{"id":78,"date":"2017-06-21T12:04:53","date_gmt":"2017-06-21T12:04:53","guid":{"rendered":"http:\/\/gobetween.wpengine.com\/?p=78"},"modified":"2020-08-19T13:05:40","modified_gmt":"2020-08-19T13:05:40","slug":"volunteer-voices-lorraine-stoker-tate-archives","status":"publish","type":"post","link":"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/2017\/06\/21\/volunteer-voices-lorraine-stoker-tate-archives\/","title":{"rendered":"Lorraine Stoker on visiting the Tate Archives"},"content":{"rendered":"<h2>Audio Version<\/h2>\n<p>Read by Gill Stoker<\/p>\n<p><iframe loading=\"lazy\" title=\"Spotify Embed: On Visiting the Tate Archives and Digitisation Project\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" src=\"https:\/\/open.spotify.com\/embed\/episode\/2v9j86CIJ14VYA0zrz9WM7?si=qR94WLWRR82DJH7chcNiHg&#038;utm_source=oembed\"><\/iframe><\/p>\n<h2>Text Version<\/h2>\n<p>I have been volunteering at the Courtauld Institute since March 2017. Throughout my thirty-eight years of teaching Art, Design and Art History in inner-London schools I have visited the Courtauld Gallery many times and have also participated in the Institute\u2019s more recent schools outreach and broadening participation activities. However, it was the Courtauld Connects digitisation project, involving the creation of an online archive of 1.1 million images from their own image collection, with the 20<sup>th<\/sup> century housing projects and the Anthony Kersting Middle Eastern photographic collection, which attracted my attention. As <a href=\"http:\/\/courtauld.ac.uk\/courtauld-connects-hlf-award\">Sir Nicolas Serota commented<\/a>, the project<em> \u2018is an exciting contemporary expression of Samuel Courtauld\u2019s belief that \u2018art is for the people\u2019, and <\/em>I was eager to play a small part in the transformation of the Courtauld archives into a national and international public resource.<\/p>\n<p>As a volunteer, I have access to the Courtauld, its community, exhibitions, events and collections. I can even view and sit in awe of the Gauguins every day now! In addition, working as part of a great team, the practical training and experience in cataloguing, handling, transcribing and digitising historical material and in creating a digital archive has certainly been educational and highly rewarding.<\/p>\n<p>Visiting the Tate Archives as part of our training and development was a fantastic experience. After walking through the bowels of the art gallery, with its air conditioning and heating ducts \u2013 even an old delivery bicycle \u2013 past the spectacular spiral staircase inspired by the original floor tiles, we entered the \u2018Site Timeline\u2019 \u2013 a drum-shaped room at the heart of the building. This room, a small part of the highly successful \u00a345m revamp, is dedicated to the History of the site and is set within the foundation of the oldest part of the building\u2019s structure, Millbank Prison. \u00a0I was well-aware of the history of The Tate as a prison, but it was quite remarkable to hear that in the 1960s there was a serious proposal to add a brutalist, modern extension to the building!<\/p>\n<figure id=\"attachment_80\" aria-describedby=\"caption-attachment-80\" style=\"width: 768px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2017\/06\/20170524_142839_FF.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-80 size-large\" src=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2017\/06\/20170524_142839_FF-768x1024.jpg\" alt=\"\" width=\"768\" height=\"1024\" srcset=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/06\/20170524_142839_FF-768x1024.jpg 768w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/06\/20170524_142839_FF-225x300.jpg 225w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/06\/20170524_142839_FF.jpg 1024w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/a><figcaption id=\"caption-attachment-80\" class=\"wp-caption-text\">The new staircase, Tate Britain. Photo courtesy of Lorraine Stoker.<\/figcaption><\/figure>\n<p>One interesting part of the renovation I have since identified is that when designing the rotunda mirrored bar in the Members Room, the architects Caruso St John were inspired by the Courtauld\u2019s own <a href=\"http:\/\/courtauld.ac.uk\/gallery\/collection\/impressionism-post-impressionism\/edouard-manet-a-bar-at-the-folies-bergere\"><em>A Bar at the Folies-Berg\u00e8re<\/em> by Manet<\/a>.<\/p>\n<p>Though a regular visitor, I had never got further than the Djanogly Caf\u00e8, so The Digital Archive corridor \u2013 with its gallery of touchscreens \u2013 certainly surprised and impressed me. You can reference a work of art in the Tate collection, access the image of the painting or sculpture and compare it next to the digitised image of the archival item. It was amazing to digitally <a href=\"http:\/\/www2.tate.org.uk\/donaldrodney\/sketchbooks.htm\">turn the pages of a Donald Rodney sketchbook<\/a>, and I have just discovered I can do this on my laptop.<\/p>\n<figure id=\"attachment_892\" aria-describedby=\"caption-attachment-892\" style=\"width: 767px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-892\" src=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2017\/06\/Lorraine-Digital-Screens-at-Tate-1024x768.jpg\" alt=\"A photograph showing a corridor in the Tate. Along the side of the corridor are large touch screens, where visitors can 'flip through' digitised sketchbooks and art works.\" width=\"767\" height=\"575\" srcset=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/06\/Lorraine-Digital-Screens-at-Tate-1024x768.jpg 1024w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/06\/Lorraine-Digital-Screens-at-Tate-300x225.jpg 300w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/06\/Lorraine-Digital-Screens-at-Tate-768x576.jpg 768w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/06\/Lorraine-Digital-Screens-at-Tate-1536x1152.jpg 1536w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/06\/Lorraine-Digital-Screens-at-Tate-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 767px) 100vw, 767px\" \/><figcaption id=\"caption-attachment-892\" class=\"wp-caption-text\">The touch screens in the Digital Archive corridor the Tate, where you can explore digitised items from the collection. Photo courtesy of Lorraine Stoker.<\/figcaption><\/figure>\n<p>The Hyman Kreitman Reading Rooms were next. There, we heard about the 1928 flood and the new flood doors which are, of course, still untested!<\/p>\n<p>At the start of the digitisation of its collection, the Tate\u2019s mission statement was \u2018to fulfil our responsibility to promote public enjoyment, knowledge, and understanding of British and international art, we decided that our selection of archive material should follow these principles and reflect that this collection belonged to the nation\u2019. The sheer scale of the <a href=\"http:\/\/www.tate.org.uk\/about\/projects\/insight-digitisation-tate-collection\">Tate\u2019s Archive digitisation<\/a>, now in its third year, is overwhelming, with over 52,000 pieces already captured, all of which are available to view on the website. This stands in addition to the 65,000 paintings, sculpture and works on paper, also available to browse online. The aim is to take the largest archive of British art in the world and make it accessible to national and international online audiences, so with new collections coming in each year, this is an ongoing task.<\/p>\n<p>The Courtauld\u2019s Photographic Library digitisation project is in its first six-month developmental phase and this Tate Britain visit certainly put into context the extensive possibilities within an innovative digitisation programme and public online interaction, such as crowdsourcing, transcription algorithms, and the development of new routes into the collection in addition to the traditional paths of art or title based retrieval.\u00a0 Without doubt, this insight into the successful digitisation project at the Tate Britain has galvanised the Courtauld Connects volunteers, as we look forward to the completion of the developmental phase and the exciting possibilities over the next four years.<\/p>\n<figure id=\"attachment_81\" aria-describedby=\"caption-attachment-81\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2017\/06\/KER_NEG_G4137.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-81 size-full\" src=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2017\/06\/KER_NEG_G4137.jpg\" alt=\"\" width=\"800\" height=\"1017\" srcset=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/06\/KER_NEG_G4137.jpg 800w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/06\/KER_NEG_G4137-236x300.jpg 236w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/06\/KER_NEG_G4137-768x976.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><figcaption id=\"caption-attachment-81\" class=\"wp-caption-text\">Tate Britain and Vickers Tower, 12th September 1964, Anthony Kersting. (KER_NEG_G4137)<\/figcaption><\/figure>\n<figure id=\"attachment_82\" aria-describedby=\"caption-attachment-82\" style=\"width: 771px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2017\/06\/KER_NEG_W1000.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-82 size-large\" src=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2017\/06\/KER_NEG_W1000-771x1024.jpg\" alt=\"\" width=\"771\" height=\"1024\" srcset=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/06\/KER_NEG_W1000-771x1024.jpg 771w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/06\/KER_NEG_W1000-226x300.jpg 226w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/06\/KER_NEG_W1000-768x1020.jpg 768w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/06\/KER_NEG_W1000.jpg 1024w\" sizes=\"auto, (max-width: 771px) 100vw, 771px\" \/><\/a><figcaption id=\"caption-attachment-82\" class=\"wp-caption-text\">Tate Britain Sculpture Gallery, 24th January 1958, Anthony Kersting. (KER_NEG_W1000)<\/figcaption><\/figure>\n<figure id=\"attachment_83\" aria-describedby=\"caption-attachment-83\" style=\"width: 770px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2017\/06\/KER_NEG_W0999.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-83 size-large\" src=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2017\/06\/KER_NEG_W0999-770x1024.jpg\" alt=\"\" width=\"770\" height=\"1024\" srcset=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/06\/KER_NEG_W0999-770x1024.jpg 770w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/06\/KER_NEG_W0999-226x300.jpg 226w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/06\/KER_NEG_W0999-768x1022.jpg 768w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/06\/KER_NEG_W0999.jpg 1024w\" sizes=\"auto, (max-width: 770px) 100vw, 770px\" \/><\/a><figcaption id=\"caption-attachment-83\" class=\"wp-caption-text\">Tate Britain Sculpture Gallery, 24th January 1958, Anthony Kersting. (KER_NEG_W0999)<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Audio Version Read by Gill Stoker Text Version I have been volunteering at the Courtauld Institute since March 2017. Throughout my thirty-eight years of teaching Art, Design and Art History in inner-London schools I have visited the Courtauld Gallery many times and have also participated in the Institute\u2019s more recent schools outreach and broadening participation&hellip;<\/p>\n<p><a class=\"more-link\" href=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/2017\/06\/21\/volunteer-voices-lorraine-stoker-tate-archives\/\" title=\"View &lsquo;Lorraine Stoker on visiting the Tate Archives&rsquo;\">View <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":203,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[8,418,34,47],"tags":[412,472,21,35,31,471,36,27],"class_list":["post-78","post","type-post","status-publish","format-standard","hentry","category-the-kersting-archive","category-volunteer-audio","category-volunteer-opportunities","category-volunteer-voices","tag-audio","tag-conservation","tag-digitisation","tag-learning","tag-stories","tag-tate","tag-visit","tag-volunteering"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - 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