{"id":1443,"date":"2023-08-11T10:20:40","date_gmt":"2023-08-11T09:20:40","guid":{"rendered":"https:\/\/sites.courtauld.ac.uk\/macurating\/?page_id=1443"},"modified":"2023-08-11T10:55:42","modified_gmt":"2023-08-11T09:55:42","slug":"list-of-works","status":"publish","type":"page","link":"https:\/\/sites.courtauld.ac.uk\/macurating\/archive-previous-exhibitions\/2011-archive-falling-up-the-gravity-of-art\/list-of-works\/","title":{"rendered":"Selected works"},"content":{"rendered":"<figure id=\"attachment_1450\" aria-describedby=\"caption-attachment-1450\" style=\"width: 224px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1450\" src=\"https:\/\/sites.courtauld.ac.uk\/macurating\/wp-content\/uploads\/sites\/8\/2023\/08\/D-1952-RW-3792-png-5665-224x300-1.jpg\" alt=\"drawing of two men with wings flying in the sky\" width=\"224\" height=\"300\" \/><figcaption id=\"caption-attachment-1450\" class=\"wp-caption-text\">Giuseppe (Cavalier d\u2019Arpino) Cesari (c. 1568 \u2013 1640)<br \/>Daedalus and Icarus, about 1600<br \/>Chalk (red and black) on paper<br \/>45.3 x 33.4 cm<br \/>\u00a9 The Samuel Courtauld Trust, The Courtauld Gallery, London<\/figcaption><\/figure>\n<hr \/>\n<figure id=\"attachment_1449\" aria-describedby=\"caption-attachment-1449\" style=\"width: 167px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1449\" src=\"https:\/\/sites.courtauld.ac.uk\/macurating\/wp-content\/uploads\/sites\/8\/2023\/08\/fulton1.jpg\" alt=\"rock fall echo dust words in black and red\" width=\"167\" height=\"193\" \/><figcaption id=\"caption-attachment-1449\" class=\"wp-caption-text\">Hamish Fulton (b. 1946)<br \/>Rock Fall Echo Dust. Baffin Island (from portofolio Fourteen Works), 1988<br \/>Offset lithograph<br \/>104.2 x 88 cm<br \/>Arts Council Collection, Southbank Centre, London \u00a9 the artist, The Paragon Press, London and Maureen Paley, London<\/figcaption><\/figure>\n<hr \/>\n<figure id=\"attachment_1448\" aria-describedby=\"caption-attachment-1448\" style=\"width: 248px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1448\" src=\"https:\/\/sites.courtauld.ac.uk\/macurating\/wp-content\/uploads\/sites\/8\/2023\/08\/D-1152-RW-1366-tif-113603-248x300-1.jpg\" alt=\"drawing of a nacked man carrying a huge rock\" width=\"248\" height=\"300\" \/><figcaption id=\"caption-attachment-1448\" class=\"wp-caption-text\">Guercino (1591 \u2013 1666)<br \/>Sisyphus,1636<br \/>Pen and ink on paper<br \/>23.2 x 19.2 cm<br \/>\u00a9 The Samuel Courtauld Trust, The Courtauld Gallery, London<\/figcaption><\/figure>\n<hr \/>\n<figure id=\"attachment_1447\" aria-describedby=\"caption-attachment-1447\" style=\"width: 167px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1447\" src=\"https:\/\/sites.courtauld.ac.uk\/macurating\/wp-content\/uploads\/sites\/8\/2023\/08\/houshiary1.jpg\" alt=\"black tower sculpture made of blocks\" width=\"167\" height=\"291\" \/><figcaption id=\"caption-attachment-1447\" class=\"wp-caption-text\">Shirazeh Houshiary (b. 1955)<br \/>Cube of Man, 1992<br \/>Lead, gold leaf and wood<br \/>283 x 65 x 65 cm<br \/>Arts Council Collection, Southbank Centre, London \u00a9 the artist, Lisson Gallery, London.<\/figcaption><\/figure>\n<hr \/>\n<figure id=\"attachment_1446\" aria-describedby=\"caption-attachment-1446\" style=\"width: 225px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1446\" src=\"https:\/\/sites.courtauld.ac.uk\/macurating\/wp-content\/uploads\/sites\/8\/2023\/08\/S-2006-LB-5-png-11783-225x300-1.jpg\" alt=\"bronze cast of a male figure\" width=\"225\" height=\"300\" \/><figcaption id=\"caption-attachment-1446\" class=\"wp-caption-text\">Auguste Rodin (1840 \u2013 1917)<br \/>Nijinsky (Study), Circa 1912<br \/>Bronze casting<br \/>18.8 cm<br \/>\u00a9 The Samuel Courtauld Trust, The Courtauld Gallery, London<\/figcaption><\/figure>\n<hr \/>\n<figure id=\"attachment_1445\" aria-describedby=\"caption-attachment-1445\" style=\"width: 196px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1445\" src=\"https:\/\/sites.courtauld.ac.uk\/macurating\/wp-content\/uploads\/sites\/8\/2023\/08\/P-1947-LF-359-png-10527-196x300-1.jpg\" alt=\"painting of the body of Christ being pulled down from the cross\" width=\"196\" height=\"300\" \/><figcaption id=\"caption-attachment-1445\" class=\"wp-caption-text\">Peter Paul Rubens (1577 \u2013 1640)<br \/>The Descent from the Cross, 1611<br \/>Oil on panel<br \/>115.2 x 76.2 cm<br \/>\u00a9 The Samuel Courtauld Trust, The Courtauld Gallery, London<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":47,"featured_media":0,"parent":1275,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[],"class_list":["post-1443","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - 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