{"id":320,"date":"2019-05-29T11:47:11","date_gmt":"2019-05-29T11:47:11","guid":{"rendered":"http:\/\/gobetween.wpengine.com\/?p=320"},"modified":"2020-09-15T18:52:35","modified_gmt":"2020-09-15T18:52:35","slug":"ferhat-ulusu-unexpected-music-in-the-conway-library","status":"publish","type":"post","link":"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/2019\/05\/29\/ferhat-ulusu-unexpected-music-in-the-conway-library\/","title":{"rendered":"Ferhat Ulusu: Unexpected Music in the Conway Library"},"content":{"rendered":"<h2>Audio Version<\/h2>\n<p>Read by Christopher Williams<\/p>\n<p><iframe loading=\"lazy\" title=\"Spotify Embed: Unexpected Music In The Conway Library\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" src=\"https:\/\/open.spotify.com\/embed\/episode\/2uGaiq8jl945wflMBDy3ga?si=bMPeIHD2SmK3EnQ71z73SA&#038;utm_source=oembed\"><\/iframe><\/p>\n<h2>Text Version<\/h2>\n<p>&nbsp;<\/p>\n<p>Did I really sign up for this?<\/p>\n<p>This is what I asked myself as soon as I walked into the building.<br \/>\nA pretty lady, nicely presented with a red lipstick smiled at me and swiftly asked for my name.<\/p>\n<p>As a volunteer, I was preparing myself to either welcome guests or help with the drinks&#8230;<br \/>\nThe email said: confirmation &#8211; you have been approved for Gallery Music: new compositions from the Guildhall School of Music and Drama between 15.00-16.00 on Sunday 19th of May.<\/p>\n<p>For the last three years, students have been inspired to use the Courtauld&#8217;s collections, history and location as a starting point for their pieces. On this occasion, the pieces would be performed in the library, and I was in the audience.<\/p>\n<p>Operatic singers, musicians, partitions, a clarinet, a cello, a viola, and a blue helium balloon took over the Conway Library amongst the iconic scarlet boxes.<br \/>\nWhat a contemporary concert: magical, unique and breathtaking&#8230; and YES I am glad I signed up for it.<\/p>\n<figure id=\"attachment_326\" aria-describedby=\"caption-attachment-326\" style=\"width: 600px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-326\" src=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2019\/05\/Image-13.jpg\" alt=\"\" width=\"600\" height=\"800\" srcset=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2019\/05\/Image-13.jpg 2448w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2019\/05\/Image-13-225x300.jpg 225w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2019\/05\/Image-13-768x1024.jpg 768w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption id=\"caption-attachment-326\" class=\"wp-caption-text\">Image by Ferhat Ulusu<\/figcaption><\/figure>\n<p>Ferhat Ulusu<\/p>\n<p>Courtauld Connects Digitisation Volunteer<\/p>\n<hr \/>\n<p>Curated by Dr Charlotte de Mille with Dr Bretton Brown and Dr Cassandra Miller, the pieces performed were:<\/p>\n<p><em>Ben Jonson Settings\u00a0<\/em> &#8211; Harry Harrison<br \/>\nThe text in this piece is taken from three Jacobean &#8220;entertainments&#8221; by Ben Jonson. They were presented to Queen Anne of Denmark, who moved into Somerset House upon her arrival into London in 1603. Queen Anne patronised and supported many artists and composers during her lifetime, and her extravagant and daring masques were a crucial development in women&#8217;s performance.<br \/>\n<em>Rosemarie Morgan, soprano; Thomas Pickering, recorder<\/em><\/p>\n<p><em>Tractatus &#8211;\u00a0<\/em>Efe Yuksel<br \/>\n&#8230;one cannot speak, thereof one must be silent.<br \/>\nWhereof one cannot speak, thereof one must be silent.<br \/>\nWhereof one cannot speak, thereof one must be&#8230;<br \/>\n<em>Tom Mole, baritone; Henrietta Hill, viola<\/em><\/p>\n<p><em>Upon the Battlements\u00a0<\/em>&#8211; Ben Pease Barton<br \/>\nA dramatic musical exploration of identity, self-acceptance, loneliness and despair, setting text from four alternative translations of Kafka&#8217;s novel <em>The Castle.\u00a0<\/em>On browsing the Conway Library, I came across a wonderful historic photograph of Karlstejn Castle in the Czech Republic, perched upon a mountain and soaring high above a sunken village in the forested valley below. I was reminded of the Czech scenery in which Franz Kafka&#8217;s novel, <em>The Castle<\/em>, is set.<br \/>\n<em>Faryl Smith, soprano; Aline Christ, cello<\/em><\/p>\n<p><em>To a Mouse<\/em> &#8211; Mara Pruna<br \/>\nThe piece follows the narrative of the famous poem with the same name, by Robert Burns. The flowing character and the subtly onomatopoeic texture reminds the listener of the fragile communion between humans and nature. The numerous musical surprises outline the idea that things don&#8217;t go to plan, even when one tries their hardest.<br \/>\n<em>Mary Walker, soprano; Michael Stowe, cor anglais<\/em><\/p>\n<p><em>Get Well Soon<\/em> &#8211; Mathis Saunier<br \/>\nThis is a homage to David Lynch&#8217;s movie <em>Mulholland Drive.\u00a0<\/em>Trapped between dream and reality, Bettie, a young star of Hollywood, suddenly realises that her entire life is not a lie but a dream, and that what she has just committed is indelible.<br \/>\n<em>Manon Gleizes, soprano; Rachael Hannigan, bass clarinet<\/em><\/p>\n<p><em>Wilderness<\/em> &#8211; Cloe Hotham<br \/>\n<em>Wilderness\u00a0<\/em>is the title of a collection of lost poetry written by Jim Morrison, the lead singer of 60s psychedelic rock band The Doors. I am hugely inspired by the artistic links Morrison made between the work of Aldous Huxley, William Blake, and other great writers in his own work, and sought to do something similar with my piece by blending Beat-like poetry written by a rock musician, with my own &#8220;classical&#8221; music, and find music and art from the time of the beat generation to be wonderfully raw and powerful in trying to express the human condition, which was something that was important to explore to both me and my singer, Emily Peace, in this collaboration. I have a strong interest in writing vocal and operatic music, drawing inspiration from literature spanning from the medieval period up to working with living writers to create new works. The setting of the Courtauld, and especially the Conway Library, has been a wonderful reminder to think of my work as not existing in a contemporary music vacuum, and to continue to be inspired by older works of art, literature, and music as well as the contemporary arts scene.<br \/>\n<em>Emily Peace, soprano; Charlotte Walker, cello<\/em><\/p>\n<figure id=\"attachment_329\" aria-describedby=\"caption-attachment-329\" style=\"width: 600px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-329\" src=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2019\/05\/Image-16-169x300.jpg\" alt=\"\" width=\"600\" height=\"1065\" srcset=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2019\/05\/Image-16-169x300.jpg 169w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2019\/05\/Image-16-577x1024.jpg 577w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2019\/05\/Image-16.jpg 640w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption id=\"caption-attachment-329\" class=\"wp-caption-text\">Image by Ferhat Ulusu<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Audio Version Read by Christopher Williams Text Version &nbsp; Did I really sign up for this? This is what I asked myself as soon as I walked into the building. A pretty lady, nicely presented with a red lipstick smiled at me and swiftly asked for my name. As a volunteer, I was preparing myself&hellip;<\/p>\n<p><a class=\"more-link\" href=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/2019\/05\/29\/ferhat-ulusu-unexpected-music-in-the-conway-library\/\" title=\"View &lsquo;Ferhat Ulusu: Unexpected Music in the Conway Library&rsquo;\">View <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":203,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[6,418,34,47],"tags":[412,416,368,417,415],"class_list":["post-320","post","type-post","status-publish","format-standard","hentry","category-the-conway-library","category-volunteer-audio","category-volunteer-opportunities","category-volunteer-voices","tag-audio","tag-guildhall-school-of-music-and-drama","tag-music","tag-programme-notes","tag-review"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ferhat Ulusu: Unexpected Music in the Conway Library - Digital Media<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/2019\/05\/29\/ferhat-ulusu-unexpected-music-in-the-conway-library\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ferhat Ulusu: Unexpected Music in the Conway Library - Digital Media\" \/>\n<meta property=\"og:description\" content=\"Audio Version Read by Christopher Williams Text Version &nbsp; Did I really sign up for this? 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