<\/a>\u00a0<br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T011341pg2#T011343\">Grove Art Online biography\u00a0<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/antwerp\/\" rel=\"tag\">Antwerp<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-three\/\" rel=\"tag\">Prints in Part Three<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p62-184x300.jpg\"\/>\n   <p>125. Cornelius Cz. van Haarlem<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p62-631x1024.jpg\" alt=\"125. Cornelius Cz. van Haarlem\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p62.jpg 2x\"\/>\n  \n  <h4>125. Cornelius Cz. van Haarlem<\/h4>\n  <div><p>Engraving by Robert de Baudous (Orenstein 1996, 38)<\/p>\r\n<p>Signed 'Hh ex.' by Hendrick Hondius<\/p>\r\n<p><br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <br \/>\r\n <em>CORNEL. CORNELII, HARLEMENSIS, PICTOR.<\/em>\u00a0<br \/>\r\n <em>Peniculum studio teneris tractavit ab annis :\u00a0<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0 Qui docuit quant\u00fam cura lab\u00f3rque valent.<\/em><br \/>\r\n <em>Ante alios dictus fuit hic cognomine PICTOR<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0 Qu\u00e1m bene cognomen congruit artifici.<\/em><br \/>\r\n <br \/>\r\n <strong>Translation of Inscription:<\/strong><strong><br \/>\r\n <br \/>\r\n <\/strong><em>Cornelis Cornelisz. van Haarlem, painter\u00a0<\/em><br \/>\r\n He used the paintbrush with zeal from his tender years, he who taught how much taking pains and working hard can accomplish.\u00a0 Before others he was known by the nickname \u201cpainter\u201d.\u00a0 How well the nickname matches the artist!<\/p>\r\n<p>Orenstein 1996, Baudous no. 38<br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0265.php\">Karel Van Mander's biography of Cornelis Cornelisz. van Haarlem<\/a>\u00a0<br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/groveart\/search?siteToSearch=groveart&amp;q=Cornelius+Cz.+van+Haarlem&amp;searchBtn=Search&amp;isQuickSearch=true\">Grove Art Online biography\u00a0<\/a><\/p>\r\n<p>&nbsp;<\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-three\/\" rel=\"tag\">Prints in Part Three<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p63-184x300.jpg\"\/>\n   <p>127. Jacques de Gheyn II<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p63-631x1024.jpg\" alt=\"127. Jacques de Gheyn II\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p63.jpg 2x\"\/>\n  \n  <h4>127. Jacques de Gheyn II<\/h4>\n  <div><p>Engraving by Andries Jacobsz. Stock (Orenstein 1996, 271)<br \/>\r\n Signed 'Hhondius exc.' by Hendrick Hondius\u00a0<br \/>\r\n 20.3 x 12.4 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <br \/>\r\n <em>IACOBUS DE GEYN, ANTVERP, PICT ET SCULPT.<\/em>\u00a0<br \/>\r\n <em>Geinius eximius Scalptor, Pict\u00f3rque peritus,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0Inventor felix, judici\u00f3que bonus.<\/em><br \/>\r\n <em>Et Belli et Pacis pingens Insignia, gratus<\/em><br \/>\r\n <em>\u00a0\u00a0 Ipse Duci Belli qui artibus egregius.\u00a0\u00a0<\/em><\/p>\r\n<p><strong>Translation of Inscription:<\/strong><strong><br \/>\r\n <\/strong><br \/>\r\n <em>Jacques de Gheyn. Painter and Sculptor<\/em><br \/>\r\n De Gheyn is an excellent engraver, and an experienced painter, a lucky inventor,<span id='easy-footnote-121-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-121-148' title='&lt;span style=&quot;font-size: 1rem&quot;&gt;\u201cinventor felix\u201d \u2013 the same phrase in the text on\u00a091.'><sup>121<\/sup><\/a><\/span> Gillis Mostaert.<\/span><span style=\"font-size: 1rem\">and sound in judgment. Painting the standards of both war and peace, he is himself pleasing to the leader of the war, who is outstanding in skill.<\/span><span style=\"font-size: 1rem\">\u00a0<span id='easy-footnote-122-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-122-148' title='&lt;\/span&gt;&lt;span style=&quot;font-size: 1rem&quot;&gt;&quot;qui artibus egregius&quot; - this clause could refer to either De Gheyn or the &quot;duci belli&quot;.'><sup>122<\/sup><\/a><\/span><\/span><\/p>\r\n<p><br \/>\r\n Orenstein 1996, Stock no. 271<br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0267.php\">Karel Van Mander's biography of Jacques de Gheyn<\/a>\u00a0<br \/>\r\n \u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T031910pg1#T031911\">Grove Art Online biography<\/a><a name=\"_ftn2\"><\/a><a name=\"_ftn1\"><\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/engravers\/\" rel=\"tag\">Explicitly described as engravers in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-three\/\" rel=\"tag\">Prints in Part Three<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/sculptors\/\" rel=\"tag\">Sculptors (as described in the texts that frame the portraits)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p64-184x300.jpg\"\/>\n   <p>129 Abraham Bloemaert<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p64-631x1024.jpg\" alt=\"129 Abraham Bloemaert\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p64.jpg 2x\"\/>\n  \n  <h4>129 Abraham Bloemaert<\/h4>\n  <div><p>Etching and engraving<br \/>\r\n Attributed to Simon Frisius<\/p>\r\n<p>20.3 x 12.2 cm<\/p>\r\n<p><br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <br \/>\r\n <em>ABRAHAMUS BLOEMAERT, BATAV, PICT.\u00a0<\/em><br \/>\r\n <em>Pictor natur\u00e2 est, usus vix ille magistro\u00a0:<\/em><br \/>\r\n <em>\u00a0\u00a0 Arte hic egregiis nec tamen inferior.<\/em><br \/>\r\n <em>Pinxit Aves, Naves, Homines, Herb\u00e1sque Fer\u00e1sque,<\/em><br \/>\r\n <em>\u00a0\u00a0 Et laetos Flores FLORIDUS innumeros.<\/em><br \/>\r\n <br \/>\r\n <strong>Translation of Inscription:<\/strong><strong><br \/>\r\n <\/strong><br \/>\r\n <em>Abraham Bloemaert the Dutchman, Painter<\/em><\/p>\r\n<p>He was a painter by nature: having hardly used a master, he<span id='easy-footnote-123-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-123-148' title='&lt;span style=&quot;font-size: 1rem&quot;&gt;I have translated both \u201cille in line 1 and \u201chic\u201d in line 2 as \u201che\u201d, as they clearly both refer to Bloemaert.\u00a0 But the use of both pronouns so close together to indicate the same person makes the Latin awkward and confusing.'><sup>123<\/sup><\/a><\/span>w<\/span>as yet not inferior to those outstanding in skill.\u00a0 He painted birds, ships, men, and grass and wild beasts, and, being Florid,<span id='easy-footnote-124-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-124-148' title='&lt;span style=&quot;font-size: 1rem&quot;&gt;This is a pun on Bloemaert\u2019s name.'><sup>124<\/sup><\/a><\/span>\u00a0<\/span><span style=\"font-size: 1rem\">countless joyful flowers.\u00a0<\/span><\/p>\r\n<p>Orenstein 1996, Frisius no. 139; Hollstein 2008 no.159<br \/>\r\n \u00a0<a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0271.php\">Karel Van Mander's biography of Abraham Bloemaert<br \/>\r\n <\/a>\u00a0<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T009255pg1?q=bloemaert&amp;search=quick&amp;pos=2&amp;_start=1#T009258\">Grove Art Online biography<\/a><a name=\"_ftn2\"><\/a><a name=\"_ftn1\"><\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/the-netherlands-dutch\/\" rel=\"tag\">Nation \/ nationality: the Netherlands \/ Dutch<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-three\/\" rel=\"tag\">Prints in Part Three<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p65-184x300.jpg\"\/>\n   <p>131. Gerrit Pietersz<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p65-631x1024.jpg\" alt=\"131. Gerrit Pietersz\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p65.jpg 2x\"\/>\n  \n  <h4>131. Gerrit Pietersz<\/h4>\n  <div><p>Etching<br \/>\r\n Signed 'Hh.' by Hendrick Hondius, attributed to Simon Frisius<br \/>\r\n 20.1 x 12 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <br \/>\r\n <em>GERARDUS PETRI, AMSTELRED. PICTOR.<\/em><br \/>\r\n <em>Pictorum nulli Picturae cessit amore :\u00a0<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Tractavit tanto peniculum Studio.<\/em><br \/>\r\n <em>Dicere qui solitus, Non tanti ducere Sceptrum<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Se Hesperium, quanti Peniculum faceret.<\/em><br \/>\r\n <br \/>\r\n <strong>Translation of Inscription:<\/strong><strong><br \/>\r\n <\/strong><br \/>\r\n <em>Gerard Pietersz. of Amsterdam, painter 131<\/em><br \/>\r\n He yielded to no painter in his love of painting, with such great zeal did he use the paintbrush, he who was accustomed to say that he did not value the Hesperian sceptre<span id='easy-footnote-125-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-125-148' title='&lt;em style=&quot;font-size: 1rem&quot;&gt;i.e.&lt;\/em&gt;&lt;span style=&quot;font-size: 1rem&quot;&gt;\u00a0rule over the Western world.'><sup>125<\/sup><\/a><\/span>\u00a0<\/span><span style=\"font-size: 1rem\">as much as the paintbrush.<\/span><\/p>\r\n<p>Orenstein 1996, Frisius no. 153; Hollstein 2008 no.173<\/p>\r\n<p><a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0266.php\">mentioned in Karel Van Mander\u2019s life of Cornelis Cornelisz. Van Haarlem<br \/>\r\n<\/a><a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T067527?q=gerrit+pietersz&amp;search=quick&amp;pos=1&amp;_start=1#firsthit\">Grove Art Online biography<\/a><a name=\"_ftn1\"><\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-three\/\" rel=\"tag\">Prints in Part Three<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p66-184x300.jpg\"\/>\n   <p>133. Joos de Momper<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p66-631x1024.jpg\" alt=\"133. Joos de Momper\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p66.jpg 2x\"\/>\n  \n  <h4>133. Joos de Momper<\/h4>\n  <div><p>Etching and engraving<br \/>\r\n Signed 'Hh exc.' by Hendrick Hondius, attributed to Simon Frisius<br \/>\r\n 20.6 x 12.2 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <br \/>\r\n <em>IODOCUS MOMPERUS, ANTVERP. PICTOR.<\/em><br \/>\r\n <em>Momperi Campos, recreantes lumina Flores,<\/em><br \/>\r\n <em>\u00a0\u00a0 Et Montes, Fontes data bene docta manus,<\/em><br \/>\r\n <em>Flumina qua\u00e9que ruunt celso de vertice saxi,<\/em><br \/>\r\n <em>\u00a0 \u00a0Et scopulos, Rupes, praecipit\u00e9sque Vias.<\/em><br \/>\r\n <br \/>\r\n <strong>Translation of Inscription:<\/strong><strong><br \/>\r\n <\/strong><br \/>\r\n <em>Joos de Momper of Antwerp, painter.<\/em><\/p>\r\n<p>The well-taught hand of Momper offers fields, flowers that refresh the eyes,<span id='easy-footnote-126-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-126-148' title='&lt;span style=&quot;font-size: 1rem&quot;&gt;cf. note on the text for\u00a0&lt;a href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/81-hendrick-van-cleef\/&quot;&gt;81. Hendrick van Cleef&lt;\/a&gt;'><sup>126<\/sup><\/a><\/span>\u00a0<\/span>and mountains [and] fountains, also rivers which rush from the high peak of a stone, and cliffs, rocks, and headlong paths.\u00a0<\/p>\r\n<p>Orenstein 1996, Frisius no. 150; Hollstein 2008 no.170<br \/>\r\n<a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T058982pg1?q=joos+de+momper&amp;search=quick&amp;pos=2&amp;_start=1#T058984\">Grove Art Online biography<\/a><a style=\"font-size: 1rem\" name=\"_ftn1\"><\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/antwerp\/\" rel=\"tag\">Antwerp<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-three\/\" rel=\"tag\">Prints in Part Three<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/rulers-and-patrons\/\" rel=\"tag\">Rulers and Patrons<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p67-184x300.jpg\"\/>\n   <p>135. Floris van Dijck<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p67-631x1024.jpg\" alt=\"135. Floris van Dijck\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p67.jpg 2x\"\/>\n  \n  <h4>135. Floris van Dijck<\/h4>\n  <div><p>Engraved by Hendrick Hondius (Orenstein 1996)<br \/>\r\n 20.6 x 12.4 cm<br \/>\r\n <br \/>\r\n <strong>Transcription of Inscription:<\/strong><br \/>\r\n <em>FLORENTIUS DIKIUS, HARLEMENS. PICTOR.<\/em><br \/>\r\n <em>Dikius hic clarus, vario viv\u00f3que colore<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0 Qui Folia et Flores pinxit odoriferos :\u00a0<\/em><br \/>\r\n <em>Struxit et ad vivum laetas sine sanguine Mensas,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0 Quae pascunt oculos deliciae atque animum.<\/em><br \/>\r\n <br \/>\r\n <strong>Translation of Inscription:<br \/>\r\n <\/strong><em>Floris van Dijck, Painter of Haarlem<br \/>\r\n <\/em>Here is van Dijck, famous for his varied and lively colour, he who painted leaves and fragrant flowers.\u00a0 He also set up lifelike joyous tables without blood.\u00a0 These delights nourish the eyes\u00a0<span id='easy-footnote-127-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-127-148' title='&lt;span style=&quot;font-size: 1rem&quot;&gt;\u201cpascunt oculos\u201d \u2013 the same expression in the text for\u00a0&lt;\/span&gt;&lt;a style=&quot;font-size: 1rem&quot; href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/103-gillis-coninxloo\/&quot;&gt;103. Gillis Coninxloo'><sup>127<\/sup><\/a><\/span><\/a><span style=\"font-size: 1rem\">.<\/span><span style=\"font-size: 1rem\">and the mind.\u00a0<\/span><\/p>\r\n<p>Hollstein 1994 no.114<br \/>\r\n <a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T024370?q=floris+van+dijck&amp;search=quick&amp;pos=3&amp;_start=1#T024370\">Grove Art Online biography<\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/colour-references\/\" rel=\"tag\">Colour references<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-three\/\" rel=\"tag\">Prints in Part Three<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p68-184x300.jpg\"\/>\n   <p>137. Adriaen De Vries<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p68-631x1024.jpg\" alt=\"137. Adriaen De Vries\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p68.jpg 2x\"\/>\n  \n  <h4>137. Adriaen De Vries<\/h4>\n  <div><p>Etching and engraving<br \/>\r\n Signed 'Hh.' by Hendrick Hondius, attributed to Simon Frisius<span id='easy-footnote-128-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-128-148' title=' But see the verse, where the implication is that the engraving is by Jan Muller.'><sup>128<\/sup><\/a><\/span><br \/>\r\n 20.3 x 12.1 cm<\/p>\r\n<p><strong>Transcription of Inscription:<br \/>\r\n <\/strong><em>ADRIANUS DE VRIES, HAGIENSIS. PICTOR.<\/em><br \/>\r\n <em>Friso bonus Pictor, Pario quoque marmore finxit\u00a0<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Qui Statuas : credas esse Myronis opus.<\/em><br \/>\r\n <em>Et clarus scalptor Mullerus sit tibi testis,<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Hunc qui miratur tum colit artificem.<\/em><\/p>\r\n<p><strong>Translation of Inscription:<br \/>\r\n <\/strong><em>Adriaen de Vries of The Hague, painter<\/em><br \/>\r\n The Frisian was a good painter, who also made statues from Parian marble: you would believe [them] to be the work of Myron.\u00a0 Let the famous engraver Muller also be a witness for you, he who admired and then frequented this artist.<\/p>\r\n<p>Orenstein 1996, Frisius no. 157; Hollstein 2008 no.177<br \/>\r\n <a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T090245?q=Adriaen+de+Vries&amp;search=quick&amp;pos=2&amp;_start=1#firsthit\">Grove Art Online biography<\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-three\/\" rel=\"tag\">Prints in Part Three<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p67-184x300.jpg\"\/>\n   <p>139. Frans Badens<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p67-631x1024.jpg\" alt=\"139. Frans Badens\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p67.jpg 2x\"\/>\n  \n  <h4>139. Frans Badens<\/h4>\n  <div><p>Engraving by Robert de Baudous (Orenstein 1996, 37)<br \/>\r\n Signed 'Hh excud.' by Hendrick Hondius<br \/>\r\n 20.3 x 12.5 cm<\/p>\r\n<p><strong>Transcription of Inscription:<br \/>\r\n <\/strong><em>FRANCISCUS BADENSIS, ANTVERP. PICTOR.\u00a0<\/em><br \/>\r\n <em>Addit picturae meli\u00fas nemo colores :\u00a0<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0 Qui verus color est noscis imaginibus<\/em><br \/>\r\n <em>Tu pictor doctus. multum est novisse colores.<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0 Delitias doctas pingis et Italiae.<\/em><\/p>\r\n<p><strong>Translation of Inscription:<br \/>\r\n <\/strong><em>Frans Badens of Antwerp, painter.<\/em><br \/>\r\n No one was better at adding colours to a painting.\u00a0 You know which is the right colour for images.<span id='easy-footnote-129-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-129-148' title='&lt;span style=&quot;font-size: 1rem&quot;&gt;This seems to make sense, although the Latin really requires \u201cyou recognize in [or \u201cfrom\u201d] images the colour which is authentic\u201d.&lt;\/span&gt;&lt;span style=&quot;font-size: 1rem&quot;&gt;'><sup>129<\/sup><\/a><\/span> You are a learned painter.\u00a0 It is much to know colours.\u00a0 You also paint the learned delights of Italy.<\/span><\/p>\r\n<p>Orenstein 1996, Baudous no. 37<br \/>\r\n <a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0273.php\">Karel Van Mander's biography of Frans Badens<\/a><br \/>\r\n <a href=\"https:\/\/rkd.nl\/nl\/explore\/artists\/3454?langen=\">RKD artists biography<\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/antwerp\/\" rel=\"tag\">Antwerp<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/colour-references\/\" rel=\"tag\">Colour references<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/learned\/\" rel=\"tag\">Described as 'learned'<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/italy-italians\/\" rel=\"tag\">Nation \/nationality: Italy \/ Italians<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-three\/\" rel=\"tag\">Prints in Part Three<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/foreign-experience\/\" rel=\"tag\">References to travel and foreign experience<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/third-person\/\" rel=\"tag\">Third person<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p70-184x300.jpg\"\/>\n   <p>141. Adam Elsheimer<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p70-631x1024.jpg\" alt=\"141. Adam Elsheimer\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p70.jpg 2x\"\/>\n  \n  <h4>141. Adam Elsheimer<\/h4>\n  <div><p>Etching<br \/>\r\n Signed 'Hh' by Hendrick Hondius, attributed to Simon Frisius<br \/>\r\n 20.9 x 12.3 cm<\/p>\r\n<p><strong>Transcription of Inscription:<br \/>\r\n <\/strong><em>ADAMUS ELSHEYMER, FRANCOFURTENSIS PICTOR.<\/em><br \/>\r\n <em>Romam urbem primis placuit tibi<\/em><span style=\"font-size: 1rem\">\u00a0<span id='easy-footnote-130-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-130-148' title='&lt;\/span&gt;&lt;span style=&quot;font-size: 1rem&quot;&gt;sup. lin.'><sup>130<\/sup><\/a><\/span><\/span><em style=\"font-size: 1rem\">\u00a0visere ab annis\u00a0:<br \/>\r\n<\/em><em>\u00a0 \u00a0Pictorum Roma est Artific\u00famque Schola.<\/em><br \/>\r\n <em>Assidu\u00f3 pingens lustras dum singula templis\u00a0;<\/em><br \/>\r\n <em>\u00a0\u00a0 Pictores inter nobile nomen erit.\u00a0<\/em><\/p>\r\n<p><strong>Translation of Inscription:<br \/>\r\n <\/strong><em>Adam Elsheimer, painter of Frankfurt<\/em><br \/>\r\n It pleased you to visit Rome from your earliest years.\u00a0 Rome is the school of painters and artists.\u00a0 You were busy painting while examining every single thing in the churches.<a name=\"_ftnref2\"><\/a><sup>2<\/sup>\u00a0 <span id='easy-footnote-131-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-131-148' title='&lt;span style=&quot;font-size: 1rem&quot;&gt;This for &quot;templis&quot;, as is common enough in Renaissance Latin. But of course there are both churches and temples in Rome.'><sup>131<\/sup><\/a><\/span>\u00a0<\/span><span style=\"font-size: 1rem\">Among painters your name will be noble.<\/span><\/p>\r\n<p>Orenstein 1996, Frisius no. 144; Hollstein 2008 no.164<br \/>\r\n <a href=\"http:\/\/www.dbnl.org\/tekst\/mand001schi01_01\/mand001schi01_01_0269.php\">mentioned in Van Mander\u2019s biography of Hans Rottenhammer<\/a><br \/>\r\n <a href=\"http:\/\/www.oxfordartonline.com\/groveart\/view\/10.1093\/gao\/9781884446054.001.0001\/oao-9781884446054-e-7000025902?_start=1&amp;pos=1&amp;q=elsheimer&amp;search=quick#T025902\">Grove Art Online biography<\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-three\/\" rel=\"tag\">Prints in Part Three<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/rome\/\" rel=\"tag\">Rome<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p71-184x300.jpg\"\/>\n   <p>143. Isaac Oliver<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p71-631x1024.jpg\" alt=\"143. Isaac Oliver\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p71.jpg 2x\"\/>\n  \n  <h4>143. Isaac Oliver<\/h4>\n  <div><p>Engraving by Robert de Baudous (Orenstein 1996, 40)<br \/>\r\n Signed 'Hh exv.' by Hendrick Hondius<br \/>\r\n 20.6 x 11.9 cm<\/p>\r\n<p><strong>Transcription of Inscription:<br \/>\r\n <\/strong><em>ISAACUS OLIVERUS, ANGLUS, PICTOR.<\/em><br \/>\r\n <em>Ad vivum laetos qui pingis imagine vultus,<\/em><br \/>\r\n <em>\u00a0\u00a0 Olivere oculos mirific\u00e9 hi capiunt<\/em><br \/>\r\n <em>Corpora quae formas justo haec expressa Colore.<\/em><\/p>\r\n<p><em>Multum est, c\u00fam rebus convenit ipse color.\u00a0<\/em><\/p>\r\n<p>&nbsp;<\/p>\r\n<p><strong>Translation of Inscription:<br \/>\r\n <\/strong><em>Isaac Oliver the Englishman, painter.<\/em><\/p>\r\n<p>You who paint images of lively,<span id='easy-footnote-132-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-132-148' title='&lt;span style=&quot;font-size: 1rem&quot;&gt;or &quot;from life&quot;? - see note on&lt;\/span&gt;&lt;a style=&quot;font-size: 1rem;color: #2997ab&quot; href=&quot;https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/87-crispijn-van-der-broeck\/&quot;&gt;\u00a087. Crispijn van den Broeck.&lt;\/a&gt;'><sup>132<\/sup><\/a><\/span>\u00a0<span style=\"font-size: 1rem\">joyful faces, Oliver - these captivate (our) eyes wonderfully.\u00a0 The bodies which you make - these are expressed in the right colours.\u00a0<\/span><\/p>\r\n<p>It is a great thing, when colour itself is in harmony with things.<\/p>\r\n<p>Orenstein 1996, Baudous no. 40<br \/>\r\n <a href=\"http:\/\/www.oxfordartonline.com\/subscriber\/article\/grove\/art\/T063450pg1?q=Isaac+Oliver&amp;search=quick&amp;pos=1&amp;_start=1#firsthit\">Grove Art Online biography<\/a><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/trade-tools\/\" rel=\"tag\">Artists with tools of their trade (not including sheet or rolls of paper)<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/colour-references\/\" rel=\"tag\">Colour references<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/england\/\" rel=\"tag\">England<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/painter\/\" rel=\"tag\">Explicitly described as painters in the verse<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/only-in-hondius-pictorum\/\" rel=\"tag\">Only in the Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/pictor\/\" rel=\"tag\">Pictor<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/part-three\/\" rel=\"tag\">Prints in Part Three<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/vocative\/\" rel=\"tag\">Vocative<\/a><\/span><\/div>\n  \n<\/div>\n<div class=\"rsSlideRoot sitescustom\" id=\"theslideroot\">\n  <div class=\"rsTmb\" width=\"95px\">\n   <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p72-184x300.jpg\"\/>\n   <p>145. Post Funera Vita: After Burial, Life<\/p>\n\t<\/div>\n  <img decoding=\"async\" src=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p72-631x1024.jpg\" alt=\"145. Post Funera Vita: After Burial, Life\" srcset=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/wp-content\/uploads\/sites\/9\/2017\/07\/1610-p72.jpg 2x\"\/>\n  \n  <h4>145. Post Funera Vita: After Burial, Life<\/h4>\n  <div><p>Engraved by Hendrick Hondius (Orenstein 1996)<br \/>\r\n Signed Hh.f. by Hendrick Hondius<br \/>\r\n 21.5 x 13.7 cm<br \/>\r\n Monograms of deceased artists on pyramids: AD [Albrecht D\u00fcrer]; L [Lucas van Leyden]; D [?]; MVH [Maarten van Heemskerk]; AG [Heinrich Aldegrever]; HS [Hans Sch\u00e4ufelein]<\/p>\r\n<p><em>On the fictive paper:<\/em><br \/>\r\n Transcription:<\/p>\r\n<p><em>POST FUNERA VITA<\/em><br \/>\r\n <em>Pallida Mors omnes petit.\u00a0 huic parere necesse est.<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Non Color hic ullus, non juvat ullus Honos.<\/em><br \/>\r\n <em>Qui bene vixerunt, horum est POST FUNERA VITA :\u00a0<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Qui bene pinxerunt vivere Morte puta.<\/em><br \/>\r\n <em>Ad vivum pictis tabulas nova vita paratur.<\/em><br \/>\r\n <em>\u00a0\u00a0\u00a0\u00a0 Post mortem ut possit vivere quisque parent.<\/em><\/p>\r\n<p>Translation:<\/p>\r\n<p>Pale death<span id='easy-footnote-133-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-133-148' title='&lt;span style=&quot;font-size: 1rem&quot;&gt;\u201cpallida mors\u201d: the phrase is from Horace,\u00a0&lt;\/span&gt;&lt;em style=&quot;font-size: 1rem&quot;&gt;Odes&lt;\/em&gt;&lt;span style=&quot;font-size: 1rem&quot;&gt;\u00a01.4.13.'><sup>133<\/sup><\/a><\/span>\u00a0<\/span><span style=\"font-size: 1rem\">attacks all.\u00a0 We have to obey it.\u00a0 No colour or honour is of any help here.\u00a0 For those who have lived well, there is life after burial. [As for] those who have painted well, consider that they live in death.\u00a0 A new life is set out in lifelike paintings<\/span><span style=\"font-size: 1rem\"><span id='easy-footnote-134-148' class='easy-footnote-margin-adjust'><\/span><span class='easy-footnote'><a href='https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist\/post-funera-vita-burial-life\/#easy-footnote-bottom-134-148' title='&lt;\/span&gt;&lt;span style=&quot;font-size: 1rem&quot;&gt;Reading &quot;tabulis&quot; for &quot;tabula&quot;.'><sup>134<\/sup><\/a><\/span>:<\/span><span style=\"font-size: 1rem\">\u00a0l<\/span><span style=\"font-size: 1rem\">et each set out to be able to live after death.<\/span><\/p><\/div>\n  <div><strong>Artist Tags: <\/strong><span class=\"post-tags\"> <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/1610\/\" rel=\"tag\">1610 Hondius Pictorum<\/a>, <a href=\"https:\/\/sites.courtauld.ac.uk\/netherlandish-canon\/artist_tag\/non-portraits\/\" rel=\"tag\">Non-Portrait Prints<\/a><\/span><\/div>\n  \n<\/div>\n\n<\/div>\n\n<hr \/>\n","protected":false},"excerpt":{"rendered":"<p>Hendrick Hondius the Elder\u2019s\u00a0Pictorum aliquot celebrium, pr\u00e6cipue\u0301 Germani\u00e6 Inferioris, effiges\u00a0(The Hague, 1610), which contains 68 portrait prints of Netherlandish artists. You can browse pages below, view a list of the 1610 Hondius pages, or use our turn the page feature to explore the book.<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"categories":[],"class_list":["post-12","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Hondius Pictorum: Image and Tombstone - Picturing the Netherlandish Canon<\/title>\n<meta name=\"description\" content=\"This project places online Hendrick Hondius the Elder\u2019s Pictorum aliquot celebrium, pr\u00e6cipue\u0301 Germani\u00e6 Inferioris, effiges (The Hague, 1610), which contains 68 portrait prints of Netherlandish artists. High quality images are accompanied by translations of the Latin texts and analytical essays by leading scholars.\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Hondius Pictorum: Image and Tombstone - Picturing the Netherlandish Canon\" \/>\n<meta property=\"og:description\" content=\"This project places online Hendrick Hondius the Elder\u2019s Pictorum aliquot celebrium, pr\u00e6cipue\u0301 Germani\u00e6 Inferioris, effiges (The Hague, 1610), which contains 68 portrait prints of Netherlandish artists. 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