{"id":1339,"date":"2023-06-19T16:02:14","date_gmt":"2023-06-19T15:02:14","guid":{"rendered":"https:\/\/sites.courtauld.ac.uk\/macurating\/?page_id=1339"},"modified":"2023-11-10T12:26:51","modified_gmt":"2023-11-10T12:26:51","slug":"about-us","status":"publish","type":"page","link":"https:\/\/sites.courtauld.ac.uk\/macurating\/archive-previous-exhibitions\/2010-archive-blood-tears-faith-doubt-historical-and-contemporary-encounters\/about-us\/","title":{"rendered":"About us"},"content":{"rendered":"

This exhibition has been curated by the students on the MA\u00a0Curating the Art Museum<\/em>programme at The Courtauld Institute of Art.\u00a0<\/strong>The programme, now in its third year, is led by Martin Caiger-Smith and is aimed at art curators of the future. The exhibition project is the culmination of the practical side of this twelve-month course. The eleven students, from the United Kingdom, Germany, Spain, Canada and the United States, were asked to mount a public exhibition in the Courtauld Gallery, from its initial concept to its realisation in the gallery space.<\/p>\n

BLOOD TEARS FAITH DOUBT<\/strong><\/em>\u00a0has been curated by:<\/p>\n

Ariane Belisle | Elizabeth Buhe | Alexandra Burnett | Juliet Chippindale | Louisa Elderton | James Ford | Aurica Garcia Schaible | Hannah L. Fuller | Rebecca Newell | Mareike Spendel | Rafaela Van der Heyden<\/p>\n

The MA Programme\u00a0Curating the Art Museum<\/em>, 2009\/10 is generously supported by the Garfield Weston Foundation<\/p>\n

Find out more about the MA programme<\/a>.<\/p>\n

\"MA<\/p>\n

Acknowledgements<\/h3>\n

The MA Curating the Art Museum students would like to thank the following people and organisations for their help and assistance in making this exhibition possible:<\/p>\n

The artists
\nThe Arts Council Collection
\nThe Courtauld Gallery
\nRobert Graham of Heath Lambert Ltd
\nSarum Print
\nThe White Wall Company
\nDisplay Ways
\nArterium Ltd<\/p>\n

\n

Developing the exhibition<\/h3>\n

\"index_clip_image002[1]\"<\/p>\n

Getting to know some of The Courtauld Gallery collections<\/strong>
\nThe process begins with students exploring the different collections. There are approximately 20,000 prints and 6,000 drawings in The Courtauld alone!<\/p>\n

\"index_clip_image004[1]\"<\/p>\n

The Courtauld Institute of Art, Prints and Drawings Room<\/strong>
\nThe Curating students exploring the Courtauld print collection with the Curator of Prints, Dr. Joanna Selborne.<\/p>\n

\"index_clip_image006[1]\"<\/p>\n

Too many works to choose from!<\/strong>
\nStudents narrow down the object list, deciding which historical and contemporary works to bring together.<\/p>\n

\"index_clip_image008[1]\"<\/p>\n

Deciding where to place the works<\/strong>
\nThe Curating students use a plan of the gallery space and scaled images of the works to decide where to place the objects before installing them.<\/p>\n

\"image001[1]\"<\/p>\n

Final checks to the exhibition booklet design<\/p>\n

\n

Installation<\/h3>\n

\"index_clip_image002b[1]\"\"index_clip_image004b[1]\"\"index_clip_image008b[1]\"\u00a0\"index_clip_image006b[1]\"\u00a0\"index_clip_image010[1]\"<\/p>\n

\n

The Exhibition<\/h3>\n

 <\/p>\n

Faith and Incredulity<\/h4>\n

\"index_clip_image012[1]\"<\/p>\n

From left:<\/p>\n

Adam Chodzko (b. 1965),\u00a02101 Km\/Hr (Secretor)\u00a0<\/em>1993<\/p>\n

Manifestation juice (food dye and glycerine), lead, plastic, acrylic and acetate
\nArts Council Collection, Southbank Centre, London \u00a9 the artist, Gift of Charles Saatchi 1999
\nPolidoro da Caravaggio (1492-1543), The Incredulity of Saint Thomas\u00a0c.\u00a0<\/em>1531-35
\nOil on panel, \u00a9 The Samuel Courtauld Trust, The Courtauld Gallery, London<\/p>\n

\n

Devotion<\/h4>\n

\"index_clip_image014[1]\"<\/p>\n

From left:<\/p>\n

Adam Chodzko (b. 1965), 9468 Km\/Hr (Secretor),\u00a0 9605 Km\/Hr (Secretor) 1993<\/p>\n

Manifestation juice (food dye and glycerine), lead, plastic, acrylic and acetate
\nArts Council Collection, Southbank Centre, London \u00a9 the artist, Gift of Charles Saatchi 1999
\nFollower of Dieric Bouts the Elder (c.\u00a0<\/em>1415-1475),\u00a0Christ Crowned with Thorns,\u00a0<\/em>c.\u00a0<\/em>1475, Oil on panel, \u00a9 The Samuel Courtauld Trust, The Courtauld Gallery, London<\/p>\n

\n

Suffering and Compassion<\/h4>\n

\"index_clip_image016[1]\"<\/p>\n

From left:<\/p>\n

Style of Jacopo di Cione (1320-30-c.\u00a0<\/em>1398),\u00a0Virgin and Child with Four Saints, with Christ Crucified,\u00a0<\/em>14th century, Tempera on panel, integral frame with arched top, \u00a9 The Samuel Courtauld Trust, The Courtauld Gallery, London<\/p>\n

Mark Fairnington (b. 1957),\u00a0The Greek Madonna,\u00a0<\/em>1993, Oil and gold leaf on panel, Arts Council Collection, Southbank Centre, London \u00a9 the artist, Gift of Charles Saatchi 1999<\/p>\n

Attributed to Giampietrino, (active\u00a0c.\u00a0<\/em>1510-1540),\u00a0The Virgin and Child with Saint Jerome,\u00a0<\/em>c.<\/em>1510-1530, Oil on panel, \u00a9 The Samuel Courtauld Trust, The Courtauld Gallery, London
\nGrayson Perry (b. 1960),\u00a0Spirit Jar,\u00a0<\/em>1994, Glazed earthenware, Arts Council Collection, Southbank Centre, London \u00a9 the artist<\/p>\n

\"index_clip_image018[1]\"<\/p>\n

From left:<\/p>\n

Giovanni Domenico Tiepolo (1727-1804),\u00a0Lamentation over the Dead Christ,\u00a0<\/em>18th century, Pen and ink, watercolour and black chalk on paper, \u00a9 The Samuel Courtauld Trust, The Courtauld Gallery, London<\/p>\n

Phil Brown (b. 1958)\u00a0Untitled (hand),\u00a0<\/em>1994, Silicone and plaster, Arts Council Collection, Southbank Centre, London \u00a9 the artist Gift of Charles Saatchi 1999<\/p>\n

\"From<\/p>\n

From left:<\/p>\n

Mark Fairnington (b. 1957),\u00a0The Greek Madonna,\u00a0<\/em>1993, Oil and gold leaf on panel, Arts Council Collection, Southbank Centre, London \u00a9 the artist, Gift of Charles Saatchi 1999<\/p>\n

Attributed to Giampietrino, (active\u00a0c.\u00a0<\/em>1510-1540),\u00a0The Virgin and Child with Saint Jerome,\u00a0<\/em>c.<\/em>1510-1530, Oil on panel, \u00a9 The Samuel Courtauld Trust, The Courtauld Gallery, London<\/p>\n

Workshop of Jan Gossaert (1478-1532),\u00a0Virgin and Child (Anna von Bergen and her son),\u00a0<\/em>c.<\/em>1525, Oil on panel, \u00a9 The Samuel Courtauld Trust, The Courtauld Gallery, London<\/p>\n

Installation photographs \u00a9 Ariane Belisle<\/p>\n","protected":false},"excerpt":{"rendered":"

This exhibition has been curated by the students on the MA\u00a0Curating the Art Museumprogramme at The Courtauld Institute of Art.\u00a0The programme, now in its third year, is led by Martin Caiger-Smith and is aimed at art curators of the future. The exhibition project is the culmination of the practical side of this twelve-month course. The…<\/p>\n

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