{"id":186,"date":"2017-12-04T09:00:56","date_gmt":"2017-12-04T09:00:56","guid":{"rendered":"http:\/\/gobetween.wpengine.com\/?p=186"},"modified":"2020-08-05T16:26:46","modified_gmt":"2020-08-05T16:26:46","slug":"looking-different-laws-landscape","status":"publish","type":"post","link":"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/2017\/12\/04\/looking-different-laws-landscape\/","title":{"rendered":"Alia Ahmad: Looking Through Different Laws of Landscape"},"content":{"rendered":"<h2>Audio Version<\/h2>\n<p>Read by Verity Babbs<\/p>\n<p><iframe loading=\"lazy\" title=\"Spotify Embed: Looking Through Different Laws Of Landscape\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" src=\"https:\/\/open.spotify.com\/embed\/episode\/5tqGNIPgCmnINn7OWly4ag?si=-a2zTkaMT3q9WMvu7wd6CQ&#038;utm_source=oembed\"><\/iframe><\/p>\n<h2>Text Version<\/h2>\n<p class=\"p3\"><span class=\"s2\">The Courtauld\u2019s Witt Library is a large collection of photographs, reproductions and cuttings of paintings, drawings and engravings of Western Art from c1200 to the present day. Within its 19 thousand boxes sit just over 2.15 million images depicting many diverse themes and subjects. The complete archive of 160,000 black and white prints and over 40,000 negatives by architectural and landscape photographer Anthony F. Kersting was bequeathed to the Courtauld\u2019s Conway Library on his death in 2008.<\/span><\/p>\n<p class=\"p3\"><span class=\"s2\">As a Digitisation and Digital Media Intern, I decided to take a look at these contrasting and yet extensive collections to discover how landscape was, and still is, a theme within creative expression. From the work of <\/span><span class=\"s3\">\u00c9douard <\/span><span class=\"s2\">Manet, <\/span><span class=\"s3\">Federico <\/span><span class=\"s2\">Barocci through to the many unpublished photographs taken by Anthony Kersting we see a reflection of the spirit of nature that continues to creatively saunter through human history.<\/span><\/p>\n<p class=\"p3\"><span class=\"s2\">Nature seems to have its own distinctive way of projecting<\/span> <span class=\"s2\">different subject matters and visual habitats. Before the 17th century, the concept of landscape was limited to the different narratives of historical, religious and folkloric fields. However, today landscape has become one of the ruling themes within the bounds of artistic expression and documentation. A large number of great artists use landscape as a form of artistic authority; an impression to record the different impacts we have on our grounds, territory and the scope of the earth.<\/span><\/p>\n<p class=\"p3\"><span class=\"s2\">To start off this reflection on the crowning charm of nature\u2019s picturesque scenery, I chose Federico Barocci\u2019s simple yet spiritual approach towards landscape. <\/span><span class=\"s5\">During his lifetime Barocci was a celebrated figure<\/span> <span class=\"s5\">of the Italian Renaissance, due in part to a notable commission received in his early 20s to create frescos at the Vatican.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-194\" src=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2017\/12\/7-224x300.jpg\" alt=\"\" width=\"226\" height=\"303\" srcset=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/12\/7-224x300.jpg 224w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/12\/7-768x1030.jpg 768w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/12\/7-763x1024.jpg 763w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/12\/7.jpg 805w\" sizes=\"auto, (max-width: 226px) 100vw, 226px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-193 size-medium\" src=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2017\/12\/5-226x300.jpg\" alt=\"\" width=\"226\" height=\"300\" srcset=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/12\/5-226x300.jpg 226w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/12\/5-768x1020.jpg 768w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/12\/5-771x1024.jpg 771w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/12\/5.jpg 813w\" sizes=\"auto, (max-width: 226px) 100vw, 226px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p8\"><span class=\"s2\">His sketches, which I discovered in the Witt Library, include a delicate study of trees and space showing his respect for nature, in what I consider to be an ethereal and docile interpretation. His use of chalk typifies the \u2018Italian light\u2019 that many artists around that time idealised. <\/span><\/p>\n<p class=\"p3\"><span class=\"s5\">Moving on from the Italian Renaissance, I explored the French School of the Witt Library, specifically the word of Impressionist painter \u00c9douard Manet. Although many would consider Manet to be a realist painter, there is a crucial moment in which he <\/span><span class=\"s2\">evolved into an I<\/span><span class=\"s5\">mpressionist, a style celebrated by fairly small, yet undisguised brush strokes, clear composition, and the study of light<\/span> <span class=\"s5\">in its adaptable qualities. The two paintings depicted here give a recognisable sense of movement as a crucial abstract of experience, human realisation and demeanour towards the flora and fauna of consciousness.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-192 size-medium alignleft\" src=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2017\/12\/2-224x300.jpg\" alt=\"\" width=\"224\" height=\"300\" srcset=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/12\/2-224x300.jpg 224w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/12\/2-768x1028.jpg 768w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/12\/2-765x1024.jpg 765w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/12\/2.jpg 807w\" sizes=\"auto, (max-width: 224px) 100vw, 224px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-191 size-medium\" src=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2017\/12\/1-224x300.jpg\" alt=\"\" width=\"224\" height=\"300\" srcset=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/12\/1-224x300.jpg 224w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/12\/1-768x1027.jpg 768w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/12\/1-766x1024.jpg 766w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/12\/1.jpg 808w\" sizes=\"auto, (max-width: 224px) 100vw, 224px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p3\"><span class=\"s2\">Finally, nothing describes the work of architectural and landscape photographer Anthony Kersting more than saying that I find it very difficult to be around all the archived photographs, which are shelved right behind my office chair (lucky me!) in their respective boxes, without wishing I could take one home! I chose his photographs not only for his sense of narrative, which you can easily pick up from his extensive travels around the world, but for the magnificent way in which he captured the many regions and seasons that he journeyed through and experienced. From sea stretches in Mahabalipuram in India to the Mountainous plains of Jordan, Kersting&#8217;s talent in photographing landscape is evident. His sharpness in photographing the most minute<\/span> <span class=\"s2\">detail of space is immaculate. This was particularly evident in one of the photographs I luckily stumbled upon, of the Gulf of Aqaba seen from the Transjordan mountains to the East. Kersting perfectly instils this hazy and yet earthly view of the desert landscape.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-189 size-medium alignleft\" src=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2017\/12\/4-243x300.jpg\" alt=\"\" width=\"243\" height=\"300\" srcset=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/12\/4-243x300.jpg 243w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/12\/4-768x950.jpg 768w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/12\/4-828x1024.jpg 828w\" sizes=\"auto, (max-width: 243px) 100vw, 243px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"wp-image-187 size-medium alignright\" src=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/files\/2017\/12\/3-300x240.jpg\" alt=\"\" width=\"300\" height=\"240\" srcset=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/12\/3-300x240.jpg 300w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/12\/3-768x615.jpg 768w, https:\/\/sites.courtauld.ac.uk\/digitalmedia\/wp-content\/uploads\/sites\/26\/2017\/12\/3-1024x820.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p3\"><span class=\"s2\">The subjectivity and artistic tendencies of these three very different charcoal sketches, paintings, and photographs are clearly evident. However, as time drifts away, nothing can take away the essence of nature that is willing to adjust towards maybe a whit of artistic creativity and interpretation. These three artists, which I am fortunate enough to write about in a non-critical nor comparative approach, give us reason to celebrate their life and genius, for their remarkable ways of catching the embodiment of the true nature of landscape in its different thematic guises.<\/span><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><span class=\"s2\">Alia Ahmad<\/span><br \/>\nCourtauld Connects Digitisation Placement<\/p>\n<p class=\"p3\">\n","protected":false},"excerpt":{"rendered":"<p>Audio Version Read by Verity Babbs Text Version The Courtauld\u2019s Witt Library is a large collection of photographs, reproductions and cuttings of paintings, drawings and engravings of Western Art from c1200 to the present day. Within its 19 thousand boxes sit just over 2.15 million images depicting many diverse themes and subjects. The complete archive&hellip;<\/p>\n<p><a class=\"more-link\" href=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/2017\/12\/04\/looking-different-laws-landscape\/\" title=\"View &lsquo;Alia Ahmad: Looking Through Different Laws of Landscape&rsquo;\">View <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":204,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[312,8,9],"tags":[414,412,46,413,68],"class_list":["post-186","post","type-post","status-publish","format-standard","hentry","category-placement","category-the-kersting-archive","category-the-witt-library","tag-art-history","tag-audio","tag-black-and-white","tag-landscape","tag-photography"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Alia Ahmad: Looking Through Different Laws of Landscape - Digital Media<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sites.courtauld.ac.uk\/digitalmedia\/2017\/12\/04\/looking-different-laws-landscape\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Alia Ahmad: Looking Through Different Laws of Landscape - Digital Media\" \/>\n<meta property=\"og:description\" content=\"Audio Version Read by Verity Babbs Text Version The Courtauld\u2019s Witt Library is a large collection of photographs, reproductions and cuttings of paintings, drawings and engravings of Western Art from c1200 to the present day. Within its 19 thousand boxes sit just over 2.15 million images depicting many diverse themes and subjects. 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