{"id":779,"date":"2012-10-30T12:51:06","date_gmt":"2012-10-30T12:51:06","guid":{"rendered":"https:\/\/sites.courtauld.ac.uk\/illuminating-objects\/?p=779"},"modified":"2026-09-04T12:51:15","modified_gmt":"2026-09-04T11:51:15","slug":"mount-athos-cross","status":"publish","type":"post","link":"https:\/\/sites.courtauld.ac.uk\/illuminating-objects\/2012\/10\/30\/mount-athos-cross\/","title":{"rendered":"The Mount Athos Cross"},"content":{"rendered":"<p><strong>Posted on 30 October<span class=\"post-date\">\u00a02012<\/span>\u00a0by \u00a0Dr Eleni Dimitriadou.<\/strong><\/p>\n<p><em>Illuminating Objects<\/em>\u00a0is a new series of displays that shines a light on unexpected objects from the decorative arts and sculpture collection. All these objects have interesting stories to tell, but\u00a0have rarely been shown and are unknown to all but the most specialist scholars.<\/p>\n<p>The first object we have chosen is an exquisitely carved\u00a0Orthodox cross.<\/p>\n<p><em>The Mount Athos Cross<\/em><\/p>\n<p>This cross was made in one of the monasteries on Mount Athos in the 17th or 18th century.<\/p>\n<p>For centuries this complex of twenty monasteries was a centre of miniature wood carving, a craft still practised by the monks there today.<\/p>\n<p>This cross was originally used for the benediction of the congregation during the liturgy.\u00a0It, along with two others, was\u00a0bequeathed to The Courtauld Gallery in 1966.<\/p>\n<p>Over the last 46 years it has been looked after by the respective curators of Sculpture and Decorative Arts.<\/p>\n<p>It goes on display to the public for the first time today.<\/p>\n<p>Over the last six months I\u2019ve been working with\u00a0<a href=\"https:\/\/www.webarchive.org.uk\/wayback\/archive\/20130414125158\/http:\/www.courtauld.ac.uk\/people\/gerstein-sacha.shtml\">Dr Alexandra Gerstein<\/a>, Curator of Sculpture and Decorative Arts, on the research and display of this first\u00a0<em>Illuminating Object<\/em>.<\/p>\n<p>Working so closely on a single object is not as straightforward as you might think, especially when dealing with a piece as intricate as this cross.<\/p>\n<p>It\u2019s been an interesting challenge to \u00a0try and communicate the complexity and purpose of the cross\u2019 decoration and place it in its cultural context.<\/p>\n<p>The very first task was to choose which one of the three carved wooden crosses of the collection we were going to display.<\/p>\n<p>Making a decision was not easy \u2013 but in the end the size of this cross (it\u2019s the largest of the group) and more importantly the quality of carving dictated our choice.<\/p>\n<p>Both sides of the cross are covered in intricately carved miniature scenes.<\/p>\n<p>These scenes are from the Great Feasts cycle, known as\u00a0<em>Dodekaorton\u00a0<\/em>in Greek,\u00a0essentially events from the life of Christ and the Virgin.<\/p>\n<p>Foliate ornaments around the cross are carved with Old Testament narratives, prophets and saints.<\/p>\n<p>On the lateral sides of the cross are two acronyms, referring to the salvation of mankind through sacrifice.<\/p>\n<p>We wanted to make sure all of these details are visible to visitors, so we\u2019ve placed the cross in a freestanding case.\u00a0<\/p>\n<p>Our next challenge was to work out how orientate the viewer through all 18 scenes, not to mention the singular images of prophets and saints.<\/p>\n<figure id=\"attachment_778\" aria-describedby=\"caption-attachment-778\" style=\"width: 433px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-778\" src=\"https:\/\/sites.courtauld.ac.uk\/illuminating-objects\/wp-content\/uploads\/sites\/7\/2017\/07\/Examining-Greek-cross-in-store-029-682x1024.jpg\" alt=\"\" width=\"433\" height=\"650\" srcset=\"https:\/\/sites.courtauld.ac.uk\/illuminating-objects\/wp-content\/uploads\/sites\/7\/2017\/07\/Examining-Greek-cross-in-store-029-682x1024.jpg 682w, https:\/\/sites.courtauld.ac.uk\/illuminating-objects\/wp-content\/uploads\/sites\/7\/2017\/07\/Examining-Greek-cross-in-store-029-200x300.jpg 200w, https:\/\/sites.courtauld.ac.uk\/illuminating-objects\/wp-content\/uploads\/sites\/7\/2017\/07\/Examining-Greek-cross-in-store-029-768x1152.jpg 768w, https:\/\/sites.courtauld.ac.uk\/illuminating-objects\/wp-content\/uploads\/sites\/7\/2017\/07\/Examining-Greek-cross-in-store-029-600x900.jpg 600w, https:\/\/sites.courtauld.ac.uk\/illuminating-objects\/wp-content\/uploads\/sites\/7\/2017\/07\/Examining-Greek-cross-in-store-029.jpg 1333w\" sizes=\"auto, (max-width: 433px) 100vw, 433px\" \/><figcaption id=\"caption-attachment-778\" class=\"wp-caption-text\">Eleni and Dr Alexandra Gerstein examine the cross<\/figcaption><\/figure>\n<p>We suggest following a chronological order, starting from the scene of the Annunciation\u00a0on Side A\u00a0and working your way down to the Raising of Lazarus and then to\u00a0Side B.<\/p>\n<p>This is not, however, the only way of looking at it.<\/p>\n<p>What is important to understand about this cross is that the choice of placing specific Old Testament events around certain New Testament scenes is not coincidental \u2013 they interact to emphasise the salvation of mankind, a profound human concern for thousands of years.<\/p>\n<p>Working on this project alongside the curator has given me real insight into the process of organising exhibitions.<\/p>\n<p>It\u2019s also meant that I\u2019ve become aware of a group of artworks \u2013 carved wooden crosses \u2013 which have attracted very little scholarly attention. I\u2019m intending to do further research on the subject culminating in an academic article.<\/p>\n<p>Finally, I would like to thank Klairi Angelou for compiling documentation on the crosses for the object files.<\/p>\n<p><em>The Mount Athos Cross was on display from 30 October 2012 \u2013 4 February 2013<\/em>.<\/p>\n<p><strong>\u00a0Dr Eleni Dimitriadou, Visiting Lecturer at The Courtauld Institute of Art<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Posted on 30 October\u00a02012\u00a0by \u00a0Dr Eleni Dimitriadou. Illuminating Objects\u00a0is a new series of displays that shines a light on unexpected objects from the decorative arts and sculpture collection. All these objects have interesting stories to tell, but\u00a0have rarely been shown and are unknown to all but the most specialist scholars. The first object we have&hellip;<\/p>\n<p><a class=\"more-link\" href=\"https:\/\/sites.courtauld.ac.uk\/illuminating-objects\/2012\/10\/30\/mount-athos-cross\/\" title=\"View &lsquo;The Mount Athos Cross&rsquo;\">View <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":43,"featured_media":773,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[15],"tags":[17,18,19,20,21,22,23,24,25,26],"class_list":["post-779","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-athos-cross","tag-carving","tag-decorative-arts","tag-display","tag-gambier-parry","tag-illuminating-objects","tag-mount-athos","tag-new-testament","tag-old-testament","tag-room-4","tag-sculpture"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Mount Athos Cross - Illuminating Objects<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sites.courtauld.ac.uk\/illuminating-objects\/2012\/10\/30\/mount-athos-cross\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Mount Athos Cross - Illuminating Objects\" \/>\n<meta property=\"og:description\" content=\"Posted on 30 October\u00a02012\u00a0by \u00a0Dr Eleni Dimitriadou. Illuminating Objects\u00a0is a new series of displays that shines a light on unexpected objects from the decorative arts and sculpture collection. All these objects have interesting stories to tell, but\u00a0have rarely been shown and are unknown to all but the most specialist scholars. 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