{"id":700,"date":"2020-03-27T09:00:19","date_gmt":"2020-03-27T09:00:19","guid":{"rendered":"http:\/\/gobetween.wpengine.com\/?p=700"},"modified":"2020-09-16T14:44:42","modified_gmt":"2020-09-16T14:44:42","slug":"brittany-ellis-north-iraq-a-yezidi-girl-memory-and-forgetting-in-the-kersting-photographic-archive","status":"publish","type":"post","link":"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/2020\/03\/27\/brittany-ellis-north-iraq-a-yezidi-girl-memory-and-forgetting-in-the-kersting-photographic-archive\/","title":{"rendered":"Brittany Ellis: \u201cNorth Iraq A Yezidi Girl\u201d &#8211; Memory and Forgetting in the Kersting Photographic Archive"},"content":{"rendered":"<h2>Audio Version<\/h2>\n<p><iframe loading=\"lazy\" title=\"Spotify Embed: \u201cNorth Iraq, A Yezidi Girl\u201d: Memory And Forgetting In The Kersting Photographic Archive\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" src=\"https:\/\/open.spotify.com\/embed\/episode\/7mYvT5wMl4JNSUArE7yEQc?si=QJaqIXvZTJ2ZEyXcF2P2lQ&#038;utm_source=oembed\"><\/iframe><\/p>\n<h2>Text Version<\/h2>\n<figure id=\"attachment_701\" aria-describedby=\"caption-attachment-701\" style=\"width: 600px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2020\/03\/Image1-scaled.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-701\" src=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2020\/03\/Image1-scaled.jpeg\" alt=\"AF Kersting black and white print.\" width=\"600\" height=\"752\" srcset=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image1-scaled.jpeg 2043w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image1-239x300.jpeg 239w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image1-817x1024.jpeg 817w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image1-768x962.jpeg 768w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image1-1226x1536.jpeg 1226w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image1-1635x2048.jpeg 1635w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption id=\"caption-attachment-701\" class=\"wp-caption-text\">\u201cNorth Iraq, A Yezidi Girl,\u201d photograph by Anthony Kersting, 1944<\/figcaption><\/figure>\n<p class=\"p3\"><span class=\"s1\">I don\u2019t know her name. I don\u2019t know the name of the young woman who stares out at me from the photograph I hold by its slightly curved edges. I\u2019ve stared at this photograph for days, coming back to it and to her. She is elaborately dressed, wearing beaded necklaces with big metal pendants piled in great layers around her neck. <\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">Her hair is mostly wound up in a headscarf but pieces have come loose and fall around her face. It\u2019s her face that lingers in my memory. Large dark eyes, serious expression, black lines and dots punctuating her skin. With one hand she holds a woman partially cut off by the framing of the photograph. Her mother? A friend? <\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">I flip the glossy photograph over, hoping for more insight. <em>\u201cNORTH IRAQ A YEZIDI GIRL\u201d<\/em> in pencil at the top of the page. A set of numbers that has been crossed out, another set written below.<\/span><span class=\"s2\"> F48-51.<\/span><span class=\"s1\"> F11-57. And then an address, A.F. Kersting, 37 Frewin Road, London. S.W.18. But no name, no clue to who she was or how she came to be photographed \u2013 her image now kept in a bulging stack of similar glossy black and white images in a pale blue box on a shelf of similar pale blue boxes in a chilly London basement library. <\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">The pale blue boxes containing thousands of photographs, together with boxes of negatives and tattered hand-written ledger books, form the archive of the English photographer Anthony Kersting (1916\u20132008), which now resides in the Conway Library of the Courtauld Institute. <\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">Since its entrance into the library\u2019s collection, Kersting\u2019s work has fascinated many, as evidenced by the blog posts from other digitisation interns who have been caught up in the ongoing endeavor of trying to make sense of these enigmatic images and their enigmatic creator. The majority of Kersting&#8217;s images reflect his career as a photographer of architectural sites in Britain and abroad, but there is a smaller set of pale blue boxes that contain piles of pictures of people. <\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">These unexpected images come largely from Kersting\u2019s trips to Transjordan, Iraq, and Iran in the 1940s. Tom Bilson, the Head of Digital Media at the Courtauld and Kersting\u2019s biographer, emphasized how surprising these images of people, festivals, and daily life are in relation to Kersting\u2019s broader corpus, where people are usually entirely eliminated from his shots. <\/span><\/p>\n<figure id=\"attachment_702\" aria-describedby=\"caption-attachment-702\" style=\"width: 600px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2020\/03\/Image2-scaled.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-702\" src=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2020\/03\/Image2-scaled.jpeg\" alt=\"\" width=\"600\" height=\"450\" srcset=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image2-scaled.jpeg 2560w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image2-300x225.jpeg 300w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image2-1024x768.jpeg 1024w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image2-768x576.jpeg 768w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image2-1536x1152.jpeg 1536w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image2-2048x1536.jpeg 2048w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><figcaption id=\"caption-attachment-702\" class=\"wp-caption-text\">Author\u2019s photograph of a box of Anthony Kersting\u2019s prints in the Conway Library<\/figcaption><\/figure>\n<p class=\"p3\"><span class=\"s1\">I have spent my brief stint at the Courtauld immersed in these images of people, partly because of my own research interests in visual culture and the Middle East but also because these images unsettle me with their unknowns. I have spent the week asking questions of them. I\u2019ve received only fragmented whispers. <\/span><\/p>\n<p class=\"p3\"><span class=\"s1\"><b>Approaching the Archive<\/b><\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">I am an anthropologist and an archaeologist with a particular interest in museums and material objects \u2013 the artifacts of the everyday. But I am also captivated by the lines of connection and meaning that extend from objects, connecting, overlapping, and severing as things and people move through space and time. <\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">Unsurprisingly, photographs and archives are like catnip to me. They\u2019re physical things that have been made and shaped by people and institutions over time while also being visual records of places, events, and people. The photographs in the Kersting collection preserve both Kersting and his subjects, albeit only ever in a partial way. <\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">My background leads me to approach these photographs in particular ways, focusing in turn on their histories and contexts, their material properties, and their silences. These multiple approaches complement and complicate each other but cannot ever offer a complete explanation of these images. <\/span><\/p>\n<p class=\"p3\"><span class=\"s1\"><b>The Iran and Iraq Images<\/b><\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">I am going to focus specifically on Kersting\u2019s photographs from Iraq and Iran during 1944. From a historical perspective, we know that Kersting visited Iraq in August 1944. A logbook, in which he recorded what and where he photographed, shows that he was in Iraq for at least 11 days beginning in <a href=\"https:\/\/en.wikipedia.org\/wiki\/Amadiya\">Amadya<\/a> and Mosul and ending in <a href=\"https:\/\/en.wikipedia.org\/wiki\/Baghdad\">Baghdad<\/a>. During this time he photographed people and places in Dohuk, Kirkuk, Hatra, Al Kosh, and Lalish. <\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">The photograph of the Yezidi girl comes from his time in Lalish, when he photographed a Yezidi religious festival at the holy site Sheikh Adi. His photographs show scenes of baptism, dancing and music, and feasting together during the festival. According to the same ledger, Kersting visited Iran for at least 9 days in November and December of the same year. He travelled less widely according to captions on the images and the ledger, spending most of his time in Tehran, Isfahan, Ray, and Delijan. <\/span><\/p>\n<figure id=\"attachment_703\" aria-describedby=\"caption-attachment-703\" style=\"width: 2144px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2020\/03\/Image3-scaled.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-703 size-full\" src=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2020\/03\/Image3-scaled-e1583169077560.jpeg\" alt=\"\" width=\"2144\" height=\"1145\" srcset=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image3-scaled-e1583169077560.jpeg 2144w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image3-scaled-e1583169077560-300x160.jpeg 300w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image3-scaled-e1583169077560-1024x547.jpeg 1024w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image3-scaled-e1583169077560-768x410.jpeg 768w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image3-scaled-e1583169077560-1536x820.jpeg 1536w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image3-scaled-e1583169077560-2048x1094.jpeg 2048w\" sizes=\"auto, (max-width: 2144px) 100vw, 2144px\" \/><\/a><figcaption id=\"caption-attachment-703\" class=\"wp-caption-text\">R.A.F. Nairn Bus, photograph by Anthony Kersting, 1944<\/figcaption><\/figure>\n<p class=\"p3\"><span class=\"s1\">There are several copies of a photograph of a large R.A.F. bus against the desert landscape which gives some insight into Kersting\u2019s method of travel. On the back of one of the copies, Kersting has written <em>\u201cTrip to Iran,\u201d<\/em> while on another, <em>\u201cModern desert travel. The Nairn bus running between Baghdad and Damascus. When this photograph was taken, the bus was being used by the R.A.F.\u201d<\/em> As an addendum and in different ink, <em>\u201cThe R.A.F. Nairn Bus: Habbanniya to Damascus.\u201d <\/em><\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">The different captions are confusing. Was this taken on the route between the R.A.F. base in Habbanniya, Iraq, to Damascus, Syria? Or near Baghdad? Or in Iran? Why was he on a military bus in the first place? Who are the other people \u2013 some in uniforms but one in the foreground clearly not \u2013 in the image? <\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">Tom Bilson informed me that Kersting was part of the R.A.F. for a period of time, but it is unclear whether he was on military business during these trips to Iraq and Iran. It certainly would not be unusual for an intelligence personnel to use photography as a cover for espionage, particularly in 1944 during WWII in this region, which had experienced the Anglo-Soviet invasion of Iran and the Anglo-Iraqi War just three years earlier. <\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">This political history is largely absent from Kersting\u2019s images themselves, save for two intriguing photographs taken in <a href=\"https:\/\/en.wikipedia.org\/wiki\/Duhok\">Duhok<\/a>, Iraq. The first is a group of men, some in traditional Iraqi dress and others in suits and even shorts, outside of an unmarked building. On the back Kersting has written:<\/span><\/p>\n<p class=\"p3\"><em><span class=\"s1\"> \u201cIraq, A group round the M.O.I. reading room in Dahook [sic], a Kurdish town between <\/span><\/em><em style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif\"><span class=\"s1\">Amadia and Mosul. Allen, M.O.I. public relations officer in Mosul, who arranged my <\/span><\/em><em style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif\"><span class=\"s1\">transport for me, is in the centre of the group. A. F. Kersting. Aug 1944\u201d<\/span><\/em><\/p>\n<figure id=\"attachment_704\" aria-describedby=\"caption-attachment-704\" style=\"width: 2560px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2020\/03\/Image4-scaled.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-704\" src=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2020\/03\/Image4-scaled.jpeg\" alt=\"\" width=\"2560\" height=\"2198\" srcset=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image4-scaled.jpeg 2560w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image4-300x258.jpeg 300w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image4-1024x879.jpeg 1024w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image4-768x659.jpeg 768w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image4-1536x1319.jpeg 1536w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image4-2048x1758.jpeg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/a><figcaption id=\"caption-attachment-704\" class=\"wp-caption-text\">Group of men outside of M.O.I. reading room in Duhok, Iraq, photography by Anthony Kersting, 1944<\/figcaption><\/figure>\n<figure id=\"attachment_705\" aria-describedby=\"caption-attachment-705\" style=\"width: 2182px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2020\/03\/Image5-scaled.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-705 size-full\" src=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2020\/03\/Image5-scaled-e1583169313711.jpeg\" alt=\"\" width=\"2182\" height=\"1900\" srcset=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image5-scaled-e1583169313711.jpeg 2182w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image5-scaled-e1583169313711-300x261.jpeg 300w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image5-scaled-e1583169313711-1024x892.jpeg 1024w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image5-scaled-e1583169313711-768x669.jpeg 768w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image5-scaled-e1583169313711-1536x1337.jpeg 1536w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image5-scaled-e1583169313711-2048x1783.jpeg 2048w\" sizes=\"auto, (max-width: 2182px) 100vw, 2182px\" \/><\/a><figcaption id=\"caption-attachment-705\" class=\"wp-caption-text\">Reverse of the image showing Kersting\u2019s handwritten annotations.<\/figcaption><\/figure>\n<p class=\"p3\"><span class=\"s1\">M.O.I. is often used as an acronym for both the Ministry of the Interior and the Ministry of Information, though Ministry of Information might be more appropriate here in the context of a reading room. \u201cAllen\u201d is not mentioned in any other images or in Kersting\u2019s ledger. <\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">In a second image, a group of men read magazines and books together, possibly in the mentioned reading room. Arabic and English maps on the rear wall show theaters of war. <em>\u201cWar Map of the USA and Japan\u201d<\/em> reads one. <\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">These photographs obliquely show Kersting\u2019s historical setting and his network of contacts, military and governmental, that made his journeys possible, but they also raise questions about the purpose of Kersting\u2019s trips in the region, which was still an active site of British military negotiation and surveillance. <\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">Viewed today, these photographs are still politically relevant, especially considering the persecution and violence faced by both Kurdish and Yezidi people. Kersting\u2019s photographs highlight visibility and cultural vibrancy, providing a record of these communities\u2019 traditions, longevity, and physical presence. <\/span><\/p>\n<figure id=\"attachment_706\" aria-describedby=\"caption-attachment-706\" style=\"width: 2240px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2020\/03\/Image6-scaled.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-706 size-full\" src=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2020\/03\/Image6-scaled-e1583169568541.jpeg\" alt=\"\" width=\"2240\" height=\"1382\" srcset=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image6-scaled-e1583169568541.jpeg 2240w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image6-scaled-e1583169568541-300x185.jpeg 300w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image6-scaled-e1583169568541-1024x632.jpeg 1024w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image6-scaled-e1583169568541-768x474.jpeg 768w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image6-scaled-e1583169568541-1536x948.jpeg 1536w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image6-scaled-e1583169568541-2048x1264.jpeg 2048w\" sizes=\"auto, (max-width: 2240px) 100vw, 2240px\" \/><\/a><figcaption id=\"caption-attachment-706\" class=\"wp-caption-text\">Unannotated photography of men reading with war maps in the background, photograph by Anthony Kersting, 1944<\/figcaption><\/figure>\n<p class=\"p3\"><span class=\"s1\">Besides trying to situate these photographs and Kersting himself in a particular historical and political moment, I\u2019ve also tried to approach these images as cultural records. They simultaneously portray different ethnic and national communities and also record Kersting\u2019s own understanding and classifications of these groups. <\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">The images from Iraq, in particular, I think, reflect Kersting\u2019s interest in the communities he met. On the back of a photograph (Image 9) of a Kurdish man, Kersting has written, <em>\u201cIraq, A typical Kurd, inhabitant of Kurdistan in North Iraq. He wears the typical colored trousers, and carries a rifle, with a band of ammunition round his waist.\u201d<\/em> He gives some context to the man\u2019s clothing as well as Kurdish people\u2019s geographic presence in Iraq. <\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">The photographs of the Yezidi festival at <a href=\"https:\/\/en.wikipedia.org\/wiki\/Sheikh_Adi_ibn_Musafir\">Sheikh Adi<\/a>, in particular, are somewhat ethnographic, that is, trying to portray the experiences of people engaged in a specific activity or way of life. They show the smoke from pipes and incense, musicians mid-song, dancers moving together, children running around, mothers carrying children to baptisms. Kersting isn\u2019t just capturing an event but an atmosphere. <\/span><\/p>\n<figure id=\"attachment_707\" aria-describedby=\"caption-attachment-707\" style=\"width: 2105px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2020\/03\/Image7-scaled.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-707 size-full\" src=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2020\/03\/Image7-scaled-e1583169733218.jpeg\" alt=\"\" width=\"2105\" height=\"1484\" srcset=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image7-scaled-e1583169733218.jpeg 2105w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image7-scaled-e1583169733218-300x211.jpeg 300w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image7-scaled-e1583169733218-1024x722.jpeg 1024w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image7-scaled-e1583169733218-768x541.jpeg 768w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image7-scaled-e1583169733218-1536x1083.jpeg 1536w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image7-scaled-e1583169733218-2048x1444.jpeg 2048w\" sizes=\"auto, (max-width: 2105px) 100vw, 2105px\" \/><\/a><figcaption id=\"caption-attachment-707\" class=\"wp-caption-text\">\u201cNorth Iraq, Musicians playing for the Yezidi dance known as the Debka atet eh annual festival at Sheikh Adi. A row of dancers can be seen immediately behind.\u201d Photography by Anthony Kersting, 1944<\/figcaption><\/figure>\n<figure id=\"attachment_708\" aria-describedby=\"caption-attachment-708\" style=\"width: 1984px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2020\/03\/Image8-scaled.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-708 size-full\" src=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2020\/03\/Image8-scaled-e1583169804620.jpeg\" alt=\"\" width=\"1984\" height=\"2073\" srcset=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image8-scaled-e1583169804620.jpeg 1984w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image8-scaled-e1583169804620-287x300.jpeg 287w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image8-scaled-e1583169804620-980x1024.jpeg 980w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image8-scaled-e1583169804620-768x802.jpeg 768w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image8-scaled-e1583169804620-1470x1536.jpeg 1470w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image8-scaled-e1583169804620-1960x2048.jpeg 1960w\" sizes=\"auto, (max-width: 1984px) 100vw, 1984px\" \/><\/a><figcaption id=\"caption-attachment-708\" class=\"wp-caption-text\">Unannotated photograph of Yezidi men at the festival at Sheikh Adi, photography by Anthony Kersting, 1944<\/figcaption><\/figure>\n<p class=\"p3\"><span class=\"s1\">However, like photographs taken and used by anthropologists in the early and mid-twentieth century, Kersting\u2019s photographs and captions are reductive. <em>\u201cA typical Kurd,\u201d \u201cA Yezidi girl,\u201d \u201cYezidi man,\u201d \u201cA typical Assyrian.\u201d<\/em> By these captions and categories, Kersting appears more interested in (stereo)types of people rather than specific individuals. Hence the lack of names. <\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">I wonder about Kersting\u2019s interactions with the people he met and photographed. Did Kersting ask to take people\u2019s photographs? Were they excited or made anxious about this? Did they ever see the photographs of themselves? How would they or living relatives feel about these anonymized images sitting in a box in London?<\/span><\/p>\n<figure id=\"attachment_709\" aria-describedby=\"caption-attachment-709\" style=\"width: 1750px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2020\/03\/Image9-scaled.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-709\" src=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2020\/03\/Image9-scaled.jpeg\" alt=\"\" width=\"1750\" height=\"2560\" srcset=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image9-scaled.jpeg 1750w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image9-205x300.jpeg 205w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image9-700x1024.jpeg 700w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image9-768x1123.jpeg 768w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image9-1050x1536.jpeg 1050w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image9-1400x2048.jpeg 1400w\" sizes=\"auto, (max-width: 1750px) 100vw, 1750px\" \/><\/a><figcaption id=\"caption-attachment-709\" class=\"wp-caption-text\">&#8220;Iraq, A Typical Kurd\u2026\u201d photograph by Anthony Kersting, 1944.<\/figcaption><\/figure>\n<p class=\"p3\"><span class=\"s1\"><b>Materiality in the Archive<\/b><\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">In addition to being visual images, these photographs are physical objects. They take up space in boxes and shelves. Their curved edges and stains show age and wear and damage over time. They contain the physical marks of Kersting\u2019s pen and pencil, recording the movements of his hands. Some theorists in anthropology have suggested thinking about the biographies of objects \u2013 their moments of coming into being, moving through the world, and their eventual \u201cdeaths.\u201d <\/span><\/p>\n<figure id=\"attachment_710\" aria-describedby=\"caption-attachment-710\" style=\"width: 1897px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2020\/03\/Image10-scaled.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-710\" src=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2020\/03\/Image10-scaled.jpeg\" alt=\"\" width=\"1897\" height=\"2560\" srcset=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image10-scaled.jpeg 1897w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image10-222x300.jpeg 222w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image10-759x1024.jpeg 759w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image10-768x1037.jpeg 768w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image10-1138x1536.jpeg 1138w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image10-1517x2048.jpeg 1517w\" sizes=\"auto, (max-width: 1897px) 100vw, 1897px\" \/><\/a><figcaption id=\"caption-attachment-710\" class=\"wp-caption-text\">\u201cNorth Iraq, A Typical Yezidi&#8221;, photography by Anthony Kersting, 1944.<\/figcaption><\/figure>\n<p class=\"p3\"><span class=\"s1\">A biography of these images provides yet another way of looking at them. We could think about the technologies, materials, and skills required to produce them. Kersting worked with multiple cameras, which would have taken up space and required particular environments to prepare properly. The images would have been rendered on glass plates treated with special chemical solutions. They would have had to be printed onto specific kinds of paper using yet more chemicals to render the image and fix it in place. <\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">After printing, Kersting inscribed them with dates, log numbers, descriptions, copyright stamps, his name and address. And while there are copies of certain images, no two are exactly the same because his descriptions vary. Some copies have additional, intriguing marks from <a href=\"https:\/\/en.wikipedia.org\/wiki\/Royal_Air_Force\">R.A.F.<\/a> censors or printed marks indicating that the paper is government-issued. What kinds of review processes did these images go through? And why do only some of them show signs of being reviewed or processed by the military? <\/span><\/p>\n<figure id=\"attachment_712\" aria-describedby=\"caption-attachment-712\" style=\"width: 1816px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2020\/03\/Image12-scaled.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-712\" src=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2020\/03\/Image12-scaled.jpeg\" alt=\"\" width=\"1816\" height=\"2560\" srcset=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image12-scaled.jpeg 1816w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image12-213x300.jpeg 213w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image12-727x1024.jpeg 727w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image12-768x1082.jpeg 768w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image12-1090x1536.jpeg 1090w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image12-1453x2048.jpeg 1453w\" sizes=\"auto, (max-width: 1816px) 100vw, 1816px\" \/><\/a><figcaption id=\"caption-attachment-712\" class=\"wp-caption-text\">\u201cIraq, A Typical Iraqi girl, from the country north of Mosul,\u201d photograph by Anthony Kersting, 1944.<\/figcaption><\/figure>\n<p class=\"p3\"><span class=\"s1\">It\u2019s intriguing to think about the lifespan of these images. Did Kersting keep them in an album or display them in his home? Were these travel photographs shown off to friends? Were they commissioned by a particular organization? Did he consider them to be documentation of \u201cexotic\u201d people (a term now considered highly problematic but which circulated in popular discourse in his time), personal mementoes, or fine artworks? Why were some printed on glossy paper and others on flat matte paper? These are questions for which we don\u2019t know the answers. But we do know more about these images\u2019 futures. <\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">These images, like the rest of the Conway Library\u2019s photographic and print collections, are in the process of being digitized so that they can be stored and accessed online. The digitization process is an immense one, requiring hundreds of volunteers to help sort, label, photograph, and categorize all the images in the library.<\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">So these photographs will live on in a digital form even after their physical forms degrade. But does our experience of an image change when it becomes pixels and code instead of photographic solution and paper? I can\u2019t have the same experience of handling a photograph and flipping it over in eager anticipation of more information. But rendering high-quality images for a digital collection does make these images more accessible, potentially even allowing their circulation within the communities in Iraq and Iran that they portray. <\/span><\/p>\n<p class=\"p3\"><span class=\"s1\"><b>\u201cQuieter than Silence\u201d<\/b><\/span><\/p>\n<figure id=\"attachment_714\" aria-describedby=\"caption-attachment-714\" style=\"width: 1016px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/open.spotify.com\/album\/4pajwaPRD1BLaELeJNn8pL?si=xcWCFrbYSuSM50bE3xdy1A]\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-714 size-full\" src=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2020\/03\/Screenshot-2020-03-02-at-18.29.16.png\" alt=\"\" width=\"1016\" height=\"360\" srcset=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Screenshot-2020-03-02-at-18.29.16.png 1016w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Screenshot-2020-03-02-at-18.29.16-300x106.png 300w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Screenshot-2020-03-02-at-18.29.16-768x272.png 768w\" sizes=\"auto, (max-width: 1016px) 100vw, 1016px\" \/><\/a><figcaption id=\"caption-attachment-714\" class=\"wp-caption-text\">Quieter Than Silence. Available on Spotify: <a href=\"https:\/\/open.spotify.com\/album\/4pajwaPRD1BLaELeJNn8pL?si=xcWCFrbYSuSM50bE3xdy1A\">https:\/\/open.spotify.com\/album\/4pajwaPRD1BLaELeJNn8pL?si=xcWCFrbYSuSM50bE3xdy1A<\/a><\/figcaption><\/figure>\n<p class=\"p3\"><span class=\"s1\">The anthropologist <a href=\"https:\/\/www.anthro.ox.ac.uk\/people\/professor-david-zeitlyn\">David Zeitlyn<\/a><\/span><span class=\"s1\">\u00a0describes archives as spaces between memory and forgetting. They\u2019re repositories of information, stories, and moments, but they also can outlive their subjects and makers, becoming ghosts of bygone people and places. Working in archives is extremely gratifying because it provides opportunities for rediscovery but it can also be frustrating as more and more question marks develop.\u00a0<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">The more I look at these photographs through different analytical lenses the more I realize just how much I don\u2019t know and will probably never know about them. Through digitization, crowdsourcing, and circulating the photographs back within their communities of origin certain individuals could potentially be identified, but Kersting\u2019s motivations remain unknown.<\/span><\/p>\n<p class=\"p3\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-713 size-full\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif\" src=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2020\/03\/Image13-e1583174135658.jpeg\" alt=\"\" width=\"1373\" height=\"1538\" srcset=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image13-e1583174135658.jpeg 1373w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image13-e1583174135658-268x300.jpeg 268w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image13-e1583174135658-914x1024.jpeg 914w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image13-e1583174135658-768x860.jpeg 768w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2020\/03\/Image13-e1583174135658-1371x1536.jpeg 1371w\" sizes=\"auto, (max-width: 1373px) 100vw, 1373px\" \/><\/p>\n<p>Unannotated photograph of Yezidi musicians and attendants of the annual festival at the holy site Sheikh Adi, photograph by Anthony Kersting, 1944. I am particularly struck by the young men in the bottom left corner who stare curiously into the lens of Kersting\u2019s camera.<\/p>\n<p class=\"p1\"><span class=\"s1\">The photographs are even more ghostlike and frustrating to me, too, because they emphasize just how much is missing in appreciating the moment or person that is captured. It reminds me of the musical performance <em>Quieter than Silence<\/em> by <a href=\"https:\/\/www.roots-revival.com\/quieterthansilence\">Mehdi Aminian and Mohamad Zatari<\/a>. In their fusion of Syrian and Iranian traditional music and poetry, the two men reflect on friendship, loss, and conflict. They emphasize the pain that comes with knowing that there should be sound or life in a moment but not being able to find it \u2013 experiences that seem quieter than silence. <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">These images seem quieter than silence to me in some ways because these places and people were not still and silent but teeming with movement, noise, color, and life. In the photographs, though, they have been frozen, silenced, detached. I long to reinvest these images with sound, smell, taste, and touch. So as I hold the photograph of the Yezidi girl, I think of her necklaces clinking together. I imagine the textures that surround her, the noise of a celebration, the click of a camera\u2019s shutter closing.<\/span><\/p>\n<hr \/>\n<p>Brittany Ellis<\/p>\n<p>Courtauld Connects Digitisation Oxford Micro-Internship Participant<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Audio Version Text Version I don\u2019t know her name. I don\u2019t know the name of the young woman who stares out at me from the photograph I hold by its slightly curved edges. I\u2019ve stared at this photograph for days, coming back to it and to her. She is elaborately dressed, wearing beaded necklaces with&hellip;<\/p>\n<p><a class=\"more-link\" href=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/2020\/03\/27\/brittany-ellis-north-iraq-a-yezidi-girl-memory-and-forgetting-in-the-kersting-photographic-archive\/\" title=\"View &lsquo;Brittany Ellis: \u201cNorth Iraq A Yezidi Girl\u201d &#8211; Memory and Forgetting in the Kersting Photographic Archive&rsquo;\">View <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":204,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[312,8,418],"tags":[365,412,21,362,364,352,32,363,374,366,367,375,361,368,370,372,373,369,359,360],"class_list":["post-700","post","type-post","status-publish","format-standard","hentry","category-placement","category-the-kersting-archive","category-volunteer-audio","tag-al-kosh","tag-audio","tag-digitisation","tag-dohuk","tag-hatra","tag-iran","tag-kersting","tag-kirkuk","tag-kurdistan","tag-lalish","tag-mehdi-aminian-and-mohamad-zatari","tag-middle-east","tag-mosul","tag-music","tag-r-a-f","tag-sheikh-adi","tag-stereotypes","tag-syria","tag-yazidi","tag-yezidi"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Brittany Ellis: \u201cNorth Iraq A Yezidi Girl\u201d - Memory and Forgetting in the Kersting Photographic Archive - Digital Media<\/title>\n<meta name=\"description\" content=\"Brittany Ellis looks at the images of North Iraq and the Yazidi people taken by photographer Anthony Kersting and currently being digitised at the Courtauld\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/2020\/03\/27\/brittany-ellis-north-iraq-a-yezidi-girl-memory-and-forgetting-in-the-kersting-photographic-archive\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Brittany Ellis: \u201cNorth Iraq A Yezidi Girl\u201d - Memory and Forgetting in the Kersting Photographic Archive - Digital Media\" \/>\n<meta property=\"og:description\" content=\"Brittany Ellis looks at the images of North Iraq and the Yazidi people taken by photographer Anthony Kersting and currently being digitised at the Courtauld\" \/>\n<meta property=\"og:url\" content=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/2020\/03\/27\/brittany-ellis-north-iraq-a-yezidi-girl-memory-and-forgetting-in-the-kersting-photographic-archive\/\" \/>\n<meta property=\"og:site_name\" content=\"Digital Media\" \/>\n<meta property=\"article:published_time\" content=\"2020-03-27T09:00:19+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-09-16T14:44:42+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2020\/03\/Image1-scaled.jpeg\" \/>\n<meta name=\"author\" content=\"Digitisation Placement\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Digitisation Placement\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"13 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/sites.courtauld.ac.uk\\\/digitalmedia\\\/2020\\\/03\\\/27\\\/brittany-ellis-north-iraq-a-yezidi-girl-memory-and-forgetting-in-the-kersting-photographic-archive\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/sites.courtauld.ac.uk\\\/digitalmedia\\\/2020\\\/03\\\/27\\\/brittany-ellis-north-iraq-a-yezidi-girl-memory-and-forgetting-in-the-kersting-photographic-archive\\\/\"},\"author\":{\"name\":\"Digitisation Placement\",\"@id\":\"https:\\\/\\\/sites.courtauld.ac.uk\\\/digitalmedia\\\/#\\\/schema\\\/person\\\/ab20727f7304caf038b1fd62ba1b33bb\"},\"headline\":\"Brittany Ellis: \u201cNorth Iraq A Yezidi Girl\u201d &#8211; 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